Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5386-15. Published by
Breitkopf and Haertel
(BR.OB-5386-15).
ISBN
9790004334577. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Double bass. Secular
choral music. Single
Part, Double Bass. Op.
112. 4 pages. Duration 8
minutes. Carus Verlag #CV
10.395/15. Published by
Carus Verlag
(CA.1039515).
ISBN
9790007245375. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
(Piano/Conductor, Oboe). Arranged by Michael Story and Michael Story. For Piano/...(+)
(Piano/Conductor, Oboe).
Arranged by Michael Story
and Michael Story. For
Piano/Conductor, Oboe.
Mixed Instruments -
Flexible Instrumentation;
Quartet. Instrumental
Ensembles for All. Movie.
Book. 24 pages
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3119249 Church...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3119249
Church cantata.
Composed by Johann
Sebastian Bach. Edited by
Christine Blanken.
Arranged by Christine
Blanken. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Organ. Composed ca. 1730.
BWV 192. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/49. Published by
Carus Verlag
(CA.3119249).
ISBN
9790007210298. Language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 13'.
Breitkopf and Haertel #OB
5251-19. Published by
Breitkopf and Haertel
(BR.OB-5251-19).
ISBN
9790004332962. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Performed by Chet Atkins, Mark Knopfler. For guitar and voice. Format: guitar ta...(+)
Performed by Chet Atkins,
Mark Knopfler. For guitar
and voice. Format: guitar
tablature songbook. With
guitar tablature,
standard notation, vocal
melody, lyrics, chord
names, guitar chord
diagrams, guitar tab
glossary and color
photos. Traditional
country and rock. Series:
Hal Leonard Guitar
Recorded Versions. 128
pages. 9x12 inches.
Published by Hal Leonard.
Brass Quintet - Advanced SKU: CY.CC3042 Composed by Johann Sebastian Bach...(+)
Brass Quintet - Advanced
SKU: CY.CC3042
Composed by Johann
Sebastian Bach. Arranged
by Stephen Denroche.
Classical. Score and
Parts. Cherry Classics
#CC3042. Published by
Cherry Classics
(CY.CC3042).
ISBN
9790530110164. 8.5 x 11
in inches.
This
Prelude No. 7 is an early
work and one of Bach's
best known of what is now
known as Book 1 of the
Well-Tempered Clavier.
There is much in this
little work actually, the
most extended in Book 1.
Mr. Denroche's
arrangement works
perfectly for Brass
Quintet and is transposed
down to the key of C from
the original e-flat. The
range is modest and most
moderately advanced
groups can perform it. C
& B-flat parts are
supplied for the
Trumpets.
Swingville, USA [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.031-3245-00 Composed by A. Clark. Jazz Ensemble. Barnhous...(+)
Grade 2
SKU:
CL.031-3245-00
Composed by A. Clark.
Jazz Ensemble. Barnhouse
Easy Jazz Series. Audio
recording available
separately (item
CL.991-2002-01). Score
and set of parts.
Composed 2002. Duration 2
minutes, 48 seconds. C.L.
Barnhouse #031-3245-00.
Published by C.L.
Barnhouse
(CL.031-3245-00).
An incredible
training chart for young
jazz ensembles. Includes
a number of basic swing
concepts in a chart which
isn’t too hard and
allows inexperienced
players to concentrate on
the style. No solos, but
does have spots for some
short drum fills and
there’s a written
Basie style piano tag on
the end. Andy’s
charts always sound big
and full and this one is
especially nice! VERY
HIGHLY RECOMMENDED!
On
January 1st, 2016,
Stephane Vande Ginste had
an extraordinary
intention: he planned to
compose a 1-minute piece
for piano every single
day for the whole year.
The result is an
impressive collection of
piano miniatures which -
although contemporary -
result in a variety of
musical styles: apart
from some experimental
pieces, there are jazzy-
and poppy pieces, more
traditional etudes,
polyphonic compositions
and so on... The 366
pieces also tell various
stories: from very
emotional events like the
terrorist attacks in
Brussels over homages in
honor of deceased artists
(David Bowie,...) to
birthdays and festive
occasions,... . More than
once, even poetry
(Heinrich Heine, Anna
Enquist, ..) or other
pieces of art inspired
Stephane to compose his
daily one-minute piece.
Every single composition
originated from the here
and now, and therefore
capture the unfiltered
feelings and emotions of
that very unique moment
in time: joy, enthusiasm,
but also melancholy and
sadness.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Dean Martin. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Performed by Dean Martin.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 112 pages.
Published by Hal Leonard.
The World's Greatest Praise Songs (50 Favorite Songs of Worship). By Various. Fo...(+)
The World's Greatest
Praise Songs (50 Favorite
Songs of Worship). By
Various. For
Piano/Vocal/Guitar.
Shawnee Press. Gospel.
Softcover. 144 pages.
Shawnee Press #SB1003.
