Book Only Recorder - nvt SKU: HL.44005080 Method for Recorder. Com...(+)
Book Only Recorder - nvt
SKU: HL.44005080
Method for
Recorder. Composed by
Anne Montgomery, David
Purfleet, and Gavin Hope.
De Haske Play-Along Book.
Play Along. Book
[Softcover]. Composed
2004. 40 pages. De Haske
Publications #1043756.
Published by De Haske
Publications
(HL.44005080).
ISBN
9789043121460. UPC:
073999572926.
9.5x6.75x0.147 inches.
English.
In this
second book of Recorder
World, the wizard and the
wise owl take you further
on your journey as they
help you become
acquainted with new notes
and other information
important for recorder
playing.
Chamber Music Flute, Harp SKU: PR.164001780 For Flute and Harp. Co...(+)
Chamber Music Flute, Harp
SKU: PR.164001780
For Flute and
Harp. Composed by Dan
Welcher. Classical. Set
of Score and Parts. With
Standard notation.
Composed Apr-86. Duration
7 minutes. Theodore
Presser Company
#164-00178. Published by
Theodore Presser Company
(PR.164001780).
UPC:
680160037056.
The
American imagist poet Amy
Lowell (1874-1925)
provided both the title
and the substance for
this brief descriptive
work in her poem Night
Clouds. I had been
commissioned by the
flute/harp duo Chaski to
write a piece that had a
different sound than most
flute and harp pieces.
The image of these
elusive beasts cavorting
through the night, before
the appearance of the
tiger sun, seemed to me
perfectly suited for the
flute and harp and would
give me the chance to
write a work for that
combination that did NOT
have overtones of nymphs
and shepherds. I wanted
to make much use of the
harp's more violent
sounds (beating the
strings and the
soundboard, for instance)
as well as its unusual
and idiomatic effects,
such as pedal glissandi.
For the flute, there are
jet-whistle effects,
extremes of register,
pitch-bending and other
decidedly non-pastoral
gestures. The work was
composed in 1986.
--Dan Welcher.
Crescent Moon Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1115232-010 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1115232-010
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
and Parts). Composed
2012. De Haske
Publications #DHP
1115232-010. Published by
De Haske Publications
(BT.DHP-1115232-010).
9x12 inches.
English-German-French-Dut
ch.
Crescent
Moon is a festive
overture composed by Jan
Van der Roost and was
commissioned by a
Japanese wind band. The
piece begins solemnly in
the middle register but
gradually becomes
brighter and more
brilliant as the moon
rises in the sky
andbegins to give more
light. After this
somewhat stately
introduction, a virtuoso
allegro emerges,
displaying technical
prowess in all registers,
before the piece
culminates with a joyful
mood of optimism. An
ideal concert opener,
Crescent Moonwill
fill your ears with joy
and happiness!
Het
jaar 2011... Voor Japan
een jaar van tragedie en
verdriet. Maar net zoals
de maan iedere nacht weer
opkomt en licht in de
duisternis brengt, zal
ook Japan weer herrijzen
en ooit het licht weer
zien. Muziek kan daarbij
een rolspelen en brengt
ons vreugde en geluk. Met
Crescent Moon
benadrukt Jan Van der
Roost de kracht ervan.
Muziek is van een
universele schoonheid en
nodigt uit - ongeacht
ras, cultuur of geloof -
te genieten.
Prachtig!
Cresc
ent Moon ist eine
festliche Ouvertüre,
die Jan Van der Roost im
Auftrag eines japanischen
Blasorchesters schrieb.
Das Stück beginnt
langsam im mittleren
Register, wird aber
allmählich heller und
strahlender - so wie der
aufgehende Mondden
Nachthimmel erhellt. Nach
dieser eher
majestätischen
Einleitung tritt ein
virtuoses Allegro hervor,
das technische Finessen
in allen Registern zum
Vorschein bringt.
SchlieÃ?lich gipfelt das
Stück in einer
Atmosphäre der Freude
und des
Optimismus.
Explorers on the Moon Ensemble de cuivres [Conducteur] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1196183-130 Composed by Paul Raphael. Co...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1196183-130
Composed by Paul Raphael.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2019. 73 pages. De Haske
Publications #DHP
1196183-130. Published by
De Haske Publications
(BT.DHP-1196183-130).
Explorers on the Moon Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1196183-030 Composed by Paul Raphael. Co...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1196183-030
Composed by Paul Raphael.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196183-030. Published by
De Haske Publications
(BT.DHP-1196183-030).
Fly Me To The Moon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1145544-010 (In Other Word...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1145544-010
(In Other Words).
Composed by Bart Howard.
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 2014. De
Haske Publications #DHP
1145544-010. Published by
De Haske Publications
(BT.DHP-1145544-010).
9x12 inches.
English-German-French-Dut
ch.
This famous
evergreen, performed by
Frank Sinatra and many
others, is now arranged
with lovely solos for
trumpet and flute. After
an
‘authentic’
opening, Bart Howard
allows the arrangement to
glide into a bossa
nova.
Deze
evergreen, die vooral in
de versie van Frank
Sinatra bekend is
geworden, komt in dit
bijzondere arrangement
met fraaie solo’s
voor trompet en fluit
uitstekend tot zijn
recht. Howard laat na een
begin dat getrouw blijft
aan het origineelhet stuk
overgaan in een
bossanovastijl.
De
r von Frank Sinatra oder
anderen Interpreten
bekannte Evergreen
präsentiert sich in
diesem originellem
Arrangement mit
schönen Soli für
Trompete und Flöte.
Hoshide erlaubte sich,
nach einem sehr
authentischen Beginn, das
Stück in
einenBossa-nova-Stil
gleiten zu
lassen...
Canzoni
intramontabili
interpretate da Frank
Sinatra o altri cantanti
sono contenute in questo
arrangiamento originale
con bellissimi assoli per
tromba e flauto. Dopo un
inizio fedele
all’originale,
Takashi Hoshide osa e fa
scivolare il pezzo
versouno stile di bossa
nova.
Chamber Music Piano SKU: PR.110418080 IV. From The Piano's 12 Sides(+)
Chamber Music Piano
SKU: PR.110418080
IV. From The Piano's
12 Sides. Composed by
Carter Pann. Sws.
Contemporary. Performance
Score. With Standard
notation. Composed 2012.
10 pages. Duration 7
minutes, 21 seconds.
Theodore Presser Company
#110-41808. Published by
Theodore Presser Company
(PR.110418080).
ISBN
9781598069587. UPC:
680160624362. 9x12
inches.
Without a
melodic line to anchor
oneself on, I ask the
pianist to use the
instrument like a canvas
over which many different
color combinations are
applied evenly
throughout. The amount of
restraint required to
achieve this is
formidable. The work's
interior...pulls one into
a timeless realm. In this
section no tempo should
be felt by the
listener-only a sense of
eternal suspension.
(Pann).
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.