Joplin's Entertainer for Flute and Piano composed by Scott Joplin (1868-1917). Arranged by Tony Santorella. For flute solo and piano accompaniment. Solo with Accompaniment. Ragtime. Score and solo part. Text Language: English. 12 pages. Published by Santorella Publications

(for Flute and Piano). By Scott Joplin (1868-1917). Arranged by Wolfgang Birtel. Woodwind. Softcover. 20 pages. Schott Music #ED20461. Published by Schott Music

Flute and Piano

SKU: BT.EMBZ14076

Für Flöte und Klavier. Composed by Ferenc Farkas. Book Only. Composed 1995. 12 pages. Editio Musica Budapest #EMBZ14076. Published by Editio Musica Budapest (BT.EMBZ14076).

This set of early dances of bygone days which proves to be of lasting freshness and popularity was arranged for flute with piano accompaniment this time. The composer Ferenc Farkas dedicated the work to the outstanding flutist András Adorján.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 3

SKU: FL.FX074293

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074293. Published by FLEX Editions (FL.FX074293).

This piece must be played very freely, almost like a cadence, by a young wizard-musician casting his spells! From 4 years of practice. - Pascal PROUST ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.

Flute; Piano Accompaniment

SKU: HL.48186403

Composed by Yuko Uebayashi. Leduc. Classical. Softcover. 66 pages. Alphonse Leduc #AL30617. Published by Alphonse Leduc (HL.48186403).

UPC: 888680828219. 9.0x12.0x0.228 inches.

Contemporar y Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi's works have been met with much success in both Japan and France, Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi's works as gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, and one that is subtly contradicted by vehemence, virtuosity, melancholy and sorrow. Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute and Piano is modern in style, exploiting tonality, rhythm and the ensemble, making this a sublime addition to the advanced repertoire of the instrument.

Flute

SKU: HL.48186414

Leduc. CD only. 14 pages. Alphonse Leduc #AL30632. Published by Alphonse Leduc (HL.48186414).

UPC: 888680831325. 9x12 inches.

“Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his combined expertise has created the sublime Polka Sonatina for Flute and Piano. Suitable for grade 7 and 8 standard flautists, Polka Sonatina is made up of two movements; Romantica, and Polka and Polonaise. Polka Sonatina is an exciting and varied addition to the Flute repertoire with a typical performance lasting around 7 minutes and 30 seconds. Ledeuil's Polka Sonatina is essential to advanced flautists seeking to improve and expand their repertoire.&rdquo.

Flute

SKU: HL.48186431

Leduc. CD. 40 pages. Alphonse Leduc #AL30658. Published by Alphonse Leduc (HL.48186431).

UPC: 888680830458. 9.0x12.0x0.142 inches.

“Comp osed by Armando Ghidoni, Jazzy Flute Challenge is a piece for Flute and Piano accompaniment. Lasting approximately ten minutes, it is dedicated to Maxence Larrieu and was commissioned for the International Flute Contest. Quite technical, this piece requires some upper intermediate/advanced skills and a good knowledge of the instrument. It is an enjoyable notated jazz work which will definitely be loved by players and their audience. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc.”.

Flute (Flute)

SKU: HL.48185739

Composed by Eric Ledeuil. Leduc. Classical. Softcover. Alphonse Leduc #AL29454. Published by Alphonse Leduc (HL.48185739).

Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise combined have created the sublime At the Castle of Marquis for Flute and Piano accompaniment. Suitable for intermediate flautists, At the Castle of Marquis is made up of four sections which depict the life within the castle. At the Castle of Marquis is an exciting and varied addition to the young flautist's repertoire, with a typical performance lasting around four minutes. Ledeuil's At the Castle of Marquis is essential to intermediate flautists seeking to improve and expand their repertoire for performances..

Santorella Singles for Flute and Piano composed by Various. Arranged by Jonathon Robbins. For flute solo and piano accompaniment. This edition: Paperback. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 48 pages. Published by Santorella Publications

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Score and Parts. By John Corigliano. (Flute). Woodwind Solo. 8 pages. Published by G. Schirmer, Inc.