15 Fab Four faves arrangé pour flûte à bec / Flûte A Bec / 16 pages / Partition

A Selection of Renaissance TunesInstrument : treble recorder and pianoNombre de Pages : 56Steven Rosenberg writes in the preface:This book is intended to give recorder players a repertoire of solo pieces from the Renaissance. Solo literature for the recorder is often dominated by music of the baroque era, while the music of Renaissance is primarily preformed by consorts. I hope that this collection will expand the solo repertoire by bringing to recorder players some of the most beautiful melodies of this period. I have performed all of these pieces in public and have taken care only to include music that is of performance quality. Some of the pieces are grouped in suites, but you should feel free to play them in the order of your choice. For those of you equally at home on descant (soprano) and treble (alto), fell free to intersperse pieces from the companion book for descant recorder.The edition is part of the ABRSM Summer 2006 syllabus (grades 1-3) and the Trinity syllabus 2007 (grade 6).Content : Four Elizabethan Masque Dances: 1. The Fairy Masque (Johnson) - Four Elizabethan Masque Dances: 2. Wilson's Love (Anon) - Four Elizabethan Masque Dances: 3. The Witches - Second Dance (Anon) - Four Elizabethan Masque Dances: 4. The King's Mistress (Anon) - Three English Country Dances from John Playford's Dancing Master: 1. The Merry Milkmaids - Three English Country Dances from John Playford's Dancing Master: 2. Dissembling Love (or The Lost Heart) - Three English Country Dances from John Playford's Dancing Master: 3. Newcastle - Two Country Dances from John Playford collection: 1. Bellamira - Two Country Dances from John Playford collection: 2. Pell-mell - Allemande (1) (Susato) - Allemande (2) (Susato) - Lady Bannings Almand (Sturte) - Le coeur est bon (Susato) - Pass et medio (Susato) - Pavane Mille regretz (Susato) - Recercada quinta (Ortiz) - Recercada segunda (Ortiz) - Recercada segunda sobre 'O Felici Occhi Miei' (Ortiz) - Ronde Mon amy (Susato) - Ronde III (Susato) - Ronde IV (Susato) - Ronde V (Susato) - Ronde VI (Susato) - The Leaves be Green (Phalese) - What if a Day (Dowland) - Woodycock (Anon)

Par VIVALDI / VEILHAN. As one of the great Baroque composers, Antonio Vivaldi 's (1678-1741) compositions remain hugely popular to this day. The Four Seasons is his best-known work and therefore, Jean-Claude Veilhan 's transcription for Recorder was well-received for making the highly acclaimed work more accessible. Vivaldi 's Four Seasons were originally published in 1725 as a Violin Concerto. Each movement's texture varies depending on which season it depicts. Veilhan 's adaption for Recorder includes articulation, phrasing and performance directions necessary to the instrument. For all aspiring solo Recorder players of the Baroque genre, Veilhan 's transcription of Vivaldi 's Four Seasons cannotbe missed./ Répertoire / Flûte à Bec Alto

Arrangeur: Markus Zahnhausen. Par TELEMANN GEORG PHILIPP. Two of Telemann 's Concertos for four Violins arranged for four Treble Recorders by Markus Zahnhausen./ Répertoire / 4 Flûtes à Bec Alto

Author of the Baroque Recorder Anthology series, Peter Bowman presents the first in a series of four volumes dedicated to recorder music from the Renaissance period. Featuring a variety of interesting pieces scored for recorder and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 2-3 years' of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Kathryn Bennetts. / Flûte A Bec Soprano Et Piano

French and Spanish Music. 'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / 2-6 Flûtes à Bec [Aa/St/Stt/SAT/SATB/Attb/Aatt/SSA

