Composed by Leroy
Anderson. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas;
Holiday Pops; Jazz;
Secular; Winter. Choral
Octavo. 16 pages. Alfred
Music #00-47702.
Published by Alfred Music
(AP.47702).
UPC:
038081543956. English.
Words by Mitchell
Parish.
Leroy
Anderson's winter frolic
has never sounded cooler!
This sleigh ride swings
in big band style,
offering bright (and
sometimes tight) harmony
paired with jazzy rhythms
for a truly refreshing
version of the holiday
classic. As always, Mark
Hayes' accompaniment
shines with piano alone
or the fully orchestrated
SoundTrax and
SoundPax.
Choir Secular SKU: AP.47705 Composed by Leroy Anderson. Arranged by Mark ...(+)
Choir Secular
SKU:
AP.47705
Composed by
Leroy Anderson. Arranged
by Mark Hayes. This
edition: SoundTrax CD.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Jazz; Secular; Winter.
CD. Alfred Music
#00-47705. Published by
Alfred Music (AP.47705).
UPC: 038081543987.
English. Words by
Mitchell
Parish.
Leroy
Anderson's winter frolic
has never sounded cooler!
This sleigh ride swings
in big band style,
offering bright (and
sometimes tight) harmony
paired with jazzy rhythms
for a truly refreshing
version of the holiday
classic. As always, Mark
Hayes' accompaniment
shines with piano alone
or the fully orchestrated
SoundTrax and
SoundPax.
Composed by
Leroy Anderson. Arranged
by Mark Hayes.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Jazz; Secular; Winter.
Choral Octavo. 16 pages.
Alfred Music #00-47701.
Published by Alfred Music
(AP.47701).
UPC:
038081543949. English.
Words by Mitchell
Parish.
Leroy
Anderson's winter frolic
has never sounded cooler!
This sleigh ride swings
in big band style,
offering bright (and
sometimes tight) harmony
paired with jazzy rhythms
for a truly refreshing
version of the holiday
classic. As always, Mark
Hayes' accompaniment
shines with piano alone
or the fully orchestrated
SoundTrax and
SoundPax.
Arranged by Velvel Pasternak. Fakebook for voice and C instrument. With vocal me...(+)
Arranged by Velvel
Pasternak. Fakebook for
voice and C instrument.
With vocal melody, lyrics
and chord names. Text
language Hebrew,
English*, Yiddish*,
Spanish*. 184 pages.
Published by Tara
Publications.
Dramma
per musica in thre
acts. Composed by
George Frideric Handel.
Edited by Andrew V.
Jones. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Serie II, Band 16.
Baroque Opera. Complete
edition, Score. HWV 19.
Duration 3 hours, 15
minutes. Baerenreiter
Verlag #BA04064_00.
Published by Baerenreiter
Verlag (BA.BA04064).
ISBN 9790006495696.
33.1 x 25.9 cm inches.
Nicola Francesco
Haym.
After Giulio
Cesare and Tamerlano ,
Rodelinda is the third
masterly opera that
Handel composed between
December 1723 and January
1725. The words were
written by Nicola Haym ,
the author of many other
Handel librettos. The
first performance took
place at the
King’s Theatre in
the Haymarket, London ,
on 13 February 1725.
Rodelinda thrives
entirely on the ethical
supremacy of conjugal
love, and thus prefigures
the great operas by Gluck
and Beethoven on the same
subject. The plot is
taken from the history of
the Lombard royalty.
Oskar Hagen’s
revival of Rodelinda in
1920 ushered in the
modern Handel opera
movement.
The
work forms the climax to
a series of dramatic
masterpieces that
includes Handel’s
most significant
operas. Handel
returned to Rodelinda on
two occasions, in
December 1725 and in May
1731. Many far-reaching
changes were necessary
owing to the different
skills of the new
singers. For example,
Handel wrote three new
arias and a duet for the
first revival. Yet the
changes he made for this
performance, doubtless to
accommodate the needs and
wishes of the singers,
also improve the
work’s dramatic
substance.
Our
vocal score is based on
the Urtext of the full
score published in the
Halle Handel Edition
(II/16) and reproduces
the various alternative
readings and versions in
an appendix.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma per musica in tre atti. By Georg Friedrich Handel. Edited by Jones, Andre...(+)
Dramma per musica in tre
atti. By Georg Friedrich
Handel. Edited by Jones,
Andrew V. Arranged by Rot
Michael. For Recorder 1,
Recorder 2, Flute, Oboe
1, Oboe 2, Horn 1, Horn
2, Violin 1, Violin 2,
Violin 3, Viola,
Violoncello, Contrabass,
Bassoon, Lute,
Harpsichord. Piano
Reduction/Vocal Score;
Urtext Edition
(paperbound). HWV 19.
