| Belwin Master Duets - Advanced Volume 1 (Clarinet) 2 Clarinettes (duo) [Partition] - Avancé Belwin
Belwin Master Duets - Advanced Volume 1 (Clarinet) (Advanced). Arranged by Keith...(+)
Belwin Master Duets -
Advanced Volume 1
(Clarinet) (Advanced).
Arranged by Keith Snell.
For 2 clarinets. Duet or
Duo; Woodwind - Clarinet
Duet. Classical.
Difficulty: easy-medium.
Collection. 32 pages.
Published by Belwin
Publishing
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Norfolk Rhapsody No. 2 Orchestre [Conducteur d'étude / Miniature] - Facile Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by Stephen Hogger. For or...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Stephen Hogger.
For orchestra (2 flutes,
2 oboes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
bass tuba, timpani,
triangle, harp and
strings). This edition:
paperback. Level B-C
(easy - moderately
difficult). Study score.
32 pages. Duration 10
minutes. Published by
Oxford University Press
$16.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Scherzo 3 Clarinettes (trio) [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
By Ludwig van Beethoven (1770-1827). Arranged by Eric Vireton. Clarinet Trio. Fo...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Eric Vireton. Clarinet
Trio. For 2 Bb Clarinets,
1 Bass Clarinet.
Classical, Chamber Music.
Grade 4. Score and Set of
Parts
$11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fun For Two With Schubert Clarinette - Facile Kendor Music Inc.
By Franz Schubert. Arranged by Paul M. Stouffer. For 2 Bb clarinets. Clarinet Du...(+)
By Franz Schubert.
Arranged by Paul M.
Stouffer. For 2 Bb
clarinets. Clarinet Duet.
Level: Grade 2-3.
Published by Kendor Music
Inc.
$8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Clarinet Solos, Duos, Trios Clarinette [CD d'écoute] Mark Custom Music
By Larry Combs, clarinet; Paul Drew Drushler, clarinet; Allen Sigel, clarinet; R...(+)
By Larry Combs, clarinet;
Paul Drew Drushler,
clarinet; Allen Sigel,
clarinet; Robeert
Schmidt, clarinet. By
Various. For clarinet,
clarinet ensemble. Mark
Records. Classical. Audio
CD. Published by Mark
Custom Music
$15.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Scherzo Clarinette [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
By Franz Joseph Haydn (1732-1809). Arranged by Eric Vireton. Clarinet Duet. For ...(+)
By Franz Joseph Haydn
(1732-1809). Arranged by
Eric Vireton. Clarinet
Duet. For 2 Bb Clarinets.
Classical, Chamber Music.
Grade 4. Score and Set of
Parts
$8.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Clarinet Choir Repertoire (4th Clarinet Part) Quatuor de Clarinettes: 4 clarinettes Rubank Publications
4th Clarinet Part (alternate for alto clarinet). By Various. (Clarinet). Ensemb...(+)
4th Clarinet Part
(alternate for alto
clarinet). By Various.
(Clarinet). Ensemble
Collection. Size 9x12
inches. 16 pages.
Published by Rubank
Publications.
$5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Band Book #6 French Horn Cor [Partition] Queenwood Publications
By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Level: Book E,...(+)
By John Edmondson. Edited
by Anne Mcginty.
Program/Technic Books.
Level: Book E,5. Music
Book. Published by
Queenwood Publications.
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wallenstein [Conducteur] Carus Verlag
Orchestra Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpe...(+)
Orchestra Piccolo, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 4
horns, 2 Trumpets, 3
Trombones, timpani,
Triangle, cymbals/drum
candles, 2 Violins,
viola, cello, contrabass
SKU: CA.5022300
Sinfonisches
Tongemalde. Composed
by Josef Gabriel
Rheinberger. Edited by
Hartmut Schick. This
edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Wallenstein 20.
Josef Gabriel
Rheinberger. Complete
Works. Full score
(complete edition /
selected edition).
Composed 1875. Op. 10.
336 pages. Duration 57
minutes. Carus Verlag #CV
50.223/00. Published by
Carus Verlag
(CA.5022300). ISBN
9790007087401. Language:
all
languages. Rheinber
ger's first Symphony was
among the most successful
and frequently performed
new symphonies following
its premiere in 1866.
