Par DUCKETT BULL / ROGERS. La série de ' Equipe ' est utilisable avec les deux individus ou un tuteur de groupe encourager les étudiants à essayer ensemble jouant dès les premières étapes. Tous les livres de la série sont entièrement intégrés permettant aux étudiants à l'aide de ' Equipe chaînes ' à jouer dans les ensembles avec les élèves à l'aide de ' Equipe bois ', ' Equipe percussions ', ' Equipe Recorder ' et ' Equipe Brass '. L'équipe chaînes 2 suit directement sur de la série originale de ' Equipe chaînes ' et de même est un cours flexible et adaptable, conçu pour les joueurs de contrebasse débutant. Le tuteur peut être adapté en fonction des besoins spécifiques de chaque étudiant. Chaque pièce est soigneusement classé pour assurer une progression logique à un rythme raisonnable et étudiants sont introduits à une grande variété de styles musicaux tout au long de l'ouvrage. ' Equipe 2 chaînes ' a été écrit spécialement à l'appui de presque n'importe quelle combinaison d'instruments à cordes que l'enseignant peut rencontrer. Cette deuxième série est encore améliorée par titres du monde du jazz et de blues et offre des possibilités de deve... / Pédagogie / Date parution : 2005-05-27/ Recueil / Contrebasse

Par GILMORE S.. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you’ve mastered his “feel” and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef withchord symbols above each measure. THIS BOOK: Transcribed bass lines to the chord changes of: Blue Moon, Don’t Blame Me, I Left My Heart In San Francisco, Invitation, Just Friends, Laura, My Secret Love, No Greater Love, On The Trail, On Green Dolphin Street, Once In Awhile, Over The Rainbow, Spring Is Here, Star Eyes, Stompin’ At The Savoy, The Shadow Of Your Smile, You Stepped Out Of A Dream, and Without A Song. / Rép International / Recueil / Guitare Basse

For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you?ve mastered his ?feel? and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef with chord symbols above each measure.Transcribed bass lines to chord changes similar to: Body And Soul, Cherokee, I?ll Remember April, It?s You Or No One, Stella By Starlight, There Will Never Be Another You, The Song Is You, and What Is This Thing Called Love.
Langue : en anglais

Par SUZUKI SHINICHI. This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are piano accompaniment books that go along with this materia. / Niveau : Débutant à Intermédiaire / Pédagogie / Méthode / Contrebasse

François Rabbath was born into a musical family in Aleppo, Syria, in 1931. Self-taught, he discovered the Double Bass at the age of thirteen. After moving with his family to Beirut in 1946, he played in a quartet with his brothers in restaurants and hotels. At the age of twenty-two, with the encouragement of violinist Yehudi Menuhin and pianist José Iturbi, he developed an original approach to the art of Double Bass playing. In 1955 he settled in Paris and earned his living accompanying Charles Aznavour, Edith Piaf, Jacques Brel, Serge Gainsbourg, Barbara, Yves Montand, Guy Béart, Georges Moustaki and other well-known names of the French Chanson. His first LP, in 1962, earned him the Grand Prix du Disque award by the Académie Charles Cros. He has recorded several CDs and DVDs since then, with works including Bach's six Suites for solo Cello, played on the Double Bass. He also composes and performs music for films and television, and he now appears all over the world. During one of his concerts, at the Maison de la Radio in Paris in 1972, he met Jean Leduc, who offered to publish a method explaining his new techniques for holding the Double Bass and its bow and for use of the left hand. He teaches this technique in master classes. He also invented the 'crab technique' (so called because the hand movement resembles the sideways walking of a crab), whereby the hand can move up and down the string without ever fully shifting. François Rabbath is the founder of the international Rabbath institute Paris (IRIP), where Double Bass players from many countries come to study his new technique. He also loves graphic art,, and since giving an exhibition in Paris in 2010, he is also known for his drawings. / Contrebasse