(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(82 balanced lessons). By Harold E. Mitchell. For trumpet. This edition: Paperba...(+)
(82 balanced lessons). By
Harold E. Mitchell. For
trumpet. This edition:
Paperback. Instructional.
Method. Method book and
DVD. Text Language:
English. 96 pages.
Published by Santorella
Publications
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
For Guitar. 1-2-3 Fingerstyle Guitar is designed for intermediate to advanced fl...(+)
For Guitar. 1-2-3
Fingerstyle Guitar is
designed for intermediate
to advanced flat-pick
players who are ready to
throw down that pick for
a while to finally get a
handle on fingerstyle.
That's the secret
ingredient of this study
program -- its a
beginning fingerstyle.
DVD. Published by eMedia
Music
Elephant Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127F Composed by Peter Sciaino. Sw...(+)
Band concert band - Grade
1
SKU: CF.BPS127F
Composed by Peter
Sciaino. Sws. Bps. Full
score. 12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127F. Published by
Carl Fischer Music
(CF.BPS127F).
ISBN
9781491156216. UPC:
680160914753. 9 x 12
inches.
Program
Notes Elephant is,
of course, inspired by
the incredible mammals of
the same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gate and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Edited by Zoby Perez. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements for...(+)
Edited by Zoby Perez.
Piano/Vocal songbook
(Piano/Vocal/Chords.
Arrangements for piano
and voice with guitar
chords). 256 pages.
Published by Alfred
Publishing.
Organ - Easy SKU: JK.01927 Composed by Various. Arranged by Brent Jorgens...(+)
Organ - Easy
SKU:
JK.01927
Composed by
Various. Arranged by
Brent Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music Corporation #01927.
Published by Jackman
Music Corporation
(JK.01927).
UPC:
093285019270.
The
Temple Organist is a
series of hymn
arrangements designed to
support the sacred
reverence found in
temples of the Church of
Jesus Christ of
Latter-day Saints. The
songs selected for the
two volumes have been
taken directly from
approved lists of hymns
appropriate for temples.
The arrangements in this
volume, like volume 1,
are arranged to include
the harmonizations from
the 1985 hymnal, with a
variation that follows in
most cases. True to the
style of Orgain Chains,
they include interludes
to connect each hymn so
they can be played
consecutively (including
modulations that bridge
different keys
beautifully). You will
enjoy serving temple
patrons as you play these
simple, contemplative
hymn
settings.
Cont
ents Include: Oh, May
My Soul Commune with
Thee Nearer, My God,
to Thee O My
Father I Need Thee
Every Hour Jesus,
Lover of My Soul More
Holiness Give Me Guide
Me to Thee Did You
Think to Pray? Sweet
Hour of Prayer How
Gentle God's
Commands Where Can I
Turn for Peace? Be
Thou Humble Dearest
Children, God Is Near
You Be Still, My
Soul Lead, Kindly
Light Sweet Is the
Peace the Gospel
Brings O Love That
Glorifies the Son God
Loved Us, So He Sent His
Son How Great the
Wisdom and the
Love With Humble
Heart Jesus, Once of
Humble Birth In
Humility, Our
Savior There Is a
Green Hill Far Away I
Stand All Amazed Sweet
Is the Work Come,
Follow Me Love One
Another Dear to the
Heart of the
Shepherd Lord, I Would
Follow Thee Composer:
VariousArranger: Brent
JorgensenDifficulty:
Easy.
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01964.
Published
by Jackman Music
Corporation
Organ - Medium SKU: JK.01885 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium
SKU:
JK.01885
Composed by
Various. Arranged by
Brent Jorgensen. Organ
Chains, Organ Postludes,
Organ Preludes, Organ
Solos, Special Events
Funeral and Memorial,
Comfort, Eternal Life,
Funeral, Plan of
Salvation, Resurrection.
Christian, Inspirational.
Jackman Music Corporation
#01885. Published by
Jackman Music Corporation
(JK.01885).
UPC:
093285018853.
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
Thirty-one
favorite funeral hymns
arranged in a continuous
medley for organ
prelude/postlude. You
can start anywhere in the
book and end
anywhere! Pedals are
included within the
staff. Songs included
in this book: Comfort
and Hope Be Still, My
Soul The Lord is My
Shepherd Nearer, My
God, To Thee Where
Can I Turn For Peace?
Come unto Jesus Lead,
Kindly Light Jesus
Christ I Know That
My Redeemer Lives
Beautiful Savior I
Believe in Christ I
Stand All Amazed He
Sent His Son How
Great Thou Art The
Love of God Our
Savior's Love Love
One Another My
Heavenly Father Loves
Me I Feel My Savior's
Love Where Love
Is Faith and Devotion
Come, Follow Me
I Need Thee Every
Hour Because I Have
Been Given Much
Amazing Grace In the
Garden Softly and
Tenderly Come, Thou
Fount of Every
Blessing Each Life
That Touches Ours For
Good Eternal Families
Families Can Be
Together Forever Love
at Home Oh, What
Songs of the Heart I
Am a Child of God O
My Father Closing
God Be With You Till
We Meet Again Abide
with Me! Abide with
Me, 'Tis Eventide
Anthems Goin'
home Consider the
Lilies Holy Art
Thou Jesu, Joy of
Man's Desiring
Composer: Various
Arranger: Brent
Jorgensen Difficulty:
Medium Reference:
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
Circus Bamboni Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1094775-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1094775-015
Composed by John Blanken.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094775-015. Published by
De Haske Publications
(BT.DHP-1094775-015).
