Organ SKU: SU.80101404 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101404
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101404.
Published by Zimbel Press
(SU.80101404).
Organ Symphony
No. 2 (2017) was written
for and is dedicated to
German organist Philip
Hartmann. In all of my
works that employ
larger-scale forms (not
just organ compositions),
I am continually looking
for different ways of
providing the form and
structure. My first organ
symphony (2013) comprised
three larger movements
that charted a
progression from dark to
light. By contrast, this
second organ symphony
comprises 12 shorter
movements that together
build a larger structure
out of varied emotional
states. Although the
movements are different
in character, there are
connections of harmony
and motive across them.
One goal behind this work
is that it be suitable
for effective performance
on almost any organ,
small or large. Most
organ symphonies require
a large instrument. By
contrast, this piece can
be played effectively on
even a small organ with a
limited number of stops
(even a one manual organ
with an octave pedal
board). It can also be
very effective on a large
symphonic organ with many
different colors and a
huge tutti. Registration
is left to the
performer's discretion,
and the organist is
strongly encouraged to
use the full extent of
whatever resources are
available.
Instrumentation: Organ
Duration: 34' Composed:
2017 Published by: Zimbel
Press.
Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
Full Score SKU: HL.367873 Full Score. Composed by Donald Crockett....(+)
Full Score
SKU:
HL.367873
Full
Score. Composed by
Donald Crockett. LKM
Music. Softcover. Lauren
Keiser Music Publishing
#X054076. Published by
Lauren Keiser Music
Publishing (HL.367873).
ISBN 9781705140291.
UPC: 840126966657.
9.0x12.0x0.655
inches.
Commissione
d by Caramoor Music
Festival in New York and
premiered July 14, 2017
by the Argus Quartet,
this work is in no small
part a response to this
quartet's sense of
adventure and expressive
emotional range. Inspired
by two
end-of-civilization
novels the composer was
reading prior to
composing the work, the
quartet unfolds in a
single movement, loosely
based on plot lines in
both novels. One of the
novels includes a
Traveling Symphony, an
assortment of musicians
and actors who travel the
countryside for decades
playing symphonies, jazz
and orchestral
arrangements of popular
music alongside
performances of
Shakespeare plays,
reminiscent of medieval
troupes traveling the
countryside in
plague-ridden times. The
work is written so that
the quartet embodies the
Traveling Symphony, not
only playing music but
also singing and 'stage
whispering' fragments of
King Lear and other text
across the collection of
nine scenes.
Score and Parts SKU: HL.367874 Score and Parts. Composed by Donald...(+)
Score and Parts
SKU:
HL.367874
Score
and Parts. Composed
by Donald Crockett. LKM
Music. Softcover. Lauren
Keiser Music Publishing
#X504092. Published by
Lauren Keiser Music
Publishing (HL.367874).
ISBN 9781705140307.
UPC: 840126966664.
9.0x12.0x0.523
inches.
Commissione
d by Caramoor Music
Festival in New York and
premiered July 14, 2017
by the Argus Quartet,
this work is in no small
part a response to this
quartet's sense of
adventure and expressive
emotional range. Inspired
by two
end-of-civilization
novels the composer was
reading prior to
composing the work, the
quartet unfolds in a
single movement, loosely
based on plot lines in
both novels. One of the
novels includes a
Traveling Symphony, an
assortment of musicians
and actors who travel the
countryside for decades
playing symphonies, jazz
and orchestral
arrangements of popular
music alongside
performances of
Shakespeare plays,
reminiscent of medieval
troupes traveling the
countryside in
plague-ridden times. The
work is written so that
the quartet embodies the
Traveling Symphony, not
only playing music but
also singing and 'stage
whispering' fragments of
King Lear and other text
across the collection of
nine scenes.
Keyboard (Masterworks Book). Published by Alfred Publishing. (22529) ISBN 07390...(+)
Keyboard (Masterworks
Book). Published by
Alfred Publishing.
(22529)
ISBN 073903698X.
