(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Oswald Bill. For SATB
choir, 2 violins, viola,
cello/contrabass, [flute
or oboe or clarinet].
Stuttgart Urtext Edition.
German title: Christe, du
Lamm Gottes. Cantatas,
Mass sections, Lent and
Passiontide, Holy Week,
Eucharist, Communion.
Complete orchestral
parts. Language:
German/English. Composed
1827. A 5. Duration 7
minutes. Published by
Carus Verlag
Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 V...(+)
Choralkantate. By Felix
Mendelssohn. Edited by
Bill, Oswald. For SATB
Choir, 2 Violins, Viola,
Cello/Contrabass, [Flute
or Oboe or Clarinet].
Cantatas, Mass Sections;
Stuttgart Urtext
editions; Occasions:
Eucharist, Communion; Use
during church year: Lent
and Passiontide, Holy
Week. Score. Language:
German/English. Composed
1827. 20 pages. Duration
7 min. Published by Carus
Verlag (German import).
Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 V...(+)
Choralkantate. By Felix
Mendelssohn. Edited by
Bill, Oswald. For SATB
Choir, 2 Violins, Viola,
Cello/Contrabass, [Flute
or Oboe or Clarinet].
Full score available
separately - see item
CA.4018400. Cantatas,
Mass Sections; Stuttgart
Urtext editions;
Occasions: Eucharist,
Communion; Use during
church year: Lent and
Passiontide, Holy Week.
Organ reduction.
Language: German/English.
Composed 1827. 12 pages.
Duration 7 min. Published
by Carus Verlag (German
import).
(Har ar din himmel). Composed by Marten Jansson. For SATB choir. Stapled. Level ...(+)
(Har ar din himmel).
Composed by Marten
Jansson. For SATB choir.
Stapled. Level 4. Choral
score. Language:
Swedish/English. 7 pages.
Published by Baerenreiter
Verlag
Eyesight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano
SKU: PR.342402070
Composed by Steven
Stucky. -. Ars Nova
Chamber Singers, Boulder
CO. Performance Score.
With Standard notation.
Composed 7-Feb. 8 pages.
Duration 3 minutes.
Theodore Presser Company
#342-40207. Published by
Theodore Presser Company
(PR.342402070).
ISBN
9781491111253. UPC:
680160643226. Octavo
inches. Text: Archibald
R. Ammons. Archibald
Ammons. Text by A.R.
Ammons.
To benefit
Chorus America, Stucky
allowed himself to be
auctioned off as a prize
- the high bidder would
receive a new work from
the composer. After a few
years and not really
hearing anything, Stucky
suddenly found himself up
against a deadline. He
reached back to a
favorite poem by A.R.
Ammons, Eyesight, which,
he says, Won't let...his
reader rest till the very
last word...one of those
sudden insights that
leave us
breathless.. This
piece has an odd history.
A few years ago, I agreed
to be one of
the“prizesâ€
in an auction to benefit
Chorus America: the
highest bidder wouldget a
new piece from me, while
their money went to the
organization. Thewinning
bid came from a
collection of several
professional choruses
anddirectors. But I was
always a little vague
about the details, and,
hearingnothing more about
it for a few years,
forgot the whole
thing.One day I received
a message from Thomas
Edward Morgan, directorof
the Ars Nova Chamber
Singers in Boulder: they
had scheduled thepremiere
of my new piece for a few
weeks later, and could
they have themusic,
please? I needed a text,
quickly, and (as usual) I
was in a Los Angeleshotel
room, not at home with my
books. So I turned to the
internet andsoon tracked
down my favorite poet,
A.R. Ammons
(1926-2001).Once I
stumbled on
“Eyesight,†I
remembered having loved
the poemyears before.
Archie must have loved
it, too, because he
included it bothin his
Collected Poems 1951-1971
and in the later Selected
Poems. It haseverything
you want in an Archie
Ammons poem: what Edward
Hirschcalled his
“offbeat, sideways,
unpredictable
radiance,†his
“homespunglory.â
It has one of his
trademark conversations
with a mountain
(perhapsfrom his native
North Carolina), it has
the fluid motion from one
line tothe next
(enjambment, if you want
to get technical) that
won’t let him
orhis reader rest till
the very last word of the
very last line, and it
has in thatlast line one
of those sudden insights
that leave us breathless:
“some thingsthat go
are gone.â€I miss
Archie, but he’s
not gone. I’m
grateful for the
wonderful poems heleft
us, and I’m
grateful that he was
always generous and kind
when I hadthe chutzpah to
add my music to his.
