| Rite of Passage Orchestre d'harmonie - Débutant FJH
Concert Band Concert Band - Grade 1 SKU: FJ.B1018 Composed by Brian Balma...(+)
Concert Band Concert Band
- Grade 1 SKU:
FJ.B1018 Composed by
Brian Balmages. Arranged
by Brian Balmages.
Beginning Band. FJH
Beginning Band. Score and
Part(s). Duration 2:00.
The FJH Music Company Inc
#98-B1018. Published by
The FJH Music Company Inc
(FJ.B1018). UPC:
674398205479.
English. A
beginning band piece
limited to a 6-note
range, Rite of Passage
will have your band
playing together in very
little time. Utilizing
smaller chamber sections
as well as the full band,
this is an excellent
teaching piece. With no
clarinets over the break
and no trumpets higher
than a written A, this is
a very easy Grade 1
concert march.
(2:00).
About FJH
Beginning
Band Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1. $42.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rite of Passage Ensemble de Percussions [CD-ROM|Set of Parts|Folders & Binders|CD-ROM] - Avancé Tapspace Publications
By Jesse Monkman. Percussion Ensemble. For 5 octave marimba, 5 toms, 2 mounted t...(+)
By Jesse Monkman.
Percussion Ensemble. For
5 octave marimba, 5 toms,
2 mounted tambourines,
bongos, vibraphone, 2
snare drums, 3 sus.
Cyms., china cymbal,
Chinese opera gong, 2
bass drums, temple
blocks, 5 roto toms, tam
tam, brake drum, bell
tree. (3 players). Level:
Advanced. 2 scores (1
with full marimba and
reduced percussion parts;
1 with percussion parts
and marimba cues).
Duration 12:30. Published
by Tapspace Publications.
$38.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Of Castles And Kings Orchestre d'harmonie Walking Frog Records
Album for the Young. The Washington Winds, Edward S. Petersen, conductor....(+)
Album for the
Young. The Washington
Winds, Edward S.
Petersen, conductor. CD.
Composed 2013. Published
by Walking Frog Records
(CL.WFR380).
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cake Walks and Classic Rags for Fingerstyle Guitar Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Saddle-stitched. Folk. Book and online audio. 172 pages. Mel Bay Publications,...(+)
Saddle-stitched. Folk.
Book
and online audio. 172
pages.
Mel Bay Publications, Inc
#31061M. Published by Mel
Bay
Publications, Inc
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Event Horizons (Sonata for alto saxophone and piano) Saxophone Alto et Piano Fennica Gehrman
Alto saxophone, piano SKU: FG.55011-432-6 Composed by Matthew Whittall. F...(+)
Alto saxophone, piano
SKU:
FG.55011-432-6
Composed by Matthew
Whittall. Fennica Gehrman
#55011-432-6. Published
by Fennica Gehrman
(FG.55011-432-6). ISBN
9790550114326. Acco
rding to the composer,
the sonata for alto
saxophone and piano,
which he regards as his
first mature composition,
takes its title from the
astronomical term
referring to the
spacetime boundary in a
black hole beyond which
light can no longer
escape - a point of no
return. Event Horizons is
an intensely emotional
piece, stemming from
reflections on the
immensity of the universe
and one's own place in
it. The title was merely
a catalyst, an image that
sparked the creative
process. Whittall was
also greatly affected by
the spaciousness and
subtle intricacies of
Eastern music - the
gamelan music of Bali in
particularly.
Much of the resulting
music is reminiscent of
the ringing of bells or
gongs, which in so many
cultures has great
ceremonial and spiritual
importance. They can be
seen as a symbol of
connection between the
natural and meta-physical
worlds. At its core,
Event Horizons is an
intense rite of passage,
a quest for ultimate
understanding, and
perhaps reaches it, at
least in part. $46.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Prelude in C-sharp Minor Op. 3/2 Piano seul [Conducteur] Wiener Urtext
Chamber Music Piano SKU: PR.UT050417 Composed by Sergei Rachmaninoff. Edi...(+)
Chamber Music Piano
SKU: PR.UT050417
Composed by Sergei
Rachmaninoff. Edited by
Jochen Reutter Nils
Franke. Score. With
Standard notation. Wiener
Urtext/Vienna Urtext
#UT050417. Published by
Wiener Urtext/Vienna
Urtext (PR.UT050417).
ISBN 9783850557740.