Originally compiled and
edited by Louis Kohler,
this edition contains
some of the most popular
keyboard sonatinas,
rondos and other works
(including symphonic
transcriptions) of
Beethoven, Clementi,
Haydn, Kuhlau and Mozart,
among others. In
clarifying this edition,
editor Allan Small has
removed impractical
fingerings and
unnecessary accidentals
found in other editions.
The Alfred Masterwork
Library CD Editions
conveniently combine each
exceptional volume with a
professionally recorded
CD that is sure to
inspire artistic
performances.
A Christmas Symphony Orchestre à Cordes [Conducteur et Parties séparées] - Débutant FJH
By Traditional. Arranged by Elliot Del Borgo. Beginning String Orchestra. FJH Be...(+)
By Traditional. Arranged
by Elliot Del Borgo.
Beginning String
Orchestra. FJH Beginning
Strings. Score for this
title: ST6092S. Extra
part for this title:
ST6092P. String
Orchestra. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Composed by Anton Bruckner (1824-1896). Duet or Duo; Masterworks; Piano Duet (1 ...(+)
Composed by Anton
Bruckner (1824-1896).
Duet or Duo; Masterworks;
Piano Duet (1 Piano, 4
Hands); Solo Small
Ensembles. Kalmus
Edition. Masterwork;
Romantic. Book. 84 pages.
Kalmus Classic Edition
#00-K02046. Published by
Kalmus Classic Edition
(1st Movement). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Scott Stanto...(+)
(1st Movement). By
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Scott Stanton. Concert
band. Build-A-Band
Series. Grade 3. Score
and set of parts.
Composed 2011. Duration 3
minutes, 4 seconds.
Published by C.L.
Barnhouse
The Symphony of Souls Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Robert W. Smith. Concert band. Spotlight Series. Audio recording available se...(+)
By Robert W. Smith.
Concert band. Spotlight
Series. Audio recording
available separately
(item CL.WFR349). Grade
3.5. Score and set of
parts. Composed 2007.
Duration 7 minutes, 5
seconds. Published by
C.L. Barnhouse
The Symphony of Souls Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3627-75 Composed by Robert W. Smith. Concert Band. Sp...(+)
Grade 3
SKU:
CL.012-3627-75
Composed by Robert W.
Smith. Concert Band.
Spotlight Series. Audio
recording available
separately (item
CL.WFR349). Oversized,
spiral-bound score.
Composed 2007. Duration 7
minutes, 5 seconds. Opus
III Wind Orchestra
Publications
#012-3627-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3627-75).
This stunning
composition by Robert W.
Smith is actually a full
symphony in smaller
proportions. The piece
was composed to
commemorate the Battle of
Bad Axe, the historic
last Indian-American
battle fought east of the
Mississippi River.
Written in four
descriptive movements
entitled Foreshadows,
Warriors, Carnage, and
Elegy, the piece evokes
powerful sounds and
imagery through
contemporary scoring
techniques while being
technically accessible to
most concert bands.
Unique percussion effects
combined with creative
scoring provide an
experience that your band
and audience will not
soon forget.
About C.L.
Barnhouse Spotlight
Series
The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments
Composed by Gustav Mahler (1860-1911). Duet or Duo; Masterworks; Piano Duet (1 P...(+)
Composed by Gustav Mahler
(1860-1911). Duet or Duo;
Masterworks; Piano Duet
(1 Piano, 4 Hands); Solo
Small Ensembles. Kalmus
Edition. Masterwork;
Romantic. Book. 72 pages.
Kalmus Classic Edition
#00-K03673. Published by
Kalmus Classic Edition
Orchestra Solo voices, SSAATB chorus, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl,...(+)
Orchestra Solo voices,
SSAATB chorus, Fl, Ob,
Clt, Fg, Cor, Tr, Trb,
Timp, 2 Vl, Va, Vc, Cb,
[Org] - Grade 3
SKU:
CA.4007650
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Joachim
Linckelmann. Carus
digital: Extra digital
products. Full Score. MWV
A 18. Duration 62
minutes. Carus Verlag
#4007650. Published by
Carus Verlag
(CA.4007650).
