By Eastern Kentucky University Faculty Brass Quintet. For Brass Quintet. Classical. Performance CD

Orchestra

SKU: C4.9790-900969347

Composed by Charles Marie Widor. Edited by Daniel Mitterdorfer and Harold Fabrikant. Study score. Crescendo Music Publications #9790-900969347. Published by Crescendo Music Publications (C4.9790-900969347).

ISBN 9790900969347.

Orchestra

SKU: C4.9790-900969361

Composed by Charles Marie Widor. Edited by Daniel Mitterdorfer and Harold Fabrikant. Spiral-bound. Full score (A3). Crescendo Music Publications #9790-900969361. Published by Crescendo Music Publications (C4.9790-900969361).

ISBN 9790900969361.

(Viola Part). Composed by Dr. Shinichi Suzuki. For Viola. This edition: Revised. Book; CD; Method/Instruction; String - Viola (Suzuki); Suzuki. Suzuki Viola School. 36 pages. Published by Alfred Music

Study Score. By Anton Bruckner. Schott. Size 5.25x7.5 inches. 200 pages. Published by Eulenburg London (Schott).

Piano - difficult

SKU: HL.49006751

Piano Solo. Composed by Karl Amadeus Hartmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1945. 64 pages. Duration 22'. Schott Music #ED 6870. Published by Schott Music (HL.49006751).

ISBN 9790001072700. UPC: 884088050832. 9.0x12.0x0.245 inches.

Am 27. und 28. April 1945 schleppte sich ein Menschenstrom von Dachauer Schutzhaftlingen an uns vorruber - unendlich war der Strom - unendlich war das Elend - unendlich war das Leid.

For Alto Saxophone. Classical (Laureate Master Classes with piano). Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Published by Music Minus One

This edition: 2 copies required. Piano Duo (Two Pianos, Four Hands). Level: Advanced. Book and CD. Published by Alfred Publishing.

Piano Solo Study Score. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ullrich Scheideler. STUDY EDITION. Henle Study Scores. Pages: LII and 272. Classical. Study score (paperbound). 298 pages. G. Henle #HN9022. Published by G. Henle (HL.51489022).

(2D1.2.2.2/2.2.0.0,timp,2 perc,str)

SKU: TM.13123SC

Composed by Paul Wranitzky. Edited by Suttle. Score. Published by Lucks Music Library (TM.13123SC).

Performance edition ed. by Suttle. Engraved 2017. Transposed: Cl I+II, Hn I+II, Tpt I+II. Viola is divisi at parts. See #13743 for String Orchestra version; full orchestra string parts are not compatible with string orchestra version parts. I. Andante Maestoso/Allegro Molto/Tempo Di Marcia, Piu Maestoso, Piu Allegro Tempo Primo. La Revolution. Marche des Anglois. Marche des Autrichiens et Prussiens. II. Adagio Affestuoso. Le sort et la mort de Louis XVI. Marche funebre. III. Allegro. Marche des Anglois. Marche des Allies. Tumulte d’une bataille. IV. Andante Grazioso/Allegro Vivace. Negociations de paix. Cris de joie pour la paix restitue.

(2D1.2.2.2/2.2.0.0,timp,2 perc,str)

SKU: TM.13123SET

Composed by Paul Wranitzky. Edited by Suttle. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13123SET).

Performance edition ed. by Suttle. Engraved 2017. Transposed: Cl I+II, Hn I+II, Tpt I+II. Viola is divisi at parts. See #13743 for String Orchestra version; full orchestra string parts are not compatible with string orchestra version parts. I. Andante Maestoso/Allegro Molto/Tempo Di Marcia, Piu Maestoso, Piu Allegro Tempo Primo. La Revolution. Marche des Anglois. Marche des Autrichiens et Prussiens. II. Adagio Affestuoso. Le sort et la mort de Louis XVI. Marche funebre. III. Allegro. Marche des Anglois. Marche des Allies. Tumulte d’une bataille. IV. Andante Grazioso/Allegro Vivace. Negociations de paix. Cris de joie pour la paix restitue.

(Movement II from Symphony No. 6, Op. 69, for Band - Full Score). By Vincent Persichetti (1915-1987). Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bas. Full Score.

By Various. Edited by Werner Thomas-Mifune. For Cello, Piano / Organ. Adagio II (The Most Beautiful Slow Movements), Volume II

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139S

Composed by Lowell Liebermann. Full score. Duration 15 minutes. Theodore Presser Company #116-41139S. Published by Theodore Presser Company (PR.11641139S).

UPC: 680160682119.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139L

Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L).

UPC: 680160682126.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

By Tomaso Giovanni Albinoni (1671-1751). Arranged by Sean F. Biehn. For Trombone and String Quartet. Baroque. Advanced. Score and parts. Published by Cherry Classics

By Ludwig van Beethoven (1770-1827). For String Quartet (Study Score). Eulenburg Taschenpartituren (Pocket Scores). Study Score. 28 pages. Eulenburg (Schott Music) #ETP21. Published by Eulenburg (Schott Music)

Organ, 2 Oboes, Bassoon and Strings (SOLO)

SKU: HL.49004334

Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Organ reduction. Op. 4/3. 23 pages. Duration 10'. Schott Music #ED 3803. Published by Schott Music (HL.49004334).

ISBN 9790001045049. 12.0x8.75x0.075 inches.

Orchestra (Study Score)

SKU: HL.49015921

Composed by Franz Joseph Haydn. Edited by Harry Newstone. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1774. 62 pages. Eulenburg Edition #ETP 571. Published by Eulenburg Edition (HL.49015921).

ISBN 9790200204919. UPC: 073999317428. 5.25x7.5x0.187 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

By Francesco Geminiani. (Study Score). Schott. 32 pages. Published by Eulenburg Germany (Schott).

Composed by Frederic Mompou. Piano. Softcover. 229 pages. Editions Salabert #SLB5950. Published by Editions Salabert

Orchestra (Score)

SKU: HL.49004367

Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Op. 4/3. 28 pages. Duration 10'. Schott Music #ED 3828. Published by Schott Music (HL.49004367).

ISBN 9790001045360. 9.0x12.0x0.118 inches.