Published by
Baerenreiter-Ausgaben
(German import).
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Onl...(+)
Double Bass
SKU:
BT.YE0030
Composed by
F. Keyper. Exam Material.
Book Only. Yorke Edition
#YE0030. Published by
Yorke Edition
(BT.YE0030).
An easy
virtuoso work published
here for the first time
and now much performed.
Recorded Slatford/Academy
of St
Martin-in-the-Fields
(EMI). AMEB (Australian
Syllabus) 2004.
Orchestral material on
hire from Yorke Edition
(notSpartan).
Pr
ogramme Note:
As
a young professional
player in the 1960s, my
work as a double bassist
with chamber ensembles
and small orchestras took
me all over the world.
This presented an
unparalleledopportunity
to scour libraries and
archives wherever I went.
Long before the advent of
the photocopier and
e-mail, research was far
more challenging than it
is today. Eastern Europe
was particularly
difficult to access,
withmanycollections kept
under lock and key for
all but a few hours a
week. One quickly found
colleagues who were keen
to share information
gleaned in passing, even
though they had no
specific interest in
one's own
particularspecialism (it
is so often the
peripheral topics that
fascinate as much as the
main subject under
investigation, and one
can quickly be
side-tracked into
political and social
issues that have only
slender bearing on the
job inhand!).
In
the early 1970s James
Brown, the then
sub-principal oboist of
the English Chamber
Orchestra with whom I was
working at the time,
stumbled across a small
collection of double bass
manuscripts at the
RoyalDanish State Library
in Copenhagen. They were
by Franz Anton Leopold
Keÿper (b. c.1756, d.
Copenhagen 7 June 1815),
a double bassist of Dutch
origin who worked as
principal of the Royal
Chapel Orchestra in
Copenhagen.Keÿper's son
was the bassoonist Franz
Jacob August Keÿper
(1792-1859). The
collection included a
number of concertos, some
chamber music, and
various naïve fragments.
Although hardly the work
of a Mozart or Haydn,the
style is characteristic
of the period. For an
instrument such as the
double bass, whose 18th
century solo repertoire
is largely written for
tunings that are no
longer in everyday use,
Keÿper's music is easily
approachablein its.
2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book. The
Frederick Harris Music
Company #FLE01. Published
by The Frederick Harris
Music Company (FH.FLE01).
ISBN
978-1-55440-300-4.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation.
Slavo
nic Dances, op. 46, no. 1
Antonin Dvorak
Symphony No. 100 in G
Major (Military): II
Franz Joseph Haydn Le
carnaval des animaux:
Aquarium Camille
Saint-Saens HMS
Pinafore: I'm Called
Little Buttercup Arthur
Sullivan La forza del
destino: Overture
Giuseppe Verdi Serse
(Xerxes), HWV 40: Va
godendo vezzoso e bello
George Frideric Handel
Symphony No. 100 in G
Major (Military): III
Franz Joseph Haydn Ma
Vlast: II Bedrich Smetana
HMS Pinafore: When I
Was a Lad Arthur Sullivan
Nutcracker Suite:
Overture Pyotr Il'yich
Tchaikovsky Symphony
No. 6 (Pastoral): III
Ludwig van Beethoven
Symphony No. 9 in E
Minor, op. 95 (New
World): I Antonin Dvorak
Faust: Soldier's
Chorus Charles Gounod
Peer Gynt Suite No.
1, op. 46: I Edvard Grieg
Symphony No. 102 in B
flat Major: I Franz
Joseph Haydn
Brandenburg Concerto
No. 4, BWV 1049: III
Johann Sebastian Bach
Carmen: La garde
montante Georges Bizet
Petite suite: Ballet
IV Claude Debussy
Symphony No. 100 in G
Major (Military): IV
Franz Joseph Haydn
Symphony No. 40 in G
Minor, K 550: III
Wolfgang Amadeus Mozart
Symphony No. 5: IV
Ludwig van Beethoven
Carmen: Act 1,
Prelude Georges Bizet
Faust Ballet Music:
Danse antique Charles
Gounod Symphony No.