ISBN
9790007293581.
German/English.
Men
delssohn described his
1840 work
“Lobgesangâ€
as “a symphony for
chorus and
orchestraâ€. It is
now firmly established in
the standard repertoire
of the major oratorio
choirs. For many choirs,
Lobgesang remains on
their wishlist of works
they want to sing. But
what can be done if the
choir is to small, the
budget is limited, and
the performance space is
tight?Here, the
experienced arranger and
orchestral musician
Joachim Linckelmann
offers an excellent
tried-and-tested
solution. In his
arrangement for soloists,
chorus, and chamber
orchestra, he has reduced
the wind instruments from
the original 17 to just 7
single instruments. The
string parts remain
largely identical to the
original, but can also be
played by smaller
numbers. And the vocal
parts (soloists and
choir) remain unaltered
in this arrangement, so
that they can be sung
from the piano reductions
and choral scores of the
Carus Urtext
edition.•,M
ajor work which can now
be performed by smaller
choirs•,Wind
and brass parts of the
original version reduced
to seven single
instruments•,Vo
cal scores and choral
scores from the original
version can be
used•,carus
plus: the work (original
version) is available in
carus music, the Choir
Coach, and in the Carus
Choir Coach series (audio
only). Score
available separately -
see item CA.4007600.
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
Basso (cello/double bass)
(2.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.OB-5373-26
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Dances/marches;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
5373-26. Published by
Breitkopf and Haertel
(BR.OB-5373-26).
ISBN
9790004341032. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Dances/marches;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
5373-16. Published by
Breitkopf and Haertel
(BR.OB-5373-16).
ISBN
9790004341018. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Dances/marches;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
5373-19. Published by
Breitkopf and Haertel
(BR.OB-5373-19).
ISBN
9790004341025. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Dances/marches;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
5373-15. Published by
Breitkopf and Haertel
(BR.OB-5373-15).
ISBN
9790004341001. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphony; Dances/marches;
Classical. Study Score.
56 pages. Duration 20'.
Breitkopf and Haertel #PB
5552-07. Published by
Breitkopf and Haertel
(BR.PB-5552-07).
ISBN
9790004213629. 6.5 x 9
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphony; Dances/marches;
Classical. Full score. 68
pages. Duration 20'.
Breitkopf and Haertel #PB
5373. Published by
Breitkopf and Haertel
(BR.PB-5373).
ISBN
9790004212417. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Dances/marches;
Classical. Set of parts.
84 pages. Duration 20'.
Breitkopf and Haertel #OB
5373-30. Published by
Breitkopf and Haertel
(BR.OB-5373-30).
ISBN
9790004341049. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo Vocal, Mixed Choir and Orchestra SKU: BT.PWM5363020 For Tenor Sol...(+)
Solo Vocal, Mixed Choir
and Orchestra
SKU:
BT.PWM5363020
For
Tenor Solo, Mixed Choir,
Organ and Orchestra.
Composed by Karol
Szymanowski. Classical.
Score Only. Composed
1985. 92 pages. Polskie
Wydawnictwo Muzyczne
#PWM5363020. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM5363020).
The Third
Symphony occupies an
special place in the
evolutionary process of
Szymanowskis style. The
Symphony The Song of the
Night, Op. 27, is a
setting of the poem of
the same title, from the
second divan of Mawlana
Jalal-ad-din Rumi, for
tenor solo, mixed choir
and orchestra. It was
completed in the summer
1916. Szymanowskis
interest in oriental
music at this period is
not so much , as far as
the Third Symphony is
concerned, an attempt at
some formal stylisation
of eastern music, but
rather an indication of
his search for some mode
of expression which would
best reflect the
conflicts of his
aesthetic and artistic
ideas. It was the direct
contact made with the art
of the Grecian and Arabic
worlds during his travel
to Sicily and North
Africa in 1911 and 1914
that provided the
external stimulus for
this interest. The Third
Symphony can be classed
with those symphonies for
chorus and solo voices so
often favoured by the
neo-romantic and
expressionist composers.
