Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue

La Follia - The Folly - is one of the most famous variation themes in music history. Composed by the father of modern 18th and 19th century violin technique, it is presented in this edition, based on Corelli's first edition. / Violon Et Basse Continue

Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ANTONIO. Antonio Vivaldi’s second published collection is fundamental to an understanding of the leap he took, at the end of the first decade of the eighteenth century, from provincial obscurity to Europe-wide fame. This edition asks and answers the hardquestions surrounding its exact date, its choice of dedicatee and its Venetian context. Through analysis of the two different printing techniques employed - movable type and engraving - and through comparison of the sources, it has proved possible toreconstruct the context in which the opus achieved publication and establish what its truly innovative aspects were; the edition sheds light on the reception of the work, listing the huge number of composers who derived or appropriated musical ideasand solutions from it. This second published collection by Vivaldi, for too long unjustly neglected by critics and performers, may be considered a manifesto for the new musical language invented by Vivaldi for chamber music, which took shape atalmost the same time as his other great manifesto, that for the new-style solo concerto, shortly afterwards to emerge as the collection entitled L’estro armonico. RV 27, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32 / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-07/ Répertoire / Violon et Basse Continue

The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue

D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue

(replaces HM 278) The 'Devil's Trill' Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692-1770). In this scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini's lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score has been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone.A detailed Foreword sheds light on the genesis and subsequent reception of this sonata. There is also a Critical Report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself. / Violon Et Basse Continue

La présente publication des oeuvres complètes de Pietro Antonio Locatelli (1695-1764) se veut une édition critique, rendant les oeuvres du compositeur disponible en conformité avec les recherches les plus récentes et les techniques actuelles de musicologie de montage et de la présentation. Le oeuvre complète de Locatelli, qui a survécu et a été authentifié est ici recueillie, évalués et présentés - tandis que toute corruptions textuelles, de quelque nature, ont été éliminées.Chaque volume comprend une introduction historique en anglais et en italien, en fournissant les informations concernant les oeuvres respectives, le texte musical lui-même, les versions antérieures, le cas échéant et un commentaire critique en italien. Cette édition critique des oeuvres complètes fournira une base solide pour la performance de la musique de Locatelli, qui avait une grande influence sur la technique du violon et le galant style du début du XVIIIe siècle.L'édition complète comprend 10 volumes : les Volumes 1-8 contiennent l'Op. I à VIII publication... / Violon Et Basse Continue

Johann Pachelbel, une génération avant Bach, 1653, né à Nuremberg est l'un des compositeur organe le plus important dans le sud de l'Allemagne après la Réforme. Ses compositions ont été généralisées, même alors, loin. oeuvre la plus populaire aujourd'hui est probablement le canon suivi Gigue en ré majeur. Le canon - selon la source 'a 3 c. Violinis con Basso' - s'accumule sur une basse obstinée, le chiffre de deux bar est un total de 28 fois répétés. Le gabarit de suite court est appliqué strictement contrapuntique. Le temps d'origine de l'oeuvre est inconnu. Comme la plupart des autres oeuvres de musique de chambre de Pachelbel pourrait avoir composé pendant son séjour en Thuringe de 1677 à 1695. De plus populaires avec des ensembles amateurs et sonnait très beau travail. / 3 Violons Et Basse Continue / Chanson En Séparée

Paris, l'Auteur, (s.d. = 1760)Six sonates pour violon et basse continue / Violon Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7