Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from
Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano
Solo.
Classical. Softcover. 24
pages. Schott Music
#ED23299.
Published by Schott Music
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo
SKU:
GH.GE-11464
Composed
by Benjamin Staern.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11464. Published by
Gehrmans Musikforlag
(GH.GE-11464).
ISBN
979-0-070-11464-6. A4
inches.
Work note
by the composer:
When I received the news
of this commission, I had
no idea what it would
lead to. Writing for
guitar solo is not the
same as composing for
orchestra where you have
forty voices where you
can easily mask an entire
section. Here you are
very naked to the
bone. The starting
point for this work was
from J.S. Bach's Chaconne
in D-minor that Johannes
had performed in concert,
originally written for
violin but there is a
version transcribed for
guitar and piano made by
Ferruccio Busoni. When I
went to Cortona (in
Tuscany, Italy) completed
the southern mentality of
this work. Arpalineais
actually a merged word in
Italian language.
Arpa means
harp, however in a
musical context it's more
or less resembled with
the word arpeggio,
which means broken
chords. Lineameans
line.
The
work is divided in three
parts. I. Arpeggio:
It starts with an opening
chaconne-like sequence
and is marked with a
certain depth in which
the chords starts to
separate from the organum
note in the bass and it
culminates into a section
called with rhythmical
focus. These sections
alternates, variates
which each other. The
middle section has a
playful and childish
atmosphere where the
guitarist knocks on the
body of the guitar
resembling a Spanish folk
instrument cajon. This is
leading to a section
which tends more to a
very aggressive
fusion-like riff that
loses control and reaches
its climax at the
end.
II. Linea:
The static rhytmical
pulse is now
disintegrated and it
forms more or less sort
of a free,
improvisational state in
a rubatolike tempo. The
character is described as
a very hot day with
temperatures rising above
37! C (or 100! F) where
you can hardly do
anything just sitting
dozed off and pespiring
because of the extreme
heat watching a huge fog
coming up in the evening
that spreads around the
Tuscan atmosphere.
III. Finale: It
starts off with fast
one-note ostinati then
more and more notes pop
up like a gradual rain
storm with thunder
strikes! And eventually
it leads to that is a
large flood through the
streets of an medieval
Southern town. The work
ends with a short circuit
slapped strings along
with extremely fast
tremolos that reaches
higher and louder as
possible!
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
SATB choir, keyboard (piano or organ), guitar, optional violin or C instrument -...(+)
SATB choir, keyboard
(piano or organ), guitar,
optional violin or C
instrument - Beginning
SKU: MN.80-820
Composed by Thomas
Keesecker. Parish Choral
Series. Catholic Year A
Solemnity of the Most
Holy Trinity; Catholic
Year A Holy Thursday;
Catholic Year C Most Holy
Body & Blood of Christ;
Catholic Year C
Maundy/Holy Thursday;
Catholic Year C
Maundy/Holy Thursday;.
All Saints/All Souls, Ash
Wednesday, Lent,
Thanksgiving,
Triduum/Three Days.
Choral score. MorningStar
Music Publishers #80-820.
Published by MorningStar
Music Publishers
(MN.80-820).
This communion
processional has texts
based on Wisdom 16:20 and
Psalm 78, and is set for
SATB choir, Assembly,
piano or organ, optional
violin (or other C
instrument) and guitar.
It has its roots in Panem
de caelo (Bread from
heaven), one of seven
communion antiphons in
the Graduale Romanum that
are suggested for general
use at communion. Guitar
plays from the choir
score.
Schnupperkurs Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-8764 Konzept und Materialien fur ein Instrumentenkaru...(+)
Piano
SKU:
BR.EB-8764
Konzept
und Materialien fur ein
Instrumentenkarussell
. Composed by Elena Marx.
Solo instruments. Edition
Breitkopf. Welcome to the
world of musical
instruments!Schnupperkurs
is the ideal
accompaniment for the
increasingly popular
orientation courses for
musically interested
children, since it's a
fun way to explore the
most important
instruments (piano,
violin, recor. Music
pedagogy. Score. 110
pages. Breitkopf and
Haertel #EB 8764.
Published by Breitkopf
and Haertel (BR.EB-8764).
ISBN 9790004181881.
10.5 x 12.5
inches.
Schnupperku
rs means a course in
sampling - and this
expertly designed
material is ideal for all
children who've just
finished their initial
musical training and are
eager to learn more about
music and music-making.
The various sampling
phases are interwoven
into the overall
framework of the course.
At the end, the
instructor can hold an
event for all
participants based on the
didactic concept
underlying the course.
The comprehensive
teacher's handbook
contains organizational
tips and a wealth of
ideas arranged according
to topic. The
delightfully illustrated
work sheets for the
student can be used
whenever needed so that
the course can be adapted
to each student's needs
and to varying focal
points. Schnupperkurs is
now frequently used in
teaching and has found a
positive evaluation in
the trade
press.