It is written in a free
ternary form, the
thematic material being
the basic unifying
structural element, which
imparts a conciseness to
the form, and retaining
the function despite the
significant changes that
occur in the melodic
character of the music.
The texture is
polymelodic, and a score
reveals a masterly
interweaving of the
multiplicity of parts,
melodic lines and
patterns of sound. This
symphony is consummation
of all Szymanowskis
mastery in
instrumentation and
colour, and a superb
study of orchestral
polyphony. Here,
Szymanowski liberates
himself from the rigid
relations of the
functional harmonic
system. In the place of
tonal progressions, he
shifts chromatically from
one sound lane to
another, of which the
smallest units are chords
made up of tritones and
seconds, using only a
free intervallic
structure, far more
remote in Szymanowski
from the dominant
centralistic harmony then
Debussy. In style, the
Third Symphony belongs to
the neo-romantic period,
if this can be broadly
defined as including
modernistic and
expressionistic trends,
and to musical
impressionism. (based on
the Preface to the
''Works'' by Teresa Chyli
ska, PWM 1985).
Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-4 percussion-har...(+)
Orchestra piccolo,
English horn, B-clarinet,
contrabassoon-4, 1-4
percussion-harp-strings
SKU: PE.EP73404
Composed by Rihards
Dubra. Full Orchestra.
Edition Peters. Book.
Duration 00:37:00.
Edition Peters
#98-EP73404. Published by
Edition Peters
(PE.EP73404).
ISBN
9790577018348. 297 x 420
mm inches.
English.
Rihards
Dubra (born Latvia, 1964)
wrote his Symphony
No. 2 in 2014. It is
a large-scale work, over
30 minutes long, in three
movements (titled
'Visio', 'Cantus', 'Et
vidi...'), for large
orchestra comprising
triple wind and brass,
percussion and
harp.
Speaking of
symphonic writing, the
composer says: 'I don't
think a symphony should
speak about small,
everyday things and
issues; it should speak
of global, fundamental
and substantial things.
Only then does it justify
the name 'symphony'. It
must be something
serious.'
This full
score (EP 73404) is now
available as part of the
Peters Baltic
Library.
Peters Baltic Library is
a new series of full
scores of orchestral
music by contemporary
composers from the Baltic
States.
Published
in partnership with the
leading music publisher
from the region: Musica
Baltica.
Peters
Baltic Library presents a
rich selection of
compositions that
demonstrates both the
distinctiveness and the
variety of stylistic
approaches adopted by the
region's most prominent
composers.
<
br>This product is
Printed on Demand and may
take several weeks to
fulfill. Please order
from your favorite
retailer.
Orchestra SKU: HL.14018903 Composed by Asbjorn Schaathun. Music Sales Ame...(+)
Orchestra
SKU:
HL.14018903
Composed
by Asbjorn Schaathun.
Music Sales America.
Score Only. Edition
Wilhelm Hansen #KP01025.
Published by Edition
Wilhelm Hansen
(HL.14018903).
Danish.
Les
Cloches De Monsigneur
Grieg (1993-99) for small
Symphony Orchestra by
Asbjorn Schaathun.
'Edvard Grieg's 'Bell
Ringing' for Piano Op.54,
No.6 ... seen through
Monsigneur A. Schaathun's
half shut eyes...'
Commissioned by the The
Norwegian Radio
Orchestra.
Les
Cloches De Monsigneur
Grieg (1993-99)
for small Symphony
Orchestra by
Asbjørn
Schaathun.
<
br/>
'Edvard
Grieg's 'Bell
Ringing' for Piano Op.54,
No.6...
seen through
Monsigneur A. Schaathun's
half shut
eyes...'
Commissioned by the The
Norwegian Radio
Orchestra.