Piano Solo - Easy-Intermediate SKU: FP.FBS03 Composed by Sarah Baker. She...(+)
Piano Solo -
Easy-Intermediate
SKU:
FP.FBS03
Composed by
Sarah Baker. Sheet Music
and Books. Nine pieces
on a day time theme
for solo piano, by Sarah
Baker. Suggested grade
4-5. Classical.
Collection. Forsyths
Publications #FBS03.
Published by Forsyths
Publications (FP.FBS03).
ISBN
9790570500192.
Sara
h Baker is Vocal Composer
in Residence at Education
Music Services, an ABRSM
examiner and a well known
composer of songs and
musicals for primary
schools and massed-choral
events.
All this
experience has come
together in the creation
of this album of piano
pieces, inspired by
growing up in the
Chiltern Hills. Suitable
for players of around
grade 4-5 standard, her
evocative sound pieces
describe a crash-landing
hot air balloon, garden
invading cows and a even
a snake in a
pond!
Air
Balloon!: One vivid
memory I have as a child
is of the day that a hot
air balloon passed over
our house and made an
emergency landing on the
road in front! The sound
of the gas being blown
into the balloon to try
to keep it high enough to
pass the house sounded so
loud and intimidating,
and then there was the
bustle of the neighbours
as we all went out into
the street to watch. It
was both terrifying and
exhilarating to watch the
balloon float past and
then land so near
by.
Buzzards
Circling: There is
something so calming and
restful about watching
birds of prey circling in
the thermal currents of a
summer sky. Growing up in
the Chilterns gave me
plenty of opportunity to
watch buzzards and red
kites. This piano solo
captures the beauty of
their flight as they
glide so effortlessly
through the
air.
There’
s A Cow In The Garden
Eating The Flowers:
Inspired by the memory of
seeing an unexpected cow
in the garden! This
surreal image is captured
in a quirky waltz, as I
portray both the
absurdity of the moment
and the sense of wonder I
felt as a child, looking
out of the window and
seeing the cow walking
round and eating the
flowers. The final phrase
articulates my longing:
‘I wish it would
come
again’.
Wat
ching The World Go By: A
short, reflective piece,
remembering what it was
like to have time to just
sit and watch the world
go by from my bedroom
window.
Autumn
Skies: A miniature about
the beauty of Autumn
skies and the poignant
sense of loss for a
summer gone. Friends I
was fortunate to have
several children of my
own age living close by.
We seemed to be forever
making dens, playing out
in the street and
generally enjoying each
other’s company.
This piece reflects that
sense of
well-being.
Snake
In The Pond: One hot
summer I was astonished
and scared to see a grass
snake cooling off in our
garden pond! I watched,
both horrified and
fascinated, as it rose up
from the depths and then
disappeared again. Here I
portray the sense of the
hazy summer afternoon as
I peacefully watched the
tiny movements of fish in
the pond, contrasted with
the fear and excitement
of seeing the snake
appear.
Morning
Commute: I recollect many
mornings stuck in traffic
as my Dad took me to
school on his way to
work. There is one main
road out of the village
where I grew up, and that
got more and more
congested the closer we
got to the town. We may
not have chatted a lot,
but it was always good to
be together with my Dad,
lost in our own
thoughts.
The
Witch’s Cottage:
My siblings and I had a
fascination with a small
cottage nearby. It was
set back from the road in
a dark part of the woods
and we called it 'the
witch's cottage’.
Every time we passed, I
imagined I heard the
distant cackle of the
witch and wished I could
catch a glimpse of
her.
These pieces
are written to complement
my other collection,
Night Time Impressions,
which also draw on
childhood recollections,
particularly of the woods
behind the house where I
grew up. - Sarah Baker
2023.
By Griffes. Edited by Donna K. Anderson. For medium (high) voice, piano. 1.Le Ja...(+)
By Griffes. Edited by
Donna K. Anderson. For
medium (high) voice,
piano. 1.Le Jardin(The
Garden); 2.Impression du
Matin(Early Morning in
London); 3.La Mer(The
Sea); 4.Le
Reveillon(Dawn)(Eng).
Duration ca.11. Published
by C.F. Peters.
Choral (3-part divisi treble voices) SKU: HL.48020659 CME In High Voic...(+)
Choral (3-part divisi
treble voices)
SKU:
HL.48020659
CME In
High Voice. Composed
by Anver Hanani. In High
Voice. Concert, Festival.
Octavo. 16 pages. Boosey
& Hawkes #M051479009.
Published by Boosey &
Hawkes (HL.48020659).
UPC: 884088409104.
6.75x10.5
inches.
This
brilliant and impressive
work might be described
as an outburst of
optimism and brightness.