Th
e first version of
“Dardanusâ€,
which was performed at
the end of 1739, was
composed apparently in
only six months and marks
a particularly productive
phase in Rameau’s
career. In a period of
only six years five of
his major works were
performed at the Acadmie
Royale de Musique in
Paris. The theme is
taken from Greek
mythology: The opera
describes the war between
Teucer (the future
founder of Troy), his
Phrygian people and the
army of Dardanus.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Christian Schmidt. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wer nur den lieben
Gott lasst walten.
Innovative practice aids,
Sacred vocal music,
Cantatas. Single Part,
Violin 1. Composed 1829.
MWV A 7. 4 pages.
Duration 12 minutes.
Carus Verlag #CV
40.132/11. Published by
Carus Verlag
(CA.4013211).
ISBN
9790007217822. Language:
German/English. Text:
Neumark, Johann Georg.
Text: Georg
Neumark.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4013200.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Christian Schmidt. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wer nur den lieben
Gott lasst walten.
Innovative practice aids,
Sacred vocal music,
Cantatas. Single Part,
Violin 2. Composed 1829.
MWV A 7. 4 pages.
Duration 12 minutes.
Carus Verlag #CV
40.132/12. Published by
Carus Verlag
(CA.4013212).
ISBN
9790007217839. Language:
German/English. Text:
Neumark, Johann Georg.
Text: Georg
Neumark.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4013200.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Christian Schmidt. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wer nur den lieben
Gott lasst walten.
Innovative practice aids,
Sacred vocal music,
Cantatas. Single Part,
Viola. Composed 1829. MWV
A 7. 4 pages. Duration 12
minutes. Carus Verlag #CV
40.132/13. Published by
Carus Verlag
(CA.4013213).
ISBN
9790007217846. Language:
German/English. Text:
Neumark, Johann Georg.
Text: Georg
Neumark.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4013200.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Christian Schmidt. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wer nur den lieben
Gott lasst walten.
Innovative practice aids,
Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed 1829. MWV A 7. 4
pages. Duration 12
minutes. Carus Verlag #CV
40.132/14. Published by
Carus Verlag
(CA.4013214).
ISBN
9790007217853. Language:
German/English. Text:
Neumark, Johann Georg.
Text: Georg
Neumark.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4013200.
Tudor Anthems Chorale SATB SATB, Piano [Partition] Novello & Co Ltd.
(50 Motets and Anthems for Mixed Voice Choir). By Various. Edited by Lionel Pike...(+)
(50 Motets and Anthems
for Mixed Voice Choir).
By Various. Edited by
Lionel Pike. For Choral,
Mixed Choir, Piano
Accompaniment (SATB).
Choral. Softcover. 400
pages. Novello and Co
Ltd. #NOV881000.
Published by Novello and
Co Ltd.
SATB a cappella Choral SKU: HL.1104275 Poem by Christina Rossetti New ...(+)
SATB a cappella Choral
SKU: HL.1104275
Poem by Christina
Rossetti New Voices
Choral Series.
Composed by Evgeniya
Kozhevnikova (Jane K).
Edited by Harold
Rosenbaum. Peermusic
Classical. Classical,
Contemporary. Octavo.
Duration 290 seconds.
Peermusic Classical
#70352-121. Published by
Peermusic Classical
(HL.1104275).
ISBN
9781705176894. UPC:
196288101970.
7.0x10.5x0.027
inches.
“Echo
(Come to Me)†is a
setting of the poem
“Echo†by
Christina Rossetti. The
composer writes that the
text, which reflects on
the topic of death,
helped her process her
own grief several years
after her father's
passing. She hopes this
musical setting will have
a healing effect for all
who have lost their loved
ones.
