SATB choir, (soprano
voice solo), organ,
cello/double bass ad lib
SKU: GH.CG-6215
Composed by George
Frideric Handel. Arranged
by Anders Ohrwall. With
Language: Swedish. 8
pages. Gehrmans
Musikforlag #CG 6215.
Published by Gehrmans
Musikforlag (GH.CG-6215).
ISBN 9790070039741. A4
inches. Text: Jan Arvid
Hellstrom / Ingemar von
Heijne (Swedish).
2
satser ur Chandos Anthem
Nr. 7 sammanstallda och
bearbetade for blandad
kor och orgel med cello
eller kontrabas ad lib
(separat stamma
ingar).
Sacred concert.
Composed by Heinrich
Schutz. Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Uppsala-Magnificat
(Lat./Dt.). Sacred
concertos, Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Double Bass. Composed
circa 1665 (terminus ante
quem). SWV 468. 4 pages.
Duration 13 minutes.
Carus Verlag #CV
20.468/16. Published by
Carus Verlag
(CA.2046816).
ISBN
9790007196578. Key: G
mixolydian. Language:
Latin/German.
Composed
by Johann Sebastian Bach.
Arranged by Anders
Ohrwall. Choral score.
With Language: Latin. 12
pages. Gehrmans
Musikforlag #CG 6206P.
Published by Gehrmans
Musikforlag
(GH.CG-6206P).
Sjung
till Herren en ny
sang. Composed by
Heinrich Schutz. Arranged
by Anders Ohrwall. Choral
score. With Language:
Latin, Swedish. 16 pages.
Gehrmans Musikforlag #CG
6220P. Published by
Gehrmans Musikforlag
(GH.CG-6220P).
ISBN
9790070039789. A4 inches.
Text: Jan Arvid Hellstrom
/ Ingemar von Heijne /
Anders
Ohrwall.
SATB choir and bass/baritone voice solo a cappella - Late Intermediate to Advanc...(+)
SATB choir and
bass/baritone voice solo
a cappella - Late
Intermediate to Advanced
SKU: MN.50-0045
Composed by Dale
Grotenhuis. Advent.
Octavo. MorningStar Music
Publishers #50-0045.
Published by MorningStar
Music Publishers
(MN.50-0045).
UPC:
688670500459.
Doubl
e texted setting (Isaiah
40/ Psalms 42-43) of FREU
DICH SEHR/GENEVAN 42 that
could be used for Advent
or general. Purposeful
contrast of chordal and
plyphonic styles. ABA
format.B section borders
onvocal scat style. May
be performed by Organ and
Solo Instrument.
Composed by Johan Helmich
Roman. Arranged by
Valdemar Soderholm.
Choral score. With
Language: Swedish. 8
pages. Gehrmans
Musikforlag #CG 3848K.
Published by Gehrmans
Musikforlag
(GH.CG-3848K).
ISBN
9790070009980. 185 x 262
mm inches. Text:
Biblical.
Composed
by Franz Schubert. Edited
by Werner Bodendorff.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in C. Sacred
vocal music, Tantum ergo.
Single Part, Cello/Double
Bass. D 460. 2 pages.
Duration 4 minutes. Carus
Verlag #CV 70.047/13.
Published by Carus Verlag
(CA.7004713).
ISBN
9790007227975. Key: C
major. Language:
Latin.
SATB choir, [4
instruments colla parte],
organ - Level 3
SKU:
CA.4011014
Aus:
Magnificat. Composed
by Johann Sebastian Bach
and Martin Luther. Edited
by Gunter Graulich.
Arranged by Paul Horn.
German title: Vom Himmel
hoch. Sacred vocal music,
Christmas. Single Part,
Cello/Double Bass. BWV
243a, No. 2. 2 pages.
Duration 1 minute. Carus
Verlag #CV 40.110/14.
Published by Carus Verlag
(CA.4011014).
ISBN
9790007062118. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
E
flat major setting,
transposed into D major.
Score and part available
separately - see item
CA.4011000.
Weihnachtsgeschichte
i>. Composed by Gunther
Kretzschmar. Children's
music and musicals.
German title: Geboren im
Jahre null. Sacred vocal
music, Cantatas, Cantatas
and Singspiele for
children, Advent,
Christmas. Single Part,
Double Bass. 4 pages.
Duration 20 minutes.
