(Organ Music for the End of the Church Year). Edited by Andreas Rockstroh. For organ. This edition: Paperback. Performance score, Anthology. Text Language: German/English. 84 pages. Published by Baerenreiter Verlag

By A Great Big World. By Chad Vaccarino and Ian Axel. Arranged by Roger Emerson. For Choral (2-Part). Pop Choral Series. 16 pages. Published by Hal Leonard

Arranged by Roger Emerson. For Choral (ShowTrax CD). Pop Choral Series. CD only. Published by Hal Leonard

Pre 1

SKU: CL.023-4819-00

Composed by Romeyn. Young Concert Band. Sound Foundations Series. Score and set of parts. Composed 2020. Duration 1 minute, 53 seconds. C.L. Barnhouse #023-4819-00. Published by C.L. Barnhouse (CL.023-4819-00).

Your beginning band will really shine with this fun and engaging tune! Rockstar has it all: a fun drum groove, catchy melody, and a harmonic accompaniment that provides the drive to keep it all together – all this while using only the first six notes learned in band instruction. You'll want to save this one for the end of rehearsal, as students will want to play it over and over. Perfect for school assemblies and pep rallies. Rock on!!

Easy preludes and postludes of the 19th century. Edited by Andreas Rockstroh. Stapled. Performance score, anthology. Baerenreiter Verlag #BA11260. Published by Baerenreiter Verlag

Pre 1

SKU: CL.023-4819-01

Composed by Romeyn. Young Concert Band. Extra full score. C.L. Barnhouse #023-4819-01. Published by C.L. Barnhouse (CL.023-4819-01).

Your beginning band will really shine with this fun and engaging tune! Rockstar has it all: a fun drum groove, catchy melody, and a harmonic accompaniment that provides the drive to keep it all together – all this while using only the first six notes learned in band instruction. You'll want to save this one for the end of rehearsal, as students will want to play it over and over. Perfect for school assemblies and pep rallies. Rock on!!

By A Great Big World. By Chad Vaccarino and Ian Axel. Arranged by Roger Emerson. For Choral (SATB). Pop Choral Series. 16 pages. Published by Hal Leonard

By A Great Big World. By Chad Vaccarino and Ian Axel. Arranged by Roger Emerson. For Choral (SAB). Pop Choral Series. 16 pages. Published by Hal Leonard

Piano

SKU: BT.MUSUMP22227

De Musica De Teclado. Classical. Book Only. 88 pages. Union Musical Ediciones #MUSUMP22227. Published by Union Musical Ediciones (BT.MUSUMP22227).

ISBN 9780711975545.

Volu me two of Spanish keyboard music by composers ranging from the 16th to 18th century including Fray Juan Bermudo, Joseph Ximenez, S de Albero and J. Haydn.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

SKU: BT.SINFJ106

Composed by Andrea Avena. Book Only. 232 pages. Sinfonica #SINFJ106. Published by Sinfonica (BT.SINFJ106).

ISBN 9788884001580. Italian.

Analisi e manipolazioni delle linee melodiche- Linea melodica guida - Concetto di variazione, consonanze e dissonanze - adattamento ritmico - Registri - Relazione accordi - scale - Limite del registro grave - Esempi, soluzioni ed esercizi.

Guitar

SKU: BT.MI0414

Composed by Silvio Astuto. Studies and Exercises. Book and DVD. Composed 2019. Play Music Italy #MI0414. Published by Play Music Italy (BT.MI0414).

Italian.

Con non meno di 100 esercizi di “ginnastica� �¢â‚¬Â per la chitarra, questo metodo vi permetter di essere tecnicamente più sicuri di voi stessi, di avere una mano più agile sulla tastiera, più sciolta, più rapida, più precisa e quindi anche più efficace… Praticando regolarmente questi esercizi, le vostre dita saranno rapidamente capaci di raggiungere qualsiasi nota, che sia nel registro acuto suonando un assolo o nel registro grave per formare un accordo, in un approccio verticale o durante uno spostamento laterale… in breve, in tutte le situazioni che incontrerete prima o poi in quanto chitarrista. Sul disco allegato al metodo, le registrazioni video (in formato mp4) mostrano i 100esercizi in modo che possiate osservare la posizione delle mani e delle dita. Sono spesso semplici dettagli che ci bloccano!

Performed by Nickelback. Guitar tablature songbook for guitar and voice. Series: Authentic Guitar-Tab Editions. 88 pages. Published by Alfred Publishing.

((No Tab)). By Various. For Guitar. Easy Guitar. Softcover. 216 pages. Published by Hal Leonard

Welsh Folk Song. By Anonymous. Arranged by Larry Clark. Chamber o rchestra. Carl Fischer Performance Series - First Plus String Orchestra. Classical. Level: very easy. Score and parts. 8 pages. Published by Carl Fischer.

