(Dip In Series). By Various. For Piano/Keyboard. Piano Solo Songbook. Intermedia...(+)
(Dip In Series). By
Various. For
Piano/Keyboard. Piano
Solo Songbook.
Intermediate to Advanced.
Softcover. 128 pages.
Music Sales #AM998547.
Published by Music Sales
Piano - intermediate SKU: BT.DHP-1145559-401 12 intermediate solos for...(+)
Piano - intermediate
SKU:
BT.DHP-1145559-401
12 intermediate solos
for the modern
pianist. Composed by
Michiel Merkies. Book
Only. Composed 2014. 32
pages. De Haske
Publications #DHP
1145559-401. Published by
De Haske Publications
(BT.DHP-1145559-401).
ISBN 9789043136082.
9x12 inches.
International.
PIAN
O SOLOS features twelve
marvellous contemporary
compositions that were
written in the style of
the pop and film music
genres. The solos are
designed to develop
technique and focus on
musical expression,
whilst also being fun to
play. Suitable
forintermediate players
and ideal for piano
lessons.
Stylistically reminiscent
of Yann Tiersen and
Yurama, these 12 pieces
by Michiel Merkies
accompany his Piano
Life method. The
focus of these pieces is
on the pleasure of
playing. This modern
music will complement
your piano playing
todayand fuel your
ambitions for
tomorrow!
In PIANO
SOLOS vind je twaalf
schitterende hedendaagse
composities in een bijna
filmische, poëtische
popmuziekstijl. De
stukken zijn bedoeld om
je techniek en muzikale
voordracht te
ontwikkelen, maar ze zijn
vooral heel leuk om te
spelen.
Demoeilijkheidsgraad is
gemiddeld en het boek is
bijzonder geschikt voor
gebruik in de pianoles.
Kortom: dit is muziek
die past bij je pianospel
van vandaag en bij je
ambities voor
morgen!
PIANO
SOLOS: Das sind zwölf
großartige moderne
Kompositionen in einem
filmischen, poetisch
anmutenden Pop-Stil. Die
Stücke sind dazu
gedacht, die Technik zu
verfeinern und Schüler
im musikalischen Vortrag
zu schulen, aber sie
machen vor allem
auchSpaß zu spielen.
Das im mittleren
Schwierigkeitsgrad
gehaltene Buch eignet
sich besonders gut für
den Gebrauch im
Klavierunterricht. Kur
zum: Dies ist Musik
für das Klavierspiel
der Gegenwart, die den
Ehrgeiz für die
Zukunft
weckt!
PIANO SOLOS
raccoglie 12 splendide
composizioni
contemporanee scritte in
uno stile che si avvicina
alla musica fa film,
poetico e con accenti
pop. I brani sono stati
scritti per sviluppare la
tecnica e
l’espressione
musicale, ma sono in
primo luogodivertenti da
eseguire. Il livello di
difficolt è intermedio
e i pezzi si prestano in
modo ottimale ad essere
utilizzati come materiale
da studio. In breve:
musica perfetta per le
esigenze attuali e le
ambizioni future!
Piano SKU: M7.VOGG-808 Composed by Tom Peters. Sheet music with CD. 64 pa...(+)
Piano
SKU:
M7.VOGG-808
Composed
by Tom Peters. Sheet
music with CD. 64 pages.
Voggenreiter #VOGG 808.
Published by Voggenreiter
(M7.VOGG-808).
ISBN
9783802408083.
English.
From the
basics of music notation,
the correct playing
position and simple
pieces covering a fifth,
to mastery of the
complete octave and a
refined playing
technique: This book
covers everything the
beginning pianist should
know. To prevent piano
playing from ever
becoming boring, it
covers a wide range of
musical styles from
Classical music to
Jazz.Other topics include
music theory and the
acoustic basics of piano
tone, thus laying a solid
foundation for future
studies in piano
playing.The included CD
makes practicing easy and
fun!
Chamber Music Piano SKU: PR.140401330 Composed by R. Nathaniel Dett. Edit...(+)
Chamber Music Piano
SKU: PR.140401330
Composed by R. Nathaniel
Dett. Edited by Lara
Downes. 32 pages.
