Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0991533-140

Composed by Piet Swerts. Sovereign Series. Concert Piece. Score Only. Composed 1999. 136 pages. De Haske Publications #DHP 0991533-140. Published by De Haske Publications (BT.DHP-0991533-140).

Le prologue dépeint l'excitation de cette foule impatiente d'embarquer sur le Titanic amarré dans le port de Southampton en Angleterre. Le motif principal de ce passage d’ouverture fait référence Big Ben, remarque touchante pour mieux installer le décor d'une scène typiquement britannique. L'agitation des futurs passagers s'exprime par des sections polyrythmiques. Le premier thème aux accents héro ques dérivé du motif Big Ben est exposé. La trame devient plus constante, fluide, répétitive, symbole du doux départ du célèbre palais flottant. Le tableau suivant est une aquarelle riche en couleurs ; motifs ascendants et descendants rappellent le voyage en haute mer. On entend lesenfants jouer, le Capitaine Smith donner des ordres. On perçoit aussi les différences d’atmosphère entre les ponts de première et deuxième classes ; la pression ronflante des moteurs. Tout est présent dans cette fresque musicale. On entend surtout l'accélération des moteurs suite un ordre du Capitaine soumis la pression de l'armateur. Faisant suite un accelerando, le piccolo et la percussion font écho d'un signal en morse provenant d'un autre bateau qui prévient d'un danger immédiat : la proximité d'un iceberg. Hélas, ce message est ignoré et les moteurs continuent de tourner plein régime jusqu'au moment fatidique où le Titanic heurte l'iceberg. Le motif plaintif du saxophone, accompagné de trilles des clarinettes, traduit l'arrêt des moteurs après la collision. La percussion marque le tristement célèbre S.O.S. en code morse : trois points, trois traits, trois points. Les passagers sont pris de panique. Finalement, nous assistons au lent naufrage du paquebot. L'épilogue reprend le motif initial qui se métamorphose en une fin dramatique.

Kantate zum Sonntag Septuagesimae. By Johann Sebastian Bach. Edited by Burmeister, Klaus. For Soli SAT, SATB Choir, 2 Oboe/Oboe d'amore, 2 Violin, Viola, Basso Continuo. BWV 144. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days, Holy Week. Score. Language: German/English. Composed 1724. 32 pages. Duration 20 min. Published by Carus Verlag (German import).

Piano - Grade 4

SKU: FA.MFRO001P

Composed by Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical : Impressionistic. Score. Musik Fabrik #MFRO001P. Published by Musik Fabrik (FA.MFRO001P).

8.27 x 11.69 inches.

Over the years 1908-16, Debussy had produced a viable scenario for Usher on his third attempt. Butwhen he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher's long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself. In the process of completing the missing half of the score, I discovered that by reusing Debussy's material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Melisande's theme in his opera Pelleas et Melisande), the only things I really needed to add were linking material and any passages where fast music was required. So the 'nightmare scherzo', and Lady Madeline's escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of 'changing backgrounds', both harmonic and textural, proved extremely useful, as it did to Debussy in his Prelude a l'apres-midi d'un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy's score as A Night in the House of Usher for organ, and subsequently piano--with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

High Voice and Piano (High/Medium High)

SKU: AP.36-M379991

Composed by Cecile Chaminade. High Voice, Solo with Piano, Vocal Score; Performance Music Ensemble. Master Vocal Series. Score. Alfred Music #36-M379991. Published by Alfred Music (AP.36-M379991).

UPC: 660355035937. English.

A reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Included in Volume 1, Book 3: Amour d'automne (W276, 1889); Souhait (W264, 1886); Colette (W285, 1891); L'absente (W271, 1886); L'anneau d'argent (W284, 1891); Amoroso (W283, 1891); Sur la plage (W286, 1892).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3124802

Cantatas I-III. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Weihnachtsoratorium 1-3. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Vocal score. Composed circa 1734. BWV 248. 88 pages. Duration 90 minutes. Carus Verlag #CV 31.248/02. Published by Carus Verlag (CA.3124802).