Carissimi Chorale SATB SATB divisi - Intermédiaire Walton Music
SATB choir, divisi, piano reduction - Intermediate SKU: GI.WW1822 Compose...(+)
SATB choir, divisi, piano
reduction - Intermediate
SKU: GI.WW1822
Composed by J. Aaron
McDermid. Walton Choral.
Classical. 12 pages.
Walton Music #WW1822.
Published by Walton Music
(GI.WW1822).
UPC:
785147040163. Latin. Text
Source: I John 4:7, 8b,
12, 16b.
Written
first nearly 2000 years
ago, this text offers a
new and unique way of
understanding love. Rich
harmonies underlay a
beautiful melodic
structure. This work is
well suited for high
school and above.
Composed by George Frideric Handel (1685-1759). Edited by Donald Burrows. For Ch...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Donald Burrows. For
Choral, Piano
Accompaniment (SATB).
Music Sales America.
Softcover. 205 pages.
Novello and Co Ltd.
#NOV162448. Published by
Novello and Co Ltd.
Chorus a cappella SKU: BR.CHB-5381-00 Composed by Howard Arman. Choir; st...(+)
Chorus a cappella
SKU:
BR.CHB-5381-00
Composed by Howard Arman.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Song; Music
post-1945; New music
(post-2000). Choral
score. 80 pages.
Breitkopf and Haertel
#ChB 5381-00. Published
by Breitkopf and Haertel
(BR.CHB-5381-00).
ISBN
9790004413821. 7.5 x 10.5
inches. English.
As
director of the Bavarian
Radio Choir, Howard Arman
has been actively engaged
with international
Christmas carols through
various Christmas-related
CD productions in the
past years. This has
resulted in a number of
original arrangements for
four- to eight-part mixed
choir a cappella,
shedding new light on
well-known classics such
as O du frohliche [O, you
joyful], Stille Nacht
[Silent Night] and Lasst
uns froh und munter sein
[Let us be happy and
cheerful]. The first
volume includes five
Christmas carols from the
German-speaking regions.
They range from simple
but harmonically
intriguing settings such
as Lieb Nachtigall, wach
auf [Dear nightingale,
wake up] to eight-part
sound paintings with
bell-like chimes as in O
du frohliche and
classical double choir
settings such as Resonet
in laudibus. The second
volume includes five
Christmas spirituals with
English texts, forming a
contrast to the solemn
and festive character of
the first. The choir can
prove its swing and jazz
qualities here; the
stirring arrangements are
a gain for classical
Christmas concerts, too.
Following the tradition
of the spiritual, some
settings also require
soloists, which can,
however, also be
recruited from the choir
if adequate singers are
available. The first
piece combines the
spirituals It's a
Birthday and Wasn't That
a Mighty Day to form a
medley, Ain't That a
Rockin' gives a moment of
tranquility before the
likewise rousing
spirituals Mary Had a
Baby and Little David
conclude the volume. In
both volumes, Howard
Arman provides a short
preface in German and
English, explaining the
background of each piece
and giving advice on
performance.
112 Stucke fur gemischten Chor a cappella. Composed by Andreas Gopfert. Edited...(+)
112 Stucke fur gemischten
Chor a cappella. Composed
by
Andreas Gopfert. Edited
by
Matthias Gopfert. The
Mitteldeutsches Chorbuch,
the
official choirbook of the
Deutsches Chorfest
[German
Choral Festival] 2020 in
Leipzig, was compiled by
Prof. Andreas Gopfert on
commission of the
Deutscher
Chorverband [German
Choral
Society]. Breitkopf and
Haertel #CHB 5365-00.
Published by Breitkopf
and
Haertel
Chorus a cappella SKU: BR.CHB-5380-00 Composed by Howard Arman. Choir; st...(+)
Chorus a cappella
SKU:
BR.CHB-5380-00
Composed by Howard Arman.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Song; Music
post-1945; New music
(post-2000). Choral
score. 40 pages.
Breitkopf and Haertel
#ChB 5380-00. Published
by Breitkopf and Haertel
(BR.CHB-5380-00).
ISBN
9790004413814. 7.5 x 10.5
inches. German /
Latin.
