Arranged by Taylor Davis. National/Emerson Fred Bock. Christmas, Christmas Sacred, Christmas/Advent Sacred. Octavo. Duration 580 seconds. Hal Leonard #NMB102. Published by Hal Leonard

By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, oboe/english horn, clarinet, bassoon, horn, trumpet, percussion, harp, piano (for rehearsal only), violin 1 and 2, viola, cello, bass (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Orchestral Score and Parts. Published by Roger Dean Publishing

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732111

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Violin 1. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/11. Published by Carus Verlag (CA.2732111).

ISBN M-007-25435-3. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

SATB choir; orchestra

SKU: HP.C5064O

Composed by Allen Pote. Piano Accompaniment with Optional Orchestra. Outreach, General Worship, Commitment, Confidence, Devotion, Encouragement, Faith & Faithfulness, Guidance, Promise, Trust & Unity, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5064O. Published by Hope Publishing Company (HP.C5064O).

UPC: 763628144609. Tom S. Long. 2 Samuel 1:1,17-27.

Original composition One of the centerpieces of their musical for young voices, The Rock Slinger and His Greatest Hit, Tom Long and Allen Pote have re-voiced the captivating, Friends in the Lord for SATB voices. With its vivid statement of mutual encouragement and standing together with one another at all times, the message of this anthem is especially relevant to our children and families.

By Michael Abene. Arranged by Michael Abene. Jazz Ensemble / Jazz Band. The Maynard Ferguson Big Band Series. Medium Swing. Grade 5. Score and set of parts

Concert band - Grade 3

SKU: CL.012-4439-01

March. Composed by King. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR389). Extra full score. Composed 2016. Duration 2 minutes, 11 seconds. Opus III Wind Orchestra Publications #012-4439-01. Published by Opus III Wind Orchestra Publications (CL.012-4439-01).

The vault of musical treasures at the C.L. Barnhouse Co. has yielded another classic march composed by the great Karl King, now masterfully arranged by James Swearingen. It goes without saying that King was a master at creating tuneful marches that have certainly stood the test of time. You can be assured that this latest edition is certain to be a real crowd pleaser of monumental proportion. A musical treat!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

By Frank Ticheli. Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor Full Score. Duration 11:10. Published by Manhattan Beach Music.

SATB chorus and piano - Medium

SKU: JK.01520

Composed by Darwin Wolford. Arranged by Darwin Wolford. Choral SATB, Difficulty Medium, Instrumental Violin, Organ Choir, Piano Choir, Charity, Jesus Christ - Savior, Love, Service. Christian, Inspirational. Duration 2:45. Jackman Music Corporation #01520. Published by Jackman Music Corporation (JK.01520).

1 Corinthians 13:3 and 1 John 4:7-8.

Arranged for mixed chorus (SATB), violin and piano or organ accompaniment. Based on scriptural text from 1 Corinthians 13:3 and 1 John 4:7-8, on the importance of having love for one another. (violin part included)
Composer: Darwin Wolford
Arranger: Darwin Wolford
Lyricist: Scriptural text from 1 Corinthians 13:3 and 1 John 4:7-8
Difficulty: Medium
Performance time: 2:45
Reference: 1 Corinthians 13:3 and 1 John 4:7-8.

Choral (ChoirTrax CD)

SKU: HL.154495

A Musician's Blessing. Composed by Joseph M. Martin. Sacred Choral. Anthem, Benediction, Concert, General Worship, Graduation, Sacred. CD only. Published by Hal Leonard (HL.154495).

UPC: 888680101442. 5x5 inches.

A musician's benediction, this choral original is at home in school concerts, as well as church sanctuaries. Written as a special commission tribute for a beloved conductor, the text celebrates the community created by singing. Filled with emotion, the harmonies and melody collaborate seamlessly, and the instrumental accompaniment will add another layer of beauty to the work. Score and Parts (hn, vn 1-2, va, vc, db) available as a digital download.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.EB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. Duration 25'. Breitkopf and Haertel #EB 32117. Published by Breitkopf and Haertel (BR.EB-32117).

ISBN 9790004187258. 7.5 x 10.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Concert band - Grade 3

SKU: CL.012-4439-00

March. Composed by King. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR389). Score and set of parts. Composed 2016. Duration 2 minutes, 11 seconds. Opus III Wind Orchestra Publications #012-4439-00. Published by Opus III Wind Orchestra Publications (CL.012-4439-00).

The vault of musical treasures at the C.L. Barnhouse Co. has yielded another classic march composed by the great Karl King, now masterfully arranged by James Swearingen. It goes without saying that King was a master at creating tuneful marches that have certainly stood the test of time. You can be assured that this latest edition is certain to be a real crowd pleaser of monumental proportion. A musical treat!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.032-2538-01

Composed by Rowe. Jazz Ensemble. Audio recording available separately (item CL.WFR347). Extra full score. Composed 1993. C.L. Barnhouse #032-2538-01. Published by C.L. Barnhouse (CL.032-2538-01).

A delightful Latin rock tune that really grooves. Very contemporary in nature and playable with limited instrumentation, Hot Sauce! has all the ingredients to become one of your all-time favorite charts. Suggested solos are provided for the open solo section and it also includes several short written keyboard solos which really add to the flavor. Another winner by Howard Rowe! HOT!

(For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Mark Hayes. Orchestra. For orchestra (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Score and Parts. Published by Roger Dean Publishing

Orchestra SAT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo - Level 3

SKU: CA.3118407

Cantata for the 3rd Sunday of Pentecost. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Erwunschtes Freudenlicht. Sacred vocal music, Cantatas, Whitsun. Study score. Composed 1724. BWV 184. 68 pages. Duration 25 minutes. Carus Verlag #CV 31.184/07. Published by Carus Verlag (CA.3118407).

ISBN 9790007050481. Key: G major / e minor. Language: German/English.

The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score available separately - see item CA.3118400.

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 5. Conductor score and set of parts. Duration 10:00. Published by Manhattan Beach Music.

Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr

SKU: PE.EP68488

Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488).

ISBN 9790300758893. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)

Symphonies. Composed by Jean- Philippe Rameau (1683-1764). Edited by Thomas Soury. This edition: urtext edition. Paperback. Score, anthology. Baerenreiter Verlag #BA08895_00. Published by Baerenreiter Verlag

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732105

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Sacred vocal music, Requiem. Choral Score. Duration 48 minutes. Carus Verlag #CV 27.321/05. Published by Carus Verlag (CA.2732105).

ISBN M-007-24053-0. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

SSATB Choir, Piano - Level 3

SKU: CA.926200

Composed by Claude Debussy. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Composed 1883. L 6. Duration 3 minutes. Carus Verlag #CV 09.262/00. Published by Carus Verlag (CA.926200).

ISBN 9790007249243. Key: E major. Language: French. Text: Bourget, Paul.

Beau soir seems to have inspired musicians to make their own arrangements - for violin, cello, saxophone quartet, or even for five-part chamber choir and piano, as in this version by Denis Rouger. Unlike the instrumental versions, this one retains Paul Bourget's text: the poetic depiction of a sunset on a mild summer evening, on which light and shade merge into one another like the rhythm and harmony in Debussy's setting. It is not an unclouded depiction, but the recognition of our own finiteness. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

By William Owens. For concert band. FJH Young Band. Full set (score and parts). Score only also available: B1353S. Grade 2. Score and set of parts. Composed 2007