Published by Shawnee
Press
Piano SKU: HU.HN1226 Composed by Bela Bartok. Edited by Laszlo Vikarius and Ver...(+)
Piano
SKU: HU.HN1226
Composed by Bela Bartok.
Edited by Laszlo Vikarius
and Vera Lampert. Piano
Solo, Piano and Keyboard,
Repertoire, Solos. For
Children Vol. 2.
Softcover Book. 59 pages.
G. Henle #HN1226.
Published by G. Henle
(HU.HN1226).
12.2 x 9.3 x 0.2 inches.
(The Promise Of Easter). By Deborah Craig-Claar, Allan Douglas, & Phillip Kevere...(+)
(The Promise Of Easter).
By Deborah Craig-Claar,
Allan Douglas, & Phillip
Keveren. Arranged by
Phillip Keveren. For SATB
choir. Easter, Musical.
Book/CD Pack. Published
by Word Music
Clarinet and piano SKU: P2.30093 Composed by Maurice Saylor. Solo music, ...(+)
Clarinet and piano
SKU: P2.30093
Composed by Maurice
Saylor. Solo music, 20th
century. Published by
Potenza Music (P2.30093).
The titular
confusion of this work
came about in this way:
the tunes first appeared
in a 1991 musical I wrote
based on Moliere's Le
Malade Imaginaire (The
Imaginary Invalid).
Lacking faith in the
musical but liking the
tunes, I fashioned a few
of them into the symphony
- a comic symphony. Yet,
it seemed to lack luster.
When the opportunity came
to write a work for my
friend and fellow Snark
Ensemble performer Ben
Redwine, I decided what
the material lacked was a
solo voice. The tunes are
still there, but now
greatly elaborated and
expanded upon. The final
work is still very much a
symphony - and no other
title seems to suit it -
but symphonies are
generally for orchestra.
Still, the size and the
instrumentation for the
form we call symphony
have varied greatly over
the years, so perhaps
it's the nature of the
music that makes it a
symphony and not the
scoring.
Musicals for Adults. Blues- Gospel-Spirituals, Hymn Arrangements, Christmas, J...(+)
Musicals for Adults.
Blues-
Gospel-Spirituals, Hymn
Arrangements, Christmas,
Jesus Christ - Birth.
Choral
score. Hope Publishing
Company #9051. Published
by
Hope Publishing Company
By Public Domain Foundation. Arranged by June Dale. Female barbershop choir. (W...(+)
By Public Domain
Foundation. Arranged by
June Dale. Female
barbershop choir.
(Womens voices, a
cappella). Barbershop,
Ballad. Published by
Sweet Adelines.
Level: easy/medium.
Dry Bones Quatuor à Vent : 4 instruments à vents - Intermédiaire Brixton Publications
Composed by Traditional African American Spiritual. Arranged by Howard J. Buss...(+)
Composed by Traditional
African American
Spiritual.
Arranged by Howard J.
Buss.
This well-known African
American spiritual (the
foot
bone's connected to the
leg
bone, the leg bone's
connected to the...),
arranged by Howard Buss,
makes a memorable concert
feature as well as a
rousing
musical offering in
church.
African American
Spiritual.
Score and parts. Duration
2'30". Brixton
Publications
#B1018. Published by
Brixton
Publications
Nocturnal - Partitur Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Music Sales
Trombone, String Quartet SKU: HL.14023162 Composed by Bent Sorensen. Musi...(+)
Trombone, String Quartet
SKU: HL.14023162
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. 28 pages. Music
Sales #KP01123. Published
by Music Sales
(HL.14023162).
ISBN
9788759860960.
Danish.
Nocturnal
(1998-2001) for Trombone
and String Quartet was
composed by Bent Sorensen
. Progamme note: The two
movements of Nocturnal
were written with a gab
of three years. The last
movement, which bears the
title The Wings of Night,
was commisioned by Warsaw
Autumn in 1998, while the
first movement -
Mondnacht - was
commisioned for Ultima
Festival in Oslo in 2001.
Despite the three years
gab, these are not two
separate pieces which
have been linked
together. The sketches
for the first movement
were begun immediately
after the first
performance of the second
movement in Warsaw 1998.
As the title suggests,
there is a nocturnal
atmosphere in the work.
In the first movement
weare perhaps in a park
and notice the shadows of
the clouds passing the
bright moon. In the short
second movement we are
perhaps with
Shakespeare's Juliet,
calling for love, calling
for the night: Come
night, come Romeo, come,
thou day in night, For
thou wilt lie upon the
wings of night Whither
than snow upon a raven's
back. ...perhaps we are
elsewhere - at night!
Nocturnal was written for
Christian Lindberg and
the Arditti Quartet and
premiered in Oslo in
2001.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut, dass ich hingehe.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
108. Duration 20 minutes.
Carus Verlag #CV
31.108/19. Published by
Carus Verlag
(CA.3110819).
ISBN
9790007136581. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800.