Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8882
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8882.
Published by Breitkopf
and Haertel (BR.EB-8882).
ISBN 9790004184721. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and piano SKU: BR.EB-8881 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8881
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 120
pages. Breitkopf and
Haertel #EB 8881.
Published by Breitkopf
and Haertel (BR.EB-8881).
ISBN 9790004184714. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and piano SKU: BR.EB-8880 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8880
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 156
pages. Breitkopf and
Haertel #EB 8880.
Published by Breitkopf
and Haertel (BR.EB-8880).
ISBN 9790004184707. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
For Piano Solo. Composed by Maurice Ravel (1875-1937). Arranged by Alexander...(+)
For Piano Solo. Composed
by
Maurice Ravel
(1875-1937).
Arranged by Alexander
Korsantia. Piano.
Classical.
Softcover. 40 pages.
Sikorski
#SIK1762. Published by
Sikorski
SATB choir and piano/orchestra SKU: OU.9780193555471 Composed by Ryan Mur...(+)
SATB choir and
piano/orchestra
SKU:
OU.9780193555471
Composed by Ryan Murphy.
Vocal score. 12 pages.
Duration 5'. Oxford
University Press
#9780193555471. Published
by Oxford University
Press (OU.9780193555471).
ISBN 9780193555471. 10
x 7 inches.
For
SATB and piano or
orchestra This
arrangement of a
traditional American
spiritual conjures a deep
fervency, belying its
simple appearance. The
opening instruction is
'With hushed awe', and
that encapsulates
perfectly the gentle
radiance of the tender
lyrics and the music's
highly singable
lines.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
(Christmas cantata). Composed by Georg Philipp Telemann (1681-1767). Edited by K...(+)
(Christmas cantata).
Composed by Georg Philipp
Telemann (1681-1767).
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. For solo bass
voice (baritone voice),
SATB choir, 2 violins,
viola, basso continuo,
[trumpet]. B-Dur (B-flat
major). Stuttgart Urtext
Edition. German title:
Allein Gott in der Hoh
sei Ehr. Cantatas,
Christmas. Level 3.
Choral score. Language:
German/English. TVWV
1:58. Duration 18
minutes. Published by
Carus Verlag
Eyesight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano
SKU: PR.342402070
Composed by Steven
Stucky. -. Ars Nova
Chamber Singers, Boulder
CO. Performance Score.
With Standard notation.
Composed 7-Feb. 8 pages.
Duration 3 minutes.
Theodore Presser Company
#342-40207. Published by
Theodore Presser Company
(PR.342402070).
ISBN
9781491111253. UPC:
680160643226. Octavo
inches. Text: Archibald
R. Ammons. Archibald
Ammons. Text by A.R.
Ammons.
To benefit
Chorus America, Stucky
allowed himself to be
auctioned off as a prize
- the high bidder would
receive a new work from
the composer. After a few
years and not really
hearing anything, Stucky
suddenly found himself up
against a deadline. He
reached back to a
favorite poem by A.R.
Ammons, Eyesight, which,
he says, Won't let...his
reader rest till the very
last word...one of those
sudden insights that
leave us
breathless.. This
piece has an odd history.
A few years ago, I agreed
to be one of
the“prizesâ€
in an auction to benefit
Chorus America: the
highest bidder wouldget a
new piece from me, while
their money went to the
organization. Thewinning
bid came from a
collection of several
professional choruses
anddirectors. But I was
always a little vague
about the details, and,
hearingnothing more about
it for a few years,
forgot the whole
thing.One day I received
a message from Thomas
Edward Morgan, directorof
the Ars Nova Chamber
Singers in Boulder: they
had scheduled thepremiere
of my new piece for a few
weeks later, and could
they have themusic,
please? I needed a text,
quickly, and (as usual) I
was in a Los Angeleshotel
room, not at home with my
books. So I turned to the
internet andsoon tracked
down my favorite poet,
A.R. Ammons
(1926-2001).Once I
stumbled on
“Eyesight,†I
remembered having loved
the poemyears before.
Archie must have loved
it, too, because he
included it bothin his
Collected Poems 1951-1971
and in the later Selected
Poems. It haseverything
you want in an Archie
Ammons poem: what Edward
Hirschcalled his
“offbeat, sideways,
unpredictable
radiance,†his
“homespunglory.â
It has one of his
trademark conversations
with a mountain
(perhapsfrom his native
North Carolina), it has
the fluid motion from one
line tothe next
(enjambment, if you want
to get technical) that
won’t let him
orhis reader rest till
the very last word of the
very last line, and it
has in thatlast line one
of those sudden insights
that leave us breathless:
“some thingsthat go
are gone.â€I miss
Archie, but he’s
not gone. I’m
grateful for the
wonderful poems heleft
us, and I’m
grateful that he was
always generous and kind
when I hadthe chutzpah to
add my music to his.
Composed by Yukiko
Nishimura. Sws. Carl
Fischer Young String
Orchestra Series. Full
score. 12 pages. Duration
3 minutes, 2 seconds.
Carl Fischer Music
#YAS192F. Published by
Carl Fischer Music
(CF.YAS192F).
ISBN
9781491154922. UPC:
680160913473. 9 x 12
inches. Key: G
major.
At night you
see the moon up in the
sky shining in silver
color. The radiance is
both beautiful and
tranquil. Although in
triple time, Silver Moon
sort of feels like it is
in duple time with the
combination of a half
note and a quarter note.
The third beat should be
lighter, like Baroque
dance music. It is more
about a feeling so that
the music sounds more
natural and smooth. The
work consists of three
sections. The first and
the third have a main
theme with a repeated
pattern of harmonic
progressions. During the
second part each melody
sings more like a
dialogue. The optional
piano part adds to the
special quality of the
song. At night you see
the moon up in the sky
shining in silver color.
The radiance is both
beautiful and tranquil.
Although in triple
time, Silver Moon sort
of feels like it is in
duple time with the
combination of a half
note and a quarter note.
The third beat should be
lighter, like Baroque
dance music. It is more
about a feeling so that
the music sounds more
natural and smooth. The
work consists of three
sections. The first and
the third have a main
theme with a repeated
pattern of harmonic
progressions. During the
second part each melody
sings more like a
dialogue. The optional
piano part adds to the
special quality of the
song.
SKU: CA.3124885 Composed by Johann Sebastian Bach. Carus Choir Coach. Wei...(+)
SKU: CA.3124885
Composed by Johann
Sebastian Bach. Carus
Choir Coach.
Weihnachtsoratorium
1-4.Ccc. Oratorios.
Compact Disc. Carus
Verlag #CV 31.248/85.
Published by Carus Verlag
(CA.3124885).
The Carus Choir
Coach offers choir
singers the unique
opportunity to study and
learn their own,
individual choral parts
within the context of the
sound of the entire choir
and orchestra. For every
vocal range a separate CD
containing each choir
part is available. The CD
is based on recorded
interpretations by
renowned artists who have
performed the work from
carefully prepared Carus
Urtext editions. Each
choir part is presented
in three different
versions: - Original
recording - Coach: each
part is accompanied by
the piano, with the
original recording
sounding in the
background - Coach in
slow mode: the tempo of
the coach slows down to
70% of the original
version - through this
reduction passages can be
learned more effectively.
Bach's Christmas Oratorio
is undeniably the number
ONE in the Christmas
repertoire of choirs as
well as in popularity
with audiences. The
Christmas story,
according to the Gospels
of St. Luke and St.
Matthew, combined with
free poetry and
individual chorale
stanzas attains, together
with the clearly
structured, festive
Baroque music, an
eloquent radiance of
timeless beauty. To
confidently keep up with
the frequent, sometimes
very rapid
sixteenth-coloraturas -
for example in the
herrliche Chore (no. 1),
the Wohlgefallen (no. 21,
Vivace!), and the
Schnauben der stolzen
Feinde (no. 54) -
practicing with the Slow
Mode of the app is
particularly recommended.
Score available
separately - see item
CA.3124800.
Choral TBB choir, piano SKU: CF.CM8403 Composed by Kirke Mechem. Performa...(+)
Choral TBB choir, piano
SKU: CF.CM8403
Composed by Kirke Mechem.
Performance Score. With
Standard notation. 12
pages. Carl Fischer Music
#CM8403. Published by
Carl Fischer Music
(CF.CM8403).
ISBN
9780825811647. UPC:
798408011642. 6.875 X
10.5
inches.
Commissione
d by the Kansas State
University Men's Glee
Club in memory of its
former president Dennis
Clark, this somber work
by Kirke Mechem uses text
from a poem by the
composer. Evoking the
searching and yearning to
that the living sometimes
feel for those who are
gone, the music features
the shadows of the moon
being overcome by the
radiance from the
stars.