Bass trombone solo with 6-part trombone choir - advanced SKU: CY.CC2580 C...(+)
Bass trombone solo with
6-part trombone choir -
advanced
SKU:
CY.CC2580
Composed by
Ryan Diefendorfer.
Arranged by Ryan
Diefendorfer.
Contemporary. Score and
parts. Published by
Cherry Classics
(CY.CC2580).
Stephansdom is
a new composition,
descriptive of the iconic
St. Stephan's Cathedral
in central Vienna. Ryan
Diefendorfer wrote this
work for the Indiana
University Trombone
Ensemble for Bass
Trombone solo and
Trombone Choir (6-part)
to be performed by Carl
Lenthe at the 2012
Eastern Music Festival.
Ryan's work was awarded
the winner of the 2012
Eastern Trombone Workshop
National Composition
Competition.
St.
Stephen's Cathedral, also
known as Stephansdom, is
one of Vienna's most
remarkable city icons.
Dating back to 1137,
Stephandsom towers above
the rest of Vienna's
skyline and has been a
constant presence in the
lives of the Viennese for
nearly one thousand
years. Among the
buildings that the
Viennese find closest to
their hearts, Stephansdom
is certainly one of
them
I.
Groundbreaking The
first movement depicts
the troubles that St.
Stephen's Cathedral had
in getting its
groundbreaking as a
church. The opening of
the piece marks the
celebration of the
Viennese when St.
Stephen's was first
constructed in 1137,
during the Romanesque
era. However, the church
faced many
issues—from being
destroyed by the
Babenberg Empire to being
decimated by a
fire—before the
church began its
construction in the
Gothic style in 1307. The
first movement depicts
these struggles before
resolving to an open
chord.
II.
Steffl Steffl, the
nickname for
Stephansdom's soaring
north tower, is one of
the characteristics of
the cathedral that the
Viennese find so
endearing. This movement
is very upbeat and is
meant to portray the
excitement shared by the
Viennese for this
beautiful addition to
Stephansdom, which was
completed in 1433.
Stephansdom's north tower
is the tallest structure
in Vienna, and distinctly
stands out within
Vienna's
skyline.
II
I. 1945 As World War
II was coming to a close
in 1945, Stephansdom's
roof caught fire from a
neighboring building,
destroying large portions
of the church. One climax
occurs at m.30, which
depicts Stephansdom's
great bell, the Pummerin,
crashing down to the
ground. This movement
depicts the chaotic
nature of the raging fire
of
1945.
IV.
Anton Pilgrim Anton
Pilgrim was the last, and
perhaps most beloved,
architect who worked on
St. Stephen's Cathedral
in the Gothic style. One
of his most famous
projects was the St.
Stephen's organ loft,
which is depicted by an
opening organ-like canon.
The final movement to the
piece ends in a
chorale-like fashion,
demonstrating the
Viennese's love for Anton
Pilgrim, as well as
Stephansdom, one of
Vienna's most iconic
sights.
This
work of 12 minutes in
length is appropriate for
advanced performers.
Opera in 3 Acts.
Composed by Siegfried
Matthus. Choir;
Softcover. Deutscher
Verlag.
World
premiere: Netzeband, July
12, 1997
Opera; Music
theatre; Music post-1945;
New music (post-2000).
Choral score. Composed
1996/97. 20 pages.
Deutscher Verlag fur
Musik #DV 7969-02.
Published by Deutscher
Verlag fur Musik
(BR.DV-7969-02).
ISBN
9790200471618. 7.5 x 10.5
inches.
