Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006512

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violin 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/12. Published by Carus Verlag (CA.7006512).

ISBN 9790007244743. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006500

Composed by Franz Schubert. Edited by Stefan Schuck. Sacred vocal music; use during church year: Lent and Passiontide, Holy Week; Stuttgart Editions (Urtext): Stuttgart Schubert Edition; occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/00. Published by Carus Verlag (CA.7006500).

ISBN 9790007165994. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs.

TTBB choir - Level 3

SKU: CA.4080920

Composed by Martin Luther and Peter Cornelius. Hymns by Martin Luther: Mitten wir im Leben sind. German title: Mitten Wir Im Leben + Nicht Die Trane. Mourning, death. Full score. Composed 1851. Op. 9, No. 3. Duration 5 minutes. Carus Verlag #CV 40.809/20. Published by Carus Verlag (CA.4080920).

ISBN 9790007106614. Key: A minor. Language: German/English.

(Funeral Sentence - SATB, Organ Optional). By Henry Purcell (1659-1695). Edited by Paul Boepple. SATB chorus. For SATB, Organ. Dessorr Choir Series. Piano reduction/vocal score. Standard notation. 6 pages. Published by Theodore Presser Company

Grade 3

SKU: CL.026-4909-01

From Atlantis: The Lost Continent. Composed by Romeyn. Concert Band. Extra full score. C.L. Barnhouse #026-4909-01. Published by C.L. Barnhouse (CL.026-4909-01).

Race Against Time from Rob Romeyn’s popular Atlantis: The Lost Continent is an exciting addition for flexible instrumentation to any concert program. Beautiful melodies, stark musical contrasts and bold drama all describe this stunning programmatic piece depicting the island nation that existed over 11,000 years ago in the midst of the Atlantic Ocean. The music begins as the fateful day ensues, reaching a stunning climax as Atlantis, its people and its humanity were swallowed by the sea. Solid scoring and consistent tempos make this an excellent choice for distance learning. Exciting!

Grade 3

SKU: CL.026-4909-00

From Atlantis: The Lost Continent. Composed by Romeyn. Concert Band. Score and set of parts. C.L. Barnhouse #026-4909-00. Published by C.L. Barnhouse (CL.026-4909-00).

Race Against Time from Rob Romeyn’s popular Atlantis: The Lost Continent is an exciting addition for flexible instrumentation to any concert program. Beautiful melodies, stark musical contrasts and bold drama all describe this stunning programmatic piece depicting the island nation that existed over 11,000 years ago in the midst of the Atlantic Ocean. The music begins as the fateful day ensues, reaching a stunning climax as Atlantis, its people and its humanity were swallowed by the sea. Solid scoring and consistent tempos make this an excellent choice for distance learning. Exciting!

SATB choir - Level 2

SKU: CA.328450

Composed by Gotthard Erythraeus. Hymns by Martin Luther: Mitten wir im Leben sind. Separate edition with choral collection. Sacred vocal music, Hymn settings, Fear and trust, Mourning, death. Full score. 2 pages. Duration 2 minutes. Carus Verlag #CV 03.284/50. Published by Carus Verlag (CA.328450).

ISBN 9790007168964. Key: E phrygian. Language: German. Text: Luther, Martin. Text by Martin Luther.

By George Thalben-Ball. For SATB Choir. Choral, Sacred, 20th Century. Sheet Music. 16 pages. Published by Novello & Co Ltd.

SATB choir, 2 trumpets, 2 trombones - Level 3

SKU: CA.1014700

Composed by Herbert Gadsch. This edition: Paperbound. Hymns by Martin Luther: Mitten wir im Leben sind. German title: Mitten wir im Leben sind. Sacred vocal music, Cantatas, Mourning, death. Full score. Composed 1961. 8 pages. Duration 5 minutes. Carus Verlag #CV 10.147/00. Published by Carus Verlag (CA.1014700).

ISBN 9790007020033. Key: G mixolydian. Language: German. Text: Luther, Martin.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006513

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Viola. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/13. Published by Carus Verlag (CA.7006513).

ISBN 9790007244705. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006514

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violoncello/double bass. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/14. Published by Carus Verlag (CA.7006514).

ISBN 9790007244750. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Trombone & Band

SKU: SU.32040020

For Trombone & Band. Composed by Amy Riebs Mills. Brass, Trombone, Concert Band/Wind Ensemble. Full Score. Subito Music Corporation #32040020. Published by Subito Music Corporation (SU.32040020).