INSTRUMENTATION : 1-2 SOPRANO RECORDERS VERSION : EDITION WITH CD DESCRIPTION : HASN'T EVERY RECORDER PLAYER DREAMED OF PLAYING THE MOST CELEBRATED CLASSICAL MELODIES AS A SOLOIST' HERE YOU WILL FIND THE FINEST PIECES IN ARRANGEMENTS FOR ONE OR TWO DESCANT RECORDERS, WITH A CD TO PLAY ALONG WITH. ON A MUSICAL JOURNEY OF DISCOVERY YOU WILL ENCOUNTER MANY FAMOUS COMPOSITIONS, FROM EINE KLEINE NACHTMUSIK AND BEETHOVEN'S ODE TO JOY TO THE BIRDCATCHER'S SONG FROM THE MAGIC FLUTE AND LA DONNA È MOBILE FROM VERDI'S RIGOLETTO . SO THAT YOU CAN REALLY ENJOY MAKING MUSIC THE ARRANGEMENTS HAVE BEEN RECORDED IN TWO VERSIONS ON THE CD: WITH AND WITHOUT RECORDERS. CONTENU : A. VIVALDI: SPRING (THE FOUR SEASONS) - W.A. MOZART: THE BIRDCATHER'S SONG (THE MAGIC FLUTE) - J.S. BACH: O HAUPT VOLL BLUT UND WUNDEN (ST. MATTHEW PASSION) - W.A. MOZART: DAS KLINGET SO HERRLICH (THE MAGIC FLUTE) - J. BRAHMS: CRADLE SONG GUTEN ABEND, GUT NACHT - M.A. CHARPENTIER: PRÉLUDE FROM TE DEUM - J. HAYDN: ANDANTE FROM THE SYMPHONY NO. 94 THE SURPRISE - L.V. BEETHOVEN: ODE TO JOY (9. SINFONIE) - C.M.V. WEBER: WIR WINDEN DIR DEN JUNGFERNKRANZ (DER FREISCHÜTZ) - G. VERDI: LA DONNA È MOBILE (RIGOLETTO) - J. HAYDN: IMPERIAL ANTHEM (EMPEROR QUARTET) - G.F. HÄNDEL: OMBRA MAI FÙ (LARGO FROM XERXES) - B. SMETANA: THE MOLDAU (MY HOMELAND) - G. BIZET: TORÉADOR, EN GARDE! (CARMEN) - J. OFFENBACH: BARCAROLE (TALES OF HOFFMANN) - G. ROSSINI: OVERTURE TO THE BARBER OF SEVILLA - R. WAGNER: WEDDING CHORUS TREULICH GEFÜHRT (LOHENGRIN) - G. VERDI: GEFANGENENCHOR VA, PENSIERO (NABUCCO) - W.A. MOZART: EINE KLEINE NACHTMUSIK - P.I. TSCHAIKOWSKY: MAIN THEME (SCHWANENSEE) - J. OFFENBACH: CANCAN (ORPHEUS IN THE UNDERWORLD) DATE DE PARUTION : 17/02/2003 NOMBRE DE PAGES : 24 LANGUE : ENGLISH FORMAT : PARISIEN PORTRAIT

Fifteenth-Century Music. 'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / 2-4 Flûtes à Bec

Media Type : Book Level : Multiple Levels Musical Genre : Dance Number of pages : 64 The Artistic Directors of the award-winning Terra Nova Consort have been in residence at the Oregon Shakespeare Festival for over ten years. This, their first publication, contains over 40 arrangements for recorders of Renaissance English and Scottish Country-Dance music as early as Playford and up to the present. The arrangements in this book were written and performed by Patricia O'Scannell, herself an accomplished recorder player, in the context of music being set for dances, balls and workshops, and are an excellent tool for aspiring players. The settings are for two to four recorders, allowing for numerous combinations of voicing depending on what the players have at hand, and include O'Scannell's insightful comments about style and technique. The music may also be played on a variety of other instruments common to the genre and used by aficionados seeking arrangements for Scottish and English repertoire to play with dancers. Written for intermediate through advanced players with some parts appropriate for beginners, this collection will appeal to all serious recorder players.

Par PART ARVO. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arrangement can be played by soprano/alto 1/alto 2/tenor instruments or tenor/bass 1/bass 2/great bass. Phrasing marks are consistent with those of the vocal arrangement. Universal Edition makes a significant addition to the recorder library with this edition. For intermediate players./ Répertoire / 4 Flûtes à Bec

29 easy and enjoyable works for recorder and piano from four centuries that includes both original pieces for recorder, as well as arrangements of many popular melodies by famous classical composers, such as Mozart's The Bird Catcher's Aria or Für Elise by Beethoven. Many of these pieces are suitable for students in their second year of lessons. The pupils can play along with the accompanying CD or with easy piano accompaniment. / Flûte A Bec Et Piano

Performance score with basso continuo (without figured bass realisation). At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel?s six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience: the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player./ Répertoire / Flûte à Bec Alto et Basse Continue

Media Type : Book Level : Beginning-Intermediate Musical Genre : Celtic/Irish Number of pages : 33 Turlough O'Carolan was born in County Meath, Ireland in 1670. He was trained as a youth to play the harp, and throughout his life composed a large number of songs. O'Carolan developed a personal style, containing melodic elements of Irish folk music, courtly harp music and Italian baroque music. O'Carolan's music was not published during his lifetime; therefore, various versions of his melodies have been handed down through the aural tradition. It is also not known how he accompanied his melodies. This collection presents 39 favorite O'Carolan melodies in easily playable, lively arrangements for alto (treble) recorder, with guitar chords above the staves. Included are four original melodies by Richard Voss inspired by and in the style of the early master.

Media Type : Book Level : Beginning Musical Genre : Classic Number of pages : 32 Twenty-four solos for alto (treble) recorder based on famous classic melodies by Beethoven, Brahms, Chopin, Corelli, Dvorak, FaurÈ, Grieg, Mozart, and others as well as several folk songs and original pieces by the author. This music is specially arranged for the beginning-level pupil. Piano accompaniment included.