Concert Band/Harmonie - Grade 4

SKU: BT.GOB-000810-010

Composed by Jan Bosveld. Set (Score & Parts). 8 pages. Gobelin Music Publications #GOB 000810-010. Published by Gobelin Music Publications (BT.GOB-000810-010).

L’Entracte is a lively piece composed by Jos Bosveld, filled with cheerful sounds that are reminiscent of a circus band. Wake your audience up with L’Entreacte, since no one will be able to sit still for a moment with this music!

Even het publiek wakker schudden? Met dit ‘tussendoortje’ blijft het moeilijk om stil te zitten! Voor u het weet, klapt iedereen mee met de vrolijke klanken van het circusorkest!

Woll en Sie Ihr Publikum einmal zwischendurch so richtig wachrütteln? ’Entracte von Jos Bosveld ist der ideale Programmpunkt als Auflockerung zwischen zwei ruhigen Werken, denn zu dieser Musik kann niemand still sitzen! Mit den froühlichen Klaüngen in der Art eines Zirkusorchesters koünnen Sie aber auch wunderbar Ihr Publikum verabschieden.

Voulez-vous raviver l’attention de votre public à un moment précis de votre programme de concert ? Alors L’Entreacte de Jos Bosveld est la pièce idéale, à placer impérativement entre deux morceaux plus calmes. Personne ne pourra résister à l’engouement de L’Entracte. Avec des sons joyeux tel un orchestre de cirque, vos musiciens seront ravis et votre public aussi !

L’Entracte è un brano ideale da eseguire tra due pezzi più calmi. Nessuno resisterà all’energia travolgente di L’Entracte. Suoni gioiosi e trascinanti simili a quelli delle musiche da circo coinvolgeranno i musicisti ed il pubblico!

Orchestra (PART3)

SKU: HL.49015208

Leichte Satze alter Meister. Edited by Helmut W. May. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 12 pages. Schott Music #ED 6160-16. Published by Schott Music (HL.49015208).

ISBN 9790001065788.

By Various. Piano/Vocal/Guitar Songbook. Pop. Softcover. 274 pages. Published by Hal Leonard

Concert Band/Harmonie - Grade 4

SKU: BT.GOB-001149-140

Composed by Harrie Janssen. Concert March. Score Only. Composed 2012. 26 pages. Gobelin Music Publications #GOB 001149-140. Published by Gobelin Music Publications (BT.GOB-001149-140).

9x12 inches. English-Dutch.

The title Whistle for a Penny can have different meanings, but brings especially to mind the difficult relationship between art and money… After a short introduction, the main theme is heard. This theme is an excellent tune to whistle, by the way. After lots of variation in the instrumentation, as well as contrasting melodies and themes, the finale sees a return to the opening bars of the composition.

Kunst en geld? Helaas gaat dat niet altijd even goed samen...En dat is waar deze titel naar verwijst. Maar ook naar het feit dat uw publiek met dit werk uitstekend kan meefluiten! Na een korte inleiding horen we het hoofdthema; hétmoment om mee te doen! Na veel afwisseling in de instrumentatie, contrasterende melodieën en thema’s keren we terug naar de inleidende maten.

Der Titel Whistle for a Penny (‘Pfeife für einen Pfennig’) kann auf verschiedene Weise gedeutet werden, ist aber auch sicherlich ein Verweis auf das problematische Verhältnis zwischen Kunst und Geld...Nach einer kurzen Einleitung erklingt in diesem Konzertmarsch das Hauptthema, das man ausgezeichnet mitpfeifen kann. Nach viel Abwechslung in der Instrumentation sowie kontrastierenden Melodien und Themen kehrt der Schluss zu den einleitenden Takten zurück.Eine runde Sache!

Une courte introduction précède l’entrée du thème principal. Celui-ci est un air que l’on peut siffler facilement (whistle signifiant siffler“ ou sifflement“ en anglais, tandis que pennywhistle est un fl teau).La mélodie suivante est exécutée par le registre grave de l’orchestre, puis le thème principal revient dans diverses instrumentations. Dans le trio, nous entendons un thème lyrique qui précède un tutti. La marche s’achève avec une coda qui rappelle allègrement les premières mesures de la pièce.

Una breve introduzione precede il tema principale, un’aria che si può fischiare facilmente (whistle significa appunto fischiare, mentre il pennywhistle è una specie di flauto). La melodia che segue è affidata al registro grave dell’orchestra che anticipa la riesposizione del tema iniziale in diverse strumentazioni. Nel trio, sentiamo un tema lirico che precede un tutti. La marcia termina con una coda che riprende allegramente le prime misure del brano.

Clarinet and Piano. Composed by Philip Sparke (1951-). Arranged by Philip Sparke. Anglo Instrumental series. Educational Tool. Book [Softcover]. Composed 2004. 40 pages. Anglo Music Press #AMP 130-401. Published by Anglo Music Press