102 in B flat Major: IV
Franz Joseph Haydn
Scheherazade, op. 35:
IV Nicolai
Rimsky-Korsakov
Symphony No. 6
(Pastoral): I, II Ludwig
van Beethoven
Symphonie
fantastique: V Hector
Berlioz Die
Zauberfloete: Wie stark
ist nicht dein Zauberton
Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35:
I Nicolai Rimsky-Korsakov
Brandenburg Concerto
No. 4, BWV 1049: I Johann
Sebastian Bach
Symphonie
fantastique: I Hector
Berlioz Carmen:
Entr'acte (Prelude)
Georges Bizet
Symphony No. 1 in C
Minor: IV Johannes Brahms
Die Zauberfloete:
Overture Wolfgang Amadeus
Mozart Symphony No. 8
in G Major: IV Antonin
Dvorak Leonore
Overture No. 3, op. 72a
Ludwig van
Beethoven Symphony No.
4 in E Minor: IV Johannes
Brahms La mer: I, II,
III Claude
Debussy Symphony No. 4
(Italian): IV Felix
Mendelssohn Symphony
No. 1 (Classical): II
Sergei Prokofiev
Symphony No. 3 in E
flat Major (Eroica): IV
Ludwig van Beethoven
Prelude a
l'apres-midi d'un faune
Claude Debussy
Sinfonie Mathis der
Maler: I, II Paul
Hindemith Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo Felix Mendelssohn
Petroushka (1947
revision): Part 1 Igor
Stravinsky Symphony
No. 4 in F Minor: III
Pyotr Il'yich Tchaikovsky
Capriccio espagnol,
op. 34: IV Nicolai
Rimsky-Korsakov Sympho
ny No. 1 (Classical): IV
Sergei Prokofiev
Concerto for
Orchestra: I, II, III,
IV, V Bela Bartok
Symphonic
Metamorphosis after
Themes by Carl Maria von
Weber: II, III Paul
Hindemith Das Lied
von der Erde: VI Gustav
Mahler Peter and the
Wolf, op. 67 Sergei
Prokofiev Le carnaval
des animaux: 10. Voliere
Camille Saint-Saens
Daphnis et Chloe:
Troisieme partie Maurice
Ravel Guillaume Tell:
Overture Gioachino
Rossini Till
Eulenspiegel's Merry
Pranks Richard Strauss
Firebird Suite (1919
version) Igor Stravinsky
Symphony No. 9: IV
Ludwig van Beethoven
Concerto for
Orchestra: III Bela
Bartok Scheherezade,
op. 35: IV Nicolai
Rimsky-Korsakov
Semiramide: Overture
Gioachino Rossini
Symphony No. 5, op.
47: I, II Dmitri
Shostakovich.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Horns in F, 2 Oboes (2nd do...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Horns in F, 2
Oboes (2nd doubling
English Horn), 2 Trumpets
in C, Bass Drum),
Cymbals, Glockenspiel,
Harp, Percussion
(Triangle, Strings, Tam
Tam, Tambourine, Timpani,
Trombone, Tuba, Tubular
Bells, soprano voice
SKU: PR.41641275L
For Soprano and
Orchestra. Composed
by Behzad Ranjbaran. Text
used by permission of the
publisher. THE RUBAIYAT
OF OMAR KHAYYAM
translation by Peter
Avery & John Heath-Stubbs
(Allen Lane, THE PENGUIN
PRESS, 1979. Benaroya
Hall, Seattle Ren?e
Fleming, Soprano Seattle
Symphony Orchestra Gerard
Schwarz, Conductor.
Contemporary. Large
Score. With Standard
notation. Composed 2002.
70 pages. Duration 17
minutes. Theodore Presser
Company #416-41275L.
Published by Theodore
Presser Company
(PR.41641275L).
UPC:
680160591282. 11 x 14
inches. Text used by
permission of the
publisher. THE
RUBA’IYAT OF OMAR
KHAYYAM translation by
Peter Avery & John
Heath-Stubbs (Allen Lane,
THE PENGUIN PRESS,
1979.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Opera
seria in three acts.
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 9,2. 2nd version.
Complete edition, Score.
HWV 12. Duration 3
minutes. Baerenreiter
Verlag #BA04066_00.
Published by Baerenreiter
Verlag (BA.BA04066).
ISBN 9790006495832. 33
x 26 cm inches. Text
Language: Italian. Nicola
Francesco
Haym.
This volume
of the “Halle
Handel Editionâ€
presents the music of the
second version of the
opera which was premiered
on 28 December 1720 at
the King's Theatre,
Haymarket, London as well
as the amendments made
for November 1721
revival. The appendix
includes the amendments
for the January/February
1728 version.
