Violin collection w/ piano accompaniment SKU: HP.9083 Arranged by Michael...(+)
Violin collection w/
piano accompaniment
SKU: HP.9083
Arranged by Michael
Tyree. Instrumental
parts. 52 pages. Hope
Publishing Company #9083.
Published by Hope
Publishing Company
(HP.9083).
UPC:
763628190835.
Colle
ction of violin solos
with piano accompaniments
This collection of violin
solos with piano
accompaniments comes from
Michael Tyree who also
has string quartet
collections in the Hope
catalog. This volume is
filled with music for the
Christmas season, and
will be a wonderful
addition to your solo
violin library.
Violin and Piano SKU: HL.50496893 Composed by Dé, odat de Sé,...(+)
Violin and Piano
SKU:
HL.50496893
Composed
by Dé, odat de
Sé, and verac. MGB.
Score Only. Composed
2002. Editions Salabert
#SLB5072. Published by
Editions Salabert
(HL.50496893).
Violin, Piano - Grade 2 SKU: FL.FX071924 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 2
SKU: FL.FX071924
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071924.
Published by FLEX
Editions (FL.FX071924).
The wind
carries away the yellow
leaves fallen on the
pavement, the cafes put
tables and chairs in... I
evoke here a fall tour
that is difficult to do
quietly in Paris. How to
take your time in this
city with so many streets
to cross (musical phrases
of 3 measures), cars or
buses to avoid (musical
phrases starts on the
second time). While the
chestnut vendors are on
subway entrances, how not
to hurry like others
(theme B) to 'catch' the
subway...
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025078 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025078
For Violin and
Piano. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 6 pages.
Duration 180 seconds.
Bote & Bock #M202536254.
Published by Bote & Bock
(HL.48025078).
ISBN
9783793143222. UPC:
196288059769.
9.0x12.0x0.045
inches.
Elena
Kats-Chernin has
collaborated with writer
Joanna Murray-Smith
several times, most
recently on the TV soap
opera The Divorce.
ANostalgic Piece was
originally composed as
incidental music for the
Australian author's play
Honor and has had many
lives and titles since
then, says Kats-Chernin.
It's a melancholy, catchy
tune that would go well
with the sad tramp of an
old silent film. The
version for violin and
piano appeared in 2005 on
her portrait CD Ragtime
& Blue on the Signum
Classics label.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Composed by Oskar Reiding. Edited by Kurt Sassmannshaus. Stapled. Barenrei...(+)
Composed by Oskar
Reiding.
Edited by Kurt
Sassmannshaus. Stapled.
Barenreiter's
Concert
Pieces. Piano reduction,
part(s). 7/15 pages.
Baerenreiter Verlag #BA
10697. Published by
Baerenreiter Verlag
Violin and piano (VN/PF) - difficult SKU: HL.49008004 Seven pieces...(+)
Violin and piano (VN/PF)
- difficult
SKU:
HL.49008004
Seven
pieces. Composed by
Heinz Holliger. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed
1985-1994. 52 pages.
Duration 23'. Schott
Music #ED 8430. Published
by Schott Music
(HL.49008004).
ISBN
9790001112383.
9.0x12.0x0.15
inches.
This
collection is more than
just a continuation of
volume 1 (4 Lieder ohne
Worte = AVV 131), pieces
from both volumes can be
mixed and played in
different running order.
The intermezzi are in
irregular metres with
strongly accented
rhythms. The remaining
items are mood pieces
with violin and piano
part closely
interwoven.
In Sunlight Violon et Piano Oxford University Press
Violin & piano (Solo) - Difficult SKU: OU.9780193583245 Composed by Antho...(+)
Violin & piano (Solo) -
Difficult
SKU:
OU.9780193583245
Composed by Anthony
Powers. Violin & Piano.
24 pages. Duration 7'.
Oxford University Press
#9780193583245. Published
by Oxford University
Press (OU.9780193583245).
ISBN 9780193583245. 12
x 8 inches.
For
violin and piano The
composer writes: The
structure is a short set
of double variations, the
two themes following a
short introduction. One
is flamboyant and
rhetorical, the other
gentle and lyrical. The
first develops
rhythmically, through a
toccata to a vigorous
dance, the second becomes
increasingly decorated so
that the line is almost
dissolved, but finally
emerges in its clearest,
simplest form. In a coda
each musical character
disappears into
silence.
Tango criollo. Composed by Angel G. Villoldo. Arranged by Wolfgang Birtel. T...(+)
Tango criollo. Composed
by
Angel G. Villoldo.
Arranged
by Wolfgang Birtel. This
edition: Saddle
stitching.
Sheet music. Edition
Schott -
Single Edition.
Classical.
Softcover. 8 pages.
Schott
Music #ED011029.
Published by
Schott Music
Violin and Piano. Composed by Camille Saint-Saens (1835- 1921). Edited by Peter...(+)
Violin and Piano.
Composed by
Camille Saint-Saens
(1835-
1921). Edited by Peter
Jost.
Sheet music. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1238.
