| Library Of Easy Piano Favorites Piano seul [Partition] - Facile Music Sales
By Amy Appleby. For Piano. Classical. Sheet Music. 240 pages. Published by Music...(+)
By Amy Appleby. For
Piano. Classical. Sheet
Music. 240 pages.
Published by Music Sales.
$32.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphonic Classics - Masterpieces from Orchestral and Chamber Repertory Piano seul [Partition] - Intermédiaire/avancé Hal Leonard
Piano Solo. By Various. Piano Solo Songbook (Intermediate to advanced piano arra...(+)
Piano Solo. By Various.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x12
inches. 128 pages.
Published by Hal Leonard
Corporation.
(1)$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony Themes for Flute and Piano Flûte traversière et Piano [Partition] - Intermédiaire Mel Bay
Arranged by Costel Puscoiu. For Flute. Solos. Classic. Level: Intermediate. Book...(+)
Arranged by Costel
Puscoiu. For Flute.
Solos. Classic. Level:
Intermediate. Book. Size
8.5x11. 56 pages.
Published by Mel Bay
Publications, Inc.
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Pieces For Children Volume 2 Piano seul [Partition] - Facile Music Sales
By Amy Appleby. For Piano. Classical. Sheet Music. 192 pages. Published by Musi...(+)
By Amy Appleby. For
Piano. Classical. Sheet
Music. 192 pages.
Published by Music Sales.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of Classical Themes for Piano (all C instruments) Piano seul [Partition] Santorella Publications
Collection for solo piano(all C instruments), . 159 pages. Published by Santorel...(+)
Collection for solo
piano(all C instruments),
. 159 pages. Published by
Santorella Publications.
(1)$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alfred's Adult All-in-One Course - Level 2 (Book)
Piano seul [Partition] - Facile Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Alfre...(+)
Written by Amanda Vick
Lethco, Morton Manus,
Willard A. Palmer. For
piano. Alfred's Basic
Adult Piano Course.
Format: instructional
book. With introductory
text, instructional text,
illustrations and
performance notes.
Instructional. 9x12
inches. Published by
Alfred Publishing.
(5)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Library Of Piano Classics 2
Piano seul [Partition] Music Sales
By Peter Pickow (Editor) ; Amy Appleby (Editor). For Piano. Romantic, Classical....(+)
By Peter Pickow (Editor)
; Amy Appleby (Editor).
For Piano. Romantic,
Classical. Sheet Music.
320 pages. Published by
Music Sales.
(3)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Symphony Piano seul [Partition] Hal Leonard
For solo piano. Format: piano solo book. Classical period and romantic period. S...(+)
For solo piano. Format:
piano solo book.
Classical period and
romantic period. Series:
The World's Great
Classical Music. 232
pages. 9x12 inches.
Published by Hal Leonard.
(1)$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alfred's Adult All-in-One Course - Level 2 (Book/CD)
Piano seul [Livre + CD] - Facile Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. Instructional b...(+)
Written by Amanda Vick
Lethco, Morton Manus,
Willard A. Palmer.
Instructional book
(spiral bound) and
accompaniment CD for
piano. With introductory
text, instructional text,
standard notation and
fingerings. Series:
Alfred's Basic Adult
Piano Course. 144 pages.
Published by Alfred
Publishing.
(5)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Piano Classics
Piano Facile [Partition] - Facile Kjos Music Company
Edited by James Bastien. Collection for solo piano. Series: The Bastien Older Be...(+)
Edited by James Bastien.
Collection for solo
piano. Series: The
Bastien Older Beginner
Piano Library. 159 pages.
Published by Neil A. Kjos
Music Company.
(7)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Orchestral Excerpts for Flute
Flûte traversière et Piano [Reduction] Theodore Presser Co.
With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, ...(+)
With Piano Accompaniment.
By Various. Arranged by
Jeanne Baxtresser. For
Flute, Piano
Accompaniment. Published
by Theodore Presser
Company.
(3)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My First Haydn Piano seul - Facile Schott
Easiest Piano Works by Joseph Haydn. Composed by Franz Joseph Haydn (1732- ...(+)
Easiest Piano Works by
Joseph Haydn. Composed by
Franz Joseph Haydn
(1732-
1809). Edited by Wilhelm
Ohmen. This edition:
Saddle
stitching. Sheet music.