Duration:
full evening Text by the
composer using a text by
Walter Jens Place and
time: Chamber of the King
Philip V. of Spain,
Middle of the 18th
Century Characters:
Farinelli
(Countertenor/alto) -
King Philip V. of Spain
(baritone) - Nicola
Porpora (baritone) - The
Kings Personal Physician,
also Barber (tenor) - The
Kings Confessor, also
Impresario and Priest
(bass) - Maria (Bellino),
later Anna Maria Strada
(soprano) - Georg
Friedrich Handel
(baritone) - Jenny, Jim,
John, English Opera
Troupe (soprano, tenor,
baritone) - The young
Carlo Broschi (boy
treble) The dramaturgical
constellation of the
subject forced me to use
multifaceted and
stylistic means. I have
used melodic segments
from the Farinelli arias
that are still extant
today, as well as other
Baroque vocal and formal
elements, models inspired
by the Singspiel and the
musical, and even a rap
piece over a techno
rhythm. The musical
center of the opera
consists of song and the
human voice. Farinelli is
a bel canto opera.
(Siegfried Matthus) Carlo
Broschi, known as
Farinelli, was the
brightest star among the
castrato tenors of the
18th century. Handels
enemies brought him to
London so that he could
outshine Handels singers.
Here, Matthus depicts
Farinelli at the Spanish
court, ruled by the
pathologically melancholy
King Philip V. In a
review of his life, we
relive important stages
in the career of the
singer, who lived outside
of the norm and found his
home in the fascinating
twilight world between
art and
artificiality.
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 6. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10556_01.
Published by Baerenreiter
Verlag (BA.BA10556-01).
ISBN 9790006553112. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now.
Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Joh...(+)
Mixed choir/orchestra
(Mixed choir, Orch)
SKU: BA.BA10558
Composed by Johann
Pachelbel. Edited by
Thomas Röder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 8. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10558_00.
Published by Baerenreiter
Verlag (BA.BA10558).
ISBN 9790006553075. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume II:
Concertos VII-XII. Score,
anthology. Opus 4.
Baerenreiter Verlag
#BA07567_00. Published by
Baerenreiter Verlag
(BA.BA07567).
ISBN
9790006544097. 31 x 24.3
cm inches. Preface:
Schwemer,
Bettina.
Antonio
Vivaldi’s twelve
concertos op. 4 known by
the name of “La
Stravaganza†were
first mentioned as a
collection of
“Concerti a
4†in the 1711
Foreword of
“L’Estro
Armonico†op. 3.
Their publication had to
wait until 1716, when
Estienne Roger issued
them in two volumes of
six concertos each.
However, unlike the
original announcement,
“La
Stravaganza†is
more than a collection of
concertos for solo violin
with string
accompaniment: in five of
the concertos the soloist
is joined by a second
solo violin or even by a
solo violoncello
(Concerto No.
7).
The many
reprints of “La
Stravaganza†bear
witness to its popularity
and widespread
dissemination well into
the 1730s. Besides the
surviving prints, there
is a significant body of
handwritten sources
containing alternative
versions for seven of the
concertos. Some of these
manuscripts stem from the
music library of Johann
Georg
Pisendel.
This
edition of “La
Stravaganza†is not
only the first
scholarly-critical
edition, it is also the
only complete edition
available. In addition to
the twelve concertos
handed down in the Roger
edition, Bärenreiter
offers an additional
concerto in full score,
piano reduction and parts
contained in the 1728
print issued by the
English publishers Walsh
& Hare, as well as
alternative versions
(without viola) found in
handwritten sources for
Concertos No. 6 (Volume
1) and No. 11 (Volume
2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata
for soloists, choir and
orchestra. Composed
by Johann Sebastian Bach.
Edited by Andreas
Glöckner. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
Edition. Study score. BWV
143. Duration 30 minutes.
Baerenreiter Verlag
#TP01143_00. Published by
Baerenreiter Verlag
(BA.TP01143).
ISBN
9790006205332. 22.5 x
16.5 cm inches. Language:
German. Preface:
Glöckner,
Andreas.
Little is
known about the genesis
ofLobe den Herrn, meine
SeeleBWV 143.