It is divided into three
main parts, each built
out of several short
sections, all connected
by a continuous flowing
piano accompaniment with
the texture shifting back
and forth between a
chorale-like hymn and a
three part canon. The
third part is a bell-like
finale.
By Claude Debussy (1862-1918). Arranged by Jair Klarfeld / Jeff Yates. For March...(+)
By Claude Debussy
(1862-1918). Arranged by
Jair Klarfeld / Jeff
Yates. For Marching Band.
Jalen Marching Band.
Classical/Competition
Charts. Grade 3
(Medium-Easy). Score and
parts. Published by Jalen
Publishing
Fanfare Band - Grade 3 SKU: BT.GOB-000652-020 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-020
Composed by Rieks van der
Velde. Set (Score &
Parts). 144 pages.
Gobelin Music
Publications #GOB
000652-020. Published by
Gobelin Music
Publications
(BT.GOB-000652-020).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London.
1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Piano Solo - Easy-Intermediate SKU: FP.FBS02 Composed by Sarah Baker. She...(+)
Piano Solo -
Easy-Intermediate
SKU:
FP.FBS02
Composed by
Sarah Baker. Sheet Music
and Books. Eight pieces
on a night theme for solo
piano, by Sarah Baker.
Suggested grade 4-5.
Classical. Collection.
Forsyths Publications
#FBS02. Published by
Forsyths Publications
(FP.FBS02).
ISBN
9790570500192.
Sara
h Baker is Vocal Composer
in Residence at Education
Music Services, an ABRSM
examiner and a well known
composer of songs and
musicals for primary
schools and massed-choral
events.
All this
experience has come
together in the creation
of this first published
album of piano pieces,
inspired by the sounds
heard at night from the
woodland just beyond
Sarah’s childhood
home.
Suitable for
players of around grade
4-5 standard, her
evocative sound pieces
begin at the tranquillity
of dusk and end with the
exuberant dawn
chorus.
The
composer
writes:
'I grew up
with woods behind my
house, and the nocturnal
noises and images that I
remember were the
inspiration for these
eight short sound
pictures on the theme of
night. The music moves
first from the
tranquility of dusk and
evening mists, to the
emerging starlight of
twilight. As night falls
it takes on on a darker
quality with shadows and
dreams disturbing peace
and calm.The night birds
and bats swoop and flit
past as they seek their
prey, but gradually dawn
approaches and peaceful
sleep is restored. The
morning is heralded in
the joyful exuberance of
the dawn chorus.'.
Piano seul [Partition] - Intermédiaire Alfred Publishing
Composed by Martha Mier. For piano solo. Format: piano solo book. With standard ...(+)
Composed by Martha Mier.
For piano solo. Format:
piano solo book. With
standard notation and
fingerings. Classical. 23
pages. 9x12 inches.
Published by Alfred
Publishing.
Piano seul [Partition] - Intermédiaire Alfred Publishing
Composed by Martha Mier. For piano solo. Format: piano solo book. With standard ...(+)
Composed by Martha Mier.
For piano solo. Format:
piano solo book. With
standard notation and
fingerings. Classical. 24
pages. 9x12 inches.
Published by Alfred
Publishing.
Cambridgeshire Impressions Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000452-030 Composed by Rieks van der Vel...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000452-030
Composed by Rieks van der
Velde. Set (Score &
Parts). 62 pages. Gobelin
Music Publications #GOB
000452-030. Published by
Gobelin Music
Publications
(BT.GOB-000452-030).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
ofLondon.
1. The
Journey. Although on
arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegromovement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive of percussion
instruments give
expression to this
image. Thefirst part
is concluded by two Calmo
movements in which the
music expresses how the
cathedral in the city of
Ely comes into sight and
is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, whichwas built in
1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of
thecathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the earlyhours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would
havewished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
ten noorden
vanLonden.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
het Allegro laat
Cambridgeshire zienals
een streek van
vitaliteit, energie en
frisheid. Korte
themas, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluit met twee Calmo
gedeelten waarbij het
zicht op dekathedraal van
de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de dag
van vandaag een grote
aantrekkingskracht geniet
van niet
alleentoeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan depub is
uiteraard een must.
Tot 11 uur s avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4.
The Journey Back. Er
is een tijd van komen en
gaan, en dat moment komt
eerder danje zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze afscheid
genomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Fanfare Band - Grade 3 SKU: BT.GOB-000652-120 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-120
Composed by Rieks van der
Velde. Score Only. 22
pages. Gobelin Music
Publications #GOB
000652-120. Published by
Gobelin Music
Publications
(BT.GOB-000652-120).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London.
1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Brass Band - Grade 3 SKU: BT.GOB-000452-130 Composed by Rieks van der Vel...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000452-130
Composed by Rieks van der
Velde. Score Only. 32
pages. Gobelin Music
Publications #GOB
000452-130. Published by
Gobelin Music
Publications
(BT.GOB-000452-130).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
ofLondon.
