(1.1+1.2.1/1.2.1.0,timp,p erc,str)

SKU: TM.03910SET

Composed by Richard Strauss. Arranged by Otto Langey. Set Type: C. Set of parts. Published by Lucks Music Library (TM.03910SET).

Key of Eb. For voice and orchestra. PC = VS; 1 copy in set.

Concert band - Grade 3

SKU: ND.TRNS14-SET

Composed by Richard Wagner. Arranged by Blangenois. Transcriptions. Score and set of parts. Published by Edition Andel (ND.TRNS14-SET).

Concert band - Grade 3

SKU: ND.TRNS14-CSC

Composed by Richard Wagner. Arranged by Blangenois. Transcriptions. Conductor's score. Published by Edition Andel (ND.TRNS14-CSC).

Concert band - Grade 3

SKU: ND.TRNS14-FSC

Composed by Richard Wagner. Arranged by Blangenois. Transcriptions. Full score. Published by Edition Andel (ND.TRNS14-FSC).

Bassoon

SKU: HF.FH-7046

Richard Wagner. Composed by Angerhofer. Edited by Mages. Arranged by Angerhofer, Junge, and Mages. Sheet music. Friedrich Hofmeister Musikverlag #FH 7046. Published by Friedrich Hofmeister Musikverlag (HF.FH-7046).

ISBN 9790203470465. 8.3 x 11.7 inches.

1. Der fliegende Hollander - Romantische Oper in drei Akten; 2. Tannhauser und der Langerkrieg auf Wartburg - Grosse romantische Oper in drei Akten; 3. Lohengrin - Romantische Oper in drei Akten; 4. Tristan und Isolde - Handlung in drei Aufzugen.

Soprano Recorder - easy

SKU: BT.SY-2526

Composed by Richard Voss. Method. Book Only. Composed 2010. 73 pages. Ricordi #SY 2526. Published by Ricordi (BT.SY-2526).

ISBN 9783931788551. German.

MEINE LUSTIGE BLOCKFLÖTE - Band 2 ist die Fortsetzung von MEINE LUSTIGE BLOCKFLÖTE - Band 1. Sie ist so konzipiert, dass sie für C-Sopran-Blockflöten beider Griffweisen geeignet ist und bietet ideales Spielmaterial für fortgeschrittene Vorschul- undGrundschulkinder an. Bei sehr jungen Schülern empfiehlt es sich allerdings, als Übergang vom 1. zum 2. Band, das Spielheft MEIN LUSTIGES BLOCKFLÖTENBUCH (SY 2520) zu verwenden, um die bereits gelernten Töne mit weiteren Liedern zu vertiefen und dieSchüler langsam an das kleinere Notenbild zu gewöhnen.
Besondere r Wert wird auf die Einübung des mehrstimmigen Spiels gelegt. Deshalb finden sich in MEINE LUSTIGE BLOCKFLÖTE - Band 2 öfters zwei- bis dreistimmige Lieder und Instrumentalstücke sowie viele Kanons. Akkordangaben zu jedem Stück eröffnennicht nur Lehrern, sondern auch Eltern, die ein Instrument spielen, ihre Kinder zu begleiten. Das macht Spaß und ermöglicht neue Klangerfahrungen. Unterstützt wird der Lernprozess noch zusätzlich durch bunte Illustrationen und diverse Möglichkeiten,das Buch zu gestalten.

Zum Unterrichtsstoff dieses Buches sollten nach Möglichkeit zusätzliche Lieder und Übungen eingebaut werden. Die Spielhefte TOLLE SOLOS (SY 2586), TOLLE DUOS (SY 2587) und TOLLE TRIOS (SY 2588) wurden speziell zu diesem Zweck konzipiert. Auch könnenab der Seite 30 schon viele Liederbücher und Spielhefte verwendet werden, z.B. MUSIKALISCHER WOCHENKALENDER (SY 2480), DIE LUSTIGE WEIHNACHT (SY 2546), FLÖTEN DER INKAS (SY 2607), STREIFZUG DURCH IRLAND (SY 2609) und STREIFZUG DURCH SKANDINAVIEN (SY2660).

By Michaelangelo Grancini. Edited by Richard Proulx. For Instruments: Violin, viola, cello*. Latin text to be included in the revised edition. Ars Antiqua Choralis Series Sacred. Published by GIA Publications.

Good work for examinations and recitals by an important British composer. Duration c.6'. AMEB (Australian Syllabus) 2004. Programme notes as follows:

Lennox Berkeley was born in 1903 and died in 1989. After reading modern languages at Oxford he had no intention of becoming a composer until he met Ravel in 1926, who encouraged him to study in Paris with Nadia Boulanger. He stayed in Paris until 1932, developing his own musical language. In 1936, after the death of his mother, he went to Barcelona for the International Society for Contemporary Music festival where he met Benjamin Britten. The two lived together at Snape in Suffolk for a while until the outbreak ofwar, before Berkeley moved back to London to work for the BBC. Here he met his future wife Freda Bernstein. He taught at the Royal Academy of Music in London from 1946 until 1968, where his pupils included Richard Rodney Bennett, Nicholas Maw and John Tavener, among others. He was knighted in 1974.

In early February 1971 I was playing in a concert at St. John's Smith Square, London, then only relatively recently restored as a superb venue for music. The programme, which I believe was being broadcast, included Berkeley's Serenade Op.12. It was a work I had always enjoyed playing and was standard string orchestra repertoire at the time. There was initially no platform at St. John's and so the audience sat virtually on top of the performers. So close were they on this occasion that I had to ask for a little more room in order to play. At the end of the piece the orchestra acknowledged the applause and the gentleman who I had all but practically decapitated with my over-enthusiastic playing, stood up and took a bow. I had been almost playing in Lennox Berkeley's lap! The opportunity was too good to miss and I wasted little time in introducing myself. Mr Berkeley said that he had been fascinated by my playing and asked me to write to him about a possible commission.

This I did on 6 February, mentioning that