A
transcription from the
19th century was for a
long time considered the
only source; the musical
text of theNew Bach
Editionwas based on this
material. Recently
however a copy of the
score from 1762 has
become available. It
offers a more reliable
musical text, rendering a
complete revision of the
cantata necessary. On
the basis of this new
source, the work is
presented here as part of
theNew Bach Edition -
Revisedin what is
presumably its original
form in C major with
three trumpets. This
orchestration is more
typical of Bach's writing
than the version for
three horns in the
surviving B-flat major
version.
- Revised
Urtext edition of the
Weimar Cantata - Based
on theNew Bach Edition -
Revised
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano - Level 4 SKU: BA.BA09649 Composed by Ludwig van Beethoven. Edited ...(+)
Piano - Level 4
SKU:
BA.BA09649
Composed
by Ludwig van Beethoven.
Edited by Mario Aschauer.
This edition: urtext
edition. Paperback. With
Bagatelle in A minor WoO
59 Für Elise.
Performance score,
anthology. Baerenreiter
Verlag #BA09649.
Published by Baerenreiter
Verlag (BA.BA09649).
ISBN 9790006539895. 31
x 24.3 cm inches.
Preface: Mario
Aschauer.
The
bagatelles reflect
Beethovenâs diverse
compositional cosmos in
miniature. Technically,
they range from moderate
dexterity to demanding
virtuosity.
In
addition to the
well-known collections
opp. 33, 119 and 126, ten
pieces were found after
Beethovenâs death in
an envelope labelled
âBagatellesâ.
These included the
revised version of
âFür Eliseâ
as well as two further
bagatelles in previously
unpublished
versions.
New
interesting findings
regarding interpretation,
a compelling Foreword and
insightful notes on
Viennese piano playing in
Beethovenâs time
(Ger/Eng) as well as a
detailed Critical
Commentary (Eng) offer an
abundance of information
and a new perspective on
Beethovenâs
bagatelle uvre.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558209. 33.5 x
25.7 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
The opera
“Naïs†was
premiered on 22 April
1749 at the Acadmie
royale in the
Palais-Royal, Paris, in
celebration of the
signing of the so-called
Treaty of Aachen. It was
revived again in August
1764 shortly before
Rameau’s death and
achieved great success as
the “opera of
peace,†even though
it did not appear in
print during the
composer’s
lifetime.
In
numerous arias Rameau
provides his singers
ample opportunity to
shine, while he reveals
his orchestral mastery,
in particular in the
chaconne and the various
other ballets.
The
work appears here for the
first time in a vocal
score with a keyboard
reduction. The reduction
is by François
Saint-Yves on the basis
of the new critical
edition by Pascal
Dencheau which is part of
Opera Omnia Rameau edited
by Sylvie
Bouissou.
This
edition is the result of
a meticulous comparison
of all known musical
sources. In the main
section, it presents the
version that Rameau
approved for the
performances of 1749. The
appendix contains those
passages that the
composer cut during the
rehearsals in 1749 and
all changes that he
undertook for the 1764
revival.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano - Level 3 SKU: BA.BA10811 Composed by Erik Satie. Edited by Jens Ro...(+)
Piano - Level 3
SKU:
BA.BA10811
Composed
by Erik Satie. Edited by
Jens Rosteck. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Notes on
Performance Practice by
Steffen Schleiermacher.
Performance score.
Baerenreiter Verlag
#BA10811_00. Published by
Baerenreiter Verlag
(BA.BA10811).
ISBN
9790006521067. 31 x 24.3
cm inches. Language:
German/English. Preface:
Jens Rosteck.
In
the summer of 1913 Satie
once more poked fun at
himself and the world of
music with a set of
parodic piano pieces on
various marine animals,
giving it the grotesque
title “Embryons
desschsâ€
(Desiccated
Embryos). The notation
without barlines, the
‘stories’
beneath the music and the
spoofsof well-known
pieces of music, most
strikingly the Funeral
March from
Chopin’s Piano
“Sonata in B-flat
minorâ€, make the
work a barrel of musical
fun.
