Concert Band - Grade 4

SKU: BT.DHP-1064027-040

Overture. Composed by François-Adrien Boieldieu. Arranged by Wil van der Beek. The Great Classics. Classical. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064027-040. Published by De Haske Publications (BT.DHP-1064027-040).

9x12 inches. English-German-French-Dut ch.

François-Adr ien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

François-Adrie n Boieldieu, een van de belangrijkste componisten van het genre 'opéra comique', maakte in zijn geboorteplaats Rouen al op achtienjarige leeftijd furore met zijn eerste opera. Spoedig daarna vertrok hij naar Parijs omzijn geluk te beproeven. Ook daar oogste hij sucses met een aantal werken - onder andere Le Calife de Bagdad in 1800. De ouverture van deze opera is nog altijd een geliefd repertoirestuk.

Di e Oper Le Calife de Bagdad stammt aus dem Jahr 1880 aus der Feder des französischen Komponisten François-Adrien Boieldieu. Boieldieus Stil ist geprägt von natürlichen, ungekünstelten Melodielinien, unkomplizierten Harmonien und einer raffinierten Orchesterierung. In diesem Sinne bearbeitete Wil van der Beek die Ouvertüre von Le Calife de Bagdad, die noch immer ein beliebtes Repertoirestück ist.

François-Adrie n Boieldieu (1775-1834) est considéré comme l’un des plus brillants représentants de l’opéra-comique français. Ses œuvres privilégient les mélodies sans ornements superflus. L’instrumentation est légère mais soignée ; les dialogues sont spirituels. En 1800, Boieldieu remporta un véritable triomphe avec Le Calife de Bagdad. L’Ouverture est un classique du genre.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1064027-140

Overture. Composed by François-Adrien Boieldieu. Arranged by Wil van der Beek. The Great Classics. Classical. Score Only. Composed 2006. De Haske Publications #DHP 1064027-140. Published by De Haske Publications (BT.DHP-1064027-140).

9x12 inches. English-German-French-Dut ch.

François-Adr ien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

François-Adrie n Boieldieu, een van de belangrijkste componisten van het genre 'opéra comique', maakte in zijn geboorteplaats Rouen al op achtienjarige leeftijd furore met zijn eerste opera. Spoedig daarna vertrok hij naar Parijs omzijn geluk te beproeven. Ook daar oogste hij sucses met een aantal werken - onder andere Le Calife de Bagdad in 1800. De ouverture van deze opera is nog altijd een geliefd repertoirestuk.

Di e Oper Le Calife de Bagdad stammt aus dem Jahr 1880 aus der Feder des französischen Komponisten François-Adrien Boieldieu. Boieldieus Stil ist geprägt von natürlichen, ungekünstelten Melodielinien, unkomplizierten Harmonien und einer raffinierten Orchesterierung. In diesem Sinne bearbeitete Wil van der Beek die Ouvertüre von Le Calife de Bagdad, die noch immer ein beliebtes Repertoirestück ist.

François-Adrie n Boieldieu (1775-1834) est considéré comme l’un des plus brillants représentants de l’opéra-comique français. Ses œuvres privilégient les mélodies sans ornements superflus. L’instrumentation est légère mais soignée ; les dialogues sont spirituels. En 1800, Boieldieu remporta un véritable triomphe avec Le Calife de Bagdad. L’Ouverture est un classique du genre.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1064027-010

Overture. Composed by François-Adrien Boieldieu. Arranged by Wil van der Beek. The Great Classics. Classical. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064027-010. Published by De Haske Publications (BT.DHP-1064027-010).

9x12 inches. English-German-French-Dut ch.

François-Adr ien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

François-Adrie n Boieldieu, een van de belangrijkste componisten van het genre 'opéra comique', maakte in zijn geboorteplaats Rouen al op achtienjarige leeftijd furore met zijn eerste opera. Spoedig daarna vertrok hij naar Parijs omzijn geluk te beproeven. Ook daar oogste hij sucses met een aantal werken - onder andere Le Calife de Bagdad in 1800. De ouverture van deze opera is nog altijd een geliefd repertoirestuk.

Di e Oper Le Calife de Bagdad stammt aus dem Jahr 1880 aus der Feder des französischen Komponisten François-Adrien Boieldieu. Boieldieus Stil ist geprägt von natürlichen, ungekünstelten Melodielinien, unkomplizierten Harmonien und einer raffinierten Orchesterierung. In diesem Sinne bearbeitete Wil van der Beek die Ouvertüre von Le Calife de Bagdad, die noch immer ein beliebtes Repertoirestück ist.

François-Adrie n Boieldieu (1775-1834) est considéré comme l’un des plus brillants représentants de l’opéra-comique français. Ses œuvres privilégient les mélodies sans ornements superflus. L’instrumentation est légère mais soignée ; les dialogues sont spirituels. En 1800, Boieldieu remporta un véritable triomphe avec Le Calife de Bagdad. L’Ouverture est un classique du genre.

Pieces contemporaines pour 4 mains. Instrumental Music. Score. Editions Henry Lemoine #29658. Published by Editions Henry Lemoine

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS50

Composed by Matt Turner. Carl Fischer Young String Orchestra Series. Scalin’ Back is a pop-rock string orchestra piece. A section that allows for solos has been provided at m. 33. Students are encouraged to improvise a solo using the pitches in the C-major scale. Classical. Score and Parts. With Standard notation. 8 pages. Carl Fischer Music #YAS50. Published by Carl Fischer Music (CF.YAS50).

