| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525813 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525813 Composed
by George Frideric
Handel. Edited by Alon
Schab. Single Part,
violin 3. Composed 1727.
HWV 258. Duration 6
minutes. Carus Verlag
#5525813. Published by
Carus Verlag
(CA.5525813). ISBN
9790007311018.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II [Conducteur] Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525900 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525900 Composed
by George Frideric
Handel. Edited by Alon
Schab. Carus digital:
Extra digital products.
Full Score. Composed
1727. HWV 259. Duration 8
minutes. Carus Verlag
#5525900. Published by
Carus Verlag
(CA.5525900). ISBN
9790007252014.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| a due Trompette [Conducteur] Deutscher Verlag für Musik
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo SKU:
BR.DV-32027
Trumpet Music of the
17th and 18th
Centuries. Composed
by Kurt (Hrsg.) Janetzky.
Edited by Kurt Janetzky.
Solo instruments;
Softcover. Deutscher
Verlag. Z.T. mit Pauken
und B.c. Baroque period.
Score. 24 pages.
Deutscher Verlag fur
Musik #DV 32027.
Published by Deutscher
Verlag fur Musik
(BR.DV-32027). ISBN
9790200425192. 9 x 12
inches. Bicinia -
unaccompanied duos - have
been known to us from the
fifteenth century
onwards. So quite early
on it was customary tu
practise this type of
musical exercise, which
later, especially during
the Romantic period,
achieved great popularity
as the duo or duett.
Equal numbers of this
sort of instrumental duo
were composed for nearly
all wind and string
instruments. On the other
hand, only a small amount
of compositions for two
trumpets have come down
to us. In order to play
any music which
progresses beyond pure
fanfare on a natural
(valueless) trumpet, it
is necessary to make use
of the clarion register
(the top third of the
natural harmonic). And if
such a melody is to be
accompanied by a second
part, only the few
natural notes lying below
it are left, or else this
high register itself,
which calls for great
virtuosity on the part of
the trumpeter. As well as
this, we must remember
the fact that
trumpet-playing was only
allowed for the
trumpeters of a royal
court, army, staff, or
for the field-trumpeter
of a prince, plus a few
council, city, and church
musicians, who were bound
by strict guild and
corporation rules. Thus
in spite of the
preference for its
festive sound, the spread
and handing down of
trumpet music was almost
reduced to nothing under
these circumstances. As
well as this, pride of
place and profession
rivalry and envy amongst
musicians contributed in
large part. In England
the situation was
somewhat freer. Here
pretty little trumpet
duos originated,
including, amongst
others, those written by
Handel for his
master-trumpeter Valentin
Snow and the Royal
Sergeant-trumpeters of
the Shore family. An
especially happy
exception was the diocese
of Olmiitz. Here there
was a capable group of
musicians of the chapel
royal with the
brilliantly talented
group of trumpeters and
the field-trumpeter Pavel
Vajvanovsky, who also
composed himself. These
trumpeters in the service
of his prince-bishop
played many sacred and
secular pieces, all for
several instruments. It
was for them also that
Heinrich Ignaz Franz
Biber wrote the 12 double
trumpet sonatas we
present here. On the
other hand, the
representatives of the
authorities in Germany
ensured strict
observation of all edicts
and regulations. Even the
celebrated Bach-trumpeter
and towm-piper Gottfried
Reiche was never allowed
to be portrayed with a
proper trumpet due to the
priveleges of court and
field trumpeters. In
order to represent him as
one of the greatest
masters of his time and
art, however, the painter
placed an instrument
similar to a
corno-di-caccia in his
hand, together with a
sheet with a small piece
for virtuoso clarion.