The
first season of the Royal
Academy ended on 25 June
1720. The new vocal
soloists arrived in
London in September. As
the first version of
“Radamistoâ€
had been a great success
during the first season,
Handel revised the opera
for the oncoming season
to accommodate it to his
new more proficient
cast.
The revision
was extensive. It
included: 1) Changes
to the vocal range of
Radamisto (soprano to
alto for the singer
Senesino), Zenobia (alto
to soprano for the female
singer Durastanti) and
Tiridate (tenor to bass
for the singer
Boschi), 2)
compositions of new arias
and ensembles, 3)
significant changes to
the plot consisting of
the reduction of
Fraartes’ role
from brother to servant
Tiridates and the
omission of his not so
original love affair to
Zenobia.
For most
of Handel's operas it can
be said that the first
version is the best
version. This is due to
the fact that when a work
was performed again in
later seasons, Handel was
often forced to make
changes due to casting
constraints which often
affected the equilibrium
and the dramatic context
of the work.
“Radamistoâ€
is an exception to this
rule – the
December 1720 adaptation
is a much more superior
composition than the
version performed in
April of the same
year.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano SKU: BT.BWH004913 Composed by T. Matthay. Classical. Book Only. 20 ...(+)
Piano
SKU:
BT.BWH004913
Composed
by T. Matthay. Classical.
Book Only. 20 pages.
Bosworth & Co.
#BWH004913. Published by
Bosworth & Co.
(BT.BWH004913).
Tobias
Matthay (1858-1945)
was a British pianist,
composer and pedagogue.
He studied at the Royal
Academy of Music, where
he later taught from
1876-1925. In 1905 he
opened his own Piano
school, which remained
highlypopular until the
outbreak of the Second
World War.
Principles Of
Fingering And Laws Of
Pedalling was
first published in 1908,
and is his fifth
educational Piano work.
It includes extracts from
MuscularRelaxation
Studies. Both were
very successful, and
influenced Piano
technique and teaching
methods throughout the
English-speaking world.
Violin SKU: ST.Y237 Composed by Morgan Hayes. String music. 3 minutes. Pa...(+)
Violin
SKU:
ST.Y237
Composed by
Morgan Hayes. String
music. 3 minutes. Part.
Stainer & Bell Ltd.
#Y237. Published by
Stainer & Bell Ltd.
(ST.Y237).
ISBN
9790220221835.
1st
perf: Darragh Morgan, The
Picture Gallery, Royal
Holloway College,
University of London, 15
November 2006
Programme
Note Lucky's
Speech was composed at
the request of the
violinist Darragh Morgan,
for the launch of his
recital CD Opera on the
NMC label in June 2006.
The title refers to a
pivotal moment in Samuel
Beckett's play Waiting
for Godot, when the
hitherto silent character
Lucky suddenly pours
forth a torrential stream
of gibberish.
This idea also suggested
the cadenza of my Violin
Concerto, composed in the
same year, and it is
reflected in both cases
by an almost breathless
musical activity
punctuated by pizzicato
commentaries. I should
like to thank Darragh
Morgan for his invaluable
advice in the preparation
of the score.
SKU: AP.43434 A Fantastic Fairy Tale Musical for Unison and 2-Part Voi...(+)
SKU: AP.43434
A
Fantastic Fairy Tale
Musical for Unison and
2-Part Voices (Teacher's
Handbook). Composed
by Sally K. Albrecht.
This edition: Teacher's
Handbook (Reproducible).
Classroom/Pre-School;
Musicals; Musicals and
Programs; Reproducible.
Secular. Book. 96 pages.
Alfred Music #00-43434.
Published by Alfred Music
(AP.43434).
ISBN
9781470626600. UPC:
038081489742. English.
Recording orchestrated by
Tim Hayden.
Who can
resist this all-time
favorite fairy tale, told
with fun and flair? Our
acting troupe takes over
the stage area, playing
rhyming Narrators,
singing Villagers,
friendly Animals,
charming Royalty,
energetic Messengers, the
haughty Stepmother and
Stepsisters, the
irresistible Fairy
Godmother, and lovely
Cinderella. Of course,
once the charming Prince
discovers the proper
owner of that famous
sparkling slipper,
everyone lives happily
ever after! Recommended
for grades 3 and up.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Orchestra - Grade 3.5 SKU: AP.43784 First Movement, London Symphony(+)
Orchestra - Grade 3.5
SKU: AP.43784
First Movement, London
Symphony. Composed by
Franz Joseph Haydn.