Carus Verlag #CV
12.408/11. Published by
Carus Verlag
(CA.1240811).
ISBN
9790007027988. Language:
German. Text: Maslo,
Helmut. Text: Helmut
Maslo.
Composed
by Johann Hermann Schein.
Arranged by Lars
Hallgren. Octavo. With
Language: Swedish.
Gehrmans Musikforlag #CG
7524. Published by
Gehrmans Musikforlag
(GH.CG-7524).
ISBN
9790070042017. 185 x 262
mm inches. Text: Per Olof
Nisser
(Swedish).
For
blandad kor och orgel.
Generalbasen realiserad
av Lars Hallgren.
Aus: Magnificat.
Composed by Johann
Sebastian Bach. Edited by
Gunter Graulich. Arranged
by Paul Horn. German
title: Gloria. Sacred
vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. BWV 243a, 7. 2
pages. Duration 2
minutes. Carus Verlag #CV
40.112/14. Published by
Carus Verlag
(CA.4011214).
ISBN
9790007062286. Key: D
major. Language:
Latin/English.
Sett
ing in E flat major,
transposed into D major.
Score and part available
separately - see item
CA.4011200.
SATB choir, organ [orchestra] SKU: CA.9187515 In honorem S. Aloisii Go...(+)
SATB choir, organ
[orchestra]
SKU:
CA.9187515
In
honorem S. Aloisii
Gonzagae. Composed by
Vincenz Goller.
Coppenrath Series. German
title: Missa Brevis
S.Aloisii Gonzagae
5000801. Sacred vocal
music, Missa brevis in
Latin. Single Part,
Double Bass. Op. 34. 4
pages. Carus Verlag #CV
91.875/15. Published by
Carus Verlag
(CA.9187515).
ISBN
9790007235406. Key: B
flat major. Language:
Latin.
Composed
by Cajetan Vogel. German
title: Salve Regina.
Sacred vocal music,
Cantatas, Mass sections,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part,
Cello/Double Bass. 4
pages. Duration 7
minutes. Carus Verlag #CV
40.446/14. Published by
Carus Verlag
(CA.4044614).
ISBN
9790007068370. Key: B
flat major. Language:
Latin.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo
SKU:
PR.114418820
For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820).
ISBN
9781491113998. UPC:
680160667697.
Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018.
SSAATTBB choir and organ (SATB) - easy SKU: OU.9780193954052 Composed by ...(+)
SSAATTBB choir and organ
(SATB) - easy
SKU:
OU.9780193954052
Composed by Thomas
Attwood Walmisley. Edited
by Peter Horton. This
edition: paperback.
Services and Canticles.
Church Music Society
Publications. Vocal
score. 48 pages. Duration
5.5', 3.5'. Oxford
University Press
#9780193954052. Published
by Oxford University
Press (OU.9780193954052).
ISBN 9780193954052. 12
x 8 inches.
For
SSAATTBB and organ This
fine double choir
setting, published to
celebrate the 200th
anniversary of the
composer's birth, uses
the two choirs to great
effect, with the Gloria
starting with striding
imitation between the
soprano and tenor (later
alto and bass) over a
pedal point in the
organ.
SATB choir with some divisi, organ - Medium SKU: PL.9628 Composed by Dr. ...(+)
SATB choir with some
divisi, organ - Medium
SKU: PL.9628
Composed by Dr. George
Guest. Cathedral/Parish.
Choral, General, Lent.
Octavo. Paraclete Press
#9628. Published by
Paraclete Press
(PL.9628).
These
penitential anthems were
transcribed by Dr. George
Guest from the Gostling
Manuscript. John Gostling
was renowned for his
extraordinary bass voice
an held positions in the
Church of England,
eventually becoming
Sub-Dean of St. Paul's
Cathedral. Gostling was
also a prolific copyist
and his manuscript
contains over 60 anthems
of Blow, Purcell, Locke
and others.Save me, O God
of John Blow is a
splendid example of the
use of simple means to
convey the meaning of a
text. Mostly homophonic
in texture, the subtle
shifts of voicing and
harmony all support the
penitential nature of the
text. The organ doubles
the voice parts,
discreetly supporting
them in a continuo
fashion. Dr. Guest has
placed suggested tempi
and dynamics throughout,
further enhancing the
practical nature of this
edition. The voice parts
are moderate in range,
placing this piece within
the scope of most
choirs.