UPC:
800522003325. The
Rachmaninov Prelude is
one of those classics you
can name in three notes.
A global success shortly
after he first performed
it in 1892, the Prelude
has become a rite of
passage for advancing
pianists. Its dynamic
chordal passages,
slow-building middle
section, and clanging
finale bring forth the
full power of the
instrument, solidifying
the Prelude's place in
the repertoire. In
preparing the urtext
edition, Reutter and
Franke have consulted the
autograph and first
print, as well as
Rachmaninov's own
recordings of the
piece. $7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Black Clouds & Silver Linings Guitare notes et tablatures [Partition] Alfred Publishing
For Guitar. This edition: Authentic Guitar TAB. Guitar Personality. Book. 172 pa...(+)
For Guitar. This edition:
Authentic Guitar TAB.
Guitar Personality. Book.
172 pages. Published by
Alfred Music Publishing
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Wall (Authentic Guitar TAB). Clavier Alfred Publishing
By Dream Theater. For Keyboard. This edition: Keyboard Transcriptions/Vocal. Boo...(+)
By Dream Theater. For
Keyboard. This edition:
Keyboard
Transcriptions/Vocal.
Book; Electronic Keyboard
(Piano) - Personality
Book. Rock. 136 pages.
Published by Alfred Music
Publishing
(2)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Vision Quest Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
(A Rite of Passage). By James Swearingen. For concert band. Young Band. Rising B...(+)
(A Rite of Passage). By
James Swearingen. For
concert band. Young Band.
Rising Band Series. Grade
1.5. Score and set of
parts. Duration 2
minutes, 28 seconds.
Published by C.L.
Barnhouse
$46.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dear Miss Tooth Fairy Piano seul [Conducteur] FJH
Piano - Elementary SKU: FJ.W9451 Composed by Mary Leaf. Piano Solo; Piano...(+)
Piano - Elementary
SKU: FJ.W9451
Composed by Mary Leaf.
Piano Solo; Piano
Supplemental. Written For
You. Score. The FJH Music
Company Inc #98-W9451.
Published by The FJH
Music Company Inc
(FJ.W9451). UPC:
241444384060.
English. This
charming elementary piece
deals with the rite of
passage of loosing a
tooth. A piece in Almost
Middle CÂ position
(R.H. on D, L.H. on C)
with no accidentals.
Clever lyrics that tell a
story and an optional
teacher duet adds to the
charm. $2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Csardas Guitare Chanterelle
Guitar SKU: PR.ECH2718 Composed by Vittorio Monti. With Standard notation...(+)
Guitar SKU:
PR.ECH2718 Composed
by Vittorio Monti. With
Standard notation. 12
pages. Chanterelle
#ECH2718. Published by
Chanterelle (PR.ECH2718).
The famous
Monti Csardas is a rite
of passage for
accomplished musicians, a
virtuosic, demanding
showcase which runs the
gamut from intensely
dynamic to fast-fingered
franticism. Lavrentiev
has now provided a solid,
though demanding,
transcription for
advanced guitarists. $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vision Quest Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Concert band - Grade 1 SKU: CL.024-4237-01 A Rite Of Passage. Youn...(+)
Concert band - Grade 1
SKU:
CL.024-4237-01 A
Rite Of Passage.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR380). Extra full
score. Composed 2013.
Duration 2 minutes, 28
seconds. C.L. Barnhouse
#024-4237-01. Published
by C.L. Barnhouse
(CL.024-4237-01).
If
you’re looking for
a programmatic piece
that’s based on
Native American history,
musically reflective and
highly energetic, then
look no more. Solid
scoring, creative musical
themes and fun-to-play
percussion parts all
combine to make this
selection highly
appealing for both
musicians and audience
alike. A guaranteed
winner! $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rite of Passage Orchestre d'harmonie [Conducteur] - Débutant FJH
Composed by Brian Balmages. For concert band. Concert Band. FJH Beginning Band. ...(+)
Composed by Brian
Balmages. For concert
band. Concert Band. FJH
Beginning Band. Score
only. Full set (score and
parts) also available:
B1018. Grade 1. Score
only. Duration 2 minutes,
05 seconds. Published by
The FJH Music Company Inc
$6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shadows of Silence Piano seul Wilhelm Hansen
Piano SKU: HL.14030976 Piano. Composed by Bent Sorensen. Music Sal...(+)
Piano SKU:
HL.14030976
Piano. Composed by
Bent Sorensen. Music
Sales America. Classical.