Arranged by Jan
Farrar-Royce.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Classical;
Masterwork Arrangement.
Score and Part(s). 124
pages. Duration 2:40.
Belwin Music #00-43784.
Published by Belwin Music
(AP.43784).
UPC:
038081504964.
English.
Often
thought to be some of
Haydn's best work, this
symphony is perfectly set
for strings with the
brass and wind parts
easily covered. Your
students and your
audience will find this
excellent example of
classical form intriguing
and enjoyable.
(2:40).
Orchestra - Grade 3.5 SKU: AP.43784S First Movement, London Symphony(+)
Orchestra - Grade 3.5
SKU: AP.43784S
First Movement, London
Symphony. Composed by
Franz Joseph Haydn.
Arranged by Jan
Farrar-Royce.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Classical;
Masterwork Arrangement.
Score. 16 pages. Duration
2:40. Belwin Music
#00-43784S. Published by
Belwin Music (AP.43784S).
UPC: 038081504971.
English.
Often
thought to be some of
Haydn's best work, this
symphony is perfectly set
for strings with the
brass and wind parts
easily covered. Your
students and your
audience will find this
excellent example of
classical form intriguing
and enjoyable.
(2:40).
SSA Choir SKU: BT.MUSAM941105 Composed by Haydn Wood. Arranged by Felton ...(+)
SSA Choir
SKU:
BT.MUSAM941105
Composed by Haydn Wood.
Arranged by Felton
Rapley. Classical. Vocal
Score. Wise Publications
#MUSAM941105. Published
by Wise Publications
(BT.MUSAM941105).
A Brown Bird
Singing , published in
1922, is second only to
The Roses of Picardy in
popularity among
Woodâ??s vast oeuvre.
With lyrics by composer
Royden Barrie, the
romantic words are well
matched to the touching
melody. The song has been
recorded many times since
it appeared, including a
version by jazz
songstress Peggy Lee and
one arranged for zither.
Haydn Wood (1882-1959)
earned his reputation as
a giant of British light
music in the twentieth
century through a
prolific career that
encompassed performance
as Violin soloist and
conductor and as well as
composer of some of the
nationâ??s favourite
melodies. Wood was not
only was a gifted and
popular creator of
Orchestral works
andmusical theatre, but
also the composer more
than 200 songs, many of
them the greatest hits of
their era. A Brown Bird
Singing has been arranged
for SSA female chorus by
Felton Rapley.
Composed
by Michael Haydn. Edited
by Armin Kircher.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Hieronymi Mh
254. Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1777. MH 254. 16
pages. Duration 40
minutes. Carus Verlag #CV
54.254/11. Published by
Carus Verlag
(CA.5425411).
ISBN
9790007226060. Language:
Latin.
Just by
reason of its scoring the
Missa Sancti Hieronymi
occupies a special place
not only among the
settings of the Mass by
Haydn, but also in the
repertoire of church
music at the Royal Court
of Salzburg. Other than
the Hieronymus Mass and
the Proprium motet Timete
Dominum MH 256, which is
connected with it, there
are no additional
surviving works in the
Salzburg repertoire with
this type of
instrumentation. The
unusual instrumentation,
the contrapuntal style in
the fugal sections, as
well as the melodic
invention and harmonic
elaboration show that
this Mass is a
masterpiece. Score and
part available separately
- see item
CA.5425400.
Composed
by Michael Haydn. Edited
by Armin Kircher.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Hieronymi Mh
254. Sacred vocal music,
Masses, Latin. Single
Part, Organ. Composed
1777. MH 254. 28 pages.
Duration 40 minutes.
Carus Verlag #CV
54.254/49. Published by
Carus Verlag
(CA.5425449).
ISBN
9790007226077. Language:
Latin.
Just by
reason of its scoring the
Missa Sancti Hieronymi
occupies a special place
not only among the
settings of the Mass by
Haydn, but also in the
repertoire of church
music at the Royal Court
of Salzburg. Other than
the Hieronymus Mass and
the Proprium motet Timete
Dominum MH 256, which is
connected with it, there
are no additional
surviving works in the
Salzburg repertoire with
this type of
instrumentation. The
unusual instrumentation,
the contrapuntal style in
the fugal sections, as
well as the melodic
invention and harmonic
elaboration show that
this Mass is a
masterpiece. Score and
part available separately
- see item
CA.5425400.