We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.

Medley-Here is a tapestry of carols that you will perform again and again! Opening brightly with a mixed meter choral fanfare it then moves into a smooth and unhurried verse and chorus of “Angels We Have Heard on High ”followed by “Lo How a Rose E'er Blooming” and culminating with a joyful “Hark! The Herald Angels Sing.” It can be performed with piano or a cappella making it especially useful for community performances.Available separately: SATB SSAA. Duration: ca. 3:20.

This a cappella Shawnee Press Classic by composer Houston Bright has been a staple in choral libraries for many years. Suitable for developing voices and smaller choirs retaining the vocal finesse. Discover again this greatchoral work. Available separately: SSAB a cappella; SATB a cappela; SSAA a cappella; TTBB a cappella. Duration: ca. 2:17.

Rosephanye Powell is known for her ability to bring earthy rhythmic ostinato patterns to a classical level and she has done it again with this one. Commissioned and composed for the National Women's Honor Choir for the ACDANational Convention 2003 this choral is destined for a long life. Relentless energy underscores the Psalm text of praise that makes this a fitting choral for both church and school.

Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status.   It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.

Kevin Memley has become a respected name in choral excellence and once again this setting proves why. The accompaniment is absolutely beguiling and the vocal writing equally elegant. First released for male voices this treble choir setting is perfect for high school and college choirs. Easy to medium in difficulty