Book [Softcover]. 24
pages. Edition Wilhelm
Hansen #KP01588.
Published by Edition
Wilhelm Hansen
(HL.14030976). ISBN
9788759853757.
9.5x14.25x0.086 inches.
English. The
composer writes, 'Quite
some time ago I heard -
through a conversation in
a mobile phone - a
wonderful concert of
ringing church bells from
an European capital. I
found it very hard to
concentrate about the
conversation, because I
was so engrossed by the
chaotic world of bell
sound. The night after, I
dreamt that the sound of
those low singing bells
was rising up from a
piano in a huge empty
concert hall. That
experience became the
starting point for my
piano piece, 'The Shadows
of Silence'. But before
the piece gets to the
ringing bells it moves
through a landscape of
shadows - Shadows of the
silence before the bells
- Silence before the
storm - Shadows of
melodies which all the
time leaves traces even
in the short passages of
storm. After the passage
with the low ringing
bells the shadows of
silence returns melted in
to a lament, which are
sending two regards. One
to two small beautiful -
not very well known -
bars by Mozart, and one
to the sextet in my own
opera, 'Under the
Sky'. $16.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| MBGU Fingerstyle Curriculum: Best Contemporary Solos Guitare notes et tablatures [Partition + CD] - Intermédiaire Mel Bay
Edited by Steve Siktberg, compiled by William Gangle. For Guitar (Fingerpicking)...(+)
Edited by Steve Siktberg,
compiled by William
Gangle. For Guitar
(Fingerpicking). Solos.
MBGU. Contemporary.
Level: Intermediate.
Book/CD Set. Size
8.75x11.75. 120 pages.
Published by Mel Bay
Publications, Inc.
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Indigo Girls: Rites of Passage Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Indigo Girls. For voice, piano and guitar chords. Format: piano/voc...(+)
Performed by Indigo
Girls. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams, guitar
tablature and color
photos. Alternative rock
and folk. 112 pages. 9x12
inches. Published by Hal
Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Yanni: Ethnicity Piano seul [Partition] - Intermédiaire Hal Leonard
Performed by Yanni. For piano. Format: piano solo book. New age. 96 pages. 9x12 ...(+)
Performed by Yanni. For
piano. Format: piano solo
book. New age. 96 pages.
9x12 inches. Published by
Hal Leonard.
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rites of Passage Basson, Piano (duo) [Conducteur et Parties séparées] Seesaw Music Corp
Bassoon & Piano SKU: SU.50023740 For Bassoon & Piano. Composed by ...(+)
Bassoon & Piano SKU:
SU.50023740 For
Bassoon & Piano.
Composed by Joseph
Pehrson. Woodwinds,
Bassoon. Accompanied by
piano. Score & Parts.
Seesaw Music Corp
#50023740. Published by
Seesaw Music Corp
(SU.50023740).
Copyright 1984.
Published by: Seesaw
Music. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Guardians of the Waves Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-481-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.AMP-481-010
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Set (Score & Parts).
Composed 2021. Anglo
Music Press #AMP 481-010.
Published by Anglo Music
Press (BT.AMP-481-010).
English-German-French-
Dutch. Guardians
of the Waves was
commissioned by the Japan
Coast Guard Band to
celebrate their 30th
anniversary in 2018. They
gave the premiere as part
of a 30th anniversary
concert on November 8th
that year. Set in
traditionalmarch form,
Guardians of the
Waves opens with a
short introduction, which
leads to the main theme,
played initially by the
brass and then repeated
with a florid woodwind
descant. The theme is
extended and morphs into
asecond theme, first
played tutti and then
quietly repeated by
bassoon, tenor sax and
euphonium. This leads to
a conventional
‘bass
strain’, played
twice with varying
accompaniments. A quieter
trio section follows,
delicatelyscored and
featuring the tenor
instruments of the band.
Taken up by the full
band, this leads back to
a recall of the
introduction and a return
to the main two themes,
which lead to a triumphal
close.
Guardian
s of the Waves werd
geschreven in opdracht
van de Japan Coast Guard
Band ter gelegenheid van
het dertigjarig bestaan
van dit orkest, in 2018.
