By Rory Cooney & The Dameans. Arranged by Rory Cooney. Bible Reference: Genesis ...(+)
By Rory Cooney & The
Dameans. Arranged by Rory
Cooney. Bible Reference:
Genesis 1:1-2:2.
Celebration Series.
Sacred. Easy. Choir Part.
8 pages. Published by GIA
Publications
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Symphonic fresco on Genesis 1:1-31. Composed by Naji Hakim (1955-). This edi...(+)
Symphonic fresco on
Genesis
1:1-31. Composed by Naji
Hakim (1955-). This
edition:
Saddle stitching. Sheet
music. Organ Collection.
Classical. Softcover. 24
pages. Duration 13'.
Schott
Music #ED 22870.
Published
by Schott Music
By Vince Gassi. Concert
Band. Concert Band;
Part(s); Score. Belwin
Symphonic Band. Form:
Overture. Grade 4.5. 264
pages. Published by
Alfred Music Publishing
Composed by Franz Joseph Haydn (1732-1809). Arranged by Clytus Gottwald. For SSS...(+)
Composed by Franz Joseph
Haydn (1732-1809).
Arranged by Clytus
Gottwald. For
SSSAAATTTBBB choir.
German title: Genesis,
Einl.aus der Schopfung.
Oratorios. Full score.
Language: German. 12
pages. Published by Carus
Verlag
Genesis: Anthology Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Genesis. For voice, piano and guitar chords. Format: piano/vocal/ch...(+)
Performed by Genesis. For
voice, piano and guitar
chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams.
Progressive rock and
classic rock. 352 pages.
9x12 inches. Published by
Hal Leonard.
Orchestra - Grade 3.5 SKU: AP.49005S Composed by Rossano Galante. Full Or...(+)
Orchestra - Grade 3.5
SKU: AP.49005S
Composed by Rossano
Galante. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Concert Full
Orchestra. Score. 20
pages. Duration 3:45.
Belwin Music #00-49005S.
Published by Belwin Music
(AP.49005S).
ISBN
9781470645236. UPC:
038081563893.
English.
Genesis by
Rossano Galante is a
stunning original
cinematic overture that
will transport your
students to the movie
soundstage. This stunning
cinematic overture is a
musical journey that
depicts the rebuilding of
humankind into a Utopian
society. The scene is set
with a dramatic, rhythmic
ostinato joined by the
melody, which is
indicative of hope for
world peace, and builds
to an intense peak before
slowly fading away.
(3:45) This title
available in MakeMusic
Cloud.
Orchestra - Grade 3.5 SKU: AP.49005 Composed by Rossano Galante. Full Orc...(+)
Orchestra - Grade 3.5
SKU: AP.49005
Composed by Rossano
Galante. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Concert Full
Orchestra. Score and
Part(s). 112 pages.
Duration 3:45. Belwin
Music #00-49005.
Published by Belwin Music
(AP.49005).
ISBN
9781470645229. UPC:
038081563886.
English.
Genesis by
Rossano Galante is a
stunning original
cinematic overture that
will transport your
students to the movie
soundstage. This stunning
cinematic overture is a
musical journey that
depicts the rebuilding of
humankind into a Utopian
society. The scene is set
with a dramatic, rhythmic
ostinato joined by the
melody, which is
indicative of hope for
world peace, and builds
to an intense peak before
slowly fading away.
(3:45) This title is
available in MakeMusic
Cloud.
Creation Praise Chorale SATB [Octavo] Hope Publishing Company
Composed by Joseph M. Martin. For SATB choir. Text: Psalm 69:34|Psalm 104:1-5|Ps...(+)
Composed by Joseph M.
Martin. For SATB choir.
Text: Psalm 69:34|Psalm
104:1-5|Psalm
104:14-20|Psalm
104:24-27|Psalm
104:31-33|Genesis
1:25-27|Acts 4:24. Choral
octavo. Published by Hope
Publishing Company
By Rory Cooney & The Dameans. Arranged by Rory Cooney. For Flute. Bible Referenc...(+)
By Rory Cooney & The
Dameans. Arranged by Rory
Cooney. For Flute. Bible
Reference: Genesis
1:1-2:2. Sacred. Easy.
Instrumental Part. 4
pages. Published by GIA
Publications
Symphonic Rock Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1534-08-010-MS The Music of Qu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1534-08-010-MS
The Music of Queen and
Genesis. Composed by
Brian May, Freddie
Mercury, John Deacon,
Mike Mike, Phil Collins,
Roger Taylor, and Tony
Banks. Arranged by
Gilbert Tinner. Ovation
Series. Pop & Rock. Set
(Score & Parts). Composed
2008. Music Sales
#1534-08-010 MS.
Published by Music Sales
(BT.1534-08-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Gilbert Tinner
combined a number of hits
by the well-known British
rock group Queen - and a
song by Genesis, also a
rock formation from
England - to form an
exciting arrangement with
the telling title
Symphonic Rock. The
instrumentation can
indeed be called
symphonic, but important
instruments from pop
music are also present.
For instance, an
important role is played
by the electric guitar,
and a synthesizer is used
as well. The medley
respectively features:
Innuendo, A Kind of
Magic, Another One Bites
the Dust, Radio Gaga,
That’s All and We
Are the
Champions.
