| 1ère Arabesque (Collection Anacrouse) Piano seul Editions Bourges
Piano Solo - Medium SKU: BU.EBR-A029 Composed by Claude Debussy. This edi...(+)
Piano Solo - Medium
SKU: BU.EBR-A029
Composed by Claude
Debussy. This edition:
French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A029. Published by
Editions Bourges
(BU.EBR-A029). ISBN
9790560150994. 8.58 x
12.48 inches. La
collection ANACROUSE
offre aux pianistes
novices et confirmés
un large choix
d’œuvres
classiques, allant de la
Renaissance Ã
l’époque
moderne.
Proposer
tout à la fois des
« incontournablesÂ
» du répertoire
classique et des
pièces de compositeurs
parfois oubliés,
toutes d’une
valeur pédagogique
indéniable, tels sont
les objectifs que nous
nous sommes fixés.
Chaque pièce, vendue
à l’unité, a
fait l’objet
d’un travail
éditorial attentif,
tant sur le plan de
l’établissement
du texte musical que de
sa gravure, afin de
garantir aux musiciens
les conditions
indispensables aux
plaisirs tirés du
commerce fréquent de
ces
Å“uvres.
Les
partitions sont
proposées sous la
forme d’ouvrages
traditionnels (feuillets
papier), et disponibles
également par
téléchargement.
Claude
Debussy compose ses deux
arabesques en 1888. Ces
compositions font parties
de la première
période de son
développement de
l’écriture
pianistique.
L’avenir
d’un nouveau
langage se révèle
dans ces pièces, par
l’usage
d’une conception
moderne de la courbe
mélodique,
harmoniquement immobile.
Cette conception
caractérise la
substance principale de
l’idée
d’une arabesque,
si chère Ã
Debussy. L’arab
esque n°1 revendique
une forme ternaire de
même que
l’arabesque
n°2. La première
arabesque en mi majeur
comporte des triolets
déliés qui semblent
suggérer
l’évolution de
son langage musical dans
le traitement des
arpèges et dans la
facilité
d’utiliser les
modulations. Dès
son entrée dans le
répertoire, la
pièce prit une place
constante dans la musique
vivante.
D’après Léon
Vallas, sa «Â
souplesse fait songer
à la brillante
légèreté des
ballets de
Delibes ». Alfred
Hitchkook nous fait
entendre
l’arabesque n°1
dans la scène du
dîner dans le film
« Les oiseauxÂ
». La première
arabesque est Ã
l’égal
d’une pièce
littéraire. Cette
pièce exprime Ã
demi teinte une ardeur
raffinée et
réservée des sens,
comme un tableau
impressionniste. Amate
urs de peintures de
Seurat ou de Monnet,
l’Arabesque n°1
vous fera découvrir
l’univers Ã
demi mot du premier grand
musicien impressionniste
qu’est Claude
Debussy. $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Best of pianiste No. 1 Piano seul [Partition + CD] Beuscher
Composed by Alexandre Sorel. Classical. Score and CD. 111 pages. Paul Beuscher #...(+)
Composed by Alexandre
Sorel. Classical. Score
and CD. 111 pages. Paul
Beuscher #BESTPIA1.
Published by Paul
Beuscher (LM.BESTPIA1).
$40.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Debussy [Partition] Schott
Selected Works. By Claude Debussy. Arranged by Wilhelm Ohmen. Schott. Size 9x12 ...(+)
Selected Works. By Claude
Debussy. Arranged by
Wilhelm Ohmen. Schott.
Size 9x12 inches. 64
pages. Published by
Schott.
$22.99 - Voir plus => Acheter | | |
| Premiere Arabesque Pour Violon Et Piano Violon et Piano Durand
Violin and Piano SKU: HL.50565192 Composed by Claude Debussy. MGB. Score ...(+)
Violin and Piano SKU:
HL.50565192 Composed
by Claude Debussy. MGB.
Score Only. Composed
2001. Editions Durand
#DD6896. Published by
Editions Durand
(HL.50565192).