Published
by G. Henle
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
Violin and Piano - intermediate SKU: XC.LS1810 Composed by Jules Massenet...(+)
Violin and Piano -
intermediate
SKU:
XC.LS1810
Composed by
Jules Massenet. Arranged
by Josh Dampier. Legacy
Solo Series. Solo with
Piano. Classical,
Acoustic. Score and part.
Excelcia Music Publishing
#LS1810. Published by
Excelcia Music Publishing
(XC.LS1810).
UPC:
812598030150. 12 x 9
inches.
The Legacy
Solo Series contains
masterworks meticulously
edited and set
beautifully by one of the
most popular composers of
music for students today,
Larry Clark. These solos
are routinely found on
many state festival lists
throughout the United
States and are perfect
for use at an adjudicated
solo festival or recital.
Commonly featured on
college audition lists,
these works are a
cornerstone of the solo
repertoire. Piano players
will enjoy piano
reductions that are clean
and feature the solo line
in concert pitch for easy
rehearsal. Each Legacy
Solo, compatible with
Smartmusic, comes with
beautifully set parts and
piano accompaniment.
Piano recordings for
rehearsal or performance
of each piece are
available for download
from the Excelcia Music
Publishing website.
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-...(+)
And Piano,- Version for
Violin and Piano. By
Robert Schumann. Edited
by W. Haug-Freienstein.
Violin. Pages: Score =
VII and 29 * Vl Part = 8.
Edition for Violin-paper
bound. Published by G.
Henle.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024893 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48024893
Violin and Piano.
Composed by Bertold
Hummel. Boosey & Hawkes
Chamber Music. Classical.
Softcover. 20 pages.
Duration 360 seconds.
Simrock #M221122551.
Published by Simrock
(HL.48024893).
ISBN
9783923051700. UPC:
840126925098.
As an
educational and recital
piece, Bertold Hummel's
Sonatina Op. 35, composed
in 1969, has accompanied
many a young musician
following his or her own
path. Having sold a
thousand times all over
the world, it is one of
the composer's best-known
works and hasbeen
included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. The three
movements are
characterized by warmth
and exciting rhythms: in
the powerful Maestoso,
the sonority of the main
theme is contrasted with
a lyrical side theme; the
recapitulation ends with
an impulsive Fugato. The
second movement Elegie
consists of a single
soulful melody over
spherical harmonies of
the piano. As a
highlight, playful ease,
marching rhythms and
dramatic intensifications
alternate in quick
succession in the Finale
vivace, followed by wild
arpeggios that conclude
the piece. Originally
composed for violin,
versions for viola and
violoncello were already
commonly used. To mark
its 50th birthday,
Simrock / Boosey &
Hawkes present the work
in a revised, newly set
edition. Written in the
1990s by the composer
himself and now available
forthe first time, the
versions for alto and
tenor saxophone are
valuable additions to the
repertoire for beginning
instrumentalists.
(20 Easy Solos with Piano Accompaniments). By Various. Arranged by Larry Clark, ...(+)
(20 Easy Solos with Piano
Accompaniments). By
Various. Arranged by
Larry Clark, Sean
O'Loughlin. For violin
and piano. First Festival
Solos. Book and CD. 32
pages. Published by Carl
Fischer
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.4904445...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - difficult
SKU:
HL.49044450
Violin
and Piano. Composed
by Thierry Pé and
cou. This edition: Saddle
stitching. Sheet music.
String. Soleil-Feu refers
to the first attempt to
create a world out of a
rain of fire (nahui
quiahuitl) as described
in the cosmogony of
Ancient Mexican
civilisation. The element
of fire is reflected in
the musical soundscape of
this work; rampant,
rhythmic moti. Classical,
Contemporary. Softcover.
Composed 2013. 32 pages.
Duration 6'. Schott Music
#ED21888. Published by
Schott Music
(HL.49044450).
ISBN
9790001198639.
9.0x12.0x0.124
inches.
This work
is part of a cycle of
five short pieces for a
single instrument and
piano, focused on the
five ages in the
cosmogony of Ancient
Mexican civilisation. The
peoples of the Mexican
highlands believe that
time follows specific
cycles and that the world
was created following the
pattern of 'trial and
error'. The creation of
the world is divided into
several periods which are
termed 'suns' (we are
currently living in the
fifth phase named
'Ollin'). Each period
will be brought to an end
through a natural
catastrophe.Solei-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl).The
element of fire is
reflected in the musical
soundscape of this work,
constructed from rampant,
rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space. An
intimate dialogue
develops between violin
and piano on the basis of
extremely simple figures.
Interconnecting lines and
dense musical material
are thrown against each
other in a play of
contrasting registers and
blended tonal colouring,
creating a mysterious and
disturbing mythological
universe coloured by its
ontological pessimism.
Thierry
Pecou
Soleil-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl) as
described in the
cosmogony of Ancient
Mexican civilisation. The
element of fire is
reflected in the musical
soundscape of this work;
rampant, rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space create a
mysterious and disturbing
mythological universe
coloured by its
ontological pessimism.
Thierry Pecou.