Harp SKU: FG.55011-912-3 Composed by Tauno Marttinen. Classical, contempo...(+)
Harp
SKU:
FG.55011-912-3
Composed by Tauno
Marttinen. Classical,
contemporary. Score.
Fennica Gehrman
#55011-912-3. Published
by Fennica Gehrman
(FG.55011-912-3).
ISBN
9790550119123.
Luon
nonjumala (God of Nature)
is Tauno Marttinen’s
adaption for harp of his
piano suite Taara op. 34.
The manuscript for harp
was found in January 2024
by Rauno Marttinen,
composer’s
son.
Duration: c.
15’ Movements: 1.
Virran ääniä | The
Voices of the
Stream 2.
Luonnonjumalan lähde |
The Spring of God of
Nature 3. Metsässä
tuulee |The Wind Blows
through the
Forest
Tauno
Marttinen (1912–2008)
studied in Viipuri and
later in Helsinki at the
Helsinki Conservatoire.
His piano teachers were
Ilmari Hannikainen and
Selim Palmgren, but he
soon became increasingly
interested in composing.
Marttinen was also the
conductor of the
Hämeenlinna City
Orchestra in 1949−1958
and the founder and
principal of the
Hämeenlinna Music
Institute.
Marttin
en started his composing
career in late Romantic
vein. However, his first
concerts in the 1940s met
with criticism since the
winds of Modernism had
already landed in
Finland. He then became
interested in Dodecaphony
and studied under
Vladimir Vogel in Ascona
but later abandoned
strict dodecaphony and
found his own, personal
style incorporating
elements from
Neo-classicism and
free-tonality with a hint
of mysticism – he was
called the Shaman of
Hämeenlinna (his
hometown).
Tauno
Marttinen was an
incredibly productive
composer; he wrote around
four hundred works with
opus numbers as well as a
wealth of other pieces.
His oeuvre includes 10
symphonies, concertos for
various solo instruments,
operas as well as vocal,
chamber and instrumental
works. Many of
Marttinen’s pieces have
become popular standard
repertoire, such as the
piano piece Kimalluksia
(Gleams).
Simple Sarabande Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.AMP-037-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 037-010.
Published by Anglo Music
Press (BT.AMP-037-010).
The sarabande
originated in the early
17th century and is a
stately dance in triple
time. It was popular in
France and Spain but as a
dance it quickly spread
throughout the courts of
Europe and the style was
soon adopted into
instrumental music in
dance suites for solo
instruments as well as
orchestra. Something of
this style has influenced
Simple Sarabande and
although its harmonic
language is perhaps more
up-to-date it could be
seen as a ‘period
piece’.
Simple Sarabande ist
im Stil der
ursprünglichen
Sarabande, einem
würdevollen
höfischen Tanz aus dem
17. Jahrhundert im
3/4-Takt, geschrieben,
wenn auch Philip Sparke
für seine Komposition
einen etwas moderneren
harmonischen Ausdruck
wählte. Einfachheit
und leichte fließende
Bewegungen sind die
Schlüsselworte in
diesem Stück, in dem
Ihr Blasorchester sich
ganz auf die Schönheit
von Ton und Phrasierung
konzentrieren kann.
Simple Sarabande Orchestre d'harmonie [Conducteur] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.AMP-037-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2003. 20 pages. Anglo
Music Press #AMP 037-140.
Published by Anglo Music
Press (BT.AMP-037-140).
The sarabande
originated in the early
17th century and is a
stately dance in triple
time. It was popular in
France and Spain but as a
dance it quickly spread
throughout the courts of
Europe and the style was
soon adopted into
instrumental music in
dance suites for solo
instruments as well as
orchestra. Something of
this style has influenced
Simple Sarabande and
although its harmonic
language is perhaps more
up-to-date it could be
seen as a ‘period
piece’.
Simple Sarabande ist
im Stil der
ursprünglichen
Sarabande, einem
würdevollen
höfischen Tanz aus dem
17. Jahrhundert im
3/4-Takt, geschrieben,
wenn auch Philip Sparke
für seine Komposition
einen etwas moderneren
harmonischen Ausdruck
wählte. Einfachheit
und leichte fließende
Bewegungen sind die
Schlüsselworte in
diesem Stück, in dem
Ihr Blasorchester sich
ganz auf die Schönheit
von Ton und Phrasierung
konzentrieren kann.
By Franz Joseph Haydn (1732-1809). Edited by Sonja Gerlach; Makoto Ohmiya; Stefa...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Sonja Gerlach; Makoto
Ohmiya; Stefan Zorzor;
Reinhold Friedrich. For
Trumpet Solo, Piano.
Piano Reduction/Vocal
Score. Hob.VIIe:1
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
(from Essercizii musici). By Georg Philipp Telemann (1681-1767). Edited by Klaus...(+)
(from Essercizii musici).
By Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. For oboe
solo and basso continuo.
This edition: Urtext.
Score and part. TWV
41:B6, TWV 41:e6.
Published by Baerenreiter
Verlag
SATB choir, 2
clarino/trumpet, timpani,
2 violin, basso continuo,
organ
SKU:
CA.5039819
Graduale pro omne
tempore. Composed by
Franz Joseph Haydn.
Edited by Armin Kircher.
German title: Eja gentes.
Sacred vocal music,
Motets. Set of Orchestra
Parts. Hob. XXIIIa C15.
Duration 3 minutes. Carus
Verlag #CV 50.398/19.
Published by Carus Verlag
(CA.5039819).
ISBN
9790007133603. Key: C
major. Language:
Latin.
The Graduale
pro omne tempore Eja
gentes was discovered in
a contemporary manuscript
copy at the Lower
Austrian pilgrimage
basilica Sonntagberg.
Joseph Haydn is named as
the composer of this
festive motet, very
suitable for combination
with classical Mass
settings at services and
concerts. The use of the
organ as a solo
instrument gives the work
a particularly attractive
character. Score and
parts available
separately - see item
CA.5039800.
Alto Saxophone and piano - Intermediate-Advanced SKU: YM.GTW01091429 Wood...(+)
Alto Saxophone and piano
- Intermediate-Advanced
SKU:
YM.GTW01091429
Woodwinds. Japanese
Traditional Songs. Score
& part with CD. Yamaha
Music Media #GTW01091429.
Published by Yamaha Music
Media (YM.GTW01091429).
ISBN
9784636914290.
25
songs arranged for solo
saxophone and piano.
Saxophone part with a
book for piano
accompaniment and Karaoke
CD. 25Shou Zhong Yin
Sa Ke Si Guan Du Zou Qu
,Gang Qin Ban Zou . Han
Sa Ke Si Guan Pu Ji Gang
Qin Ban Zou Pu &Ban Zou
CD.
1.
Soshunfu(Ode to Early
Spring); 2. Haru no
Umi(Sea in Spring); 3.
Hana; 4. Sakura Sakura;
5. Oborozukiyo(A Night
with a Hazy Moon); 6.
Amefuri Otsukisan(Moon in
the Rain); 7. Kono Michi;
8. Hamabe no Uta(A Song
at the Seaside); 9. Yashi
no Mi; 10. Natsu no
Omoide(A Memory from
Summer); 11. Nanatsu no
Ko; 12. Aka Tombo(Red
Dragonfly); 13. Momiji;
14. Furusato(My Old
Town); 15. Sato no Aki;
16. Nagori Yukii(Snowfall
at the end of the
Winter); 17. Nada
SouSou(Down Come My
Tears); 18. Ue o muite
Aruko(Sukiyaki Song); 19.
Kawa no nagare no Yo
ni(As a River's Running);
20. Hana wa Saku(Flowers
Will Bloom); 21.
Satoukibi Batake(In a
Large Field of
Sugarcane); 22. Sen no
Kaze ni natte(A Thousand
Winds); 23. Stand Alone;
24. Miagete goran Yoru no
Hoshi wo(Look up at the
Night sky); 25. Jidai
1. Zao Chun Fu ; 2.
Chun Zhi Hai ; 3. Hua ;
4. Ying Hua ; 5. Meng
Long Yue Ye ; 6. Yu Zhong
De Yue Liang ; 7. Zhe
Tiao Lu ; 8. Hai Bin Zhi
Ge ; 9. Ye Zi De Guo Shi
; 10. Xia Ri Hui Yi ; 11.
Qi Ge Hai Zi ; 12. Hong
Qing Ting ; 13. Hong Xie
; 14. Gu Xiang ; 15. You
Jian Chui Yan ; 16. Can
Xue ; 17. Lei Guang Shan
Shan ; 18. Ang Shou Xiang
Qian Zou ; 19. Chuan Liu
Bu Xi ; 20. Hua Zheng Zai
Kai ; 21. Gan Zhe Tian ;
22. Hua Wei Qian Feng ;
23. Stand Alone; 24. Yang
Wang Xing Kong ; 25. Shi
Dai.
Organ SKU: BR.EB-8042 Fantasia grande in sette stazioni. Composed ...(+)
Organ
SKU:
BR.EB-8042
Fantasia grande in
sette stazioni.
Composed by Jurg Baur.
Solo instruments;
Softcover. Edition
Breitkopf.
World
premiere Dusseldorf,
September 26, 1978
Music post-1945. Score.
Composed 1977. 32 pages.
Duration 8'. Breitkopf
and Haertel #EB 8042.
Published by Breitkopf
and Haertel (BR.EB-8042).
ISBN 9790004174418. 9
x 12 inches.
Diese
weitausgesponnene,
vielteilige Fantasie
folgt den Spuren eines
der eigenwilligsten
Spatrenaissancemeister,
der durch ungewohnliche
chromatische
Fortschreitungen und
kuhne Harmonik den Stil
und den Ausdruck jener
Zeit zu Ende gepragt hat.
Die sieben Stationen in
dieser Komposition sind
charakteristische Zitate
aus Madrigalen Don Carlo
Gesualos, des Principe de
Venosa (um 1560 - 1613).
Aus den vertonbaren
Buchstaben seines Namens
(g-e-es-a-d) entsteht
eine pragnante
Intervallfolge, die als
Leitmotiv in. variierter
Gestalt haufig
wiederkehrt. Das letzte
Zitat ist identisch mit
dem ersten; so schliesst
sich die Folge der
Stationen zu einem Ring.
Der Text des Kernzitats
lautet: Moro lasso al mio
duolo (Ich sterbe, ach an
meiner Qual), Die sieben
Stationen gliedern als
formale und inhaltliche
Schwer- und Ruhepunkte
den Verlauf des gesamten
Stucks; der Beginn eines
jeden neuen Zitats wird
durch eine vorangehende
Pause oder eine
Klangfermate
verdeutlicht. Dagegen
bilden die sechs
Intermezzi (die
eigentlichen
Meditationen) in ihrem
verschiedenartigen
Bewegungsablauf wirksame
Kontrastflachen, die sich
entweder aus den ruhigen
Stationen unmerklich
entwickeln (z. B.: A, B
und E) oder in schroffem
Gegensatz zu dem
vorhergehenden oder
nachfolgenden Abschnitt
stehen. Eine Introduzione
(Entwicklung des
Leitmotivs) und eine
Reduzione umrahmen das
Werk. Anstelle eines
Ausklangs im Pianissimo
kann der Interpret eine
jah auffahrende
Schlusswendung im
Fortissimo wahlen. Alte
und neue Ausdrucksmittel
sollen in dieser
Meditation als These und
Antithese
gegenubergestellt und zur
Synthese gefuhrt werden.
(Jurg Baur) CD: Martin
Herchenroder CD Koch
3-1846-3 H1 Bibliography
: Abels , Robert: Studien
zur Gesualdo-Rezeption
durch Komponisten des 20.
Jahrhunderts (= Studien
zur Musik 20), Leiden u.
a.: Wilhelm Fink 2017,
pp. 277-345, 485-489.
Richter , Reinhold:
Zwischen Tradition und
Avantgarde zwischen
Zweifel und Hoffnung.
Einige Notizen zur Chor-
und Orgelmusik von Jurg
Baur anlasslich des 85.
Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, pp.
23-31. Voigt , Michael:
Man steht in einer
Tradition, die man
fortsetzt: Zum Orgelwerk
von Jurg Baur, in: Forum
Kirchenmusik 61 (2010),
Heft 3, p.
35.
Motette. By Franz Joseph Haydn. Edited by Landon, H. C. Robbins. For Solo Sopran...(+)
Motette. By Franz Joseph
Haydn. Edited by Landon,
H. C. Robbins. For Solo
Soprano [AT], SATB Choir,
2 Trumpets, 2 Violins,
Viola, Cello/Contrabass,
Organ, [2 Flutes]. Hob.
XXIIIa:G49. Full score
available separately -
see item CA.5039900.
Sacred, Motets;
Occasions: Praise and
thanks. Part: Violin 1.
Language: Latin. Composed
1765. 4 pages. Duration
14 min. Published by
Carus Verlag (German
import).
Concerto for Trumpet and Orchestra. By Franz Joseph Haydn. Edited by Gerlach, So...(+)
Concerto for Trumpet and
Orchestra. By Franz
Joseph Haydn. Edited by
Gerlach, Sonja;Ohmiya,
Makoto. For Trumpet Solo,
Flute (2), Oboe (2),
Bassoon (2), Horn (2),
Trumpet (2), Kettledrum,
Strings. Score; Urtext
Edition. Hob.VIIe:1.
Published by
Baerenreiter-Ausgaben
(German import).
For Empress Marie
Therese. Composed by
Franz Joseph Haydn.
Edited by Armin Kircher.
German title: Te Deum
(Maria Theresia). Sacred
vocal music, Praise and
thanks. Single Part,
Viola. Hob. XXIIIc:2. 8
pages. Duration 12
minutes. Carus Verlag #CV
51.999/13. Published by
Carus Verlag
(CA.5199913).
ISBN
9790007225810. Language:
Latin.
Joseph Haydn
made two settings of the
Ambrosian song of praise
the Te Deum. The second
of these is a work of
Haydn's last period and
was written around 1800
for the Empress Marie
Therese. Its large
orchestra gives this
work, which makes no use
of solo singers, a
particular splendour of
sound akin to that of the
choruses in Haydn's
Creation. Score and part
available separately -
see item CA.5199900.
Oboe and piano - Intermediate SKU: YM.GTW01090837 Woodwinds. Japanese Tra...(+)
Oboe and piano -
Intermediate
SKU:
YM.GTW01090837
Woodwinds. Japanese
Traditional Songs. Score
& part with CD. Yamaha
Music Media #GTW01090837.
Published by Yamaha Music
Media (YM.GTW01090837).
ISBN
9784636908374.
20
songs arranged for solo
oboe and piano. Oboe part
with a book for piano
accompaniment and Karaoke
CD. 20Shou Shuang
Huang Guan Du Zou Qu
,Gang Qin Ban Zou . Han
Shuang Huang Guan Pu Ji
Gang Qin Ban Zou Pu &Ban
Zou CD.
1.
Soshunfu(Ode to Early
Spring); 2. Oborozukiyo(A
Night with a Hazy Moon);
3. Furusato(My Old Town);
4. Haru yo Koi(Come
spring!); 5. Hana wa
Saku(Flowers Will Bloom);
6. Hamabe no Uta(A Song
at the Seaside); 7.
Shonen Jidai(Boyhood); 8.
Natsu no Omoide(A Memory
from Summer); 9.
Shabondama(Soap Bubbles);
10. Machibo-oke(Waiting
in Vain); 11. Satoukibi
Batake(In a Large Field
of Sugarcane); 12.
Chiisai Aki
Mitsuketa(I've Found a
Little Autumn); 13.
Yuyake Koyake; 14. Kojo
no Tsuki(Moon over the
Ruined Castle); 15. Kawa
no nagare no Yo ni(As a
River's Running); 16. Sen
no Kaze ni natte(A
Thousand Winds); 17.
Miagete goran Yoru no
Hoshi wo(Look up at the
Night sky); 18. Nagori
Yuki(Snowfall at the end
of the Winter); 19. Kita
no Kunikara(From Northern
Country); 20. Nada
SouSou(Down Come My
Tears) 1. Zao Chun Fu
; 2. Meng Long Yue Ye ;
3. Gu Xiang ; 4. Chun
Tian ,Lai Ba ; 5. Hua
Zheng Zai Kai ; 6. Hai
Bin Zhi Ge ; 7. Shao Nian
Shi Dai ; 8. Xia Ri Hui
Yi ; 9. Fei Zao Pao ; 10.
Man Zhou Chang Ge ; 11.
Gan Zhe Tian ; 12. Zhao
Dao Liao Xiao Xiao De Qiu
Tian ; 13. Wan Xia Jian
Dan ; 14. Huang Cheng Zhi
Yue ; 15. Chuan Liu Bu Xi
; 16. Hua Wei Qian Feng ;
17. Yang Wang Xing Kong ;
18. Can Xue ; 19. Bei Guo
Zhi Lian ; 20. Lei Guang
Shan Shan.
Organ SKU: BR.EB-9071 Suite. Composed by Jurg Baur. Solo instrumen...(+)
Organ
SKU:
BR.EB-9071
Suite. Composed by
Jurg Baur. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Darmstadt, April 7,
1990
Music post-1945.
Score. Composed 1989. 20
pages. Duration 7'.
Breitkopf and Haertel #EB
9071. Published by
Breitkopf and Haertel
(BR.EB-9071).
ISBN
9790004179468. 11 x 15
inches.
Ein ganz
anderer (neuer?) Baur
keine Bindung an einen
cantus firmus, keine
barocke Form stattdessen
vier suitenartig, in
lockerer Form aneinander
gereihte Satze. Schon die
Uberschriften deuten auf
Neues; der Gesamt-Titel:
Kaleidoskop die einzelnen
Teile: Sisyphus,
Spiegelung, Artisten,
Marionetten; spielerisch
frei entworfene Stucke,
heiter, besinnlich,
humorvoll. 1. Satz: Zwei
thematische Bewegungen
charakterisieren den
Ablauf des Sisyphus eine
durch Pausen
unterbrochene einstimmige
Rollfigur wechselt
standig mit einem
stereotypen
Funfton-Ostinato einem
Motiv, das in vielfacher
Veranderung wiederkehrt
und schliesslich
girlandenformig in die
Tiefe fallt, symbolisch
fur das vergebliche
Bemuhen der
altgriechischen
Sagengestalt. Das zweite
Stuck, Spiegelungen, wird
ein- und ausgeleitet
durch einen
melancholischen Gedanken;
dieser mundet in einer
Gruppe von statischen,
streng imitierten,
ineinander geschobenen
Spiegelklangen. Eine
bewegte Figur fuhrt zu
einer 5/8-Periode, bei
der die Oberstimme um
funf Tone kreist; am Ende
steht wieder die
Spiegelklang-Episode, auf
einem Einzelton
verloschend: das Ganze
ein ruhiges, fast
aleatorisch wirkendes
Intermezzo. 3. Satz: Eine
virtuose Studie mit
kreisenden
Rastelli-Tongruppen,
dodekaphonisch geordneten
Quintolen, begleitet von
rhythmisch gegenlaufigen
Klangimpulsen, immer
wieder unterbrochen von
rezitativischen
Pedal-Bass-Soli. Zum
Ende, kraftvolle
Zusammenballung aller
thematischen Elemente
eine artistische Toccata,
gipfelnd in dissonanten
Klangturmen. Das Finale:
Marionetten, eine
funfteilige Bruckenform
ABCBA. Der Satz fugt sich
aus drei thematischen
Abschnitten zusammen; der
erste: eine abwarts
gerichtete
Zwolfton-Melodie, in ein
Klangfeld mundend, das
sich zum vielschichtigen
Akkord weitet; der
zweite: ein verhulltes
Menuett mit funftonigem
Bass-Ostinato und
marionettenhaft
gezirkelten Bewegungen in
Melodie und Begleitung;
der dritte: ein in streng
serieller Manier
durchgefuhrter Abschnitt
mit spiegel- und
krebsformigen
Entsprechungen. Formteil
B und A schliessen sich
als variierte Reprise an.
Die Coda wird gebildet
von dreifach
geschichtetem
Trillerfeld, der
Zwolfton-Melodie des
Anfangs und einer Kadenz
mit drei Akkorden in
tiefer Lage: ein stiller
Ausklang des
Kaleidoskops. (Jurg Baur)
Bibliography : Richter ,
Reinhold: Zwischen
Tradition und Avantgarde
zwischen Zweifel und
Hoffnung. Einige Notizen
zur Chor- und Orgelmusik
von Jurg Baur anlasslich
des 85. Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, S.
23-31.
For Empress Marie
Therese. Composed by
Franz Joseph Haydn.
Edited by Armin Kircher.
German title: Te Deum
(Maria Theresia). Sacred
vocal music, Praise and
thanks. Single Part,
Cello/Double Bass. Hob.
XXIIIc:2. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
51.999/14. Published by
Carus Verlag
(CA.5199914).
ISBN
9790007225827. Language:
Latin.
Joseph Haydn
made two settings of the
Ambrosian song of praise
the Te Deum. The second
of these is a work of
Haydn's last period and
was written around 1800
for the Empress Marie
Therese. Its large
orchestra gives this
work, which makes no use
of solo singers, a
particular splendour of
sound akin to that of the
choruses in Haydn's
Creation. Score and part
available separately -
see item CA.5199900.
Motette. By Franz Joseph Haydn. Edited by Landon, H. C. Robbins. For Solo Sopran...(+)
Motette. By Franz Joseph
Haydn. Edited by Landon,
H. C. Robbins. For Solo
Soprano [AT], SATB Choir,
2 Trumpets, 2 Violins,
Viola, Cello/Contrabass,
Organ, [2 Flutes]. Hob.
XXIIIa:G49. Full score
available separately -
see item CA.5039900.
Sacred, Motets;
Occasions: Praise and
thanks. Set of
instrumental parts
(except strings).
Language: Latin. Composed
1765. 12 pages. Duration
14 min. Published by
Carus Verlag (German
import).
Full orchestra (3fl(III+picc), 2ob, ca, 2cl, bcl, 2bsn, cbsn, 4hn, 3tpt, 3ct, eu...(+)
Full orchestra
(3fl(III+picc), 2ob, ca,
2cl, bcl, 2bsn, cbsn,
4hn, 3tpt, 3ct, euph,
3tbn, tba, timp, perc,
hp, pno, cel, org, solo
sop, chorus (SA), str) -
Difficult
SKU:
OU.9780193519701
Composed by Ralph Vaughan
Williams. Edited by
Martin Yates. Orchestral
parts for sale. Study
score. 240 pages.
Duration 80'. Oxford
University Press
#9780193519701. Published
by Oxford University
Press (OU.9780193519701).
ISBN 9780193519701. 12
x 9 inches.
The
1948 film, 'Scott of the
Antarctic' is well-known
for its Vaughan Williams
score, which he later
reworked to create
Sinfonia Antartica.
Vaughan Williams's
original score for the
film is now presented in
its full, unedited form,
allowing listeners to
hear the full grandeur of
the composer's
original.
Concertango Orchestre d'harmonie [Conducteur et Parties séparées] Piles Editorial de Musica
Concert Band SKU: BT.PIL0849 Composed by Luis Serrano Alarcón. Set (Scor...(+)
Concert Band
SKU:
BT.PIL0849
Composed
by Luis Serrano Alarcón.
Set (Score & Parts).
Piles Editorial de Musica
#PIL0849. Published by
Piles Editorial de Musica
(BT.PIL0849).
Opus III is
proud to announce that we
are now the exclusive
distributor for North
America and Asia of
Concertango, by Luis
Serrano Alarcón. A 25
minute work exploring
musical fusion on
multiple levels through
the contrast of symphonic
winds to a jazz trio
(piano, bass, drums).
Both groups are
independent at times
followed by a merge into
a single unique musical
force. The alto saxophone
soloist stands as the
uniting musical element
between the two groups.
The omnipresent and
uniting musical force is
the tango and, in
particular, the works of
Astor Piazzolla. Luis
Serrano Alarcón has
transformed the rhythms,
ensemble settings and
stylistic idioms into a
powerful
artisticstatement that
communicates to all. A
highly effective work for
mature ensembles.
Drammi per musica.
Composed by Christoph
Willibald Von Gluck.
Edited by Tanja Gölz.
This edition: complete
edition, urtext edition.
Linen. Christoph
Willibald Gluck.
Samtliche Werke III/1.
Complete edition, Score,
anthology. Duration 25
minutes. Baerenreiter
Verlag #BA05815_01.
Published by Baerenreiter
Verlag (BA.BA05815-01).
ISBN 9790006495610. 33
x 26.3 cm inches. Text
Language: Italian.
Preface: Gölz,
Tanja.
Continuo
realization: Thomas
Hauschka.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violin & Orchestra SKU: SU.94010610 For Violin & Orchestra. Compos...(+)
Violin & Orchestra
SKU: SU.94010610
For Violin &
Orchestra. Composed
by James Lee III.
Strings, Violin,
Orchestra. Concerto.
Study Score. Subito Music
Corporation #94010610.
Published by Subito Music
Corporation
(SU.94010610).
Instrumentation
: solo vn; 2222; 2200;
timp, 2 perc, hp;
stgs Duration:
30' Composed: 2018
Published by: Subito
Music Publishing
Performance materials
available on rental only
from the Subito Music
Rental Library.
String Orchestra SKU: ST.C500 Composed by Mark Goddard. String music. Cli...(+)
String Orchestra
SKU:
ST.C500
Composed by
Mark Goddard. String
music. Clifton Edition
#C500. Published by
Clifton Edition
(ST.C500).
ISBN
9790570815005.
Fiddledy Jig is
an engaging suite of four
dance-like pieces for the
student string orchestra.
The music, which was
first published in 1992
by Spartan Press, employs
familiar musical genre to
great effect and utilises
pizzicato, arco, tutti,
solo, D.C. al Fine plus
an occasional glissando!
The violas can be
supplemented or replaced
by Violin III.
The
printed set includes a
score and full set of
parts as follows; 3xvln1,
2xvln2, vln3/va, 2xvc,
db.
Contents Carousel Ballad M
inuet &
Trio Ragtime &
Tango
Grades 4–6
(approx.) Former
Spartan Press Cat. No.:
SP224.