As director
of the Bavarian Radio
Choir, Howard Arman has
been actively engaged
with international
Christmas carols through
various Christmas-related
CD productions in the
past years. This has
resulted in a number of
original arrangements for
four- to eight-part mixed
choir a cappella,
shedding new light on
well-known classics such
as O du frohliche [O, you
joyful], Stille Nacht
[Silent Night] and Lasst
uns froh und munter sein
[Let us be happy and
cheerful]. The first
volume includes five
Christmas carols from the
German-speaking regions.
They range from simple
but harmonically
intriguing settings such
as Lieb Nachtigall, wach
auf [Dear nightingale,
wake up] to eight-part
sound paintings with
bell-like chimes as in O
du frohliche and
classical double choir
settings such as Resonet
in laudibus. The second
volume includes five
Christmas spirituals with
English texts, forming a
contrast to the solemn
and festive character of
the first. The choir can
prove its swing and jazz
qualities here; the
stirring arrangements are
a gain for classical
Christmas concerts, too.
Following the tradition
of the spiritual, some
settings also require
soloists, which can,
however, also be
recruited from the choir
if adequate singers are
available. The first
piece combines the
spirituals It's a
Birthday and Wasn't That
a Mighty Day to form a
medley, Ain't That a
Rockin' gives a moment of
tranquility before the
likewise rousing
spirituals Mary Had a
Baby and Little David
conclude the volume. In
both volumes, Howard
Arman provides a short
preface in German and
English, explaining the
background of each piece
and giving advice on
performance.
SATB choir SKU: HP.C5905C Composed by K. Lee Scott. Piano Accompaniment. ...(+)
SATB choir
SKU:
HP.C5905C
Composed by
K. Lee Scott. Piano
Accompaniment. General
Worship, Commitment,
Discipleship, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5905C.
Published by Hope
Publishing Company
(HP.C5905C).
Original
anthem With melodic
writing that soars with
creative expression, and
a rich text by the
15th-century poet Thomas
A. Kempis, this K. Lee
Scott classic has been a
top-seller in the Hope
catalog for over 20
years. With a new
accessible SAB voicing,
its beauty and appeal can
now be discovered by the
next generation of church
musician.
Choral (SATB) SKU: HL.365865 (Stand by Me). Composed by Victor C J...(+)
Choral (SATB)
SKU:
HL.365865
(Stand
by Me). Composed by
Victor C Johnson. Shawnee
Sacred. General Worship,
Sacred. Octavo. Duration
205 seconds. Published by
Shawnee Press
(HL.365865).
UPC:
840126962376.
6.75x10.5x0.029 inches.
II Timothy 4:9-18, Luke
8:22-25, Mark 4:37-41,
Psalm 65:5-7.
This
text has challenged and
inspired many through the
years, and this anthem is
a reimagining of the
words, rich with new
melody and heartfelt
harmonies. The more
lyrical approach sheds
new light on the
treasured text to affirm
our community and need
for fellowship. Lovely
piano stylings complete a
winning combination of
music and message,
surrounding the listener
with delicate text
painting. A song for our
time!
Magnificat - Nunc
dimittis. Composed by
Michael Culo. Carus
digital: Extra digital
products. Full Score. 12
pages. Duration 7
minutes. Carus Verlag
#722100. Published by
Carus Verlag (CA.722100).
ISBN 9790007311438.
Key: C major.
English.
The
Evening Service grew out
of the celebrations of
the one thousandth
anniversary of the
consecration of St
Michael’s Church
in Hildesheim, which is a
UNESCO World Heritage
site. For many years St
Michael’s has
celebrated the service of
Choral Evensong, the rich
musical conjunction of
the divine offices of
vespers and compline,
which is so familiar
within the Anglican
tradition. In the
Catholic daily office of
evening prayer,
particularly in the
Cologne version of choral
vespers, the Magnificat
of Mary and
Simeon’s Nunc
dimittis from chapters 1
and 2 of Luke are also
set to music. Both pieces
explore the text, and
they can be sung
independently of each
other – both in
worship and in concert
– and yet they are
connected through
individual motifs and the
shared doxology.