Edited by Guy/Mcarthur. For Piano. The second installment of this exceptional pi...(+)
Edited by Guy/Mcarthur.
For Piano. The second
installment of this
exceptional piano
literature series
continues to strengthen a
student's ability to find
and project melody. The
music represents a
variety of keys, tempi,
meters, and style.
Includes technical
exercises for melodic
expression, descriptive
summaries for each piece,
and composer biographies.
Contents include:
Fantasia in G major Wq.
117:8 (C.P.E. Bach);
Concerto in D Minor BWV
974 2nd mvt (J.S. Bach);
Gavotte from French Suite
#5 (J.S. Bach);
Buciumeana from Romanian
Dances No. 4 (Bartok);
Bagatelle in F Major Op.
33 No. 3 (Beethoven);
Sonata in C# Major Op. 27
No. 2 1st mvt
(Beethoven); Dream
(Bloch); Waltz in G#
Minor Op. 39 No. 3
(Brahms); Mazurka in G
Minor Op. 67 No. 2
(Chopin); Prelude in C
Minor Op. 28 No. 20
(Chopin
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
Edited by Jerome Goldstein, Arranged by Denes Agay. Book. Published by Music Sa...(+)
Edited by Jerome
Goldstein, Arranged by
Denes Agay. Book.
Published by Music Sales.
(YK21541)
Easy, familiar solos for
Eb Alto saxophone from
baroque to boogie.
Includes Lonesome Road,
House of the Rising Sun,
Rumanian Rhapsody, and
many more.
Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
For guitar and voice. Format: guitar tablature songbook. With guitar tablature, ...(+)
For guitar and voice.
Format: guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names and
guitar chord diagrams.
Rock, Classical Period,
Movies, Pop, Standards
and Country. 240 pages.
9x12 inches. Published by
Hal Leonard.
Composed by Bela Bartok (1881-1945). Edited by Hywel Davies. BH Piano. Classical...(+)
Composed by Bela Bartok
(1881-1945). Edited by
Hywel Davies. BH Piano.
Classical. Softcover with
CD. 52 pages. Boosey and
Hawkes #M060131998.
Published by Boosey and
Hawkes (HL.48023789).
Paperback Songs. Performed by Various. Paperback Songs (Melodies, lyrics, and ch...(+)
Paperback Songs.
Performed by Various.
Paperback Songs
(Melodies, lyrics, and
chords in a convenient
format). Size 4.25x6.75
inches. 256 pages.
Published by Hal Leonard.
Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
For guitar and voice. Format: guitar tablature songbook. With guitar tablature, ...(+)
For guitar and voice.
Format: guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar notation legend.
Rock and pop rock. 1024
pages. 8.5x11 inches.
Published by Hal Leonard.
Piano SKU: HL.48023788 Composed by Bela Bartok. Edited by Hywel Davies. B...(+)
Piano
SKU:
HL.48023788
Composed
by Bela Bartok. Edited by
Hywel Davies. BH Piano.
Classical. Softcover with
CD. 36 pages. Boosey &
Hawkes #M060131981.
Published by Boosey &
Hawkes (HL.48023788).
ISBN 9781784541927.
UPC: 888680687953. 9x12
inches.
The
Definitive Bartók
Edition brings
together selected
highlights from the
definitive imprints of
pedagogical masterpieces
Mikrokosmos
(1926-37) and For
Children (1908-09,
revised 1943) alongside
excerpts from Romanian
Folk Dances (1915)
and Romanian Christmas
Carols (1915) in two
companion volumes for the
very first
time.
Contents:
St. George Day (For
Children I/2) • Come
Here, Lidi (For Children
I/3) • Melody with
Accompaniment
(Mikrokosmos - No. 41)
• Children's Song
(For Children II/9)
• Mourning Song (For
Children II/10) • In
Yugoslave Style
(Mikrokosmos - No. 40)
• Ploughing (For
Children II/14) •
Rogue's Song/Sorrow (For
Children II/7) •
Bagatelle No. 6 (Fourteen
Bagatelles - No. 6)
• Baking Song (For
Children I/1) •
County Fair (Mikrokosmos
No. 47) • The Lost
Couple (For Children
I/11) • The Two
Roses (For Children
II/11) • Three Roses
(For Children II/11)
• My Lover's Mother
(For Children II/12)
• Where Are Your
Geese? (For Children
II/13) • Slovakian
Folk Song (Ten Easy
Pieces - No. 8) • In
The Garden (For Children
I/26) • Carol No. 4
(Romanian Christmas
Carols - set I, No. 4)
• Carol No. 7
(Romanian Christmas
Carols - set II, No. 7)
• Triplets
(Mikrokosmos - No. 75)
• Farewell (For
Children II/34) •
Duet for Pipes
(Mikrokosmos - No. 88)
• Kitty, Kitty (For
Children I/5) •
Round Dance (For Children
I/17) • Bagatelle
No. 4 (Fourteen
Bagatelles - No. 5)
• Variations
(Mikrokosmos - No. 87)
• From the Island of
Bali (Mikrokosmos - No.
