For Clarinet and Piano. By Aaron Copland. (Clarinet). Boosey and Hawkes Chamber Music. Softcover. Size 9x12 inches. Published by Boosey & Hawkes.

200 Songs for All Occasions. Easy Piano Songbook (Easy arrangements for piano and voice). Size 9x12 inches. 514 pages. Published by Hal Leonard.

Sonatas for Piano and Clarinet (or Viola) op. 120, Nos. 1 and 2 (Viola part only) (Additional Viola Part for Clarinet and Piano Version). By Johannes Brahms (1833-1897). Edited by Hans-Martin Theopold and Monica Steegmann. For Viola. Viola. Henle Music Folios. Pages: Va Part =16. Solo part only. 16 pages. G. Henle #HN315. Published by G. Henle

Edition for Clarinet in A and Piano - Revised Edition. By Robert Schumann. Edited by W. Boetticher, E. Herttrich. Clarinet. Pages: Score= V and 15 * Cl in A Part = 7. Urtext edition-paper bound. Published by G. Henle.

And Piano, - Version for Violin and Piano - with Comments in English - Revised Edition. By Robert Schumann. Edited by E. Herttrich. This edition: HN421. Violin. Henle Music Folios. Pages: Score = V and 20 * Vl Part = 7. Urtext edition-paper bound. 32 pages. Published by G. Henle.

Op. 73 - Version for Violoncello and Piano - Revised Edition. By Robert Schumann. Edited by E. Herttrich. Violoncello. Pages: Score = V and 15 * Vc Part = 7. Urtext edition-paper bound. Published by G. Henle.

(Clarinet/Piano)

SKU: HL.48181342

Composed by Jeanine Rueff. Leduc. Classical. CD. 9 pages. Alphonse Leduc #AL20782. Published by Alphonse Leduc (HL.48181342).

UPC: 888680856731. 9.0x12.0x0.096 inches.

“Jean ine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular, alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism, triplet motifs and the exploitation of the entire range of the Clarinet. Rueff's Concertino provides a challenging yet riveting piece for advanced clarinetists.”.

With Recorded Performances and Accompaniments. Composed by Leonard Bernstein (1918-1990). Edited by Todd Levy and Richard Walters. Boosey and Hawkes Chamber Music. Classical. Softcover Audio Online. 32 pages. Boosey and Hawkes #M051105656. Published by Boosey and Hawkes

(reduction for clarinet and piano) Composed by Aaron Copland (1900-1990). Set of performance parts for Clarinet and piano accompaniment. 27 pages. Published by Boosey and Hawkes.

By George Alexander Osborne. For clarinet (violin) and piano. Winds and Piano. Duos. Score and set of parts. Published by Rosewood Publications

With online audio of piano accompaniments. By Various. By Various. For Classical Players. Wedding. Softcover Audio Online. 56 pages. Published by Hal Leonard

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

With online audio of piano accompaniments. By Various. By Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

With online audio of piano accompaniments. By Various. By Various. For Classical Players. Broadway. Softcover Audio Online. 64 pages. Published by Hal Leonard

Clarinet, Piano Accompaniment (Clarinet)

SKU: HL.14008418

Composed by Sir Peter Maxwell Davies. Music Sales America. Post-1900. Sheet Music, Score. With Text language: English. 32 pages. Chester Music #CH55902. Published by Chester Music (HL.14008418).

UPC: 884088809034. 8.5x11.75x0.114 inches.

This work, which was written shortly after the Trumpet Sonata and the Five Pieces For Piano, was first performed by Georgina Dobree and the composer at the 1957 Darmstadt Festival. The score was subsequently lost, but was rediscovered by Kevin Corner in 1983. 'This is a dramatic, emphatic and at times extravagant piece. The first movement is a Moderato reaching through wide-flung clarinet lines and keen piano gestures to a great climax near the end. Then comes a quick movement, a kind of demonic scherzo, including a cadenza for the clarinettist. The finale is an Adagio that gradually achieves a sort of simplicity, though not before exceedingly testing times for both players. Duration c. 25mins.

For Clarinet and Piano. By Andy Firth. (Clarinet). Boosey and Hawkes Chamber Music. BOOK W/CD. Size 9x12 inches. Published by Boosey and Hawkes.

For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

for Clarinet and Piano. By Carl Maria von Weber. Arranged by Ernest Roth. (Clarinet). Boosey and Hawkes Chamber Music. Size 9x12 inches. 44 pages. Published by Boosey and Hawkes.

Clarinet and Piano. By Various. Arranged by Peter Wastall. (Clarinet). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. Published by Boosey and Hawkes.

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*) - grade 5

SKU: CN.R10004

Composed by John Ireland. Band Music. Score and parts. Duration 10:30. Published by G & M Brand Music Publishers (CN.R10004).

A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.

Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

(Arranged for Clarinet in B-flat and Piano With a CD of Piano Accompaniments). By Leonard Bernstein (1918-1990). Arranged by Joel Boyd and Joshua Parman. For Clarinet, Piano Accompaniment (Clarinet). Instrumental Folio. Softcover with CD. 64 pages. Boosey

2-3 clarinets / clarinet and piano (CL/PF) - easy

SKU: HL.49015420

Composed by Rudolf Mauz. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Performance Book. 62 pages. Schott Music #ED 8084. Published by Schott Music (HL.49015420).

ISBN 9783795751562. 9.0x12.0x0.269 inches. German.

Tune Book 2 of Mauz' Clarinet Method is adjusted to the content of Vol. 2 of the method. It provides additional performance material for clarinet and piano as well as for 2 or 3 clarinets. German and international songs, several canons as well as short pieces from the Classical, Romantic and Modern eras shall further deepen the joy of joint music-making.

From Pelleas Et Melisande, Clarinet in BB and Piano. By Gabriel Faure. For Piano, Clarinet Solo. This edition: Grade 3 Achievement Level. Carl Fischer CD Solo Series. Classical. Score and Audio CD. 8 pages. Published by Carl Fischer.
Level: Grade 3.

Clarinet and Piano Reduction. By Michael Daugherty. This edition: M051105243. Boosey and Hawkes Chamber Music. Softcover. 52 pages. Published by Boosey and Hawkes.

(Clarinet in B-flat with Piano Reduction). Composed by Bernhard Henrik Crusell (1775-1838). Edited by Nicolai Pfeffer. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. 34 pages. G. Henle #HN1210. Published by G. Henle