Violin and Piano (Violin/Piano)

SKU: HL.50576303

Composed by Robert Schumann. Max Eschig. Score Only. Composed 2001. Hal Leonard #ED1573. Published by Hal Leonard (HL.50576303).

Violin collection w/ piano accompaniment

SKU: HP.9083

Arranged by Michael Tyree. Instrumental parts. 52 pages. Hope Publishing Company #9083. Published by Hope Publishing Company (HP.9083).

UPC: 763628190835.

Colle ction of violin solos with piano accompaniments This collection of violin solos with piano accompaniments comes from Michael Tyree who also has string quartet collections in the Hope catalog. This volume is filled with music for the Christmas season, and will be a wonderful addition to your solo violin library.

Violin and Piano

SKU: HL.50496893

Composed by Dé, odat de Sé, and verac. MGB. Score Only. Composed 2002. Editions Salabert #SLB5072. Published by Editions Salabert (HL.50496893).

Violin and Piano

SKU: BT.SLB-00410200

Composed by Jean Cras. Score Only. Composed 2002. Editions Salabert #SLB 00410200. Published by Editions Salabert (BT.SLB-00410200).

From the Musical: Cats. Composed by Andrew Lloyd Webber. Arranged by Bertrand Moren. Duration 4'05. Published by Editions Marc Reift (MA.EMR-26017).

Violin, Piano - Grade 2

SKU: FL.FX071924

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071924. Published by FLEX Editions (FL.FX071924).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

Violin (Violin)

SKU: HL.48180337

For Violin and Piano. Composed by Georges Migot. Leduc. Classical. Softcover. Alphonse Leduc #AL17448. Published by Alphonse Leduc (HL.48180337).

1. Prelude; 2. Allant et delicat; 3. Salut et Estampie.

By P. Rode. Edited by Marty Winkler. Educational instrumental collection (Violin). Level: advanced. 68 pages. Published by Edwin F. Kalmus.

Chamber Music Cello, Piano, Violin

SKU: PR.114422690

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2+2 pages. Duration 5 minutes. Theodore Presser Company #114-42269. Published by Theodore Presser Company (PR.114422690).

UPC: 680160684809. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

Composed by Oskar Reiding. Edited by Kurt Sassmannshaus. Stapled. Barenreiter's Concert Pieces. Piano reduction, part(s). 7/15 pages. Baerenreiter Verlag #BA 10697. Published by Baerenreiter Verlag

Violin and piano (VN/PF) - difficult

SKU: HL.49008004

Seven pieces. Composed by Heinz Holliger. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1985-1994. 52 pages. Duration 23'. Schott Music #ED 8430. Published by Schott Music (HL.49008004).

ISBN 9790001112383. 9.0x12.0x0.15 inches.

This collection is more than just a continuation of volume 1 (4 Lieder ohne Worte = AVV 131), pieces from both volumes can be mixed and played in different running order. The intermezzi are in irregular metres with strongly accented rhythms. The remaining items are mood pieces with violin and piano part closely interwoven.

Violin & piano (Solo) - Difficult

SKU: OU.9780193583245

Composed by Anthony Powers. Violin & Piano. 24 pages. Duration 7'. Oxford University Press #9780193583245. Published by Oxford University Press (OU.9780193583245).

ISBN 9780193583245. 12 x 8 inches.

For violin and piano The composer writes: The structure is a short set of double variations, the two themes following a short introduction. One is flamboyant and rhetorical, the other gentle and lyrical. The first develops rhythmically, through a toccata to a vigorous dance, the second becomes increasingly decorated so that the line is almost dissolved, but finally emerges in its clearest, simplest form. In a coda each musical character disappears into silence.

Tango criollo. Composed by Angel G. Villoldo. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Edition Schott - Single Edition. Classical. Softcover. 8 pages. Schott Music #ED011029. Published by Schott Music

By Donald Erb. For violin, piano. Solo part with piano reduction. 32 pages. Published by Theodore Presser Company.

Composed by Albert Glinsky. For violin and piano. String instruments. Score and part. Composed 1988. Published by Noten Roehr

Violin and Piano. Composed by Camille Saint-Saens (1835- 1921). Edited by Peter Jost. Sheet music. Henle Music Folios. Classical. Softcover. G. Henle #HN1238. Published by G. Henle

Violin and Piano

SKU: BT.PL3846

Composed by Philippe Rio. Book and Part(s). Pierre Lafitan Editions #PL3846. Published by Pierre Lafitan Editions (BT.PL3846).

By Wolfgang Amadeus Mozart. Violin and piano. Published by International Music Co.

Per Spinettina e Violin. By Girolamo Frescobaldi. Violin. For violin and piano. Level: 1-2. 11 pages. Published by Doblinger (Austrian import).

Composed by Antonin Dvorak (1841-1904). This edition: Urtext edition. Piano reduction. Published by Baerenreiter Verlag (BA.BA10422-90).

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

Violin and Piano - intermediate

SKU: XC.LS1810

Composed by Jules Massenet. Arranged by Josh Dampier. Legacy Solo Series. Solo with Piano. Classical, Acoustic. Score and part. Excelcia Music Publishing #LS1810. Published by Excelcia Music Publishing (XC.LS1810).

UPC: 812598030150. 12 x 9 inches.

The Legacy Solo Series contains masterworks meticulously edited and set beautifully by one of the most popular composers of music for students today, Larry Clark. These solos are routinely found on many state festival lists throughout the United States and are perfect for use at an adjudicated solo festival or recital. Commonly featured on college audition lists, these works are a cornerstone of the solo repertoire. Piano players will enjoy piano reductions that are clean and feature the solo line in concert pitch for easy rehearsal. Each Legacy Solo, compatible with Smartmusic, comes with beautifully set parts and piano accompaniment. Piano recordings for rehearsal or performance of each piece are available for download from the Excelcia Music Publishing website.

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-Freienstein. Violin. Pages: Score = VII and 29 * Vl Part = 8. Edition for Violin-paper bound. Published by G. Henle.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

(20 Easy Solos with Piano Accompaniments). By Various. Arranged by Larry Clark, Sean O'Loughlin. For violin and piano. First Festival Solos. Book and CD. 32 pages. Published by Carl Fischer

Piano Accompaniment; Violin (Score and Solo Part) - difficult

SKU: HL.49044450

Violin and Piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. String. Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic moti. Classical, Contemporary. Softcover. Composed 2013. 32 pages. Duration 6'. Schott Music #ED21888. Published by Schott Music (HL.49044450).

ISBN 9790001198639. 9.0x12.0x0.124 inches.

This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe.Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou

Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou.