Violin, Guitar

SKU: UT.CH-335

Composed by Nicolo Paganini. Edited by Italo Vescovo. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 335. Published by Ut Orpheus (UT.CH-335).

ISBN 9790215326538. 9 x 12 inches.

The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition.
Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.

With Suggested Chordal Accompaniment. Composed by Craig Duncan. Violin,Guitar: Gospel and Sacred,Style,Gospel/Sacre d,Du ets and Ensembles,Solos,Duets and Ensemble,Solos. 100 Hymns. Book. 120 pages. Published by Mel Bay Publications, Inc

For Violin (or Flute/Piccolo) and Guitar. By David Leisner. For Violin, Flute, Piccolo, Guitar. Solo part with piano reduction. 20 pages. Published by Theodore Presser Company.

With Suggested Chordal Accompaniment. Composed by Craig Duncan. Violin,Guitar: Gospel and Sacred,Style,Featured Products,Duets and Ensembles,Solos,Duets and Ensemble,Solos,Holiday: Christmas,. 100 Hymns. Book. 124 pages. Published by Mel Bay Publications, Inc

(Selections from Suzuki Violin School Volumes 1, 2 and 3 for Violin with Guitar Accompaniment). By Thomas Heck. For Violin. Duet or Duo; String Ensemble (Suzuki). Book. 40 pages. Published by Alfred Music Publishing

Violin and Guitar

SKU: AP.36-M139591

Arranged by Nicolo Paganini and ed./arr. by Erwin Schwarz-Reiflingen. String Duo & Ensemble, Duo, Parts. Master String Series. Part(s). LudwigMasters Publications #36-M139591. Published by LudwigMasters Publications (AP.36-M139591).

ISBN 9798888529737. UPC: 659359734151. English.

Niccolò Paganini's (1782-1840) wrote two installments (Op. 2 and Op. 3) of six sonatas each for violin and guitar between 1805 and 1809 while he lived in Florence with a guitar-playing noblewoman. Paganini kept both his love for the guitar and the noblewoman secret, and these twelve sonatas were written for more intimate settings rather than the larger public performances we often associate with Paganini's virtuosity. Reprint of guitarist Erwin Schwarz-Reiflingen's (1891-1964) edition. Both Op. 2 and Op. 3 are available from the publisher.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

With Suggested Chordal Accompaniment. Composed by William Bay. Violin,Guitar: Classical and Lute,Guitar: Gospel and Sacred,Style,Liturgical,D uets and Ensembles,Solos,Duet and Ensemble,Solos,Duets and Ensemble. 100 Hymns. Book. 132 pages. Published by Mel Bay Publications, Inc

Cape Breton. (Traditional Style Fiddle Sets with Guitar Tablature). By Sandy MacIntyre and Leigh Cline. For Fiddle. Solos. Canadian. Intermediate. Book. 120 pages. Published by Mel Bay Publications, Inc

For Violin and Guitar. By David Leisner. For Guitar, Violin. Set of parts. 15 pages. Duration 16:00. Published by Theodore Presser Company.

For Violin (or Flute) and Guitar. By David Leisner. For Piano, Violin, Flute. Set of performance scores. Composed 1985. 7 pages. Duration 5:00. Published by Theodore Presser Company.

For violin and guitar. Composed by Fred Lerdahl. This edition: Saddle stitching. Sheet music. Edition Schott. Score, Softcover. Composed 2016. 31305. 18 pages. Duration 9'. Schott Music #ED31305. Published by Schott Music (HL.49045529).

Violin, Guitar

SKU: FV.FUE-10078

Composed by Vivienne Olive. Contemporary. Score. Furore Verlag #FUE 10078. Published by Furore Verlag (FV.FUE-10078).

ISBN 9790501820788.

The piece is based on an old, very popular folksong which is probably of American origin. The Wayfaring Stranger sings of the hardships of his temporal life passing by and refers to his journeying on to a better place where he will be reunited with his loved ones.

By Christopher Caliendo. For Violin, Guitar. This edition: Score and Part. Tango. Level: College. Duration 4:06. Published by Caliendo World Music Publishing, Inc.