Violin and Piano SKU: BT.EMBZ2524 Composed by Bela Bartok. EMB Music of B...(+)
Violin and Piano
SKU:
BT.EMBZ2524
Composed
by Bela Bartok. EMB Music
of Bela Bartok. Exam
Material. Book Only.
Composed 1957. 6 pages.
Editio Musica Budapest
#EMBZ2524. Published by
Editio Musica Budapest
(BT.EMBZ2524).
English-German-Hungari
an.
An Evening in
the Village was composed
in 1908 as no. 5 of the
Ten Easy Piano Pieces. It
has become one of
Bartók s favorite
works, which the composer
himself was fond of
playing at recitals. As
he explained in an
American interview, it
was an original
composition that is ...
with themes of my own
invention but ... the
themes are in the style
of the
Hungarian-Transylvanian
folk tunes. There are two
themes. The first one is
a parlando-rubato-rhythm
and the second one is
more in a dance-like
rhythm. The second one is
more or less the
imitation of a peasant
flute playing. Bartók
also orchestrated the
piece in 1931 as no. 1 of
Hungarian Sketches.
Personae IV-VI by Nicholas Maw (1935-). For Piano. Book; Masterworks; Piano Solo...(+)
Personae IV-VI by
Nicholas Maw (1935-). For
Piano. Book; Masterworks;
Piano Solo; Solo. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
(22 Full Band Arrangements Correlated to Accent on Achievement (Piano)). Arrange...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Piano)). Arranged by
John O'Reilly and Mark
Williams. Concert Band.
For Piano. Band
Supplement; Book;
Masterworks. Accent on
Performance. Masterwork
Arrangement. 52 pages.
Published by Alfred
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano seul [Partition + CD] - Intermédiaire/avancé Alfred Publishing
(Level 7). By perf. Scott Price. Edited by Jane Magrath. For Piano. Graded Stand...(+)
(Level 7). By perf. Scott
Price. Edited by Jane
Magrath. For Piano.
Graded Standard
Repertoire; Masterworks;
Piano Collection.
Masterwork Classics.
Masterwork. Intermediate;
Late Intermediate. Book
and CD. 56 pages.
Published by Alfred Music
Publishing
By Moritz Moszkowski. Edited by Maurice Hinson. For Piano. Piano Collection. Mas...(+)
By Moritz Moszkowski.
Edited by Maurice Hinson.
For Piano. Piano
Collection. Masterwork.
Level: Advanced (grade 6
). Book. 72 pages.
Published by Alfred
Publishing.
Sketch Book Violon [Conducteur et Parties séparées] Doblinger
For Violin, Clarinet and Piano. Composed by Gernot Wolfgang. Chamber musi...(+)
For Violin, Clarinet
and Piano. Composed
by Gernot Wolfgang.
Chamber music. Wind-piano
chamber music. Score and
set of parts. Published
by Doblinger Music
Publishers (DB.07-00365).
Composed by Edward MacDowell (1861-1908). Arranged by Robert Sheldon. Concer...(+)
Composed by Edward
MacDowell
(1861-1908). Arranged by
Robert Sheldon. Concert
Band. Concert Band;
Part(s);
Score. Sound Innovations
for
Band. Form:
Transcription.
Masterwork Arrangement;
Romantic. Grade 1.5. 130
pages. Published by
Alfred
Music
Flatwater Sketches Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
Band concert band - Grade 3 SKU: KJ.WB461 Composed by Nolan Schmit. Tradi...(+)
Band concert band - Grade
3
SKU: KJ.WB461
Composed by Nolan Schmit.
Tradition of Excellence:
Excellence in
Performance. Correlated
with Tradition of
Excellence Book 3, Page
12. Score and parts. Neil
A. Kjos Music Company
#WB461. Published by Neil
A. Kjos Music Company
(KJ.WB461).
UPC:
084027044698.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.
Oboe and Piano SKU: BT.EMBZ8318 Composed by Bela Bartok. EMB Music of Bel...(+)
Oboe and Piano
SKU:
BT.EMBZ8318
Composed
by Bela Bartok. EMB Music
of Bela Bartok. Book
Only. Composed 1981. 6
pages. Editio Musica
Budapest #EMBZ8318.
Published by Editio
Musica Budapest
(BT.EMBZ8318).
English-German-Hungari
an.
An Evening in
the Village was composed
in 1908 as no. 5 of the
Ten Easy Piano Pieces. It
has become one of
Bartók's favorite
works, which the composer
himself was fond of
playing at recitals. As
he explained in an
American interview, it
was ''an original
composition that is ...
with themes of my own
invention but ... the
themes are in the style
of the
Hungarian-Transylvanian
folk tunes. There are two
themes. The first one is
a parlando-rubato-rhythm
and the second one is
more in a dance-like
rhythm. The second one is
more or less the
imitation of a peasant
flute playing.''
Bartók also
orchestrated the piece in
1931 as no. 1 of
Hungarian Sketches. In
2015 we are launching
aseries entitled
Bartók Transcriptions
for Music Students to
mark the 70th anniversary
of the composer s death.
This involves reissuing
our tried publications,
and publishing some
further, new
transcriptions that
fulfill in every respect
the strict aesthetic
demands of the earlier
ones. We trust these
publications will allow
us to introduce still
more music students to
the realm of one of the
great geniuses of
20th-century music.
Das 1908 als Nr.
5 der Zehn leichten
Klavierstücke
komponierte Klavierwerk
Ein Abend am Lande ist
ein echter
Bartók-Schlager, der
auch vom Komponisten
selbst mit Vorliebe im
Rahmen seiner Konzerte
vorgetragen wurde. In
einem amerikanischen
Interview äußerte
er sich dazu, ''…
es handelt sich um eine
Originalkomposition, das
heißt, ihre Themen
stammen von mir, wobei
diese Themen jedoch den
Stil der
siebenbürgisch-ungaris
chen Volkslieder
aufgreifen. Von seinen
zwei Themen hat das erste
Parlando-Rubato-Charakter
, das zweite ist eher von
einem Tanzrhythmus
geprägt … und
ist mehr oder weniger die
Imitation eines
bäuerlichen
Blockflötenspiels.''
Im Jahr 1931
instrumentierte
Bartókdas Stück als
Nr. 1 der Bilder aus
Ungarn auch für
Orchester.
Piano SKU: BT.EMBZ1765 Composed by Bela Bartok. Book Only. Composed 1955....(+)
Piano
SKU:
BT.EMBZ1765
Composed
by Bela Bartok. Book
Only. Composed 1955. 12
pages. Editio Musica
Budapest #EMBZ1765.
Published by Editio
Musica Budapest
(BT.EMBZ1765).
'This music,
moving even in its
bleakness, is
characterised by the
complete absence of
ornamentation. The arc of
all four pieces [1.
Adagio, 2. Andante, 3.
Poco lento, 4. Assai
andante] is similar:
after beginning softly
they reach a fortissimo
climax, then sink back
into numbing grief. Only
the decidedly important
melodic and harmonic
elements are heard, pared
down, occasionally
reinforced with octave
doubling. In the Adagio
of the Second Piano
Concerto Bartók was to
return to this peculiar
piano instrumentation.
The lyricism and
Hungarian turns of phrase
of the second movement
differ a little from the
series: he orchestrated
it with the title
'Melody' in 1931 as
thecentral piece of the
five-movement 'Hungarian
Sketches'.' (HCD 32525
Bartók New Series Vol.
25, Somfai
László).
To A Wild Rose Piano seul - Intermédiaire Bosworth & Co.
Piano - intermediate SKU: BT.WA-7012-401 Composed by Edward MacDowell. Ar...(+)
Piano - intermediate
SKU:
BT.WA-7012-401
Composed by Edward
MacDowell. Arranged by
Thomas A. Johnson. The
Walsh Collection.
Educational Tool. Book
Only. 8 pages. The Walsh
Collection #WA 7012-401.
Published by The Walsh
Collection
(BT.WA-7012-401).
English.
Edward
MacDowell's To A Wild
Rose number 1 from
his suite of Woodland
Sketches Op.51
arranged for Piano Duet
by Thomoas A.
Johnson.
Concert Band - Grade 1.5 SKU: AP.41911S Composed by Edward MacDowell. Arr...(+)
Concert Band - Grade 1.5
SKU: AP.41911S
Composed by Edward
MacDowell. Arranged by
Robert Sheldon. Concert
Band; Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 8 pages. Alfred
Music #00-41911S.
Published by Alfred Music
(AP.41911S).
UPC:
038081482361.
English.
Eward
MacDowell (1860--1908)
was best known for his
compositions for piano
including his suites
Woodland Sketches, Sea
Pieces, and New England
Idylls. Woodland Sketches
includes his most popular
short piece, To a Wild
Rose. This gentle tune is
beautiful in its
simplicity, and is scored
now for concert band in
this very playable
setting. (1:40) To a Wild
Rose correlates to Book
2, Level 2 of Sound
Innovations for Concert
Band.
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Clarinet in
Bb. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 2. Published by Last
Resort Music Publishing.
Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Cello or
Bassoon. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 3. Published by Last
Resort Music Publishing.
SKU: BR.BV-341 Schriften Band 1.1 (1921-1935). Composed by Hanns E...(+)
SKU: BR.BV-341
Schriften Band 1.1
(1921-1935). Composed
by Hanns Eisler. Edited
by G. Mayer and T.
Fasshauer. Hardback.
Buchverlag Breitkopf &
Hartel (Music Books).
Early modern; Music
post-1945. Complete
Works. 760 pages.
Breitkopf and Haertel #BV
341. Published by
Breitkopf and Haertel
(BR.BV-341).
ISBN
9783765103414. 5 x 8.5
inches.
German.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Organ SKU: HL.14008939 Composed by Peter Dickinson. Music Sales America. ...(+)
Organ
SKU:
HL.14008939
Composed
by Peter Dickinson. Music
Sales America. 20th
Century. Book
[Softcover]. 32 pages.
Music Sales #NOV010237.
Published by Music Sales
(HL.14008939).
ISBN
9780853609551.
8.25x11.75x0.178
inches.
The Blue
Rose Variations is one of
several works in which
the composer has drawn on
ragtime and blues. The
organ work is based on
two transformations of
the popular piano piece
To A Wild Rose (Woodland
Sketches, Op.51 No.1) by
the American composer,
Edward MacDowell
(1860-1908). During the
course of the Variations,
To A Wild Rose appears as
a blues and also as a
classical rag, often as
both together. The
sections are Theme: a
quiet blues; Variation I:
a pedal solo in varied
metres based on the blues
in fast tempo; Variation
II: the first appearance
of the rag as a
background to the blues
as a 2' pedal solo;
Variation III: a version
of Variation I now
involving manuals too;
Variation IV: another
blues solo against the
rag; Variation V: another
version of Variation I
with the pedal solo
almost entirely
transferred to the
manuals; Variation VI: a
final confrontation
between the blues and the
rag, now much decorated.
First performed in New
York in April 1986.
Duration c.15 mins.
Saxophone - Late Intermediate SKU: FH.WS7 Saxophone Series, 2013 Editi...(+)
Saxophone - Late
Intermediate
SKU:
FH.WS7
Saxophone
Series, 2013 Edition.
Composed by The Royal
Conservatory. Saxophone
Series, 2013 Edition.
Book/CD. 88/36 pages. The
Frederick Harris Music
Company #WS7. Published
by The Frederick Harris
Music Company (FH.WS7).
ISBN
978-1-55440-556-5.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Mainly
Transcriptions: Sonata
, op. 2, no. 6 (La
bouget) - Michel
Blavet -
[Complete] Minuet and
Dance of the Blessed
Spirits (from Orphee et
Euridice) - Christoph
Willibald Gluck, arr.
Stephen Chatman Mainly
Original Repertoire for
Saxophone: Dance with
Sticks - Bela
Bartok Hornpipe Dance
- Bela Bartok Ragtime
Waltz - Richard Rodney
Bennett Sonata - Phil
Woods - First
Movement
Bb
Saxophone:
Mainly
Transcriptions: Sonata
in G minor, H 542.5 -
attr. Carl Philipp
Emanuel Bach - Third
Movement Sonata in G
minor, HWV 364a - George
Frideric Handel, arr.
Harold Birston -
[Complete] Mainly
Original Repertoire for
Saxophone: Souvenir -
Robert Walker Sonata -
Walter S. Hartley -
First Movement I Got
Unhappy - Neil
Currie
Eb
Saxophone or Bb
Saxophone:
Unaccom
panied
Repertoire: Fantasia
no. 6 in D minor, TWV
40:7 - Georg Philipp
Telemann -
[Complete] In the
Company of My Soul -
Kelly-Marie Murphy -
First Movement Sketch
- Ronald L. Caravan.