Piano Solo. Classical.
Softcover. 64 pages.
Schott
Music #ED 23051.
Published
by Schott Music
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata-Scherzo (2nd movement from Symphony No. 1) 1 Piano, 4 mains [Conducteur et Parties séparées] Subito Music
Two Pianos SKU: SU.92102085 For two Pianos. Composed by Jerome Mor...(+)
Two Pianos SKU:
SU.92102085 For
two Pianos. Composed
by Jerome Moross.
Keyboard, Piano
4-hands/2+ Pianos. Score
& Parts. Subito Music
Corporation #92102085.
Published by Subito Music
Corporation
(SU.92102085).
Two Pianos
Duration: 6' Transcribed
by the composer
Performing Materials: 2
scores Composed: 1941
Published by: Sorom
Editions. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Essential Early Romantic Collection Piano seul [Partition] Chester
| | |
| Piano Mix 2 Piano seul ABRSM Publishing
| | |
| Classical Repertoire for Recorder Flûte à Bec [Partition] - Intermédiaire Mel Bay
by Costel Puscoiu. For Recorder (Soprano). solos. Classic. Level: Intermediate. ...(+)
by Costel Puscoiu. For
Recorder (Soprano).
solos. Classic. Level:
Intermediate. Book. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Publications, Inc.
(3)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Pieces 22 Piano seul - Intermédiaire Schott
Piano - intermediate to difficult SKU: HL.49005422 Composed by Franz Schu...(+)
Piano - intermediate to
difficult SKU:
HL.49005422 Composed
by Franz Schubert. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 64 pages.
Schott Music #ED 510.
Published by Schott Music
(HL.49005422). ISBN
9790001031516.
9.0x12.0x0.231 inches.
Schott Piano
Collection. $22.99 - Voir plus => Acheter | | |
| Great Smoky Mountains [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, Double
Bass, English Horn,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Percussion 1 and more.
SKU: PR.16500102F
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F). ISBN
9781491131749. UPC:
680160680276. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 100 Classic Melodies for Flute Flûte traversière [Livre] - Facile Kevin Mayhew
Arranged by Amanda Oosthuizen. For flute. Flute. Classic. Beginning-Intermediate...(+)
Arranged by Amanda
Oosthuizen. For flute.
Flute. Classic.
Beginning-Intermediate.
Book. Published by Kevin
Mayhew Publishers
$15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Viola Repertoire 7 Alto seul - Intermédiaire The Frederick Harris Music Company
Viola - Late Intermediate SKU: FH.VA7 Viola Series, 2013 Edition. ...(+)
Viola - Late Intermediate
SKU: FH.VA7
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA7. Published
by The Frederick Harris
Music Company (FH.VA7).
ISBN
978-1-55440-569-5.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Level
7: Holberg Suite, op.
40: I,V - Grieg,
Edvard Symphony No. 5,
op. 67: II - Beethoven,
Ludwig van Symphony
No. 4 (Italian), op. 90:
II - Mendelssohn,
Felix Brandenburg
Concerto No. 3, BWV 1048:
I - Bach, Johann
Sebastian Symphony No.
35 (Haffner), K 385: I -
Mozart, Wolfgang
Amadeus Level
8: Ruslan and
Ludmilla: Overture -
Glinka,
Mikhail Symphony No.
35 (Haffner), K 385: IV -
Mozart, Wolfgang
Amadeus Symphony No. 6
(Pathetique), op. 75: I -
Tchaikovsky, Pyotr
Il'yich Symphony No.
9, op. 125: IV -
Beethoven, Ludwig
van Symphony No. 3
(Eroica), op. 55: IV -
Beethoven, Ludwig
van Symphony No. 1,
op. 68: I - Brahms,
Johannes Symphony No.
9 (New World), op. 95: IV
- Dvorak,
Antonin Level
9: Symphony No. 5, op.