When we try in spite of
these difficulties and
adverse circumstances to
gather a collection of
musically valuable and
characteristic examples
of popular pieces for two
trumpets from the
seventeenth and
eighteenth centuries, it
is in the first, place in
order to acquaint modern
trumpeters with something
of the wealth of music,
which can also be well
played on a modern
trumpet with valves. The
originally used trumpets
correspond to modern ones
in the keys of C and D,
but this does not mean
that many of the pieces
cannot be transposed to a
more comfortable
register. On top of this,
we have tried to give a
picture of the baroque
court and field
trumpeter, as well as of
the mysterious clarion
trumpeter, with the help
of musically popular
material. The origin of
most of the pieces used
is no longer clearly
discernable. In most
cases we possess second-
or third-hand copies
which have been handed
down, and show signs of
frequent use. A few cases
where modernization of
the second part obviously
did not take place until
the invention of stops,
have been re-shaped into
their supposed original
form. A series of further
dynamic details were
left, and marked as
optional suggestions in
brackets. Kurt
Janetzky
z.T. mit
Pauken und B.c. $16.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The King shall rejoice. Coronation Anthem III Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526011 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526011
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, violins 1 and 2.
Composed 1727. HWV 260.
Duration 11 minutes.
Carus Verlag #5526011.
Published by Carus Verlag
(CA.5526011). ISBN
9790007310936.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526119 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526119
Composed by George
Frideric Handel. Edited
by Alon Schab. Set of
Orchestra Parts. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526119. Published by
Carus Verlag
(CA.5526119). ISBN
9790007311124.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The King shall rejoice. Coronation Anthem III Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526019 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526019
Composed by George
Frideric Handel. Edited
by Alon Schab. Set of
Orchestra Parts. Composed
1727. HWV 260. Duration
11 minutes. Carus Verlag
#5526019. Published by
Carus Verlag
(CA.5526019). ISBN
9790007310974.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $145.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525912 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525912 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525912.
Published by Carus Verlag
(CA.5525912). ISBN
9790007311087.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525811 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525811 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
258. Duration 6 minutes.
Carus Verlag #5525811.
Published by Carus Verlag
(CA.5525811). ISBN
9790007310998.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526112 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526112
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, Violin 2 and 3.
Composed 1727. HWV 261.
Duration 12 minutes.
Carus Verlag #5526112.
Published by Carus Verlag
(CA.5526112). ISBN
9790007311148.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Come By Here Chorale SATB SATB, Piano MorningStar Music Publishers
Composed by Kyle Pederson. Instrumental part. MorningStar Music Publishers #5...(+)
Composed by Kyle
Pederson.
Instrumental part.
MorningStar Music
Publishers
#50-6144. Published by
MorningStar Music
Publishers
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525805 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525805 Composed
by George Frideric
Handel. Edited by Alon
Schab. Choral Score.
Composed 1727. HWV 258.
Duration 6 minutes. Carus
Verlag #5525805.
Published by Carus Verlag
(CA.5525805). ISBN
9790007251994.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The King shall rejoice. Coronation Anthem III [Conducteur] Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526000 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526000
Composed by George
Frideric Handel. Edited
by Alon Schab. Carus
digital: Extra digital
products. Full Score.
Composed 1727. HWV 260.
Duration 11 minutes.
Carus Verlag #5526000.
Published by Carus Verlag
(CA.5526000). ISBN
9790007252052.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The King shall rejoice. Coronation Anthem III Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526003 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526003
Composed by George
Frideric Handel. Edited
by Alon Schab. Vocal
score. Composed 1727. HWV
260. Duration 11 minutes.
Carus Verlag #5526003.
Published by Carus Verlag
(CA.5526003). ISBN
9790007252069.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525819 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525819 Composed
by George Frideric
Handel. Edited by Alon
Schab. Set of Orchestra
Parts. Composed 1727. HWV
258. Duration 6 minutes.
Carus Verlag #5525819.
Published by Carus Verlag
(CA.5525819). ISBN
9790007311056.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $97.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525903 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525903 Composed
by George Frideric
Handel. Edited by Alon
Schab. Vocal score.
Composed 1727. HWV 259.
Duration 8 minutes. Carus
Verlag #5525903.
