By Dwayne Engh. For Timpani Ensemble. Percussion - Ensemble. Contemporary. Duration 00:02:50

Soprano or Mezzo-Soprano. By John Harbison. Vocal Solo. Size 9x12 inches. 32 pages. Published by Associated.

Performed by The Beatles. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. Published by Hal Leonard

SATB choir, piano accompaniment - Early intermediate

SKU: GI.WJMS1169

Composed by David C. Dickau. Jo-Michael Scheibe Choral Series. Classical. Octavo. 16 pages. Walton Music #WJMS1169. Published by Walton Music (GI.WJMS1169).

UPC: 785147009368. English. Text by Will Allen Dromgoole.

The Bridge Builder tells the story of an old man who crosses a chasm, only to turn around to painstakingly build a bridge. When asked what he is doing, he explains that a younger man is following who could fall into the chasm, and that the old man is building the bridge for him. The vocals will offer some challenges for your choir, while the interesting piano accompaniment will support the singers. Jo-Michael Scheibe Choral Series.

By El Paso Brass. By Various. Mark Records. Classical. Audio CD. Duration 54:47. Published by Mark Custom Music (MK.2572-MCD).

70 Exercises for the Beginning to Professional Pianist. By Peter Deneff. Musicians Institute Press (Instruction taken from the curriculum of MI). Size 9x12 inches. 72 pages. Published by Musicians Institute Press.

(Piano Solo and Piano/Vocal). By Jim Brickman. This edition: Piano Solo and Piano/Vocal. Piano - Personality Book. 80 pages. Published by Alfred Music

The Songs of Lennon, McCartney, Harrison and Starr. Performed by The Beatles. Lyrics only. Complete lyrics to every song ever recorded by The Beatles. Size 7x10 inches. 256 pages. Published by Hal Leonard

By Various. Edited by Nicholas. For mezzo-soprano, piano. Published by C.F. Peters.

Clarinet and piano

SKU: P2.30094

Composed by James Grant. Solo music, 20th century. Published by Potenza Music (P2.30094).

Mark My Words, originally for tuba (but just as fun to play on clarinet), was composed by James Grant in February of 2007 as a heartfelt gift to his great friend and staunch musical ally, tubist Mark Nelson, in celebration of their first collaboration fourteen years earlier (Three Furies for solo tuba). Grant writes, When I began composing Mark My Words, I told Mark to be prepared for something fun that sounded like Charlie Brown doing a funky bossa nova (think jazz pianist/composer Vince Guaraldi's Linus and Lucy). I did not tell him that the middle section of Mark My Words would make overt references to all of the principal shapes, motives and themes from the Three Furies - my way of thanking Mark Nelson, specifically, for opening wide the door of composing for tuba and euphonium those many years ago and for so enthusiastically escorting me over that threshold. I am but one of many grateful composers whom Mark has supported over the years by commissioning, then recording their music. Mark My Words is my humble attempts at giving back to this devoted educator, consummate musician, fervent promoter of new music for tuba, and - yes - kickass player..

(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. 472 pages. Published by Hal Leonard

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Christmas and holiday. 352 pages. 9x12 inches.

Brass Band - Grade 4

SKU: BT.GOB-000922-030

Composed by Jan Bosveld. Set (Score & Parts). 27 pages. Gobelin Music Publications #GOB 000922-030. Published by Gobelin Music Publications (BT.GOB-000922-030).

When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderfulsound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of “colouring”. As far as structure is concerned this work consists of two parts. slow fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. “Fantasy for Brassband and Organ”.

Jan Bosveld zegt:Toen mij gevraagd werd een compositie te maken voor brassband en kerkorgel stond mij direct een duidelijk concept voor ogen. Het zou inderdaad een werk gaan worden voor brassband en orgel in de letterlijke zin vanhet woord. Geen traditioneel solowerk maar het orgel als uitbreiding van de brassbandbezetting en de brassband als een extra register van het orgel. Kortom, een homogeen geheel. De belangrijkste reden hiervoor is simpel. Het werkkan eigenlijk alleen in een kerk worden uitgevoerd en een brassband, in een kerk met zijn specifieke akoestiek, klinkt in al zijn kleurschakeringen als een orgel. Door het orgel in een bepaalde registratie te laten klinken kan,in combinatie met de brassband, een prachtige mengklank tot stand worden gebracht. Ook kan worden gekozen voor een klank die aanvullend is of contrasterend. Deze drie manieren van “kleuren” is het belangrijkste thema van de compositie.Wat vorm betreft bestaat het werk uit twee delen. langzaam snel. Het is opgebouwd uit een aantal motieven waarvan sommige zich gedragen als een snel opvolgende canon. In het snelle deel wordt het belangrijkste motief uitgebreidtot een fugato-achtig gedeelte. De canon en het fugato zijn technieken die zowel in de klassieke, als de hedendaagse orgelliteratuur veel worden gebruikt. Het vrij omgaan met de vorm en de motieven heeft geleid tot de titel.Fantasy for Brassband and Organ”.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453012

