For Viola. Composed by Amanda Harberg. Contemporary. Solo part. With Stan...(+)
For Viola.
Composed by Amanda
Harberg. Contemporary.
Solo part. With Standard
notation. Composed 2011.
8 pages. Duration 7
minutes. Theodore Presser
Company #114-41680.
Published by Theodore
Presser Company
(PR.114416800).
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
Instrumental Parts SKU: HP.9174 Instrumental parts. Hope Publishing Compa...(+)
Instrumental Parts
SKU: HP.9174
Instrumental parts. Hope
Publishing Company #9174.
Published by Hope
Publishing Company
(HP.9174).
UPC:
763628191740. Allen
Pote.
A Musical for
Young Voices - The Story
of the Tower of Babel
Leading to Pentecost In
Genesis 11 and Acts 2 we
read about two events
where languages helped
fulfill God's purpose.
When the people of Babel
built the tower, they
were led by the human
spirit and ended up in
confusion, scattered over
the earth, speaking
different languages. At
Pentecost, people from
many nations, speaking
different languages, were
led by the Holy Spirit;
and even in their
diversity, they were
united. This 35-minute
musical for young voices
(Unison w/opt. Two-Part)
links together these Old
Testament and New
Testament stories with
songs, humor and heart.
The message is, if we
follow the Great
Commandments - ?loving
God and loving our
neighbors, no matter how
different from us they
are or what language they
speak - we will surely be
filled with the Holy
Spirit. A score with
piano accompaniment and a
singers edition without
the piano part are both
included for the one
price. You may make as
many copies as you
require for use by your
choir. Separate audio
MP3s and instrumental
parts are available, and
there is a video of the
debut performance on the
Hope YouTube channel.
Reproducible Score SKU: HP.9171 Musicals for Youth. General Worship. Chor...(+)
Reproducible Score
SKU: HP.9171
Musicals for Youth.
General Worship. Choral
score. Hope Publishing
Company #9171. Published
by Hope Publishing
Company (HP.9171).
UPC: 763628191719.
Allen Pote.
A
Musical for Young Voices
- The Story of the Tower
of Babel Leading to
Pentecost In Genesis 11
and Acts 2 we read about
two events where
languages helped fulfill
God's purpose. When the
people of Babel built the
tower, they were led by
the human spirit and
ended up in confusion,
scattered over the earth,
speaking different
languages. At Pentecost,
people from many nations,
speaking different
languages, were led by
the Holy Spirit; and even
in their diversity, they
were united. This
35-minute musical for
young voices (Unison
w/opt. Two-Part) links
together these Old
Testament and New
Testament stories with
songs, humor and heart.
The message is, if we
follow the Great
Commandments - ?loving
God and loving our
neighbors, no matter how
different from us they
are or what language they
speak - we will surely be
filled with the Holy
Spirit. A score with
piano accompaniment and a
singers edition without
the piano part are both
included for the one
price. You may make as
many copies as you
require for use by your
choir. Separate audio
MP3s and instrumental
parts are available, and
there is a video of the
debut performance on the
Hope YouTube channel.
God Will Hear Your Prayer by Jimbo Stevens and Machelle Stevens. For SATB Choir ...(+)
God Will Hear Your Prayer
by Jimbo Stevens and
Machelle Stevens. For
SATB Choir (SATB).
Shawnee Press. Choral,
Bass/Percussion, General
Use, Lite Trax and
Sacred. 12 pages. Shawnee
Press #A7540. Published
by Shawnee Press
Elburg Fantasy Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135396-020. Published by
De Haske Publications
(BT.DHP-1135396-020).
9x12 inches.
English-Dutch.
This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad.
Elburg Fantasy Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2013. 52 pages. De Haske
Publications #DHP
1135396-120. Published by
De Haske Publications
(BT.DHP-1135396-120).
9x12 inches.
English-Dutch.
This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad.
By Johann Sebastian / Herman Bach. Edited by Klaus Hofmann. Hymn settings, Mass ...(+)
By Johann Sebastian /
Herman Bach. Edited by
Klaus Hofmann. Hymn
settings, Mass Sections;
Choral Collections, Mixed
Choir; Occasions: Peace
and Justice, Morning,
Midday, Evening; Use
during church year:
Advent, Special Days,
Epiphany, Lent and
Passiontide, Holy Week,
Easter and Eastertide,
Ascension, Christmas.
Choral collection. 80
pages. Published by Carus
Verlag (German import).
The spirit of
early American hymnody
breathes in this newly
composed tune and
arrangement. Rustic joy
abounds as the vigorous
octavo dances into your
heart with the promises
of heaven and everlasting
life. The mostly
pentatonic melody toggles
between major and minor
modes, creating a
powerful acclamation of
praise and thanksgiving.
The optional
orchestration adds a
theatrical sweep to the
anthem, hinting at
recognizable Americana
timbres and textures.
Unforgettable! Score and
Parts (fl 1-2, ob, cl
1-2, bn, hn 1-2, tpt 1-3,
tbn 1-3, tba, perc 1-2,
timp, pno, hp, vn 1-2,
va, vc, db) available as
a digital download.
For Autoharp, Guitar, Ukulele, Mandolin, Banjo, and Keyboard. Compiled by Meg Pe...(+)
For Autoharp, Guitar,
Ukulele, Mandolin, Banjo,
and Keyboard. Compiled by
Meg Peterson. For
Autoharp/Chromaharp.
Songbook. Sacred. Level:
Beginning. Book. Size
8.5x11. 40 pages.
Published by Mel Bay
Publications, Inc.
300 Sacred Songs Piano, Voix et Guitare [Fake Book] - Facile Creative Concepts
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Sacred. 182 pages.
9x12 inches. Published by
Creative Concepts
(Angels We Have Heard on High - Away in a Manger - O Come, All Ye Faithful). Arr...(+)
(Angels We Have Heard on
High - Away in a Manger -
O Come, All Ye Faithful).
Arranged by James
Swearington. For young
concert band. Command
Series. Grade 2. Score
and set of parts.
Duration 3 minutes, 34
seconds. Published by
C.L. Barnhouse