ISBN 9790007170837. Text language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score available separately - see item CA.3124800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3124804

Cantatas I-III. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Weihnachtsoratorium 1-3. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Vocal score. Composed circa 1734. BWV 248. 88 pages. Duration 90 minutes. Carus Verlag #CV 31.248/04. Published by Carus Verlag (CA.3124804).

ISBN 9790007170820. Text language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score available separately - see item CA.3124800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3124849

Cantatas I-III. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Weihnachtsoratorium 1-3. Sacred, Oratorios; Stuttgart Urtext editions; Use during church year: Christmas. Single Part, Organ. Composed circa 1734. BWV 248. 48 pages. Duration 90 minutes. Carus Verlag #CV 31.248/49. Published by Carus Verlag (CA.3124849).

ISBN 9790007088484. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and part available separately - see item CA.3124800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3124809

Cantatas I-III. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. 1x 31.248/21 flute 1, 1x 31.248/22 flute 2, 1x 31.248/23 oboe 1, 1x 31.248/24 oboe 2, 1x 31.248/25 English horn 1, 1x 31.248/26 English horn 2, 4x 31.248/31 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Weihnachtsoratorium 1-3. Sacred, Oratorios; Stuttgart Urtext editions; Use during church year: Christmas. Set of Orchestra Parts. Composed circa 1734. BWV 248. 106 pages. Duration 90 minutes. Carus Verlag #CV 31.248/09. Published by Carus Verlag (CA.3124809).

ISBN 9790007211462. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and parts available separately - see item CA.3124800.

(2.2.0.2/4.2.3.0,timp,str ,S sol)

SKU: TM.03612SC

Composed by Wolfgang Amadeus Mozart. Score. Lucks Music Library #A3153. Published by Lucks Music Library (TM.03612SC).

Nos. 28 (Ha vinto amore - sung by La voce) - 29 (D'oreste d'ajace - sung by Elettra). Trombones only play in first portion of No. 28. Incl. recit in No. 28 (Oh ciel pietoso! - sung by Idomeneo).

SATB Choir a cappella

SKU: BT.PMC3603

From Nocturnes. Composed by Morten Lauridsen. Peermusic Classical. Classical. Choral Score. 14 pages. Peermusic Classical #PMC3603. Published by Peermusic Classical (BT.PMC3603).

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric Sa nuit d'ete,several melodic themes are supported by dense, colorful harmonies in both the choral and piano parts, leading to a climactic section where all are combined and stated simultaneously. Neruda's Soneto de la Noche, from his CienSonetos de Amor, speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet, serene and folk-like, utilizing direct harmonies accompanying long,lyrical vocal lines. Agee's wondrous Sure on this Shining Night is set much like a song from the American musical theater, a genre for which I have held a life-long esteem. Rilke's poignant Voici le soir recalls the opening bellsounds and jazz-tinged chords of the first movement and serves as an epilogue, quietly concluding this cycle of night songs as darkness descends. --Morten Lauridsen.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3124875

Cantatas IV-VI. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weihnachtsoratorium 4-6 N.N.E. Sacred, Stuttgart Urtext editions; Use during church year: Christmas. Choral Score. Composed 1734. BWV 248. 24 pages. Carus Verlag #CV 31.248/75. Published by Carus Verlag (CA.3124875).

ISBN 9790007211578. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score available separately - see item CA.3124800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3124879

Cantatas IV-VI. Composed by Johann Sebastian Bach. This edition: urtext. 1x 31.248/91 oboe 1, 1x 31.248/92 oboe 2, 1x 31.248/93 horn 1, 1x 31.248/94 horn 2, 4x 31.248/95 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. German title: Weihnachtsoratorium 4-6 N.N.E. Sacred, Stuttgart Urtext editions; Use during church year: Christmas. Set of Orchestra Parts. Composed 1734. BWV 248. 96 pages. Carus Verlag #CV 31.248/79. Published by Carus Verlag (CA.3124879).