This Urtext
edition faithfully
adheres to the sources
and reflects the latest
findings of Satie
scholarship. It contains
translations of all of
Satie’s French
texts, practical
page-turns, notes on
performance practice by
Satie specialist Steffen
Schleiermacher and an
informative
Foreword. The pieces
range from an easy to
moderate level of
difficulty and provide an
ideal additional varied
repertoire for teaching
purposes.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra; Vocal (Study Score) SKU: HL.51489547 Solo Voice(S) & Orches...(+)
Orchestra; Vocal (Study
Score)
SKU:
HL.51489547
Solo
Voice(S) & Orchestra
Study Score. Composed
by Ludwig van Beethoven.
Edited by Ernst
Herttrich. Henle Study
Scores. Classical.
Softcover. 190 pages. G.
Henle #HN9547. Published
by G. Henle
(HL.51489547).
UPC:
888680991333.
6.75x9.5x0.493
inches.
The works
for solo voice(s) and
orchestra assembled in
this volume owe their
composition to the most
diverse occasions. Some
were tailor-made for
female singers in
Beethoven's milieu, while
with others he was
dabbling in the field of
Italian opera (under the
tutelage of none other
than Antonio Salieri).
Scarcely any of them made
it into print during
Beethoven's lifetime.
Aside from canonical
works of the repertoire
such as “Ah!
perfido†op. 65,
this volume also contains
unknown gems like the
scene and aria Beethoven
revised multiple times,
“No, non
turbarti†-
“Ma tu tremi, o mio
tesoro?â€. The study
score contains the text
of the scholarly Complete
Edition. Beethoven
specialist Ernst
Herttrich additionally
provides information
about the genesis and
exciting variants in the
transmission history.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.49045871 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.49045871
Study Score.
Composed by Gustav
Mahler. This edition:
Paperback/Soft Cover.
Sheet music. Study Score.
Classical. Softcover. 218
pages. Eulenburg Edition
#ETP1546. Published by
Eulenburg Edition
(HL.49045871).
ISBN
9783795711634. UPC:
888680791568.
6.0x9.0x0.556
inches.
With a
detailed preface by
Giselher Schubert Mahler
2 - written between 1888
and 1894 and known as
'Resurrection Symphony.'
Mahler found inspiration
for the final,
'Resurrection' movement
at the funeral of Hans
von Bülow. Content:
Preface Vorwort I.
Allegro maestoso. Mit
durchaus ernstem und
feierlichem Ausdruck II.
Andante moderato. Sehr
gemächlich. Nie eilen
III. In ruhig fliessender
Bewegung IV. Urlicht.
Sehr feierlich, aber
schlicht
(Choralmässig) V. Im
Tempo des Scherzos. Wild
herausfahrend.
Alto; Soprano; Vocal (Voice and Piano) SKU: HL.51481487 For Female Voi...(+)
Alto; Soprano; Vocal
(Voice and Piano)
SKU:
HL.51481487
For
Female Voice and
Piano. Composed by
Evgeny Kissin. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1487. Published by G.
Henle (HL.51481487).
UPC: 840126989342.
8.25x11.75x0.079
inches.
It is a
great pleasure to
present, with
Thanatopsis, maestro
Kissin's opus 4, an
expressive setting of the
ground-breaking poem from
the quill of William
Cullen Bryant. Published
in in the form known
today in 1821, it is an
early example of American
romantic poetry of the
19th century. Bryant is
today reckoned among the
group of “Fireside
Poets†or
“Schoolroom
Poets,†names that
allude to the places
where their poems were
usually recited. His
poems – first and
foremost Thanatopsis
(“A Consideration
of Deathâ€) as his
most famous – are
rooted in the English
tradition, but at the
same time show Bryant's
openness to a genuine
American language and
lifeworld. Evgeny
Kissin's setting is a
large vocal scene
intensely informed by
recitative, which
congenially allows the
prevailing mood of the
text to resound. Our
edition additionally
includes German and
French translations of
the poem and an
informative afterword
about Bryant's life and
work and the genesis of
Thanatopsis.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano - Level 2 SKU: BA.BA11565 Composed by Leopold Kozeluch. Edited by C...(+)
Piano - Level 2
SKU:
BA.BA11565
Composed
by Leopold Kozeluch.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
anthology. Baerenreiter
Verlag #BA11565_00.