ISBN 9780825863561. UPC: 798408063566. 8.5 X 11 inches. Key: C major.

Another fine rock-styled selection by the gifted Matt Turner that offers young players the chance to perform improvised solos with the ensemble. The basic framework of the piece is a lively and inventive use of simple rock progressions and standard rock rhythms.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

By Johann Cruger. Edited by Hildebrandt, Herbert. Sacred, Motets; Choral Collections, SAM Choir; Occasions: Prayer, Praise and thanks, Psalms; Use during church year: Easter and Eastertide. Collection. 48 pages. Published by Carus Verlag (German import).

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.BV-209

Composed by Johann Sebastian Bach. Edited by Hafner,Klaus and Oswald Bill. Choir; Linen. Buchverlag Breitkopf & Hartel (Music Books). Mass; Baroque. Book. 64 pages. Duration 38'. Breitkopf and Haertel #BV 209. Published by Breitkopf and Haertel (BR.BV-209).

ISBN 9783765102097. 9 x 14.5 inches. German.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Fantasia on the Rondo from the Piano Sonata in A major K. 331 Alt. Composed by Fazil Say. Woodwind Solo. Classical. Softcover. 8 pages. Schott Music #ED23175. Published by Schott Music

Chorus (with soloists) and piano (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.EB-4063

Composed by Johann Sebastian Bach. Edited by Salomon Jadassohn. Arranged by Salomon Jadassohn. Choir; Softcover. Edition Breitkopf. Mass; Baroque. Piano/Vocal Score. 48 pages. Duration 38'. Breitkopf and Haertel #EB 4063. Published by Breitkopf and Haertel (BR.EB-4063).

ISBN 9790004162224. 7.5 x 10.5 inches.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.CHB-3477-02

Composed by Johann Sebastian Bach. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Baroque. Choral score. 20 pages. Duration 38'. Breitkopf and Haertel #ChB 3477-02. Published by Breitkopf and Haertel (BR.CHB-3477-02).

ISBN 9790004404218. 6.5 x 9.5 inches.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.BV-217

Composed by Johann Sebastian Bach. Choir; Linen. Buchverlag Breitkopf & Hartel (Music Books). Mass; Baroque. Book. 64 pages. Duration 38'. Breitkopf and Haertel #BV 217. Published by Breitkopf and Haertel (BR.BV-217).

ISBN 9783765102172. 9 x 14.5 inches. English.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

(1.1.2.1/2.0.0.0,timp,per c,harm,str)

SKU: TM.13990SET

Composed by Arthur G. Jervis-Scalisi. Arranged by Kurt Kaiser. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13990SET).

P/C and harm in set.

by Clifton Chenier transcribed by Gary Dahl. For keyboard accordion. Arhoolie. Cajun-zydeco. Level: Intermediate. Book. Transcribed solos. Size 8.75x11.75. 36 pages. Published by Mel Bay Pub., Inc.

Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

Orchestra

SKU: BA.BA09467-01

Composed by Gabriel Faure. Edited by Robin Tait. This edition: complete edition, urtext edition. Linen. Gabriel Faure. The Complete Works IV/1. Complete edition, Score, anthology. Opus 50, 20, 52. Baerenreiter Verlag #BA09467_01. Published by Baerenreiter Verlag (BA.BA09467-01).

ISBN 9790006544561. 33 x 26.5 cm inches. Key: F major. Text Language: French/English/German. Preface: Jean-Michel Nectoux / Robin Tait.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Johann Nepomuk Hummel (1778-1837). Edited by Clark Mcalister. Concerto, Instrumental Solo. Reprint Source: Boca Raton: E.F. Kalmus, 2012. Catalog A 5238. Classical, German. Study score (paperback). Composed 1803. 64 pages. Duration 17 minutes. Published by Serenissima (SA.41557).

(solo: vl - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.PB-5601

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Cliff Eisen. Stapled. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. Duration 25'. Breitkopf and Haertel #PB 5601. Published by Breitkopf and Haertel (BR.PB-5601).

ISBN 9790004214985. 6.5 x 9 inches.

For the Urtext edition of the three great Mozart Violin Concertos K. 216, 218 and 219, three high-caliber experts came together: Mozart scholar Cliff Eisen as editor, internationally renowned concertmaster and conductor Andrew Manze as the author of stylistically authentic and brilliantly virtuoso cadenzas, and Werner Breig as the creator of the transparent piano reduction that wonderfully suite every accompanists fingers. The new editions are based on Eisens competent, well-grounded source evaluation. His decisions always do justice to the requirements of historical performance practice and occsionally yield some rather extraordinary results.

Violin, orchestra (solo: vl - 2.2.0.0 - 2.0.0.0 - str)

SKU: BR.PB-5600-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Cliff Eisen. Stapled. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. 52 pages. Duration 25'. Breitkopf and Haertel #PB 5600-07. Published by Breitkopf and Haertel (BR.PB-5600-07).

ISBN 9790004214978. 6.5 x 9 inches.

For the Urtext edition of the three great Mozart Violin Concertos K. 216, 218 and 219, three high-caliber experts came together: Mozart scholar Cliff Eisen as editor, internationally renowned concertmaster and conductor Andrew Manze as the author of stylistically authentic and brilliantly virtuoso cadenzas, and Werner Breig as the creator of the transparent piano reduction that wonderfully suite every accompanists fingers.The new editions are based on Eisens competent, well-grounded source evaluation. His decisions always do justice to the requirements of historical performance practice and occsionally yield some rather extraordinary results.