Gilbert
Tinner bundelde enkele
hits van de bekende
Britse rockgroep Queen -
en een nummer van
Genesis, eveneens een
rockformatie uit Engeland
- tot een spetterend
arrangement met de
veelzeggende titel
Symphonic Rock. De
instrumentatiekan
inderdaad symfonisch
worden genoemd, maar ook
belangrijke instrumenten
uit de popmuziek zijn
vertegenwoordigd. Zo is
er een grote rol
weggelegd voor de
elektrische gitaar en
ontbreekt ook een
synthesizer niet. In
demedley zijn
achtereenvolgens te
horen: Innuendo, A
Kind of Magic, Another
One Bites the Dust, Radio
Gaga, That’s
All en We Are the
Champions.
Gil
bert Tinner kombinierte
eine Reihe von Hits der
berühmten britischen
Rockgruppen Queen und
Genesis und schuf daraus
diese spannende
Bearbeitung mit dem Titel
Symphonic Rock.
Die Instrumentierung kann
tatsächlich als
symphonisch bezeichnet
werden, es sind aber auch
in der Popmusik wichtige
Instrumente, wie
E-Gitarre und Synthesizer
vertreten.
Symphonic Rock Orchestre d'harmonie [Conducteur] - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1534-08-140-MS The Music of Qu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1534-08-140-MS
The Music of Queen and
Genesis. Composed by
Brian May, Freddie
Mercury, John Deacon,
Mike Mike, Phil Collins,
Roger Taylor, and Tony
Banks. Arranged by
Gilbert Tinner. Ovation
Series. Pop & Rock. Score
Only. Composed 2008. 40
pages. Music Sales
#1534-08-140 MS.
Published by Music Sales
(BT.1534-08-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Gilbert Tinner
bundelde enkele hits van
de bekende Britse
rockgroep Queen - en een
nummer van Genesis,
eveneens een rockformatie
uit Engeland - tot een
spetterend arrangement
met de veelzeggende titel
Symphonic Rock. De
instrumentatiekan
inderdaad symfonisch
worden genoemd, maar ook
belangrijke instrumenten
uit de popmuziek zijn
vertegenwoordigd. Zo is
er een grote rol
weggelegd voor de
elektrische gitaar en
ontbreekt ook een
synthesizer niet. In
demedley zijn
achtereenvolgens te
horen: Innuendo, A
Kind of Magic, Another
One Bites the Dust, Radio
Gaga, That’s
All en We Are the
Champions.
Gil
bert Tinner kombinierte
eine Reihe von Hits der
berühmten britischen
Rockgruppen Queen und
Genesis und schuf daraus
diese spannende
Bearbeitung mit dem Titel
Symphonic Rock.
Die Instrumentierung kann
tatsächlich als
symphonisch bezeichnet
werden, es sind aber auch
in der Popmusik wichtige
Instrumente, wie
E-Gitarre und Synthesizer
vertreten.
The Tree of Life Chorale 3 parties SAB, Piano - Facile GIA Publications
SAB choir, piano accompaniment, oboe - Early intermediate SKU: GI.G-9687 ...(+)
SAB choir, piano
accompaniment, oboe -
Early intermediate
SKU: GI.G-9687
Arranged by James Biery.
Lent, Lent 2 A, Good
Friday. Choral. Tune
Name: Wexford Carol.
Sacred. Octavo. 16 pages.
GIA Publications #9687.
Published by GIA
Publications (GI.G-9687).
UPC: 785147968702.
English. Text by Stephen
Starke. Scripture:
Genesis 2:9, Genesis
3:1–7, 15,
Revelation
22:2.
James Biery
has created a setting of
the WEXFORD CAROL set to
Stephen Starke’s
text based on the Fall in
the garden as recounted
in the Book of Genesis.
The piece has multiple
uses throughout the year,
notably for Good Friday.
For choirs that present a
service of Lessons and
Carols, this piece would
be a welcome addition to
the repertoire that
follows the traditional
first reading. The oboe
part is optional. Â
Listen to the music and
follow the score in this
preview video.
Mixed double choir a cappella SKU: BA.BA11315 Composed by Frank Martin. E...(+)
Mixed double choir a
cappella
SKU:
BA.BA11315
Composed
by Frank Martin. Edited
by Michael Ostrzyga.
Bärenreiter Urtext.
Replaces BA07594. Score.
Baerenreiter Verlag
#BA11315. Published by
Baerenreiter Verlag
(BA.BA11315).
ISBN
9790006578030. 27 x 19 cm
inches.
- Taking
into account a radio
recording from 1970 in
which the composer was
involved - Detailed
Foreword on the genesis
of the work and its
reception (Ger/Eng) as
well as a Critical
Commentary
(Eng)
This edition
of Frank Martinâs
mass is a
scholarly-critical as
well as a performing
edition that takes all
sources into account. As
a matter of fact, it was
only during the research
for this edition that a
previously unknown source
was discovered and
evaluated â a radio
recording of the mass,
which was produced in
1970 by the Dutch NCRV
Vocaal Ensemble with the
participation of the
composer. The project
also included the first
public performance of the
work, which took place
shortly afterwards in the
presence of the composer
and may have inspired him
to make later
changes.
Martinâ
s manuscripts from the
1920s, as he repeatedly
emphasised, were never
intended for publication
and were laid aside for
40 years. After the 1970
production, Martin was
also involved in the
preparation of the 1972
first edition, with which
he was very satisfied. On
the basis of extensive
research into the genesis
and performance history
of the mass, all sources
were re-evaluated in
order to present a
musical text that
corresponds as closely as
possible to Martin's
intentions whilst meeting
all the requirements of
the performers.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
Personality Book;
Piano/Vocal/Chords. Rock.
144 pages. Published by
Alfred Music Publishing