Symphonic Band - Grade 5 - Score and Parts. By Jan Van Der Roost. Arranged by Jan Van Der Roost. De Haske Concert Band Full Set. Published by DeHaske Publications.

Grade 2

SKU: CL.RWS-2312-01

Composed by VanDoren. Young Concert Band. Extra score. Composed 2023. RWS Music Company #RWS-2312-01. Published by RWS Music Company (CL.RWS-2312-01).

Battle Volcano is an epic soundtrack of what might be heard, seen, and felt when volcanoes attack! Driving rhythms, edgy chromaticism, and intensity throughout assure that your students will love creating the epic soundscape and drama of a battle between volcanoes!

Grade 2

SKU: CL.RWS-2312-00

Composed by VanDoren. Young Concert Band. Score and set of parts. Composed 2023. RWS Music Company #RWS-2312-00. Published by RWS Music Company (CL.RWS-2312-00).

Battle Volcano is an epic soundtrack of what might be heard, seen, and felt when volcanoes attack! Driving rhythms, edgy chromaticism, and intensity throughout assure that your students will love creating the epic soundscape and drama of a battle between volcanoes!

Orchestra - Grade 2.5

SKU: AP.49902

Composed by Michael Hopkins. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Programmatic. Score and Part(s). Duration 3:50. Belwin Music #00-49902. Published by Belwin Music (AP.49902).

ISBN 9781470657390. UPC: 038081575544. English.

Volcano by Michael Hopkins is a fast and rhythmically energetic original concert work in E minor. Written for intermediate orchestra, this piece features all orchestra sections on melodic material. This is an excellent piece for helping students learn about bow speed, articulation, string crossings, syncopated rhythms, phrasing, and dynamic contrasts. Violin, viola, and cello parts are playable in first position. Double basses have a few shifts to 2nd and 3rd position. (3:50).

Orchestra - Grade 2.5

SKU: AP.49902S

Composed by Michael Hopkins. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score. Duration 3:50. Belwin Music #00-49902S. Published by Belwin Music (AP.49902S).

ISBN 9781470657406. UPC: 038081575551. English.

Volcano by Michael Hopkins is a fast and rhythmically energetic original concert work in E minor. Written for intermediate orchestra, this piece features all orchestra sections on melodic material. This is an excellent piece for helping students learn about bow speed, articulation, string crossings, syncopated rhythms, phrasing, and dynamic contrasts. Violin, viola, and cello parts are playable in first position. Double basses have a few shifts to 2nd and 3rd position. (3:50).

By Cory J. Mcbride. Bestseller. Concert Band. Level: Grade 4. Score and set of parts. Composed 2004. Duration 0:05:59. Published by C.L. Barnhouse.

Concert band - Grade 1

SKU: CL.024-4319-01

Kilauea. Composed by Shaffer. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR383). Extra full score. Composed 2014. Duration 2 minutes, 13 seconds. C.L. Barnhouse #024-4319-01. Published by C.L. Barnhouse (CL.024-4319-01).

Inspired by this composers’ journey across the Big Island of Hawaii, this dramatic piece captures the force and intensity of the active volcano Kilauea. Exciting and educationally rewarding this work features bold rhythms and dynamic percussion accompanying strong melodic writing. This thrilling composition for younger ensembles will reinforce and reward students with a sense of musical growth and achievement. An exceptional closer and a perfect festival piece.

By Brian Balmages. For concert band. FJH Developing Band. Full set (score and parts). Score only also available: B1256S. Grade 1.5. Score and set of parts. Composed 2005. Published by The FJH Music Company Inc

By Brian Balmages. For solo horn/wind ensemble. Canzonique Music. Full set (score and parts). Score only also available: CM7002S. Grade 4-6. Score and set of parts. Composed 2003

By Steven Reineke. Concert Band. Level: Grade 4.5. Score and set of parts. Composed 2006. Duration 0:09:59. Published by C.L. Barnhouse.