67: III - Beethoven,
Ludwig van Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang Amadeus The
Hebrides, op. 26:
Overture - Mendelssohn,
Felix Variations on a
Theme by Haydn, op. 56a -
Brahms, Johannes Le
carnaval romain -
Berlioz,
Hector Symphony No. 8,
op. 88: I - Dvorak,
Antonin Symphony NO. 4
(Romantic): II -
Bruckner, Anton Level
10: Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 4,
op. 98: II,IV - Brahms,
Johannes Peer Gynt
Suite No. 1, op. 46: I -
Grieg, Edvard Concerto
for Orchestra: IV,V -
Bartok, Bela Symphony
No. 40, K 550: I,IV -
Mozart, Wolfgang
Amadeus Serenade for
Strings, op. 48: I,II -
Tchaikovsly, Pyotr
Il'yich Symphony No.
5, op. 47: I -
Shostakovich,
Dmitri Associate: G
roup 1: Ochestral Tutti
Parts (Viola): Daphnis
et Chloe: III - Ravel,
Maurice Don Juan, op.
20 - Strauss,
Richard Symphony No.
9, op. 125: II,IV -
Beethoven, Ludwig
van Incidental Music
to A Midsummer Night's
Dream, op. 61: Scherzo -
Mendelssohn, Felix The
Bartered Bride: Overture
- Smetana,
Bed_ich Group 2: Viola
Solos: Don Quixote,
op. 35 - Strauss,
Richard Harold en
Italie: I - Berlioz,
Hector. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony AD 78 Orchestre d'harmonie [Conducteur] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet,...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute,
Oboe 1/2, Bassoon 1/2, Eb
Clarinet, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet, Bb Bass
Clarinet, Eb Alto
Saxophone 1/2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, 1st Bb Cornet,
2nd/3rd Bb Cornet, 1) -
grade 5 SKU:
CN.S11158 Composed by
Gordon Jacob. Band Music.
Score only. Duration
15:30. Published by G & M
Brand Music Publishers
(CN.S11158). A
powerful work. An opening
fanfare leads directly to
an Allegro risoluto,
which exudes
determination and
forthrightness. The
second movement follows
without a break and is a
continuous plaint in
which the melody seems
forever seeking
resolution like a
troubled soul searching
for respite. Only in the
closing bars does peace
seem to take over. The
final movement, marked
Allegro non troppo,
starts with a cheering
fanfare that leads to a
bright and breezy romp,
with a rustic feel about
it. When the fanfare
reappears we are suddenly
immersed in exaltations
of joy that really give a
feeling of optimism as we
proceed to the end of the
piece via a short
Coda.
With this
Symphony, Gordon Jacob
proclaims his absolute
mastery of idiom and
instrumentation with a
triumphant rejoicing.
Written in 1978 as a
commission from Arthur
Doyle (hence the AD in
the title, a typical
piece of Jacob wit), it
lay virtually unplayed
save for the efforts of
his Estate, Troy Peterson
and Geoffrey Brand and
CBDNA (College Band
Directors Association,
USA), who between them
ensured that it was
professionally recorded
in 1994 and published in
1995. There is little
point in indulging in
semantics as to whether
the piece is a Symphony.
It is Jacob's approach to
his tuneful, folk-based
material which is
symphonic: weighty in
exposition and
development, sonorous and
expressive in the slow
movement, with a
scherzo-like last
movement and a giocoso
coda. After a brilliant
opening fanfare, the
quick triple-meter first
theme (Allegro Risoluto)
is introduced on
clarinets, punctuated
with brass. It is soon
followed by a contrasting
melody for saxophone. In
all this material the
interval of a 4th is
prominent, and throughout
the work the 4th and 7th
are important. Perhaps it
is the frequent use of
the 7th which gives a
feeling of restlessness
without resolution which
pervades this movement as
the themes are dissected
and developed. The second
movement follows directly
after a horn bridge.
Still the melody outlines
the 7th and the ear is
not satisfied until the
full band (with organ),
comes to rest in Bb
major. This point of
repose and the magic
pianissimo which follows
shortly after when the
slow theme is re-stated,
are the apex of the
Symphony's construction.
Soon, however, we are
transported, via a
fanfare, into a
helter-skelter 9/8 romp:
rustic, English, and
almost vulgar, this theme
is thrown around the
group before exploding
into a boisterous 2/4
coda. $30.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Celesta,
Clarinet 1, Clarinet 2,
Contrabass, Flute, Flute
1, Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Trumpet 3 and more.
SKU: PR.416415150
Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150). ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches. Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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