Welcome to
the world of musical
instruments!Schnupperkurs
is the ideal
accompaniment for the
increasingly popular
orientation courses for
musically interested
children, since it's a
fun way to explore the
most important
instruments (piano,
violin, recorder, guitar)
and to acquire their
basic techniques..
By Walter L. Pelz. For Unison/2-part choir, C Instrument, congregation, organ. H...(+)
By Walter L. Pelz. For
Unison/2-part choir, C
Instrument, congregation,
organ. Hymns of Faith.
Christmas, Sacred. Sacred
Anthem. Published by
Chorister's Guild.
Composed by Carrie Kraft and Donald Christianson. Collection. Sacred, Choral. C...(+)
Composed by Carrie Kraft
and Donald Christianson.
Collection. Sacred,
Choral. Congregation part
(Catholic). Neil A. Kjos
Music Company #VM1CC.
Published by Neil A. Kjos
Music Company (KJ.VM1CC).
0.51
Trio in G Minor [Conducteur et Parties séparées] Theodore Presser Co.
For Lute (Guitar), Violin, and Basso Continuo. By Antonio Vivaldi. Edited by Pet...(+)
For Lute (Guitar),
Violin, and Basso
Continuo. By Antonio
Vivaldi. Edited by Peter
Segal. Arranged by Jan
Krzywicki. For Keyboard,
Violin, Guitar, Lute.
Score and parts. RV 85.
12 pages. Duration 8:00.
Published by Theodore
Presser Company.
O Holy Night Chorale SATB SATB - Facile GIA Publications
By Adolphe-Charles Adam. Arranged by James Biery. For Voices: SATB or SAB; opt. ...(+)
By Adolphe-Charles Adam.
Arranged by James Biery.
For Voices: SATB or SAB;
opt. Soprano or tenor
soloist. Instruments:
Flute, oboe, string
quartet (2 violins,
viola, cello, bass), harp
or piano, guitar, organ
(instruments optional).
Christmas Sacred. Level:
easy. 14 pages. Published
by GIA Publications.
Accordion solo SKU: BR.EB-8764G Konzept und Materialien fur ein Instru...(+)
Accordion solo
SKU:
BR.EB-8764G
Konzept und
Materialien fur ein
Instrumentenkarussell
. Composed by Elena Marx.
Solo instruments. Edition
Breitkopf.
Welcome to
the world of musical
instruments!
Schnup
perkurs is the ideal
accompaniment for the
increasingly popular
orientation courses for
musically interested
children, since it's a
fun way to explore the
most important
instruments (piano, v.
Music pedagogy. Score. 14
pages. Breitkopf and
Haertel #EB 8764g.
Published by Breitkopf
and Haertel
(BR.EB-8764G).
ISBN
9790004183144. 8.5 x 11.5
inches.
Schnupperku
rs means a course in
sampling - and this
expertly designed
material is ideal for all
children who've just
finished their initial
musical training and are
eager to learn more about
music and music-making.
The various sampling
phases are interwoven
into the overall
framework of the course.
At the end, the
instructor can hold an
event for all
participants based on the
didactic concept
underlying the course.
The comprehensive
teacher's handbook
contains organizational
tips and a wealth of
ideas arranged according
to topic. The
delightfully illustrated
work sheets for the
student can be used
whenever needed so that
the course can be adapted
to each student's needs
and to varying focal
points. Schnupperkurs is
now frequently used in
teaching and has found a
positive evaluation in
the trade
press.
Welcome to
the world of musical
instruments!Schnupperkurs
is the ideal
accompaniment for the
increasingly popular
orientation courses for
musically interested
children, since it's a
fun way to explore the
most important
instruments (piano,
violin, recorder, guitar)
and to acquire their
basic techniques..
By Margaret Rizza. Text by: Margaret Rizza. For SATB or Unison Chorus, Assembly,...(+)
By Margaret Rizza. Text
by: Margaret Rizza. For
SATB or Unison Chorus,
Assembly, Organ
accompaniment, and C
instrument(s); Bb
instrument(s); bass clef
instrument(s). Bible
Reference: Psalm 131.
Choral. Sacred. Level:
Easy. Text language:
English. 8 pages.
Published by GIA
Publications.
Choir SKU: KJ.VM1X Composed by Carrie Kraft and Donald Christianson. Coll...(+)
Choir
SKU: KJ.VM1X
Composed by Carrie Kraft
and Donald Christianson.
Collection. Sacred,
Choral. Instrumental
accompaniment part. Neil
A. Kjos Music Company
#VM1X. Published by Neil
A. Kjos Music Company
(KJ.VM1X).
ISBN
9780849741968.
Rich
melodic lines, appealing
harmonic structure, and
historic text identify
this heartfelt worship
service. With two
accompaniment options,
Trinity appeals to
worshippers in either
traditional or
contemporary styles.
Accompaniments are
available for either
organ or piano. The
flute/violin parts and
SATB choir parts pair
with both accompaniments:
guitar/bass and congas
fit with the piano
accompaniment.
Instrumental Edition.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.