Composed by Matthew Schoendorff. Recording available separately on TRNCD35. Score and set of parts. Duration 3:33. Published by TRN Music Publisher (TU.CBVOL1).

(Kilauea). Composed by Shaffer. For concert band. Young Concert Band. Rising Band. Level 1.5. Score and set of parts. Duration 2 minutes, 13 seconds. Published by C.L. Barnhouse

By Vince Gassi. By Vince Gassi. For Concert Band. Concert Band. Alfred Concert Band. Level: 4 (Medium Difficult) (grade 4). Conductor Score

Grade 2

SKU: CL.RWS-2312-75

Composed by VanDoren. Young Concert Band. Oversized, spiral-bound score. Composed 2023. RWS Music Company #RWS-2312-75. Published by RWS Music Company (CL.RWS-2312-75).

Grade 4

SKU: CL.012-3315-01

Composed by C. McBride. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR331). Extra full score. Composed 2004. Duration 5 minutes, 59 seconds. Opus III Wind Orchestra Publications #012-3315-01. Published by Opus III Wind Orchestra Publications (CL.012-3315-01).

A very exciting and contemporary work that is descriptive of the tragedy that occurred in Central America in 1541 when a long quiet volcano that had filled with water suddenly erupted, sending mud and water covering the city of Ciudad Vieja killing many and completely wiping out the city. The name of that volcano was Agua, which on that day brought whelm on to everything that its waters touched. This is the second published work by young composer Cory McBride and was written when he was a 16 year old high school student. Bold, unique and distinctive, includes solos for flute, tenor sax, bari sax & horn and it’s an excellent programming choice for any festival or concert performance by better bands.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Concert Band - Grade 2

SKU: AP.46656S

Dance of the Volcano Goddess. Composed by Randall Standridge. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Light Concert; Novelty. Score. 16 pages. Duration 2:30. Alfred Music #00-46656S. Published by Alfred Music (AP.46656S).

UPC: 038081535357. English.

Cha'La: Dance of the Volcano Goddess is intended to be an evocative, dramatic work for young band. The piece incorporates chanting, clapping, driving rhythms and dissonant harmonies to create a cinematic portrait of this imaginary island.

Concert Band - Grade 2

SKU: AP.46656

Dance of the Volcano Goddess. Composed by Randall Standridge. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Light Concert; Novelty. Score and Part(s). 174 pages. Duration 2:30. Alfred Music #00-46656. Published by Alfred Music (AP.46656).

UPC: 038081535340. English.

Cha'La: Dance of the Volcano Goddess is intended to be an evocative, dramatic work for young band. The piece incorporates chanting, clapping, driving rhythms and dissonant harmonies to create a cinematic portrait of this imaginary island.

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.44012082

The Legend of Solmundae Halmang, Creator of Jeju. Composed by Jacob De Haan. De Haske Concert Band. Concert Piece. Score Only. Composed 2012. 48 pages. De Haske Publications #DHP1125215. Published by De Haske Publications (HL.44012082).

UPC: 888680052027. 9x12 inches. English-German-French-Dut ch.

This work is based on an old folksong from Jeju, an island off the coast of South Korea. The song tells of the legend of the origins of the island through a volcano - the embodiment of a goddess. Along with various treatments of the folksong melody, Jacob de Haan weaves into his work a repeating majestic theme to honor the goddess and powerful robust passages symbolizing the powerful forces of nature that brought forth the island.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1196201-010

Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1196201-010. Published by De Haske Publications (BT.DHP-1196201-010).

English-German-French- Dutch.

Golden Peak is a concert piece that takes us deep into the world of volcanoes of the Auvergne in central France. They are dormant volcanoes whose origins date back from 7,000 to over 65 million years ago. Among the most well-known are the 80 volcanoes of the Chaîne des Puys, a spectacular natural environment ranking among the most fascinating landscapes in the world. The title of this dynamic and rhythmic piece is a reference to the local spa town of Mont-Dore and calls upon all sections of the orchestra. The central theme is very mellow yet riveting and the music depicts both the dynamism and tranquillity of the region.

