By Wilhelmine Von Bayreuth. Edited by Irene Hegen. For harpsichord, violin, viola, cello (string orchestra). First Publication. Level: beginning. Full score. Composed 1734. Published by Furore-Verlag (German import).

For 2 Violins, Violoncello and Piano (Harpsichord) - Score with Parts. By Franz Joseph Haydn. Edited by H. Walter. Piano Quartets. Pages: Score = 47 * Vl I Part = 12 * Vl II Part = 12 * Vc Part = 12. Full score-paper bound. Published by G. Henle.

(Score and Parts) Composed by George Frideric Handel (1685-1759), Johan Halvorsen (1864-1935), edited by Frieda R. Davis, Leonard Davis. Set of performance parts and score for violin and viola. With bowings and fingerings. G Minor. 12 pages. Published by International Music Co .

Violin solo, 2 Violins, Viola, Cello/Contrabass, Harpsichord

SKU: CA.3980511

Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. German title: Violinkonzert In A. Single Part, Violin Solo. TWV 51:A3. 8 pages. Duration 10 minutes. Carus Verlag #CV 39.805/11. Published by Carus Verlag (CA.3980511).

ISBN 9790007056995. Key: A major. Language: all languages.

Score available separately - see item CA.3980500.

Violin solo, 2 Violins, Viola, Cello/Contrabass, Harpsichord

SKU: CA.3980513

Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. German title: Violinkonzert In A. Single Part, Violin 2. TWV 51:A3. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.805/13. Published by Carus Verlag (CA.3980513).

ISBN 9790007057015. Key: A major. Language: all languages.

Score available separately - see item CA.3980500.

Violin solo, 2 Violins, Viola, Cello/Contrabass, Harpsichord

SKU: CA.3980512

Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. German title: Violinkonzert In A. Single Part, Violin 1. TWV 51:A3. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.805/12. Published by Carus Verlag (CA.3980512).

ISBN 9790007057008. Key: A major. Language: all languages.

Score available separately - see item CA.3980500.

Violin solo, 2 Violins, Viola, Cello/Contrabass, Harpsichord

SKU: CA.3980500

Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. This edition: Paperbound. Stuttgart Urtext edition. German title: Violinkonzert In A. Full score. TWV 51:A3. 32 pages. Duration 10 minutes. Carus Verlag #CV 39.805/00. Published by Carus Verlag (CA.3980500).

ISBN 9790007056988. Key: A major. Language: all languages.

Violin solo, 2 Violins, Viola, Cello/Contrabass, Harpsichord

SKU: CA.3980519

Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Violinkonzert In A. Set of Orchestra Parts. TWV 51:A3. Duration 10 minutes. Carus Verlag #CV 39.805/19. Published by Carus Verlag (CA.3980519).

ISBN 9790007144173. Key: A major. Language: all languages.

Score and parts available separately - see item CA.3980500.

Violin solo, 2 Violins, Viola, Cello/Contrabass, Harpsichord

SKU: CA.3980515

Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. German title: Violinkonzert In A. Single Part, Cello/Double Bass. TWV 51:A3. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.805/15. Published by Carus Verlag (CA.3980515).

ISBN 9790007057039. Key: A major. Language: all languages.

Score available separately - see item CA.3980500.

(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For Violin. Book. 48 pages. Published by Carl Fischer

Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

By Johann Sebastian Bach. For Harpsichord, Flute, Violin, Strings. This edition: Viola 1. Breitkopf Orchestral Library. 4 pages. Published by Breitkopf and Haertel (German import).

(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For Viola. Book. 48 pages. Published by Carl Fischer

By Arcangelo Corelli. Arranged by Bernhard Paumgartner. (Violin). Schott. Size 9x12 inches. Published by Schott.

Hob. XVIII:4 - String Quartet wit Piano - Figured Bass Realization by S. Petrenz - Score with Parts. By Franz Joseph Haydn. Edited by Bettina Wackernagel. Figured bass by Siegfried Petrenz. Cadenza by Axel Ruoff. Piano Quintets. Pages: Score = IV and 49 * Vl I Part = 8 * Vl II Part = 7 * Va Part = 6 * Basso = 6. Urtext edition-paper bound. Published by G. Henle.

(Hob. XVIII:3 - String Quartet with Piano - Figured Bass Realization by S. Petrenz -Score with Parts). By Franz Joseph Haydn (1732-1809). Edited by Horst Walter. This edition: HN682. Piano quintets. Henle Music Folios. Pages: Score = III and 52 * Vl I Part = 7 * Vl II Part = 7 * Va Part = 7 * Basso = 7. SMP Level 8 (Early Advanced). Urtext edition (Paper-bound). 92 pages