Piano

SKU: BT.EMBZ8865

By Mariann Teöke. Educational Tool. Book Only. Composed 1980. 44 pages. Editio Musica Budapest #EMBZ8865. Published by Editio Musica Budapest (BT.EMBZ8865).

English-German-Hungari an.

This present edition follows a double aim: to assist music students in getting acquainted with and growing fond of the music in Bach's time on the one hand and to prepare and facilitate teaching and studying Bach's small preludes, on the other. To meet the latter objective the more difficult dances and suite movements prove to be the most suitable. It is primarily a practical edition that follows closely the original music material. The original slurring has, however, been changed due to teaching purposes and in the interests of easier study (in several cases by omitting the original or by adding the most essential phrasing and articulation slurs). Suggestions for tempo,performance, dynamics and fingering have also been given. The eventually unusual fingering in some places promotes correct phrasing, articulation. Original ornaments that would pose considerable difficulties for the students have been omitted while the ones that can eventually be omitted depending on the rechnical skill of the students have benn put in brackets. In such cases an easier solution is, however, always indicated above the original in brackets. This does not exclude naturally that students capable of properly executing the original ornaments of these works without the distortrion of the melkody arches and rhythm should not play them in their full, not simplified form. Piano students on advanced level are recommended to compare the present edition with other, original text editions which disclose ornaments in their original form. As an example two pieces of this collection have been included in the appendix in the form they appear in the original text edition. This attempt provides possibilities both for the teachers and students to assess the nature and extent of editorial alterations. The name of the composer has only been indicated in case where it could be unambiguously identified.

Unsere Ausgabe hat ein doppeltes Anliegen. Einerseits will sie den Schülern helfen, mit der zeitgenössischen Musik Bachs bekannt zu werden und an ihr Gefallen zu finden, anderseits soll sie den Unterricht bzw. das Erlernen der kleinen Präludien Bachs vorbereiten und erleichtern. Für die letztgenannte Aufgabe sind die schwierigeren Tänze und Suitensätze am geeignetsten.

Violin 2 (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-16

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-16. Published by Breitkopf and Haertel (BR.OB-15143-16).

ISBN 9790004342015. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

(Dostoyno yest'). By Sergei Rachmaninoff (1873-1943). For SATB choir (div). Choral octavo. Language: Church Slavonic. Published by Musica Russica

Viola (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-19

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 4 pages. Duration 20'. Breitkopf and Haertel #OB 15143-19. Published by Breitkopf and Haertel (BR.OB-15143-19).

ISBN 9790004342022. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Woodwinds (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-30

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Set of parts. 16 pages. Duration 20'. Breitkopf and Haertel #OB 15143-30. Published by Breitkopf and Haertel (BR.OB-15143-30).

ISBN 9790004342046. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Mixed choir

SKU: FG.55009-399-7

Composed by Josquin Desprez. Published by Fennica Gehrman (FG.55009-399-7).

ISBN 979-0-55009-399-7.

This is a modern performing edition of the Mass to the Blessed Virgin by Josquin. In the 16th century, this was the best known mass by the most celebrated composer of the day. It is a troped mass, with textual additions to the Gloria making it appropriate for a Marian service. It is also varied in style and demonstrates a mastery which is exemplary of Josquin's late works. Published in the Fazer Editions of Early Music series - a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

Basso (cello/double bass) (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-26

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-26. Published by Breitkopf and Haertel (BR.OB-15143-26).

ISBN 9790004342039. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Violin 1 (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-15

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-15. Published by Breitkopf and Haertel (BR.OB-15143-15).

ISBN 9790004342008. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Continuo realization (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-12

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15143-12. Published by Breitkopf and Haertel (BR.OB-15143-12).

ISBN 9790004342169. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Voice, Piano

SKU: FG.55009-510-6

Edited by Ismo Lahdetie. Arranged by Taneli Kuusisto. Published by Fennica Gehrman (FG.55009-510-6).

ISBN 979-0-55009-510-6.

Taneli Kuusisto (1905-88) was a versatile influence in Finnish musical life: composer, pianist, organist, church musician, writer on music, and Rector of the Sibelius Academy. Of the more than 120 solo songs penned by him, Suomalainen rukous (A Finnish Prayer), a setting of a poem by Uuno Kailas composed in 1939 on the eve of the Winter War, has acquired a status all of its own. The solo songs of Taneli Kuusisto are published in two volumes edited by Ismo Lahdetie. The second Kuusisto album for voice and piano includes 28 folk song arrangements with Finnish textsand some of them have a German translation. Contents: Apilan kukka * Ei tule suvi * Eiha se paiva aina paista * Eihan ne kaikki puolanmarjat * Eloni kertoa tahdon * Elamanlanka se kukkia kasvaa * Ennen ne Kerimaen kirkonkellot * Etelasta lenti se pikkunen lintu * Harvoin ne tytot lauluja laulaa * Heilani kammarin ikkunan alla / Unter der Liebsten Kammerfenster * Heilani souteli venehella * Kaikista Suomen parhaista pojista * Kataja on matala * Kehtolaulu / Wiegenlied * Kevattuuli lounaisesta puhalteli hiljaa * Kivaari ol' kirkas * Kulkuripoika / Wanderbursch * Kullervon, Kallervon poigu * Kultani on Saimaan rannalla * Kun ystavain minun heitti * Linnan silta on sininen * Lahdetaanpas niitylle * Mene pois, sina ylpia poika * Mika siina lie? * Millapa lienen, kullapa lienen * Mita sina tulit narraamaan * Muistatkos, poika, senkin illan * Mull' on kulta entinen * Maen laitaan / Am Abhang * Naapurin poika se pellollansa * Neiot laulaa ringin keskella * Niin hellasti, niin vienosti * Nyt aion vahan laulella / Jaakon ja Marian laulu * Nyt on poika yksin jaanyt * Ois mulla sullen, tytto nuori * Onko, poika, paperisi kastunna * Pienet linnut ne lehtipuuss' * Piirilaulu / Reigenlied * Pikku lintu eramaassa * Pikkune lintu se illan tulle * Pyhajarvi se lainehtii * Rakkauden takia * Ruskei neitsyt, valgei neitsyt * Soi, soi, minun lehmani / Paimentyton valitus * Taivaalla, taivaalla, taivaan rannalla * Tie meni sinne ja tie meni tanne * Tuu, tuu, tuomenkukka * Tama rinki on varustettu * Vanha loikko * Vierivan virran reunalle * Voi kuinka pitkalta jaatyna on * Yksin istun, yksin laulan * Yksin taytyy mun taalla olla * aiti tuutii poikiansa * aanen kuulin, tulevan luulin.

Composed by Franco Concina. Book Only. Composed 2020. 88 pages. Volonte e Co #VOLMB785. Published by Volonte e Co

By Brauget-Massanet. For Voz y Organo o Armonio. Published by Editorial de Musica Boileau (Spanish import).

Low Voice. By Various. Arranged by Max Spicker. Vocal Collection. Size 9x12 inches. 192 pages. Published by G. Schirmer, Inc.

Spartiti per pianoforte. Book Only. Composed 2019. 104 pages. Volonte e Co #VOLMB784. Published by Volonte e Co

Mixed choir

SKU: BO.B.1001

Composed by Victoria / Palestrina / Blasius. Vocal Music. Choir. Published by Editorial de Musica Boileau (BO.B.1001).