109) • Children's
Dance (For Children
I/10).
Composed by Miscellaneous. Arranged by Bob Chilcott. Christmas Songs and Carol...(+)
Composed by
Miscellaneous.
Arranged by Bob Chilcott.
Christmas Songs and
Carols -
Mixed Voices. Vocal
score. 8
pages. Duration 2'.
Oxford
University Press
#9780193517608. Published
by
Oxford University Press
Intermediate to Early Advanced Works by 37 Composers. Edited by Maurice Hinson. ...(+)
Intermediate to Early
Advanced Works by 37
Composers. Edited by
Maurice Hinson.
Masterworks; Piano
Collection. Alfred
Masterwork Edition. 20th
Century; Masterwork.
Book. 208 pages. Alfred
Music #00-21442.
Published by Alfred Music
Brass Band - Grade 3 SKU: BT.AMP-396-030 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-030
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Set (Score &
Parts). Composed 2013.
Anglo Music Press #AMP
396-030. Published by
Anglo Music Press
(BT.AMP-396-030).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€â
„¢ is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€â
„¢ (orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Hava Nagila Ensemble de cuivres [Conducteur] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-130 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-130
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Score Only.
Composed 2013. 24 pages.
Anglo Music Press #AMP
396-130. Published by
Anglo Music Press
(BT.AMP-396-130).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€â
„¢ is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€â
„¢ (orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Bassoon and Piano SKU: ST.C183 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C183
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C183. Published
by Clifton Edition
(ST.C183).
ISBN
9790570811830.
Drunken Sailor —
the
sequel This
needs a plaintive tone
especially in the upper
register where the
dynamics are particularly
important. To capture the
mood of the piece those
slurs in bars 35 and 36,
for example, might even
be close to a glissando.
Use your imagination to
recreate the sailor’s
state of
health!
Th
e Vulgar
Boatman Not
only more hidden melodies
but more appalling puns!
(Volga Boatman for those
not versed in Russian
folksongs). This is like
a waltz: it is written in
3/4 time but played so as
to give the impression of
one beat in bar. The
melodies need to be well
sustained so that we hear
four, eight or even more
bars as a single phrase.
Clues for the musical
detective:- in addition
to the Volga Boatman, you
might spot just a hint of
Sailing down the
River on a Sunday
Afternoon, We
Sail the Ocean Blue
(H.M.S. Pinafore),
The Eton Boating
Song and even
Wagner’s Flying
Dutchman.
Last Tango in
Harris Everyo
ne must surely know these
thinly disguised Scottish
tunes, but can you make
them sound like a tango?
Bear in mind that tangos
are not jazz: the rhythm
is quite strict, but the
tango character is in the
tone and the phrasing.
Notice how expressive the
occasional shorter note
value can be, as in bars
4 and 5 in the bassoon
part.
Rheu
manian
Stretches Or
was that Rumanian
Sketches? This is a
chance to play the main
melody in two registers
of the bassoon. Try to
make a good even sound in
both octaves. This piece
requires careful counting
since the phrases in the
bassoon part don’t
always begin where you
might expect. Think of
this piece as a
song. Four Pieces for
Bassoon and
Piano
Composed by Various. World's Favorite (Ashley). Classical. Softcover. 160 pages....(+)
Composed by Various.
World's Favorite
(Ashley). Classical.
Softcover. 160 pages.
Ashley Mark Publishing
Company #AS10008.
Published by Ashley Mark
Publishing Company
Male voices (TTBB), piano - Medium/Medium Difficult SKU: PL.9403 Composed...(+)
Male voices (TTBB), piano
- Medium/Medium Difficult
SKU: PL.9403
Composed by Alun
Hoddinott. Cathedral.
Choral, Christmas,
Advent. Octavo. Paraclete
Press #9403. Published by
Paraclete Press
(PL.9403).
Alun
Hoddinott has beautifully
set to music Llwelyn C.
Huws' texts translated
into English by Rhiannon
Hoddinott. The first
carol, set in the middle
vocal register, fully
captures the rich quality
and timbre of the male
voice. A lovely lyric
melody is sung first by
the tenors and then by
the basses. Quiet humming
is used as an aid in the
shaping of the melody. In
contrast, the second
carol uses homophonic
tonal shifts to depict
the Christmas story.
Extreme dynamic levels
and rapid passages in the
piano score propel the
piece to a triumphant
climax.