Golden Peak is een concertwerk dat ons meeneemt naar een vulkanische wereld: die van de Auvergne in het midden van Frankrijk. De vulkanen daar zijn slapende; hun oorsprong gaat terug naar 7000 tot meer dan 65 miljoen jaar geleden. Tot de bekendste behoren de tachtig vulkanen van de Chaîne des Puys, een uniek natuurgebied dat tot de boeiendste landschappen van de wereld behoort. De titel van deze dynamische en ritmische compositie verwijst naar de plaats Mont-Dore aldaar. Het werk doet een beroep op alle secties in het orkest. Het centrale thema is mild en tegelijk meeslepend, en verder beschrijft de muziek zowel de vitaliteit als de rust van de streek.

Golden Peak ist ein Konzertstück, das uns tief in die Welt der Vulkane in der Auvergne in Mittelfrankreich entführt. Es handelt sich um erloschene Vulkane, deren Ursprünge zwischen 7.000 bis 65 Millionen Jahren vor unserer Zeit liegen. Zu den bekanntesten gehören die 80 Vulkane der Chaîne des Puys, eine spektakuläre Gegend, die zu den faszinierendsten Landschaften der Welt zählt. Der Titel dieses dynamischen und rhythmischen Stücks, in dem alle Instrumentengruppen des Orchesters verwendet werden, bezieht sich auf die Kurstadt Mont-Dore. Das zentrale Thema ist sehr sanft und voller Emotionen und die Musik beschreibt sowohl die Betriebsamkeit als auch die Ruhe dieserRegion.

Golden Peak est une œuvre de concert qui nous plonge dans l’univers des volcans d’Auvergne, au centre de la France. Ce sont des volcans endormis dont l’ ge s’étend de 65 millions d’années jusqu’ seulement 7000 ans. Parmi les plus célèbres, la Chaîne des Puys compte 80 volcans et forme un environnement naturel qui se place parmi les plus fascinants au monde. Le titre de cette pièce dynamique et rythmique, qui fait appel tous les pupitres de l’orchestre, se rapporte la ville thermale de Mont-Dore. Très serein, le thème central est fascinant, tandis que la musique dépeint la fois le dynamisme et la quiétude de la région.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1196201-140

Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2019. 31 pages. De Haske Publications #DHP 1196201-140. Published by De Haske Publications (BT.DHP-1196201-140).

English-German-French- Dutch.

Golden Peak is a concert piece that takes us deep into the world of volcanoes of the Auvergne in central France. They are dormant volcanoes whose origins date back from 7,000 to over 65 million years ago. Among the most well-known are the 80 volcanoes of the Chaîne des Puys, a spectacular natural environment ranking among the most fascinating landscapes in the world. The title of this dynamic and rhythmic piece is a reference to the local spa town of Mont-Dore and calls upon all sections of the orchestra. The central theme is very mellow yet riveting and the music depicts both the dynamism and tranquillity of the region.

Golden Peak is een concertwerk dat ons meeneemt naar een vulkanische wereld: die van de Auvergne in het midden van Frankrijk. De vulkanen daar zijn slapende; hun oorsprong gaat terug naar 7000 tot meer dan 65 miljoen jaar geleden. Tot de bekendste behoren de tachtig vulkanen van de Chaîne des Puys, een uniek natuurgebied dat tot de boeiendste landschappen van de wereld behoort. De titel van deze dynamische en ritmische compositie verwijst naar de plaats Mont-Dore aldaar. Het werk doet een beroep op alle secties in het orkest. Het centrale thema is mild en tegelijk meeslepend, en verder beschrijft de muziek zowel de vitaliteit als de rust van de streek.