1. The
Journey. Although on
arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegromovement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive of percussion
instruments give
expression to this
image. Thefirst part
is concluded by two Calmo
movements in which the
music expresses how the
cathedral in the city of
Ely comes into sight and
is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, whichwas built in
1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of
thecathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the earlyhours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would
havewished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
ten noorden
vanLonden.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
het Allegro laat
Cambridgeshire zienals
een streek van
vitaliteit, energie en
frisheid. Korte
themas, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluit met twee Calmo
gedeelten waarbij het
zicht op dekathedraal van
de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de dag
van vandaag een grote
aantrekkingskracht geniet
van niet
alleentoeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan depub is
uiteraard een must.
Tot 11 uur s avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4.
The Journey Back. Er
is een tijd van komen en
gaan, en dat moment komt
eerder danje zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze afscheid
genomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Choir (SATB choir) SKU: AP.49832 Arranged by Victor C Johnson. Performanc...(+)
Choir (SATB choir)
SKU: AP.49832
Arranged by Victor C
Johnson. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Sacred;
Spiritual; Traditional.
Choral Octavo. 8 pages.
Alfred Music #00-49832.
Published by Alfred Music
(AP.49832).
UPC:
038081571461. English.
Traditional
Spiritual.
Here's a
beloved American
spiritual, sensitively
prepared for school and
church singers by Victor
C. Johnson. The familiar
strophic melody is fully
arranged with
progressively richer
sonorities throughout.
Expressive tempo markings
stretch the final moment
of every phrase and
suggest more motion for
the hear the trumpet
sound verse. A lovely
piano accompaniment does
not double, but rather
decorates the satisfying
choral parts. A gentle
gem that grows to an
impressive height before
a quiet conclusion.
Choir (2-Part choir) SKU: AP.49833 Arranged by Victor C Johnson. Performa...(+)
Choir (2-Part choir)
SKU: AP.49833
Arranged by Victor C
Johnson. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Sacred;
Spiritual; Traditional.
Choral Octavo. 8 pages.
Alfred Music #00-49833.
Published by Alfred Music
(AP.49833).
UPC:
038081571478. English.
Traditional
Spiritual.
Here's a
beloved American
spiritual, sensitively
prepared for school and
church singers by Victor
C. Johnson. The familiar
strophic melody is fully
arranged with
progressively richer
sonorities throughout.
Expressive tempo markings
stretch the final moment
of every phrase and
suggest more motion for
the hear the trumpet
sound verse. A lovely
piano accompaniment does
not double, but rather
decorates the satisfying
choral parts. A gentle
gem that grows to an
impressive height before
a quiet conclusion.
Composed by Leo Ornstein (1892-2002). Edited by Severo Ornstein, Michael B...(+)
Composed by Leo Ornstein
(1892-2002). Edited by
Severo Ornstein, Michael
Broyles, and Denise von
Glahn. For Piano. Book;
Masterworks; Piano
Collection. Dover
Edition.
20th Century; Masterwork.
Advanced. Published by
Alfred Music
SKU: SU.00115946 Composed by Alla Pavlova. CD (Audio). Subito Music Corpo...(+)
SKU: SU.00115946
Composed by Alla Pavlova.
CD (Audio). Subito Music
Corporation #00115946.
Published by Subito Music
Corporation
(SU.00115946).
Conductor
Konstantin Krimets 1995
National Public Radio
said about this CD, ...in
Pavlova's music you will
find a special quality of
(the) Russian way of
thinking. Let's say it
comes from the way of
thinking found in
Checkhov, Tchaikovsky,
Rachmaninoff. Six Piano
Impressions After Fairy
Tales By H.C. Anderson
(1990) 1. The Mermaid 2.
Little Took 3. Thumbelina
4. The Old Tombstone 5.
The Rose From Homer's
Grave 6. The Clock of the
Snow Queen 7. Prelude
Summer Pictures 8. Misty
Morning 9. Summer Shower
10. Lullaby for Irene 11.
Winter Morning 12. The
Eyes, Begging For Mercy
13. The Dream 14. We Are
The Love 15. Farewell,
Russia.
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra Orchestra SKU: CF.PO192 On We Wish You a Merry Christmas...(+)
Orchestra Orchestra
SKU: CF.PO192
On We Wish You a Merry
Christmas. Composed
by Robert B. Brown. Set
of Score and Parts.
13+5+39 pages. Duration
2:40. Carl Fischer Music
#PO192. Published by Carl
Fischer Music (CF.PO192).
ISBN 9781491157350.
UPC: 680160915910. Key:
Bb major.
Program
note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .