SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705311

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/11. Published by Carus Verlag (CA.2705311).

ISBN 9790007199562. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705312

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/12. Published by Carus Verlag (CA.2705312).

ISBN 9790007199579. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. This edition: paperbound. MH 546. Score available separately - see item CA.5454600. Latin Masses. Piano/Vocal score. Language: Latin. Composed 1793. 80 pages. Duration 40 min. Published by Carus Verlag

Edited by Peter Altmann / Franz Gerstacker. For TTBB choir. Choral music. (Chorwerke von Leonard v. Call, Franz Xaver Eisenhofer, Michael Haydn, Adolf Muller sen., Hans Georg Nageli, Benedikt Randhartinger, Franz Schubert, Carl Maria von Weber und Carl Friedrich Zelter). Sacred, secular. Collection. Published by Doblinger Music Publishers

(SATB)

SKU: HL.48189768

Composed by Michael Haydn. Leduc. Softcover. Alphonse Leduc #NT21246Z. Published by Alphonse Leduc (HL.48189768).

Haydn Passaquet Responsoria In Parasceve Animam Meam Satb & Organ.

(SATB)

SKU: HL.48189766

Composed by Michael Haydn. Leduc. Softcover. Alphonse Leduc #NT21230Z. Published by Alphonse Leduc (HL.48189766).

UPC: 888680832827. 8.5x12.0x0.177 inches.

Haydn Responsoria In Coena Domini Repons Jeudi Saint Satb & Organ.

(SATB)

SKU: HL.48189769

Composed by Michael Haydn. Leduc. Softcover. Alphonse Leduc #NT21250Z. Published by Alphonse Leduc (HL.48189769).

UPC: 888680832858. 8.5x12.0x0.246 inches.

Haydn J.M Passaquet Responsoria In Sabbato Sancto Satb & Organ Choral.

(SATB)

SKU: HL.48189767

Composed by Michael Haydn. Leduc. Softcover. Alphonse Leduc #NT21240Z. Published by Alphonse Leduc (HL.48189767).

UPC: 888680832834. 8.5x12.0x0.226 inches.

Haydn Passaquet Responsoria In Parasceve Repons Vendredi Satb & Organ.

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. For SATB choir and keyboard. Octavo. 19 pages. Published by Alliance Music Publications

French Horn and Piano. By Michael Haydn. Arranged by Barry Tuckwell. Brass Solo. Size 9x12 inches. 24 pages. Published by Schirmer.

By Michael Haydn (1737-1806). Edited by Ulrich Leisinger, Christa Landon. For Piano. Easy. Hob XVI:7, 9, 4 and 8. Published by Wiener Urtext/Vienna Urtext

By Michael Haydn (1737-1806). Edited by Sherman, Charles H.. Sacred, Motets; Occasions: Peace and Justice. Score. 8 pages

Clarinet in A. Composed by Michael Haydn (1737-1806). Edited by Werner Rainer. Arranged by W. Rainer. String music. Diletto Musicale. Piano reduction. 40 pages pages. Published by Doblinger Music Publishers (DB.DM-01222-KLA).

By Michael Helman. For unison/2-part choir, organ and congregation (with optional 2 trumpets). Hymns of Faith Series. Sacred Anthem. Octavo. Published by Chorister's Guild . Octavo. Sacred Anthem.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032109

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. 1x 50.321/31 clarino 1, 1x 50.321/32 clarino 2, 1x 50.321/33 trumpet 1, 1x 50.321/34 trumpet 2, 1x 50.321/35 trombone 1, 1x 50.321/36 trombone 2, 1x 50.321/37 trombone 3, 1x 50.321/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1771. MH 155. 72 pages. Duration 35 minutes. Carus Verlag #CV 50.321/09. Published by Carus Verlag (CA.5032109).

ISBN 9790007081003. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score and parts available separately - see item CA.5032100.

Soli SATB, Coro SATB, 2 Ctr, 2 Tr, (3 Trb), Timp, 2 Vl, Bc - Level 3

SKU: CA.5032104

Composed by Michael Haydn. Edited by Charles H. Sherman. Stuttgart Urtext Edition: Johann Michael Haydn. XL in large print. Sacred vocal music, Requiem, Mourning, death. Vocal score. Composed 1771. MH 155. 72 pages. Duration 35 minutes. Carus Verlag #CV 50.321/04. Published by Carus Verlag (CA.5032104).

ISBN 9790007244613. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032119

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1771. MH 155. Duration 35 minutes. Carus Verlag #CV 50.321/19. Published by Carus Verlag (CA.5032119).

ISBN 9790007133566. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score and parts available separately - see item CA.5032100.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032105

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Choral Score. Composed 1771. MH 155. 20 pages. Duration 35 minutes. Carus Verlag #CV 50.321/05. Published by Carus Verlag (CA.5032105).

ISBN 9790007080990. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.

SATB choir; flute

SKU: HP.C5889C

Arranged by Patrick M. Liebergen. General Worship, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5889C. Published by Hope Publishing Company (HP.C5889C).

UPC: 763628958893. By Joseph Haydn. Scripture: Psalm 96:1, Psalm 98:1, Psalm 149:1.

Classic hymn by Joseph Haydn Appropriate for church and concert use, this exuberant setting of a canon by Johann Michael Haydnhas been arranged with both small and large choirs in mind. Incorporating the well known Latin phrases: Gloria Deo (glory to God) and Cantate Domino (sing to the Lord), this is a perfect selection year around. The opt. Flute Part is included and offers a supportive obbligato for this jubilant Psalm setting.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453005

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Choral Score. MH 530. 16 pages. Duration 40 minutes. Carus Verlag #CV 54.530/05. Published by Carus Verlag (CA.5453005).

ISBN 9790007130121. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score available separately - see item CA.5453000.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453049

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1793. MH 530. 28 pages. Duration 40 minutes. Carus Verlag #CV 54.530/49. Published by Carus Verlag (CA.5453049).

ISBN 9790007226183. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.