The many faces of the guitar, Volume 2. By Various. Arranged by Collectif. For guitar solo. Level: 1.5. 32 pages. Published by Les Productions d'OZ. (DZ 1042CD)

33 Original Works. Composed by Jens Franke. Edited by Jens Franke. This edition: Saddle stitching. Sheet music with CD. Guitar. Romantic Guitar Anthology Band 1 ist ein nach Schwierigkeitsgraden abgestuftes Repertoirebuch fur Schuler mit ca. 2-3 Jahren Spielerfahrung. Standardunterrichtsstucke von fuhrenden Komponisten finden sich hier ebenso wie seltene Werke. Classical. Edition with CD. 36 pages. Schott Music #ED 13110. Published by Schott Music

30 Original Works and Transcriptions. Composed by Jens Franke. Edited by Jens Franke. This edition: Saddle stitching. Sheet music with CD. Guitar. Band 2 ist fur Schuler mit ca. 4 Jahren Spielpraxis geeignet ist. Neben den gangigen Unterrichtsstucken der fuhrenden Komponisten und Gitarristen Coste und Sor aus dem 19. Jahrhundert finden sich hier auch seltenere Werke von Jaime Bosch, Franz Tucek und. Classical. Edition with CD. 52 pages. Schott Music #ED13111. Published by Schott Music

(Guitar TAB). Arranged by Vincent J. Carrola. For Guitar. This edition: Guitar TAB. Book; DVD; Guitar Mixed Folio; Guitar TAB; Play-Along. The Worship Leader. Advent; Christmas; Contemporary Christian; Easter; Good Friday; Lent; Palm Sunday; Sacred; Spring; Winter. 88 pages. Published by Alfred Music

(Duets for Two Acoustic Guitars). Composed by William Bay. For acoustic guitar duet. Perfect binding. Advanced. Book. 88 pages. Published by Mel Bay Publications, Inc

16 Guitar and Lute Pieces. Composed by Jens Franke. Edited by Stuart Willis. This edition: Saddle stitching. Sheet music with CD. Guitar. 16 Originalwerke von Komponisten des 17. und 18. Jahrhunderts. Neben Stucken von Weiss, de Visee, Hagen und Daube und anderen bietet der Band ein sorgfaltig ausgewahltes Spektrum von Werken. Baroque, Classical. Edition with CD. 36 pages. Schott Music #ED13446. Published by Schott Music

Composed by Allan Alexander. Saddle stitch. Renaissance/Guitar Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Book with Online Audio Demo Tracks. Arranged by Bridget Mermikides. Guitar Solo. Classical. Softcover Audio Online. 128 pages. Published by Hal Leonard

(Everything You Need to Know to Start Playing Classical Guitar Now!). By Nathaniel Gunod. For Guitar. Book; CD; Classical Guitar Method or Supplement; DVD; Method/Instruction. Teach Yourself Series. Beginner. 80 pages. Published by Alfred Music

Book 2 - Book with Online Audio. Guitar. Classical Instruction, Instruction. Softcover Audio Online. 64 pages. Published by Hal Leonard

Guitar TAB. Composed by various artists and composers. This edition: Guitar TAB Edition. Book; DVD; Guitar Method or Supplement; Guitar TAB; Play-Along; Software. Guitar Play-Along. Rock. 48 pages. Published by Alfred Music

Written by Charles Duncan. Instructional book for guitar. With standard guitar notation (no tablature), fingerings, instructional text, illustrations and introductory text. 64 pages. Published by Hal Leonard.

Book 3 - Book Only. By Charles Duncan. Guitar. Soundsheet (for record players). Size 9x12 inches. 80 pages. Published by Hal Leonard.

Volume 2. By Gerhard Graf-Martinez. (Guitar). Schott. Softcover with CD. With notes and tablature. 136 pages. Published by Schott.

Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GUitar. Book. Mel Bay Publications, Inc #30978. Published by Mel Bay Publications, Inc

(Domenico Scarlatti, 6 Sonatas). By Domenico Scarlatti (1685-1757). Edited by Frederic Zigante. For 2 Guitars. Published by Berben

Composed by Johann Sebastian Bach (1685-1750), arranged by Eugene Reichenthal. For recorder solo and guitar accompaniment. Format: guitar/recorder songbook. With standard notation and standard guitar notation. Baroque. 21 pages. 9x12 inches. Published by Hal Leonard.

Basix®: TAB Guitar Method, Book 2 (Spanish Edition) by Morton Manus. For Guitar. Guitar Method or Supplement; Method/Instruction. Basix® Series. Book and CD. Text language: Spanish. Published by Alfred Music Publishing

(The Incomparable Artistry of Angel Romero). By Angel Romero. Guitar Recorded Version. Softcover. Guitar tablature. 72 pages. Published by Hal Leonard

For Guitar. Includes a high-quality printed music score with both primo and secondo guitar parts in dual-guitar duet format; and two compact discs, containing a complete performance in stereo; and a second compact disc containing minus primo and minus secondo recordings. Published by Music Minus One.

Performed by Ottmar Liebert, Luna Negra. Guitar Recorded Versions (Authentic note-for-note transcriptions). With notes and tablature. Size 6.75x10.5 inches. Published by Hal Leonard.

Composed by Agustin Barrios. Part. 164 pages. Published by Les Productions d'OZ (DZ.DZ-2662).

Composed by Agustin Barrios. Part. 150 pages. Published by Les Productions d'OZ (DZ.DZ-2600).

For Guitar. 1-2-3 Fingerstyle Guitar is designed for intermediate to advanced flat-pick players who are ready to throw down that pick for a while to finally get a handle on fingerstyle. That's the secret ingredient of this study program -- its a beginning fingerstyle. DVD. Published by eMedia Music

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Composed by Paul Tate. All Souls. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. Published by GIA Publications (GI.G-8951).