ISBN 9790007211585. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and parts available separately - see item CA.3124800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3124899

Cantatas IV-VI. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weihnachtsoratorium 4-6 N.N.E. Sacred, Stuttgart Urtext editions; Use during church year: Christmas. Single Part, Organ. Composed 1734. BWV 248. 60 pages. Carus Verlag #CV 31.248/99. Published by Carus Verlag (CA.3124899).

ISBN 9790007085421. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and part available separately - see item CA.3124800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3124878

Cantatas IV-VI. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weihnachtsoratorium 4-6 N.N.E. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Composed 1734. BWV 248. Carus Verlag #CV 31.248/78. Published by Carus Verlag (CA.3124878).

ISBN 9790007096908. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and parts available separately - see item CA.3124800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105809

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.058/21 oboe 1, 1x 31.058/22 oboe 2, 1x 31.058/23 oboe d'amore. German title: Ach Gott, wie manches Herzeleid 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. 6 pages. Duration 17 minutes. Carus Verlag #CV 31.058/09. Published by Carus Verlag (CA.3105809).

ISBN 9790007043223. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

Piano - Grade 5

SKU: FA.MFCD014PN

Composed by Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical, Impressionistic. Score. Musik Fabrik #MFCD014PN. Published by Musik Fabrik (FA.MFCD014PN).

8.27 x 11.69 inches.

Fetes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy's friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, 'Les Masques', involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine's comedy Les Uns et les autres. The action is set in a park a la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.

This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L'Isle Joyeuse (1904). Following Laloy's scenario, the mas-queraders then sing extracts from Verlaine's 'A la promenade' (from Fetes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.

2. Fassung in D-dur mit 4 Einlagesatzen der Es-dur-Fassung (transponiert). Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Alfred Durr. For Soprano Solo (2), Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SSATB, Flute (2), Oboe (2)/Oboe D'amore (A), Trumpet (3), Kettledrum, Strings, Basso Continuo. Kirchenmusik (Sacred). Score; Urtext Edition. BWV 243. Duration 30'. Published by Baerenreiter-Ausgaben (German import).

Orchestra Soli SATBB, SATB choir, 2 flutes, 2 oboes (also 1 oboe d'amore), bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, cello, basso continuo

SKU: CA.3914205

Composed by Georg Philipp Telemann. Edited by Silja Reidemeister. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music. Choral Score. Composed 1756/1760. TVWV 6:3. 8 pages. Duration 40 minutes. Carus Verlag #CV 39.142/05. Published by Carus Verlag (CA.3914205).

ISBN 9790007166687. Text language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score available separately - see item CA.3914200.

1. Christmas Day - Ephphanias, Part 1-6. By Johann Sebastian Bach. Edited by Blankenburg, Walter; Durr, Alfred. For Soprano Solo, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Flute (2), Oboe 1/Oboe D'amore (A) 1, Oboe 2/Oboe D'amore (A) 2, Oboe-Dacc (2), Corno Da Caccia (2), Trumpet (3), Kettledrum, Strings, Basso Continuo/Contrabass/Basso on/Organ. Neue Bach-Ausgabe. Serie II, Band 6. Score; Urtext Edition; Complete Edition (cloth bound). BWV 248. Published by Baerenreiter-Ausgaben (German import). (BA5014 01)

Kommt, eilet und laufet. By Johann Sebastian Bach. Edited by Leisinger, Ulrich. For SATB soli, SATB choir, 2 recorders, flte, 2 oboes with 1 oboe d'amore, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. BWV 249. Oratorios; Stuttgart Urtext editions; Use during church year: Easter and Eastertide. Score. Language: German/English. Composed 1725. 104 pages. Duration 40 min. Published by Carus Verlag (German import).

Kantate zum Fest Mariae Verkundigung. By Johann Sebastian Bach. Edited by Kubik, Reinhold. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Horns, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. BWV 1. Cantatas; Stuttgart Urtext editions; Use during church year: Epiphany. Score. Language: German/English. Composed 1725. 100 pages. Duration 25 min. Published by Carus Verlag (German import).