Duration 18 minutes.
Theodore Presser Company
#140-40133. Published by
Theodore Presser Company
(PR.140401330).
ISBN
9781491134412. UPC:
680160684939.
Natha
niel Dett was among
America’s leading
composers in the early
20th century, and
MAGNOLIA SUITE is a
beautiful example of his
rich, hybrid style.
Deeply inspired by the
music and mission of
Samuel Coleridge-Taylor,
Dett’s piano music
springs from the late
Romantic traditions of
florid texture and
embellishment, along with
programmatic titles and
raw emotion. It is
notable for melody
writing inspired by and
paraphrasing
African-American song.
The 18-minute MAGNOLIA
SUITE contains five
movements, any of which
may also be performed
separately. This edition
by Lara Downes provides a
clean, new engraving that
corrects the many errors
and unclear indications
appearing in the
historical
printing. Robert
Nathaniel Dett was born
in a place that was built
on freedom. The little
village of Drummondville,
Ontario was founded by
enslaved Africans
– Dett’s
ancestors among them
– who traveled the
Underground Railroad out
of the American South
into Canada. Their
journey brought them to a
safe haven, a place where
fortunes and futures
could be transformed in
the span of one
generation, to lives full
of new possibilities. You
could call it “the
place where the rainbow
ends,†which is the
title of the last
movement of Dett’s
Magnolia Suite.When Dett
wrote these pieces, he
was a young teacher at
Lane College in
Tennessee, a historically
Black college that had
been founded in 1882, the
year of his birth. A
place built on freedom,
with the purpose of
educating
newly-emancipated slaves
– a place designed
to nurture the blossoming
of ideas, the vibrant
flowering of minds set
free. This music is
inspired by the gorgeous
splendor of the magnolia
blooms on that college
campus, and also by the
shared histories,
experiences, and
aspirations of the
community that Dett found
there.These five pieces
pay affectionate tribute
to lineage and legacy.
They express gratitude
for the bittersweet
beauties of the present;
nostalgia for the past (a
bit romanticized, as the
past always is); and an
effervescent optimism for
the future that awaits us
in the place where the
rainbow ends.
Euphonium Concerto No. 3. Composed by Philip Sparke (1951-). Anglo Instrumental ...(+)
Euphonium Concerto No. 3.
Composed by Philip Sparke
(1951-). Anglo
Instrumental series. Book
Only. Composed 2012. 32
pages. Anglo Music Press
#AMP 374-401. Published
by Anglo Music Press
artist Norman Blake transcribed by Steve Kaufman. For Guitar (Flatpicking/Plectr...(+)
artist Norman Blake
transcribed by Steve
Kaufman. For Guitar
(Flatpicking/Plectrum).
transcribed solos.
Bluegrass and Country.
Level: Intermediate.
Book. Size 8.75x11.75.
200 pages. Published by
Mel Bay Publications,
Inc.
Violin Cello Piano Solo SKU: HL.14037767 Composed by Aulis Sallinen. Musi...(+)
Violin Cello Piano Solo
SKU: HL.14037767
Composed by Aulis
Sallinen. Music Sales
America. Softcover.
Novello & Co Ltd.
#NOV081411. Published by
Novello & Co Ltd.
(HL.14037767).
UPC:
884088578589. 8.25x11.75
inches.
'When writing
this composition -
commissioned by The
Naantali Music Festival
(Finland) for the summer 2010
- I kept all the time in
mind the three
outstanding Finnish
musicians,
the future
performers of the piece:
Ralf Gothòni
(Piano), Elina
Vähälä
(Violin) and Arto
Noras
(Cello).'
&
nbsp; &n
bsp; &nb
sp;- Aulis
Sallinen
First performance: 11
June 2010, at the
Naantali Church,Finland,
by Ralf Gothòni,
Elina
Vähälä and
Arto Noras.
Performed by Justin Timberlake. Piano/Vocal/Chords Songbook (Arrangements for pi...(+)
Performed by Justin
Timberlake.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 128 pages.
Published by Hal Leonard.
