Choir

SKU: WD.080689361234

Composed by Marty Hamby. Arranged by Marty Hamby. Choral. Sacred Anthem. Octavo. Word Music #080689361234. Published by Word Music (WD.080689361234).

UPC: 080689361234.

Beaut ifully flowing and poignant, this anthem from the Easter 2015 release, Crown Him, realizes the truth that Jesus’ death on the cross conquers death, and through him we receive eternal life! This anthem comes with an Accompaniment DVD intended to further focus congregations’ hearts on the Gospel message!

(Voice and Piano)

SKU: HL.48186084

Composed by Hector Berlioz. Leduc. Classical. CD. Alphonse Leduc #AL29971. Published by Alphonse Leduc (HL.48186084).

Written after William Shakespeare, Ophelie?s death is a piece by Hector Berlioz. For two female voices (Soprano and Contralto) accompanied by a Piano, this piece tells the story of the death of Ophelie, while she was picking some flowers next to a torrential river. Even though the end of the story is sad, the music is highly lyrical resulting from the combination of the two voices, and the Piano part could be played by an upper intermediate player. Hector Berlioz (1803-1869) was a French Romantic composer who made a significant contribution to music. His best-known pieces are his ''Fantastic Symphony'' and his ''Requiem''..

(Christ Lay in Death's Dark Prison). By Johann Sebastian Bach. (SATB). Choral Large Works. Size 6.7x10.5 inches. 56 pages. Published by G. Schirmer, Inc.

By Edvard Grieg (1843-1907). Arranged by David Marlatt. For Ten Piece Brass Ensemble. Brass Ensemble - Other; Masterworks. Classical. Duration 00:09:10

(Featuring: Courtyard Apocalypse / Battlefield / Lily?s Theme / Voldemort?s End / The Tunnel / A New Beginning). By Alexandre Desplat (1961-). Concert Band. Concert Band; Score. Pop Symphonic Band. Form: Suite. Movie. Grade 4. 44 pages. Published by Alfred Music Publishing

(Featuring: Courtyard Apocalypse / Battlefield / Lily?s Theme / Voldemort?s End / The Tunnel / A New Beginning). By Alexandre Desplat (1961-). Concert Band. Concert Band; Part(s); Score. Pop Symphonic Band. Form: Suite. Movie. Grade 4. 252 pages. Published by Alfred Music Publishing

Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Requiem; Occasions: Mourning, Death. Score. Language: Latin. Composed 1791/1991. 256 pages. Duration 50 min. Published by Carus Verlag (German import).

(Funeral Anthem). By George Frideric Handel (1685-1759). Edited by Clifford Bartlett. For SCAB soli, SATB/SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 basso continuo. This edition: Paperbound. Score available separately - see item CA.5526400. End of the church year Mourning, death. Vocal score. Language: German/English. Composed 1739. 64 pages. Published by Carus Verlag

SATB Choir

SKU: HL.14030878

Composed by Aulis Sallinen. Music Sales America. Classical. Part. 142 pages. Music Sales #NOV072460. Published by Music Sales (HL.14030878).

ISBN 9780853608370. 8.75x11.75x0.726 inches.

Dedicated to all my Dead Ones, those whose memory and strength still lingers on this side of the border. -Aulis Sallinen The vocal score to Sallinen's 1995 work, written to requiem poems by Lassi Nummi for baritone and orchestra.

Composed by Louis F. Jendras. For string quartet. Grade 3. Duration "3'45""". Published by BRS Music

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

By Giuseppe Verdi (1813-1901). Edited by Norbert Bolin. For Solo SMsTB, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 4 trumpets, 4 offstage trumpets, 3 trombones, ophicleide, timpani, percussion, 2 violins, viola, cello, contrabass. Stuttgart Urtext Edition. German title: Requiem. Requiem; Mourning, death. Vocal score. Language: Latin. 128 pages. Duration 90 minutes. Published by Carus Verlag

SSA Choir and Piano - intermediate

SKU: HL.14015025

Composed by John Hind. Music Sales America. Classical. Choral Score. Music Sales #NOV510617. Published by Music Sales (HL.14015025).

Lyrics by William Shakespeare.

Settin gs of two Shakespeare texts by John Hind, for the upper voices (SSA) with a full Piano accompaniment. The first, Come Away, Death is a sombre moment from Twelfth Night, with the second, Will You Buy Any Tape? taken from A Winter's Tale. The simple tonalities of the first song, coupled with the joyful dance-like rhythms of the second, suggest a courtly early-Renaissance sound characteristic of Shakespeare's time.

Grade 3

SKU: CL.026-4794-01

Composed by Johann Sebastian Bach. Arranged by Reed. Concert Band. Extra full score. C.L. Barnhouse #026-4794-01. Published by C.L. Barnhouse (CL.026-4794-01).

Alfred Reed’s masterful transcriptions of Bach chorales have become band standards, and this version for the Barnhouse Build-A-Band series makes Come, Sweet Death available for bands requiring flexible instrumentation. The rich texture, singing lines and deep feelings of the original are maintained to give your unique group the unforgettable experience of performing this band classic. A stunning and impressive addition to your band’s repertoire that will create a musical memory for all.

Composed by Henry Gauntlett. Arranged by Joel Raney. For SATB choir with optional Organ, 3-5 oct. Handbells, Brass and Congregation. Christmas, Jesus Christ - Birth, Jesus Christ - Death, Life of Christ. Octavo. 12 pages. Published by Hope Publishing Company

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. For Soli SB, SATB choir, flute/piccolo, oboe, clarinet, bassoon, horn, timpani, 2 violin, viola, cello, double bass. This edition: paperbound. Requiem; Mourning, Death. Score. Language: German. 45. 264 pages. Duration 70 min. Published by Carus Verlag

By Death Cab For Cutie. Guitar Recorded Version. Softcover. Guitar tablature. Published by Hal Leonard.

Organ

SKU: HL.49019568

10 Chorale Preludes for Lent and Easter. Composed by Wolfgang Rü and bsam. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, General Worship, Sacred. Softcover. 36 pages. Schott Music #ED21644. Published by Schott Music (HL.49019568).

ISBN 9790001193528. UPC: 884088945961. 9.0x12.0x0.14 inches.

Contents: Ah, Holy Jesus * O Sacred Head, Sore Wounded - At the Last Supper * O Man, Thy Grievous Sin Bemoan * O Sorrow Deep! * Good Christians All, Rejoice and Sing! * Christ the Lord is risen again! * Christ Jesus Lay in Death's Strong Bonds * Here Shining is the Splendid Day * Rejoice Now All Christians.

By Johannes Brahms (1833-1897). Arranged by Helmut Bornefeld. This edition: Paperbound. Complete editions. German title: Vier ernste Gesange / arr. Bornefeld. Mourning, death. Full score. 32 pages. Published by Carus Verlag