De première vond
plaats tijdens het
jubileumconcert op 8
november van datjaar. Het
werk, dat is gecomponeerd
in een traditionele
marsvorm, begint met een
korte introductie die het
hoofdthema inleidt, dat
aanvankelijk wordt
gespeeld door het koper
en dan wordt herhaald met
een weelderige discant in
hethout. Het thema wordt
voortgezet en gaat over
in een tweede thema,
eerst tutti gespeeld en
rustig herhaald door
fagot, tenorsax en
eufonium. Dit thema voert
ons mee naar een
conventionele baslijn,
die twee keer wordt
gespeeld metvariërende
begeleiding. Daarna volgt
een kalmer triogedeelte,
dat delicaat is getoonzet
en waarin de
tenorinstrumenten van het
orkest ruimschoots aan
bod komen. Het wordt dan
overgenomen door het
complete orkest en brengt
onsterug naar de
inleiding en de twee
hoofdthema’s,
uitmondend in een
triomfantelijk
slot.
Guardians
of the Waves wurde
von der Japan Coast Guard
Band anlässlich ihres
30-jährigen Bestehens
im Jahr 2018 in Auftrag
gegeben. Die
Uraufführung fand am
8. November 2018 im
Rahmen eines
Jubiläumskonzertes
statt.Guardians of the
Waves wurde als
traditioneller Marsch
komponiert und beginnt
mit einer kurzen
Einleitung, die zum
Hauptthema führt.
Dieses wird zunächst
von den Blechbläsern
gespielt und dann von den
Oberstimmen in
denHolzbläsern mit
Verzierungen wiederholt.
Das Thema wird erweitert
und geht in ein zweites
Thema über, das
zunächst vom Tutti
gespielt und dann von
Fagott, Tenorsaxophon und
Euphonium leise
wiederholt wird.
Anschließend
erklingteine
traditionelle Melodie in
den Bassinstrumenten, die
mit unterschiedlicher
Begleitung zweimal
gespielt wird. Es folgt
ein ruhigeres Trio, das
zart besetzt ist und die
Tenorinstrumente des
Blasorchesters
hervorhebt. Dies
wirdschließlich vom
gesamten Blasorchester
aufgegriffen und führt
zu einer Wiederholung der
Einleitung und einer
Rückkehr zu den beiden
Hauptthemen, die in einen
triumphalen Schluss
überleiten.
Guardians of the
Waves est une
commande de
l’Harmonie de la
Gendarmerie maritime du
Japon pour marquer son
30e anniversaire, en
2018. L’orchestre
a créé
l’œuvre dans
le cadre d’un
concert
d’anniversaire le
8 novembre decette
même année.
Écrite en forme de
marche traditionnelle,
Guardians of the
Waves s’ouvre
avec une courte
introduction qui mène
au thème principal,
interprété
d’abord par les
cuivres puis repris avec
un déchant fleuri
parles bois. Le thème
est prolongé et se
morphe en un second
thème, d’abord
en tutti, puis
répété doucement
par les bassons,
saxophones ténor et
euphoniums. Ce passage
mène une mélodie
conventionnelle dans les
graves, jouée deuxfois
avec divers
accompagnements. Vient
ensuite un trio plus
calme, orchestré avec
délicatesse et mettant
en avant les instruments
ténor. Repris par
l’orchestre
entier, ce passage est
suivi d’un rappel
de l’introduction
avant unretour aux deux
thèmes principaux, qui
mènent une conclusion
triomphale. $120.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Guardians of the Waves Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-481-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.AMP-481-140
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Score Only. Composed
2021. 32 pages. Anglo
Music Press #AMP 481-140.
Published by Anglo Music
Press (BT.AMP-481-140).
English-German-French-
Dutch. Guardians
of the Waves was
commissioned by the Japan
Coast Guard Band to
celebrate their 30th
anniversary in 2018. They
gave the premiere as part
of a 30th anniversary
concert on November 8th
that year. Set in
traditionalmarch form,
Guardians of the
Waves opens with a
short introduction, which
leads to the main theme,
played initially by the
brass and then repeated
with a florid woodwind
descant. The theme is
extended and morphs into
asecond theme, first
played tutti and then
quietly repeated by
bassoon, tenor sax and
euphonium. This leads to
a conventional
‘bass
strain’, played
twice with varying
accompaniments. A quieter
trio section follows,
delicatelyscored and
featuring the tenor
instruments of the band.
Taken up by the full
band, this leads back to
a recall of the
introduction and a return
to the main two themes,
which lead to a triumphal
close.