9x12
inches.
COME ONE
AND ALL! Come see the
great Circus Bamboni!
This four movement work,
with flexible four part
instrumentation (+ Drum
Kit), will amaze and
charm you like no other.
The first movement
features the band as it
tunes up and prepares for
the show. Then the
talented trapeze artists
make an appearance as
they fly through the sky
high above the audience.
The elephants parade
around the ring with
their very own
Elephant Samba and
the clowns follow leaving
you in stitches! A
thunderous chord and lots
of applause bring the
show to a breathtaking
finale.
Willkommen
im Zirkus Bamboni, der
sich hier in vier kurzen
Sätzen, komponiert
für eine
vierstimmig variable
Besetzung mit Schlagzeug,
präsentiert: Im ersten
Satz stimmt das
Zirkusorchester auf die
Vorstellung ein. Dann
schwingen die
Trapezkünstler zu
schwungvoller Musik durch
die Zirkuskuppel. Die
Elefanten beweisen mit
der Elephant Samba
Musikalität, bevor die
Clowns die Manege in
Aufruhr versetzen. Mit
einem donnernden
Schlussakkord, dem
verdienten Applaus, endet
die
Vorstellung.
Benve
nuti al Circo Bamboni che
in questa composizione si
presenta in quattro brevi
movimenti, composti per
strumentazione variabile
a quattro voci con
percussioni. Nel primo
movimento
l’orchestra intona
gli strumenti, mentre nel
secondo i trapezisti si
esibiscono in volteggi
spettacolari. In seguito
gli elefanti mostrano la
loro musicalit con
Elephant Samba,
prima che i pagliacci
regalino risate e
divertimento a tutti. Lo
spettacolo si chiude con
un potente accordo, il
molto meritato applauso
finale.
Circus Bamboni Ensemble de cuivres [Conducteur et Parties séparées] - Débutant De Haske Publications
Brass Band - Grade 1.5 SKU: BT.DHP-1094775-030 Composed by John Blanken. ...(+)
Brass Band - Grade 1.5
SKU:
BT.DHP-1094775-030
Composed by John Blanken.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094775-030. Published by
De Haske Publications
(BT.DHP-1094775-030).
9x12
inches.
COME ONE
AND ALL! Come see the
great Circus Bamboni!
This four movement work,
with flexible four-part
instrumentation (+ drum
set), will amaze and
charm you like no other.
The fi rst movement
features the band as it
tunes up and prepares for
the show. Then the
talented trapeze artists
make an appearance as
they fly through the sky
high above the audience.
The elephants parade
around the ring with
their very own Elephant
Samba and the clowns
follow leaving you in
stitches! A thunderous
chord and lots of
applause bring the show
to a breathtaking
finale.
Willkommen
im Zirkus Bamboni, der
sich hier in vier kurzen
Sätzen, komponiert
für eine
vierstimmig variable
Besetzung mit Schlagzeug,
präsentiert: Im ersten
Satz stimmt das
Zirkusorchester auf die
Vorstellung ein. Dann
schwingen die
Trapezkünstler zu
schwungvoller Musik durch
die Zirkuskuppel. Die
Elefanten beweisen mit
der Elephant Samba
Musikalität, bevor die
Clowns die Manege in
Aufruhr versetzen. Mit
einem donnernden
Schlussakkord, dem
verdienten Applaus, endet
die
Vorstellung.
Benve
nuti al Circo Bamboni che
in questa composizione si
presenta in quattro brevi
movimenti, composti per
strumentazione variabile
a quattro voci con
percussioni. Nel primo
movimento
l’orchestra intona
gli strumenti, mentre nel
secondo i trapezisti si
esibiscono in volteggi
spettacolari. In seguito
gli elefanti mostrano la
loro musicalit con
Elephant Samba,
prima che i pagliacci
regalino risate e
divertimento a tutti. Lo
spettacolo si chiude con
un potente accordo, il
molto meritato applauso
finale.
A Winter Trilogy Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Featuring: Up on the Housetop / Angels We Have Heard on High / Deck the Halls)....(+)
(Featuring: Up on the
Housetop / Angels We Have
Heard on High / Deck the
Halls). Arranged by Larry
Henry. Concert Band.
Concert Band; Part(s);
Score. Alfred Debut
Series. Form: Medley.
Christmas; Winter. Grade
1. 118 pages. Published
by Alfred Music (AP.3
Concert band - Pre 1 SKU: CL.023-4494-01 Young Concert Band. Sound Founda...(+)
Concert band - Pre 1
SKU:
CL.023-4494-01
Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR390). Extra full
score. Composed 2016.
Duration 1 minute, 18
seconds. C.L. Barnhouse
#023-4494-01. Published
by C.L. Barnhouse
(CL.023-4494-01).
You’ll
be amazed to discover
that this high-energy
composition has been
created through the use
of only six different
notes. Your young
musicians will relish the
opportunity to perform a
work that sounds far more
advanced than most
selections at this grade
level. Don’t be
surprised if the audience
experiences a definite
wow moment at the
exciting conclusion of
this fast paced piece.
Exhilarating!