(Study Score). Composed by Alban Berg (1885-1935). Edited by Ulrich Scheideler. ...(+)
(Study Score). Composed
by Alban Berg
(1885-1935). Edited by
Ulrich Scheideler. For
String Quartet (Study
Score). Henle Study
Scores. Softcover. G.
Henle #HN7000. Published
by G. Henle
(Parts). Composed by Alban Berg (1885-1935). Edited by Ulrich Scheideler. For St...(+)
(Parts). Composed by
Alban Berg (1885-1935).
Edited by Ulrich
Scheideler. For String
Quartet. Henle Music
Folios. Softcover. G.
Henle #HN1000. Published
by G. Henle
String
quartet based on Sonnets
by William Shakespeare
Score and. Composed
by Ludger Vollmer.
Ensemble. Classical.
Softcover. 196 pages.
Duration 1920 seconds.
Schott Music #ED22466.
Published by Schott Music
(HL.49046476).
ISBN
9781705102718. UPC:
840126931679.
My
love is as a fever was
inspired by William
Shakespeare's sonnets.
The work was created for
the Faust Quartet with
the aim of creating a
counterpart to Alban
Berg's Lyrical Suite
using new compositional
techniques, both in terms
of emotional expression
and technical
requirements. It is a
melodic-rhythmic
composition, whose
techniques consist of the
transformation of
non-European music and
the music that was
practiced in Europe a
thousand years ago.
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Score
and Parts. Composed
by Ignace Strasfogal.
Boosey & Hawkes Chamber
Music. Classical, Modern,
Neo Classical. Softcover.
76 pages. Bote & Bock
#M202535806. Published by
Bote & Bock
(HL.48025043).
UPC:
196288021728.
Ignac
e Strasfogel (1909 -
1994), a master student
of Franz Schreker and
Leonid Kreutzer, the
youngest student at the
Berlin Hochschule and the
youngest recipient of the
prestigious Mendelssohn
Prize of the Weimar
Republic, made a career
as a conductor at the
Metropolitan Opera after
his emigration in 1934.
His String Quartet No. 1,
probably written in 1927
as the final work of his
studies with Schreker, is
an early work of the
highest perfection. In
the first of the two
movements,
grotesque-capricious
scenariosare revitalized
by contrapuntal artistry.
The second, non less
polypohnic, is a widely
branched scherzo with an
elegiac trio section.
Just as striking is the
harmony: With
individually shaping of
all four parts, all
facets up to polytonality
and complete detachment
from functional tonality
are explored - in a
certain affinity with the
musical language of Alban
Berg, not without
tongue-in-cheek
references to the
neoclassicism of the
1920s. A just as original
as important contribution
to the quartet
repertoireof the early
twentieth century.