$10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joies Des Premiers Classiques Piano seul Editions Musicales Francaises
Joy Of. Classical. Book Only. 80 pages. Editions Musicales Francaises #EMF100210...(+)
Joy Of. Classical. Book
Only. 80 pages. Editions
Musicales Francaises
#EMF100210. Published by
Editions Musicales
Francaises
$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keyboard Cousins Piano seul Subito Music
Piano SKU: SU.95010680 For Piano. Composed by Judith Lang Zaimont....(+)
Piano SKU:
SU.95010680 For
Piano. Composed by
Judith Lang Zaimont.
Score. Subito Music
Corporation #95010680.
Published by Subito Music
Corporation
(SU.95010680).
Throughout our
wonderful spectrum of
sounds every instrument
speaks in its own unique
voice - in a special
manner, with a special
accent. Keyboard Cousins
asks the developing
pianist to adopt a few of
these other voices using
controlled varieties of
touch. —Judith
Lang Zaimont The
Harpsichord A
Harpsichord's sounds are
short and a bit brittle.
So use a detached touch,
and no pedal. The Guitar
A Guitar's tones linger,
and the instrument
responds to flexing
tempos. Watch for the
detached, moving inner
line, shared from hand to
hand, while the top and
bottom anchor points
sustain. And note the
given direction for
certain arpeggios, and
where the tempo loosens
(especially a long ending
ritard). The Harp A
Harp's exuberance
flourishes across its
wide range. Its
arabesques build up
resonance over time, so
watch how the pedaling
matches the phrasing.
Though the meter twice
switches from triple to
duple, there are the same
steady 2 beats in every
bar.Keyboard Cousins is
included in Piano
Premieres, Volume 1
(Cat.# 96010590), New
music for developing
pianists. Piano Duration:
ca. 5' Composed: 2020
Published by: Subito
Music Publishing. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nameless Seas (Piano Concerto) Piano et Orchestre Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5). ISBN
9790550113725. Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work. $49.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Short Romantic Pieces for Piano Book II Piano seul - Facile ABRSM Publishing
By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools o...(+)
By ABRSM. For piano.
Published by ABRSM
(Associated Board of the
Royal Schools of Music).
$16.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Best of pianiste n°1 Piano seul Beuscher
Piano SKU: BT.PBBESTPIA1 Composed by Alexandre Sorel. Classical. Score wi...(+)
Piano SKU:
BT.PBBESTPIA1
Composed by Alexandre
Sorel. Classical. Score
with CD. Composed 2014.
111 pages. Paul Beuscher
#PBBESTPIA1. Published by
Paul Beuscher
(BT.PBBESTPIA1). ISBN
9782824400433. HAEN
DEL : Rigaudon - GRIEG :
Arietta, extr. des
Pièces lyriques Op.12
- MOZART : Valse favorite
KV606 - Mc DOWELL : Pour
une rose sauvage, extr.
des Woodland Sketches -
MA KAPAR : Berceuse -
GLINKA : Polka - COUPERIN
: L'Epineuse, extr. du
VIe Ordre - BACH :
Musette en ré majeur
BWV anh.126 - ANONYME :
Marche du Petit Livre
d'Anna Magdalena Bach -
FUCHS : Douce Consolation
Op.47 n°11 - SCHUMANN
: Premier Chagrin, extr.
de l'Album pour la
jeunesse Op.68 - GURLITT
: Petites Fleurs Op.205 -
SPINDLER : Chanson sans
paroles - HUMMEL :
Ecossaise Op.52 n°5 -
MOUSSORGSKI : Une larme -
CHOPIN : Mazurka Op.67
n°2 - SCHUBERT : Valse
n°6 Op.18 D145 -
BEETHOVEN : Bagatelle
Op.119 n°1 - SATIE
:Gymnopédie n°1 -
MENDELSSOHN : Chant du
gondolier Op.30 n°6 -
BACH : Invention 2 voix
n°4 BWV 775 - FAURE :
Pièce brève Op.84
n°5 - MOZART :
Fantaisie en ré mineur
K.397 - CHOPIN :
Prélude Op.28 n°6 -
DEBUSSY : Doctor Gradus
ad Parnassum, extr. des
Children's Corner -
SCRIABINE : Prélude
Op.22 n°3 - SCHUMANN :
L'Enfant s'endort, extr.
des Scènes d'enfants
Op.15 - LISZT :
Consolation n°3 -
DEBUSSY : Première
Arabesque - BACH :
Concerto italien BWV971,
2e mouvement. $30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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