Published by Carus Verlag
(CA.5525903). ISBN
9790007252021.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525919 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525919 Composed
by George Frideric
Handel. Edited by Alon
Schab. Set of Orchestra
Parts. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525919.
Published by Carus Verlag
(CA.5525919). ISBN
9790007311063.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$90.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526113 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526113
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526113. Published by
Carus Verlag
(CA.5526113). ISBN
9790007311155.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525949 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525949 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525949.
Published by Carus Verlag
(CA.5525949). ISBN
9790007252045.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525913 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525913 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525913.
Published by Carus Verlag
(CA.5525913). ISBN
9790007311094.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Portraits of Hector Berlioz Barenreiter
SKU: BA.BVK01677 Composed by Gunther Braam. Edited by John Warrack and Ri...(+)
SKU: BA.BVK01677
Composed by Gunther
Braam. Edited by John
Warrack and Richard
Maccnutt. This edition:
Complete edition. Linen.
New Berlioz Edition.
Volume 26. Complete
edition, Book.
Baerenreiter Verlag
#BVK01677_00. Published
by Baerenreiter Verlag
(BA.BVK01677). ISBN
9783761816776. 27.5 x
19.8 cm inches.
Translation: John
Warrack. The volume
contains 122 portraits of
Hector Berlioz, including
paintings, medals, busts,
woodcuts, drawings,
lithographs, photographs
and caricatures. It also
presents several doubtful
or spurious
portraits. Each
reproduction is
accompanied by
information on its date,
artist and present
location. This collection
of all known Berlioz
portraits sheds entirely
new light on the life and
surroundings of the great
French composer.
The Portraits of
Hector Berliozis the
first collection of all
the portraits made of
Berlioz during his
lifetime. It ranges from
photographs, formal
paintings and drawings by
way of woodcuts and
lithographs to the many
caricatures which his
striking appearance
attracted. Each picture
is accompanied by a full
description and thorough
documentation of its
location and history,
details of the artist's
career and relationship
with Berlioz, an
explanation of the
circumstances of the
picture's creation, and
much else in the way of
relevant comment. This
documentation also sheds
light on the development
of photography and its
position in the society
of the Second Empire , as
well as on the emphasis
on caricature in the
often satirical
journalism of the day.
Where they contribute to
the appreciation of the
picture, the articles
which the caricatures
illustrate, or extracts
from them, are also
included in an Appendix.
Some of the pictures are
published for the first
time and many for the
first time in colour.
As well as being
fascinating and often
entertaining, the
collection adds to our
understanding of
Berlioz's life, times and
the circumstances in
which his music was
composed and
performed.
$453.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526111 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526111
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526111. Published by
Carus Verlag
(CA.5526111). ISBN
9790007311131.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526149 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526149
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526149. Published by
Carus Verlag
(CA.5526149). ISBN
9790007311179.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The King shall rejoice. Coronation Anthem III Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526013 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526013
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 260. Duration
11 minutes. Carus Verlag
#5526013. Published by
Carus Verlag
(CA.5526013). ISBN
9790007310950.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The King shall rejoice. Coronation Anthem III Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526012 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526012
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, Violin 2 and 3.
Composed 1727. HWV 260.
Duration 11 minutes.
Carus Verlag #5526012.
Published by Carus Verlag
(CA.5526012). ISBN
9790007310943.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525815 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525815 Composed
by George Frideric
Handel. Edited by Alon
Schab. Single Part, basso
continuo. Composed 1727.
HWV 258. Duration 6
minutes. Carus Verlag
#5525815. Published by
Carus Verlag
(CA.5525815). ISBN
9790007311032.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eugen Onegin Op. 24 Deutscher Verlag für Musik
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081). ISBN
9790200460032. 9.5 x 12
inches. Duration:
full evening
Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'. $76.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525849 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525849 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
258. Duration 6 minutes.
Carus Verlag #5525849.
Published by Carus Verlag
(CA.5525849). ISBN
9790007252007.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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