Published by Baerenreiter
Verlag (BA.BA11565).
ISBN 9790260109100. 31
x 24.3 cm inches.
Preface: Hogwood,
Christopher / Mark,
Ryan.
Leopold
Koželuch (also
Koželuh) was among the
leading musical figures
of 18th-century Vienna,
well-known in his day as
an excellent pianist and
piano teacher.
Six
delightful sonatas have
been selected from the
complete edition of his
piano sonatas published
by Bärenreiter
– namely the
easiest, as this album is
specifically aimed at
beginner and moderately
advanced pianists. The
edition includes Piano
Sonatas No. 37 in G
major, No. 47 in E-flat
major, No. 7 in D major,
No. 46 in C major, No. 10
in F major and No. 14 in
G major, inviting
pianists to explore the
piano music of the
Viennese Classic.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, SATB cho...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
SATB choir, orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) - Level 3
SKU: BA.BA04660-02
Composed by Franz Joseph
Haydn. Edited by Gunter
Thomas. This edition:
urtext edition.
Paperback. Score. Hob.
XXII:11. Duration 12
hours. Baerenreiter
Verlag #BA04660_02.
Published by Baerenreiter
Verlag (BA.BA04660-02).
ISBN 9790006565375. 31
x 24.3 cm inches. Text
Language: Latin. Preface:
Gunter
Thomas.
Haydn's
Missa in Angustiis, also
known as theNelson Mass,
was composed in 1798. It
is one of the six great
Mass settings that forms
the crowning glory of his
vocal music along with
The Creation and The
Seasons.
Continuing the
collaboration between
Barenreiter and the G.
Henle publishing company
regarding Haydn's
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
A Collection of Never-before Published Works, Edited from the Composeras Own...(+)
A Collection of
Never-before
Published Works, Edited
from
the Composeras Own
Manuscripts. Composed by
Camille Saint-SaA<
Item Number: CF.PL1062
ISBN 9781491158807.
Camille
Saint-SaA<Preface My
first glimpse of the six
solo piano works in this
volume came via several
visits I made to the
music
archives of the
BibliothAque
Nationale de France (BnF)
in
Paris in June of 2013. I
had
known of the existence of
unpublished manuscripts
of
these pieces through
Sabine
Teller Ratneras
comprehensive
bibliographic
volume focusing on
Saint-
SaA<
String Quartet (Parts) SKU: HL.51481120 Set of Parts. Composed by ...(+)
String Quartet (Parts)
SKU: HL.51481120
Set of Parts.
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Ensemble. Classical.
Softcover. G. Henle
#HN1120. Published by G.
Henle (HL.51481120).
UPC: 196288034773.
9.0x12.0x0.625
inches.
This volume
brings together Mozart's
youthful attempts at this
later so central genre of
the string quartet: the
astonishing “Lodi
Quartet†K. 80 by
the only
fourteen-year-old
composer, the three
“Quartet-Divertimen
ti†K. 136-138
which are also readily
played by chamber
orchestras, and Mozart's
first true string-quartet
cycle K. 155-160 which
was composed during his
third (north-)Italian
journey in 1772/73.
Mozart's cleanly written
scores of all the
compositions have been
preserved so that the
edition stands on a
secure foundation. In his
informative commentary,
Wolf-Dieter Seiffert, the
experienced Mozart editor
at G. Henle Publishers,
devotes a separate,
comprehensive explanatory
section to the well-known
articulation problem
“dot or
wedge.†The Armida
Quartet provided artistic
input for this
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Oboe; Piano Accompaniment (Oboe With Piano Accompaniment) SKU: HL.51481248(+)
Oboe; Piano Accompaniment
(Oboe With Piano
Accompaniment)
SKU:
HL.51481248
Oboe
and Piano. Composed
by Richard Strauss.