This symphonic tone
painting in four
movements (Prelude,
Thekla, Wallenstein's
Camp, Wallenstein's
Death), which is based on
Schiller's trilogy of
dramas, was Rheinberger's
only excursion into the
realm of programme music.
The influence of
Beethoven is
unmistakable, the lively
3rd movement
(scherzo/trio) depicts
with much humour the life
of a soldier, and the
sermon portrays of the
zealous capuchin
monk. $309.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Scherzo and Trio G Minor [Conducteur et Parties séparées] Emerson
By Franz Schubert (1797-1828). Arranged by Geoffrey Emerson. For Woodwind Septet...(+)
By Franz Schubert
(1797-1828). Arranged by
Geoffrey Emerson. For
Woodwind Septet (2
flutes, oboe, 3
clarinets, bassoon).
Score and parts. Standard
notation
$38.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony AD 78 Orchestre d'harmonie [Conducteur] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet,...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute,
Oboe 1/2, Bassoon 1/2, Eb
Clarinet, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet, Bb Bass
Clarinet, Eb Alto
Saxophone 1/2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, 1st Bb Cornet,
2nd/3rd Bb Cornet, 1) -
grade 5 SKU:
CN.S11158 Composed by
Gordon Jacob. Band Music.
Score only. Duration
15:30. Published by G & M
Brand Music Publishers
(CN.S11158). A
powerful work. An opening
fanfare leads directly to
an Allegro risoluto,
which exudes
determination and
forthrightness. The
second movement follows
without a break and is a
continuous plaint in
which the melody seems
forever seeking
resolution like a
troubled soul searching
for respite. Only in the
closing bars does peace
seem to take over. The
final movement, marked
Allegro non troppo,
starts with a cheering
fanfare that leads to a
bright and breezy romp,
with a rustic feel about
it. When the fanfare
reappears we are suddenly
immersed in exaltations
of joy that really give a
feeling of optimism as we
proceed to the end of the
piece via a short
Coda.
With this
Symphony, Gordon Jacob
proclaims his absolute
mastery of idiom and
instrumentation with a
triumphant rejoicing.
Written in 1978 as a
commission from Arthur
Doyle (hence the AD in
the title, a typical
piece of Jacob wit), it
lay virtually unplayed
save for the efforts of
his Estate, Troy Peterson
and Geoffrey Brand and
CBDNA (College Band
Directors Association,
USA), who between them
ensured that it was
professionally recorded
in 1994 and published in
1995. There is little
point in indulging in
semantics as to whether
the piece is a Symphony.
It is Jacob's approach to
his tuneful, folk-based
material which is
symphonic: weighty in
exposition and
development, sonorous and
expressive in the slow
movement, with a
scherzo-like last
movement and a giocoso
coda. After a brilliant
opening fanfare, the
quick triple-meter first
theme (Allegro Risoluto)
is introduced on
clarinets, punctuated
with brass. It is soon
followed by a contrasting
melody for saxophone. In
all this material the
interval of a 4th is
prominent, and throughout
the work the 4th and 7th
are important. Perhaps it
is the frequent use of
the 7th which gives a
feeling of restlessness
without resolution which
pervades this movement as
the themes are dissected
and developed. The second
movement follows directly
after a horn bridge.
Still the melody outlines
the 7th and the ear is
not satisfied until the
full band (with organ),
comes to rest in Bb
major. This point of
repose and the magic
pianissimo which follows
shortly after when the
slow theme is re-stated,
are the apex of the
Symphony's construction.
Soon, however, we are
transported, via a
fanfare, into a
helter-skelter 9/8 romp:
rustic, English, and
almost vulgar, this theme
is thrown around the
group before exploding
into a boisterous 2/4
coda. $30.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 3 Ensemble de Clarinettes [Conducteur et Parties séparées] - Intermédiaire BRS Music
(Scherzo). By Ludwig van Beethoven (1770-1827). Arranged by Bricault. For clarin...(+)
(Scherzo). By Ludwig van
Beethoven (1770-1827).
Arranged by Bricault. For
clarinet choir (1 Soprano
clarinet, 5 Bb Clarinets,
2 Bass Clarinets, 1 Bb
Contra Bass Clarinet).
Grade 4. Score and parts.
Duration 5'52 . Published
by BRS Music
$40.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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