Golden Peak ist ein Konzertstück, das uns tief in die Welt der Vulkane in der Auvergne in Mittelfrankreich entführt. Es handelt sich um erloschene Vulkane, deren Ursprünge zwischen 7.000 bis 65 Millionen Jahren vor unserer Zeit liegen. Zu den bekanntesten gehören die 80 Vulkane der Chaîne des Puys, eine spektakuläre Gegend, die zu den faszinierendsten Landschaften der Welt zählt. Der Titel dieses dynamischen und rhythmischen Stücks, in dem alle Instrumentengruppen des Orchesters verwendet werden, bezieht sich auf die Kurstadt Mont-Dore. Das zentrale Thema ist sehr sanft und voller Emotionen und die Musik beschreibt sowohl die Betriebsamkeit als auch die Ruhe dieserRegion.

Golden Peak est une œuvre de concert qui nous plonge dans l’univers des volcans d’Auvergne, au centre de la France. Ce sont des volcans endormis dont l’ ge s’étend de 65 millions d’années jusqu’ seulement 7000 ans. Parmi les plus célèbres, la Chaîne des Puys compte 80 volcans et forme un environnement naturel qui se place parmi les plus fascinants au monde. Le titre de cette pièce dynamique et rythmique, qui fait appel tous les pupitres de l’orchestre, se rapporte la ville thermale de Mont-Dore. Très serein, le thème central est fascinant, tandis que la musique dépeint la fois le dynamisme et la quiétude de la région.

Concert Band 3-Part Fully Adaptable with Percussion - Grade 0.5

SKU: FJ.B1836S

Score Only. Composed by William Owens. Concert Band. The ReImagine Initiative. Multicultural. Score. The FJH Music Company Inc #98-B1836S. Published by The FJH Music Company Inc (FJ.B1836S).

English.

Using just six notes, this intense work evokes the power and ferocity of an active Indonesian volcano! After an epic opening, bold melodic lines intertwine with moments of clapping and stomping while an array of percussion colors paint a vivid picture of the 1815 Mount Tambora eruption and the tragic aftermath. Simply stunning!

Concert Band Concert Band - Grade 0.5

SKU: FJ.B1540S

Score Only. Composed by William Owens. Series; Starter Band. FJH Starter series. Score. Duration 1:20. The FJH Music Company Inc #98-B1540S. Published by The FJH Music Company Inc (FJ.B1540S).

English.

Using just six notes, this intense work evokes the power and ferocity of an active Indonesian volcano! After an epic opening, bold melodic lines intertwine with moments of clapping and stomping while an array of percussion colors paint a vivid picture of the 1815 Mount Tambora eruption and the tragic aftermath. Simply stunning!

Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice

SKU: PR.31241902S

From Terra Nostra. Composed by Stacy Garrop. Full score. Duration 3:15. Theodore Presser Company #312-41902S. Published by Theodore Presser Company (PR.31241902S).

UPC: 680160690589. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Selection from great Italian Evergreens. Composed by Marcel Peeters. Arrangements of Classical Compositions. Classic Arrangement. Recorded on Volcano (ML.311092720). Score only. Duration 6 minutes, 41 seconds. Published by Molenaar Edition (ML.012921080-S).

Concert Band 3-Part Fully Adaptable with Percussion - Grade 0.5

SKU: FJ.B1836

Composed by William Owens. Concert Band. The ReImagine Initiative. Multicultural. Score and Part(s). The FJH Music Company Inc #98-B1836. Published by The FJH Music Company Inc (FJ.B1836).

UPC: 241444429846. English.

Using just six notes, this intense work evokes the power and ferocity of an active Indonesian volcano! After an epic opening, bold melodic lines intertwine with moments of clapping and stomping while an array of percussion colors paint a vivid picture of the 1815 Mount Tambora eruption and the tragic aftermath. Simply stunning!

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?