Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini? and 'The Boy Paganini?.Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.The Mollenhauer fantasia 'The Infant Paganini? is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché, legato, spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of the Sassmannshaus Early Start on the Violin, volume 4.It (BA 10693) can be equally mastered by young cello students who are working with volume 4 of the Sassmannshaus 'Early Start on the Cello? and can manage first to fourth position.'The Boy Paganini? is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the violin (BA 10692), the technical requirements call for first to fifth position whereas on the cello (BA 10694), the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin? and 'Early Start on the Cello? respectively in order to master this work. - Popular recital pieces for young violinists and cellists- Both works form an ideal continuation of the Sassmannshaus 'Early Start? methods- Pieces originally scored for violin now also available for the first time for cello / Violoncelle Et Piano

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano

18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the 'Early” Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The 'Cello Recital Album”, Volume 1 (BA 8994), can be used as a supplement to the 'Early Start on the Cello” method, Volumes 1 and 2 (BA 8996 and BA 8997). Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Recueil / Violoncelle et Piano

Compositori Italiani del XX secolo Vol. 1. New volume of the Ricordi Instrumental Library series dedicated to the instrumental repertoire of the Twentieth Century. The series includes publications for piano, violin/piano, guitar and, now, cello/piano. - This anthology fills an editorial void by re-proposing a series of pieces that would otherwise be difficult, if not downright impossible, to find and yet have played a special role in the evolution of music for cello and piano in Italy. - The criteria adopted in choosing these pieces are: their musical value, their interest from a piano teacher’s point of view and their ability to represent a given period in the history of Italian music and culture. / Musique contemporaine / Date parution : 1905-07-05/ Recueil / Violoncelle et Piano

Each piece in this book stays in one position, so that pupils, whatever their age, can become familiar with the geography of the cello fingerboard across the strings. These cello tunes have easy but effective piano accompaniments, which are now also available as a play-along CD recording.Complete with Cello part, pull-out piano accompaniment and CD. A book of pieces each one staying in one position so pupils whatever their age, get to know the geography of the cello fingerboard across the strings in 2nd, 3rd, half, extended 2nd, extended 3rd and extended 4th positions, this is easy to follow, structured material. These cello tunes have fairly easy but effective piano accompaniments. See also 'Go Fourth'. / Violoncelle Et Piano

20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. Par . What would Christmas time be without making music together' Advent, Christmas, and winter songs play an important role for all beginners on a melody instrument, because with these they can show off their progress on the instrument during the first year. And nothing is better suited to this than well-loved and popular Christmas classics.The volumes in our series for instrumental teaching, developed in collaboration with the Landesakademie für die musizierende Jugend in Baden-Württemberg, all contain 20 easy carols arranged in progressive level of difficulty. Experienced instrumental teachers have made a selection of carols for each instrument according to specific criteria. These can be mastered as part of music school lessons after just a few weeks and months. All the carols have been chosen and transposed so that the range and fingering combinations do not exceed the level of difficulty for the first three years of learning.The piano accompaniment is of moderate difficulty. For many of the carols, an ad lib upper or lower part is included which can also be played by instrumental pupils. The volumes are therefore suitable for individual as well as group tuition.The arrangements are based on the piano and instrumental books from the CHRISTMAS CAROLS project (Carus 2.403/03 und 2.404/03) which is part of the LIEDERPROJEKT, the charitable project to further singing with children. The books contain singing texts for all the carols, providing a full range of options for singing and playing together at Christmas.All the books include the printed music of the piano accompaniment. Digital playalong tracks are available for all the books.Further editions for flute, clarinet, alto saxophone, trumpet, violin, cello / Date parution : 2022-10-12/ Recueil / Violoncelle et Piano

Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano

Par COATES ERIC. This edition of the most popular of Eric Coates' compostions was published to commemorate the 100th anniversary of his birth. Includes the Dambuster's March and 'By the Sleep Lagoon' (the famous theme tune to Desert Island Discs). All the pieces are arranged for Piano Solo, except for Bird Songs At Eventide, I Heard You Singing, I Pitch My Lonely Caravan At Night, Star Of God and The Green Hills O'Somerset , which are arranged for Voice and Piano accompaniment. / Niveau : Intermédiaire à Avancé / Recueil / Violoncelle et Piano

An entertaining collection of ten well-known TV themes, arranged for cello students to learn and enjoy, including the well-known Mission: Impossible and The Persuaders ! The book comes complete with a CD of inspiring demonstrations and play-along backing tracks, with a separate pull-out part featuring simple Piano accompaniments. / Violoncelle Et Piano

Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C323 The third book in the series, this book is designed to take cellists through the process of learning to read the tenor clef in a step-by-step, structured approach. To read the higher notes it is necessary to use 5th, 6th, 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'. / Date parution : 2023-10-31/ Recueil / Violoncelle et Piano