Guardian
s of the Waves werd
geschreven in opdracht
van de Japan Coast Guard
Band ter gelegenheid van
het dertigjarig bestaan
van dit orkest, in 2018.
De première vond
plaats tijdens het
jubileumconcert op 8
november van datjaar. Het
werk, dat is gecomponeerd
in een traditionele
marsvorm, begint met een
korte introductie die het
hoofdthema inleidt, dat
aanvankelijk wordt
gespeeld door het koper
en dan wordt herhaald met
een weelderige discant in
hethout. Het thema wordt
voortgezet en gaat over
in een tweede thema,
eerst tutti gespeeld en
rustig herhaald door
fagot, tenorsax en
eufonium. Dit thema voert
ons mee naar een
conventionele baslijn,
die twee keer wordt
gespeeld metvariërende
begeleiding. Daarna volgt
een kalmer triogedeelte,
dat delicaat is getoonzet
en waarin de
tenorinstrumenten van het
orkest ruimschoots aan
bod komen. Het wordt dan
overgenomen door het
complete orkest en brengt
onsterug naar de
inleiding en de twee
hoofdthema’s,
uitmondend in een
triomfantelijk
slot.
Guardians
of the Waves wurde
von der Japan Coast Guard
Band anlässlich ihres
30-jährigen Bestehens
im Jahr 2018 in Auftrag
gegeben. Die
Uraufführung fand am
8. November 2018 im
Rahmen eines
Jubiläumskonzertes
statt.Guardians of the
Waves wurde als
traditioneller Marsch
komponiert und beginnt
mit einer kurzen
Einleitung, die zum
Hauptthema führt.
Dieses wird zunächst
von den Blechbläsern
gespielt und dann von den
Oberstimmen in
denHolzbläsern mit
Verzierungen wiederholt.
Das Thema wird erweitert
und geht in ein zweites
Thema über, das
zunächst vom Tutti
gespielt und dann von
Fagott, Tenorsaxophon und
Euphonium leise
wiederholt wird.
Anschließend
erklingteine
traditionelle Melodie in
den Bassinstrumenten, die
mit unterschiedlicher
Begleitung zweimal
gespielt wird. Es folgt
ein ruhigeres Trio, das
zart besetzt ist und die
Tenorinstrumente des
Blasorchesters
hervorhebt. Dies
wirdschließlich vom
gesamten Blasorchester
aufgegriffen und führt
zu einer Wiederholung der
Einleitung und einer
Rückkehr zu den beiden
Hauptthemen, die in einen
triumphalen Schluss
überleiten.
Guardians of the
Waves est une
commande de
l’Harmonie de la
Gendarmerie maritime du
Japon pour marquer son
30e anniversaire, en
2018. L’orchestre
a créé
l’œuvre dans
le cadre d’un
concert
d’anniversaire le
8 novembre decette
même année.
Écrite en forme de
marche traditionnelle,
Guardians of the
Waves s’ouvre
avec une courte
introduction qui mène
au thème principal,
interprété
d’abord par les
cuivres puis repris avec
un déchant fleuri
parles bois. Le thème
est prolongé et se
morphe en un second
thème, d’abord
en tutti, puis
répété doucement
par les bassons,
saxophones ténor et
euphoniums. Ce passage
mène une mélodie
conventionnelle dans les
graves, jouée deuxfois
avec divers
accompagnements. Vient
ensuite un trio plus
calme, orchestré avec
délicatesse et mettant
en avant les instruments
ténor. Repris par
l’orchestre
entier, ce passage est
suivi d’un rappel
de l’introduction
avant unretour aux deux
thèmes principaux, qui
mènent une conclusion
triomphale. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Solitude of Stars Piano seul Theodore Presser Co.
For Piano. Composed by Stacy Garrop. Sws. Duration 5 minutes. Theodore Presser...(+)
For Piano. Composed by
Stacy
Garrop. Sws. Duration 5
minutes. Theodore Presser
Company #110-41832.
Published by Theodore
Presser Company
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Saga of the Mississippi [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2
Oboes, 3 Clarinets, 3
Flutes, 3 Trombones, 3
Trumpets, 4 Horns, Bass
Drum, Contra-bassoon,
Cymbal, English Horn,
Percussion: Snare Drum,
Strings, Timpani, Tuba
SKU: PR.466411770
Composed by Harl
Mcdonald. This edition:
Study Score.
Contemporary. Full score.
With Standard notation.