Edited by Hansjö and
rg Schellenberger. Henle
Music Folios. Classical,
Concerto. Softcover. 66
pages. G. Henle #HN1248.
Published by G. Henle
(HL.51481248).
UPC:
196288308096.
9.25x12.25x0.23
inches.
âOboe
Concerto 1945, inspired
by an American soldier,
(oboist from
Chicago)â â was
what Richard Strauss
noted down. And the
oboist 0nd soldier with
the American occupation
John de Lancie had indeed
asked Richard Strauss in
May 1945 whether he had
ever thought of writing
an oboe concerto. Strauss
answered in the negative,
but soon got to work
anyway. In October 1945,
he had completed the
score in Swiss exile; the
premiere took place in
Zurich in 1946. Not until
1948 did the first
edition appear in London,
presumably for the most
part without the
composer's involvement,
for both the printed
score and the orchestral
parts exhibit numerous
errors. Some of these
have been known for a
while, though others have
only now been discovered
by Hansjörg
Schellenberger through
his exact reconciliation
of the autograph full
score with the autograph
particella. The
world-class oboist thus
presents this concerto
for thefirst time in a
Henle Urtext edition in
both full score and piano
reduction!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Quartet (Study Score) SKU: HL.51487120 Study Score. Compose...(+)
String Quartet (Study
Score)
SKU:
HL.51487120
Study
Score. Composed by
Wolfgang Amadeus Mozart.
Edited by Wolf-Dieter
Seiffert. Study Score.
Classical. Softcover. 138
pages. G. Henle #HN7120.
Published by G. Henle
(HL.51487120).
UPC:
196288034353.
6.75x9.5x0.395
inches.
This volume
brings together Mozart's
youthful attempts at this
later so central genre of
the string quartet: the
astonishing “Lodi
Quartet†K. 80 by
the only
fourteen-year-old
composer, the three
“Quartet-Divertimen
ti†K. 136-138
which are also readily
played by chamber
orchestras, and Mozart's
first true string-quartet
cycle K. 155-160 which
was composed during his
third (north-)Italian
journey in 1772/73.
Mozart's cleanly written
scores of all the
compositions have been
preserved so that the
edition stands on a
secure foundation. In his
informative commentary,
Wolf-Dieter Seiffert, the
experienced Mozart editor
at G. Henle Publishers,
devotes a separate,
comprehensive explanatory
section to the well-known
articulation problem
“dot or
wedge.†The Armida
Quartet provided artistic
input for this
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Oboe; Orchestra (Study Score) SKU: HL.51487248 Study Score. Compos...(+)
Oboe; Orchestra (Study
Score)
SKU:
HL.51487248
Study
Score. Composed by
Richard Strauss. Edited
by Hansjö and rg
Schellenberger. Henle
Music Folios. Classical.
Softcover. 99 pages. G.
Henle #HN7248. Published
by G. Henle
(HL.51487248).
UPC:
196288308195.
6.75x9.5x0.27
inches.
âOboe
Concerto 1945, inspired
by an American soldier,
(oboist from
Chicago)â â was
what Richard Strauss
noted down. And the
oboist and soldier with
the American occupation
John de Lancie had indeed
asked Richard Strauss in
May 1945 whether he had
ever thought of writing
an oboe concerto. Strauss
answered in the negative,
but soon got to work
anyway. In October 1945,
he had completed the
score in Swiss exile; the
premiere took place in
Zurich in 1946. Not until
1948 did the first
edition appear in London,
presumably for the most
part without the
composer's involvement,
for both the printed
score and the orchestral
parts exhibit numerous
errors. Some of these
have been known for a
while, though others have
only now been discovered
by Hansjörg
Schellenberger through
his exact reconciliation
of the autograph full
score with the autograph
particella. The
world-class oboist thus
presents this concerto
for the first time in a
Henle Urtext edition in
both full score and piano
reduction!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