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Violin 2. MH 530. 24 pages. Duration 40 minutes. Carus Verlag #CV 54.530/12. Published by Carus Verlag (CA.5453012).

ISBN 9790007226169. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.

For Flute. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Bass solo, Mixed choirs (SATB) (2), Orchestra)

SKU: BA.BA09188

Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. This edition: urtext edition. Paperback. Barenreiter Urtext. Classical. Score. KV 427. Baerenreiter Verlag #BA09188_00. Published by Baerenreiter Verlag (BA.BA09188).

ISBN 9790006565092. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.

Mozartâ €™s magnificent unfinished “Great Mass in C minor K. 427” is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.

Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.

High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:
- The “Kyrie” and “Gloria”, both of which survive complete in Mozart’s hand, are edited in accordance with scholarly standards.
- The first two sections of the “Credo” have been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the aria “Deh vieni non tardar” from “The Marriage of Figaro” and paying attention to a stylistically appropriate and transparent sound.
- The “Sanctus” and “Benedictus” (with the “Hosanna”), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.

Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).

The first performance of Ulrich Leisinger’s new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.

The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

String Quartet

SKU: BR.EB-9270

Composed by Christian Mason. Chamber music. Edition Breitkopf. New music (post-2000); Music post-1945. Sheet Music. Composed 2018. 28 pages. Duration 21'. Breitkopf and Haertel #EB 9270. Published by Breitkopf and Haertel (BR.EB-9270).

ISBN 9790004185704. 9 x 12 inches.

I fell in love with the remarkable singing of the Tenores di Bitti on hearing their recordings as a student. Their uniquely intense vocal timbre, their harmony, which seemed pure and rough at once, and the sense that this music was, at root, not so much about performance as simply being together in the world, in a community of spirit. At the time, I had no intention of using this music to my own creative ends, but now, here we are: Sardinian Songbook is the second in a cycle of works for the Ligeti Quartet, all based on transcriptions of music from different throat-singing traditions. Like string quartets, the tenores usually sing in groups of four voices, but being free from instruments they stand very close together enabling the resonances of their voices to blend and interact in a special way. The quartet, of course, can only sit so close before their bows clash, so I have chosen instead to reflect this physical closeness inversely, by getting the players to stand increasingly far from one another as the piece progresses. In so doing, the initial state of sonic blend gives way to hocketing lines, opening up the sense of space.Christian Mason, 2018 The four movements may be played separately or as a collection. If played together the following order should be observed (see table of contents).

World premiere: Sheffield/UK, Firth Hall, April 14, 2018, Commissioned by Ligeti Quartet.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453019

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 530. Duration 40 minutes. Carus Verlag #CV 54.530/19. Published by Carus Verlag (CA.5453019).

ISBN 9790007145378. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and parts available separately - see item CA.5453000.

Performed by Barbra Streisand. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 250 pages. Published by Cherry Lane Music.

C Edition. By Various. Fake Book (Includes melody line and chords). Softcover. 216 pages. Published by Hal Leonard.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705312

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/12. Published by Carus Verlag (CA.2705312).

ISBN 9790007199579. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

Choral

SKU: BT.WHKP01904

Book Only. Edition Wilhelm Hansen #WHKP01904. Published by Edition Wilhelm Hansen (BT.WHKP01904).

50 Treasured Songs. Composed by George Gershwin (1898- 1937) and Ira Gershwin. P/V/G Composer Collection. Softcover. 232 pages. Published by Hal Leonard

For Clarinet. Jazz/RandB. Includes printed musical score and compact disc: you hear both parts played in stereo, then each duet is repeated with the first part omitted and then the second part, so you can play along. Published by Music Minus One.