By Pamela Cooper Bye. For piano/vocal. SongBook. Sacred. Book. 148 pages. Published by Mel Bay Publications, Inc.
Level: Intermediate.

(Medium/Low Voice Edition). By Samuel Barber (1910-1981). Edited by Richard Walters. Vocal Collection. 288 pages

(High Voice Edition). By Samuel Barber (1910-1981). Edited by Richard Walters. Vocal Collection. Softcover. 288 pages

Performed by The Doors. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and black and white photos. Classic rock and psychedelic rock. 412 pages. 9x12 inches. Published by Hal Leonard.

Composed by Various. Piano Solo Songbook. Softcover. 256 pages. Published by Hal Leonard

By Many. Arranged by Brent Pierce / Robert P. Manookin / Crawford Gates / A. Laurence Lyon / Gerald Dick / Merrill Jenson / K. Newell Dayley / John Longhurst / Michael K. Runyan / Blair R. Lyon. -. For Piano Book. Published by Jackman Music Corporation.
Level: Varied.

Composed by Jerry Ray. For voice and piano. Format: piano/vocal songbook. With vocal melody, lyrics, chord names and piano accompaniment. Hymn. 144 pages. 9x12 inches. Published by Alfred.

By Oquin. For piano. General. Level: Difficult. Published by Concordia Publishing House.

Budget Books. Composed by Various. Piano Solo Songbook. Movies. Softcover. 352 pages. Published by Hal Leonard

(Seven Inspirational Favorites for Two Pianos). Composed by Marilyn Thompson. For piano. Sacred. Moderately advanced. Lillenas Publishing Company #9780834196179. Published by Lillenas Publishing Company

14 Reflective Arrangements by Phillip Keveren. Composed by Various. Arranged by Phillip Keveren. Piano Solo Songbook. Easy Listening, Sacred. Softcover. Published by Hal Leonard

Arranged by Margaret Goldston. For voice and piano. Format: piano/vocal songbook (with separate piano solo arrangements). With introductory text. Sacred. 32 pages. 9x12 inches. Published by Alfred.

Hymn Arrangements for Every Occasion. Arranged by Gail Smith. For Piano. Hymnal. Sacred. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 208 pages. Published by Mel Bay Publications, Inc.

By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 312 pages. Published by Hal Leonard.

Choral Cello, Clarinet, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Oboe, Percussion 1, Percussion 2, Piano, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, alto voice, bass voice, bassoon, soprano voice, tenor voice

SKU: CF.CM8752IN

Composed by Jill Jackson Sy Miller. Arranged by Mark Hayes. With Standard notation. 24+4+4+3+3+3+3+3+2+2+2+2+ 2+6+8+3+32+32+15+15+15 pages. Carl Fischer Music #CM8752IN. Published by Carl Fischer Music (CF.CM8752IN).

UPC: 798408047276. Key: C major. English. Sy Miller, Jill Jackson.

Let There Be Peace on Earth has long been a favorite of church, community and school choirs across this country. From the first few measures of the introduction, a tone of reverence and dignity is heard. The arrangement gradually builds in strength arid intensity, sensitively supporting the beauty of the text. A half-step modulation in the second verse moves to the climactic ending, which echoes the phrase, Let there be peace! This is truly a song for our time.

Light Jazz Piano Arrangements of Favorite Hymns. Arranged by John M. Devries. For Piano. Book and CD. Published by Shawnee Press.

A Mass in Celebration of Mother Earth. By Paul Winter. Composed by Paul Halley, Jim Scott, Oscar Castro-Neves, Kim Oler, Paul Winter. For Soprano Saxophone, Oboe/English Horn, Cello, Piano, Organ, Guitar, Bass and Percussion. (IPAKS). Choral. Instrumental Score and Parts. Published by Hal Leonard.

Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice

SKU: PR.31241902A

From Terra Nostra. Composed by Stacy Garrop. Set of Score and Parts. Duration 3:15. Theodore Presser Company #312-41902A. Published by Theodore Presser Company (PR.31241902A).

UPC: 680160690510. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?