Solo Trombone, Band parts - picc, 2fls, 2 obs, EH, 2bsns, 3 cls, bcl, 2asx, tsx, bsx, 4 hns, 3 tpts, 3 tbns, euph, tba, timp, 3 perc Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Band 5 (Advanced) See also Red Dragonfly, Sonata for Trombone and Piano for the version with piano accompaniment. See composer website for audio sample. Performance materials available on rental only:.

SATB choir

SKU: CA.2333030

Motette. Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. Hymns by Martin Luther: Mitten wir im Leben sind. German title: Mitten wir im Leben sind. Sacred vocal music, Motets, Mourning, death. Full score. 20 pages. Carus Verlag #CV 23.330/30. Published by Carus Verlag (CA.2333030).

ISBN 9790007161521. Language: German. Text: Luther, Martin. Text: Martin Luther.

Orchestra string orchestra - Grade 2.5

SKU: XC.ISO2202FS

Composed by Katie O'Hare LaBrie. Contest. Intermezzo. Score. Excelcia Music Publishing #ISO2202FS. Published by Excelcia Music Publishing (XC.ISO2202FS).

12 x 9 inches.

Imagine being in the midst of a blizzard. Snow swirling and blowing everywhere! Then suddenly, out of nowhere... BOOM! It's Thundersnow! This new work for string orchestra is sure to excite and impress both students and audiences alike!

Orchestra string orchestra - Grade 2.5

SKU: XC.ISO2202

Composed by Katie O'Hare LaBrie. Contest. Intermezzo. Contest. Score and set of parts. Excelcia Music Publishing #ISO2202. Published by Excelcia Music Publishing (XC.ISO2202).

12 x 9 inches.

Imagine being in the midst of a blizzard. Snow swirling and blowing everywhere! Then suddenly, out of nowhere... BOOM! It's Thundersnow! This new work for string orchestra is sure to excite and impress both students and audiences alike!

By Robert Sheldon. By Robert Sheldon. For Concert Band. Concert Band. Young Symphonic. Level: 2.5 (Medium Easy) (grade 2.5). Conductor Score

By Lloyd Larson. (SATB). Cross of Christ, Good Friday, Holy Week, Lamb of God, Redemption, Sacrifice and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006509

Composed by Franz Schubert. Edited by Stefan Schuck. 1x 70.065/21 flute 1, 1x 70.065/22 flute 2, 1x 70.065/23 oboe 1, 1x 70.065/24 oboe 2, 1x 70.065/25 bassoon 1, 1x 70.065/26 bassoon 2, 1x 70.065/27 double bassoon, 1x 70.065/31 horn 1, 1x 70.065/32 horn 2, 1x 70.065/33 trombone 1, 1x 70.065/34 trombone 2, . Stuttgart Urtext Edition: Schubert. Harmony parts. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/09. Published by Carus Verlag (CA.7006509).

ISBN 9790007244729. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006503

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. D 383. 64 pages. Duration 37 minutes. Carus Verlag #CV 70.065/03. Published by Carus Verlag (CA.7006503).

ISBN 9790007166007. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006519

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Complete orchestral parts. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/19. Published by Carus Verlag (CA.7006519).

ISBN 9790007165970. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006505

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. D 383. 24 pages. Duration 37 minutes. Carus Verlag #CV 70.065/05. Published by Carus Verlag (CA.7006505).

ISBN 9790007242916. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.

Trombone & Piano

SKU: SU.32040021

For Trombone & Piano. Composed by Amy Riebs Mills. Brass, Trumpet. Accompanied by piano. Score & Parts. Subito Music Corporation #32040021. Published by Subito Music Corporation (SU.32040021).

Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.

High Voice and Piano

SKU: HL.14035520

Composed by Rolf Wallin. Music Sales America. 20th Century. Book [Softcover]. Composed 2003. 8 pages. Chester Music #CH65571. Published by Chester Music (HL.14035520).

ISBN 9781844492671.

Mode rn Norwegian composer Rolf Wallin's 'Drei Gedichte' arranged for a soprano voice and piano accompaniment. These three poems were written between 1900 and 1908, and they are very different in terms of form, subject matter, and atmosphere. Liebes-Lied is about a strong but painful love, Buddha in der Glorie, a description of religious ecstasy, quite unusual in the works of Rilke, and Sluss-stuck, about death, which exists in the midst of us, in the middle of life.