For Piano. Composed by Jacques Offenbach (1819- 1880). Edited by Jean- Chris...(+)
For Piano. Composed by
Jacques Offenbach (1819-
1880). Edited by Jean-
Christophe Keck. BH
Piano.
Softcover. 20 pages.
Boosey
& Hawkes #M202534731.
Published by Boosey &
Hawkes
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
A Collection of 24 Entertaining Solos. Edited by Willard A. Palmer, Morton Manus...(+)
A Collection of 24
Entertaining Solos.
Edited by Willard A.
Palmer, Morton Manus, and
Amanda Vick Lethco.
Method/Instruction; Piano
- Alfred's Basic Piano
Library. Alfred's Basic
Piano Library, Piano
Method. Instructional and
Method. Instructional
book. 32 pages. Alfred
Music #00-2391. Published
by Alfred Music
Piano SKU: BT.BWHBRM7833 MP3 CD. Piano Gefällt Mir! Tuition. CD...(+)
Piano
SKU:
BT.BWHBRM7833
MP3
CD. Piano Gefällt
Mir! Tuition. CD Only.
Composed 2016. Bosworth &
Co. #BWHBRM7833.
Published by Bosworth &
Co. (BT.BWHBRM7833).
German.
Dies ist
der sechste Band unserer
außergewöhnlich
populären Serie Piano
gefällt mir!. Die
leichten Arrangements von
Hans-Günter Heumann
bieten wie gewohnt ein
unkompliziertes
Spielvergnügen. Die
Kombination aus absoluten
Top-Titeln, der
nutzerfreundlichen
Ringbindung und dem
günstigen Preis ist
einfach unschlagbar.
Crucifixus Chorale SATB SATB, Piano Novello & Co Ltd.
(Vocal Score (Piano Reduction)). By Paul Mealor. For Choral, Piano Accompaniment...(+)
(Vocal Score (Piano
Reduction)). By Paul
Mealor. For Choral, Piano
Accompaniment (SATB with
Piano). Music Sales
America. Softcover. 64
pages. Novello and Co
Ltd. #NOV293304.
Published by Novello and
Co Ltd.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
Bright Future Ignoring Dark Past Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] Oxford University Press
Composed by Michael Finnissy (1946-). For piano trio (violin, piano, cello). Sco...(+)
Composed by Michael
Finnissy (1946-). For
piano trio (violin,
piano, cello). Score and
parts. 16 pages. Duration
3.5 minutes. Published by
Oxford University Press
Arranged by Michael Sweeney. Piano accompaniment part (for all solo instruments ...(+)
Arranged by Michael
Sweeney. Piano
accompaniment part (for
all solo instruments in
series) for piano.
Series: Hal Leonard
Essential Elements Band
Method. 36 pages.
Published by Hal Leonard.
Piano Solo SKU: YM.GTP01100466 Composed by Yoshiko Kurokawa. Yoshiko Kuro...(+)
Piano Solo
SKU:
YM.GTP01100466
Composed by Yoshiko
Kurokawa. Yoshiko
Kurokawa. Piano
Educational;
Studies/Exercises. Score.
Yamaha Music Media
#GTP01100466. Published
by Yamaha Music Media
(YM.GTP01100466).
ISBN
9784636103175. 8.5 x 12
inches.
Yoshiko
Kurokawa's new proposal
of piano technique. The
author, Yoshiko Kurokawa,
explains that you can
easily and effectively
learn the basic
techniques that are
important for piano
performance, as described
in Chopin's Draft of
Technique, Brahms'
Practice Book, and
Hummel's Theory of Piano
Technique. In addition to
warm-up and exercise
pieces by the auther
Kurokawa herself, the
book includes works by
composers such as Hummel,
Clementi, and Mozart, as
well as exercise-specific
exercises by Japanese
composer Yasuhisa Tohma.
The book is full of
essential elements for
piano playing and
techniques, such as
control of tone and
volume balance in
accompaniment form,
awareness of palm
strength essential for
playing heavy notes,
various ways of playing
ornamented notes, tone
and joint training
depending on how the arms
are placed when crossing,
and important future
techniques using the
wrists and arms.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.