Learn to Play Anywhere and Anytime. Composed by Nathaniel Gunod and Amy Rosser. Keyboard/Piano; Method/Instruction; Play-Along. DiY (Do it Yourself). Book; Digital Download. 48 pages. Alfred Music #00-42550. Published by Alfred Music

Piano

SKU: BT.FP0489

Composed by Dia Succari. Book Only. Fertile Plaine #FP0489. Published by Fertile Plaine (BT.FP0489).

Motette. By Franz Joseph Haydn. Edited by Landon, H. C. Robbins. For Solo Soprano [AT], SATB Choir, 2 Trumpets, 2 Violins, Viola, Cello/Contrabass, Organ, [2 Flutes]. Hob. XXIIIa:G49. Full score available separately - see item CA.5039900. Sacred, Motets; Occasions: Praise and thanks. Part: Viola. Language: Latin. Composed 1765. 4 pages. Duration 14 min. Published by Carus Verlag (German import).

7 Classical Melodies Arranged in Jazz Styles for Intermediate to Late Intermediate Pianists. By Martha Mier. For Piano. Piano Collection. Classical Jazz, Rags and Blues. Blues; Jazz. Level: Late Intermediate. Book. 24 pages. Published by Alfred Publishing.

Piano

SKU: BT.FP0816

Composed by Dia Succari. Book Only. Fertile Plaine #FP0816. Published by Fertile Plaine (BT.FP0816).

By Scott Tennant. For Guitar. Classical Guitar Method or Supplement. Pumping Nylon Series. Book and CD. 64 pages. Published by Alfred Publishing.

A Collection of 30 Pieces. Composed by Various. Piano Solo Songbook. Classical, New Age. Softcover. Duration 200 seconds. Published by Hal Leonard

Composed by Lloyd Larson. Sacred Anthem, Eastertide. Octavo. Lorenz Publishing Company #10/4834L. Published by Lorenz Publishing Company (LO.10-4834L).

Piano

SKU: HL.14044298

Composed by Alain Colombatto. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1179. Published by Play Music France (HL.14044298).

French.

Schirmer's Library of Musical Classics Volume 2081 Intermediate to Advanced Level. By Various. String. Book only. 188 pages. Published by G. Schirmer, Inc.

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07567

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume II: Concertos VII-XII. Score, anthology. Opus 4. Baerenreiter Verlag #BA07567_00. Published by Baerenreiter Verlag (BA.BA07567).

ISBN 9790006544097. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of “L’Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, “La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of “La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of “La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh & Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Various. Edited by Gindele, Thomas / Reich, Bernhard / Roller, Ernst. Music for Casuals; Occasions: Eucharist, Communion, Prayer, Wedding, Confirmation, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Baptism, Mourning, Death, Our Father. Collection. 168 pages. Published by Carus Verlag (German import).

Keyboard

SKU: SU.12800080

For Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800080. Published by Subito Music Corporation (SU.12800080).

BachScholar Editions Vol. 80: J.S. BACH: Sinfonia from Cantata 29: Etude on One Staff with Two Hands (5 pages) presents a unique and accessible transcription of Bach’s exciting Sinfonia from Cantata 29, which Bach reworked from his previously composed Preludio from Partita No. 3 for Solo Violin. The present edition notates Bach’s original solo in the treble clef played with alternating hands: stems up = R.H. and stems down = L.H. Sharing the solo between the two hands results in a difficulty half that of romantic, virtuoso transcriptions that add chords and accompaniment material in the bass clef. This unique transcription offers pianists Grades 5 and up a fun and rewarding study which fosters evenness of touch and tone and explores innovative fingerings and hand crossings. This transcription of Bach’s exciting Sinfonia from Cantata 29 has something for everyone — piano students, teachers, and concert artists alike! Published by: BachScholar.

Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani]. Stuttgart Urtext Edition. German title: Dixit Dominus. Cantatas, Motets, Epiphany, Daily hours. Level 4. Complete orchestral parts. Language: Latin/English. RV 594. Duration 25 minutes. Published by Carus Verlag

(Clarinet in B-flat with Piano Reduction). Composed by Bernhard Henrik Crusell (1775-1838). Edited by Nicolai Pfeffer. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. 34 pages. G. Henle #HN1210. Published by G. Henle

By Jane Hollander. For Strings. String - (Suzuki) Supplementary. Book. 40 pages. Published by Alfred Publishing.

De Haske Play-Along Book. Play Along. Size 9x12 inches. 28 pages. Published by Hal Leonard.

Clarinet. Arranged by Myriam Mees. This edition: 1053929400. De Haske Play-Along Book. Play Along. Softcover with CD. 28 pages. Published by De Haske Publications.

De Haske Play-Along Book. Play Along. Size 9x12 inches. 28 pages. Published by Hal Leonard.