84 pages. Duration 15
minutes. Theodore Presser
Company #466-41177.
Published by Theodore
Presser Company
(PR.466411770). UPC:
680160640850. 9 x 12
inches. Mississippi
I. Father of Waters: born
of the Highlands and the
Lakes; the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. Saga of the
Mississippi Harl McDonald
Born near Boulder,
Colorado, July 27, 1899
Now living in
Philadelphia The original
suggestion for a
symphonic work on the
subject of the
Mississippi came
indirectly from the late
Booth Tarkington who saw
in it color and movement
and atmosphere
translatable into the
terms of music. In the
course of time, by the
mysterious processes of
composers' chemistry, it
took shape as a tone-poem
of two sections, one
representing the rise of
the great stream from its
primeval geologic
sources, the other the
human history of the
river. Mr. McDonald
devised the following
verbal outline of the
general scheme of his
diptych: I. Father of
Waters: born of the
Highlands and the Lakes;
the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. The first of the
two movements, beginning
molto andante, is vaguel
modal to hint at
antiquity. It is built
upon the conventional two
themes, with an episode,
poco piu mosso,
misterioso, for
prehistoric murk and
muck. There are various
changes of pace and mood.
The second, Allegro ma
vigorosamente, prefigures
an Indian ceremony. A
theme presented by flute,
clarinet and bassoon is a
Canadian Indian fishing
call collected by the
late J.B. Beck. A later
passage of
quasi-Gregorian chant
identifies the French and
Spanish priests who made
the great river their
highway. The fishing-call
is altered in rhythm and
harmony to represent
Negro field hands and
roustabous. A turbulent
close brings all these
elemts together in the
muddy swirling currents
of the Mississippi. The
work was begun in the
summer of 1945, and was
revised and completed in
the summer of 1947. Harl
McDonald, who is the
manager of The
Philadelphia Orchestra,
has concerned himself
with music as an art, as
a science and as a
business in course of his
career. He was born on a
cattle ranch in the
Rockies, but since his
was a musical family, his
up-bringing combined
piano lessons with ranch
life. Years of study and
professional experience
followed in Los Angeles
and in Germany. In 1927
he was appointed lecuter
in composition at the
University of
Pennsylvania and he has
since then made is home
in Philadelphia. In 1933
under a grant of the
Rockefeller FOundation he
collaborated with
physicists in research
dealing with the
measurement of
instrumental and vocal
tone, new scale divisions
and the resultant
harmonies. In that same
year he was named head of
the University's music
faculty and conductor of
its choral organizations.
In 1939, having been a
member of the Board of
Directors for five years,
he was appointed manager
of The Philadelphia
Orchestra. He continus to
write, but otherwise his
entire attention is now
devoted to managerial
duties. Chief items in
the catalogue of his
compositions are four
symphonies, three
orchestra suites, a
half-dozen tone-poems,
three concertos and
considerable quantity of
choral music. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Roll of Honour Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2012. 40 pages.
De Haske Publications
#DHP 1125214-120.
Published by De Haske
Publications
(BT.DHP-1125214-120).
9x12 inches.
English-German-French-Dut
ch. On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Sur le
monument aux morts du
village néerlandais de
Wons est gravée une
liste de noms en hommage
aux soldats tombés
lors de la Seconde Guerre
mondiale. Ce monument a
inspiré le titre de
cette composition. Mais
celle-ci a aussi
été écrite pour
toutes les personnes qui
ont donné Wons son
caractère
d’aujourd’h
ui : un joli village
proche du lac
d’IJssel où il
fait bon vivre. La
pièce débute par
une introduction festive
qui présente le
village
l’auditeur.
S’ensuit un
thème allègre et
délicieusement
rythmique qui reflète
l’ambiance
joyeuse, na ve et
optimiste de
l’avant-guerre.
Puis nous entendons un
motif sombre et
fragmenté,
représentant les
fusillades ciblant les
soldats. Cettepartie se
termine par un faisceau
de sons dissonants
traduisant le
caractère tragique de
la guerre. Le calme
revient avec un passage
tranquille en mineur qui
évoque la fois la
frustration et
l’apaisement. Le
tempo du début est
repris, cette fois sous
la forme d’une
marche victorieuse. Puis
résonnent les accents
premiers de gaieté,
d’innocence et
d’insouciance,
invoquant la
célébration de la
liberté. Un thème
martial et festif en
hommage au village nous
mène un pétillant
finale. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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