| Stepping Stones Alto seul Boosey and Hawkes
Viola Part Only. By Colledge, K. & H. (Viola). Boosey and Hawkes Chamber Music....(+)
Viola Part Only. By
Colledge, K. & H.
(Viola). Boosey and
Hawkes Chamber Music. 7
pages. Published by
Boosey & Hawkes.
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Beautiful Scream Quatuor à cordes: 2 violons, alto, violoncelle Subito Music
String Quartet & Orchestra SKU: SU.81001226 For String Quartet & Orche...(+)
String Quartet &
Orchestra SKU:
SU.81001226 For
String Quartet &
Orchestra. Composed
by Julia Wolfe. Chamber
Music, String
Trio/Quartet/Quintet,
Orchestra. Study Score.
Subito Music Corporation
#81001226. Published by
Subito Music Corporation
(SU.81001226).
St qrt; 2,1 2,1
2,1 2,1; 4331; 4perc, hp,
ebass, pno; stgs
Duration: 25' Composed:
2003 Published by: Red
Poppy Ltd. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| House of Untold Horrors Orchestre à Cordes [Conducteur] - Débutant FJH
By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning St...(+)
By Lauren Bernofsky
(1967-). For narrator and
string orchestra. FJH
Beginning Strings. Score
only. Full set (score and
parts) also available:
ST6192. Halloween. Grade
1. Score. Composed 2009
$5.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| House of Untold Horrors Orchestre à Cordes [Conducteur et Parties séparées] - Débutant FJH
By Lauren Bernofsky (1967-). For narration and string orchestra. FJH Beginning S...(+)
By Lauren Bernofsky
(1967-). For narration
and string orchestra. FJH
Beginning Strings. Full
set (score and parts).
Score only also
available: ST6192S.
Halloween. Grade 1. Score
and set of parts.
Composed 2009
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Streich Quartett Nr. 3 Quatuor à cordes: 2 violons, alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
String Quartet SKU: BT.PWM8983012 Still Life With A Scream. Compos...(+)
String Quartet SKU:
BT.PWM8983012
Still Life With A
Scream. Composed by
Zbigniew Bargielski.
Classical. Set of Parts.
Polskie Wydawnictwo
Muzyczne #PWM8983012.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM8983012).
$44.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| High Flight [Conducteur] Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Portrait - Part.(Original Ver) [Conducteur] Wilhelm Hansen
Alto Flute, Clarinet, Violin, Viola, Cello, Piano Chamber SKU: HL.14025897(+)
Alto Flute, Clarinet,
Violin, Viola, Cello,
Piano Chamber SKU:
HL.14025897 Composed
by Anders Koppel. Music
Sales America. Score
Only. Edition Wilhelm
Hansen #KP00768.
Published by Edition
Wilhelm Hansen
(HL.14025897).
Danish. Programm
e note : Portrait was
written in the spring
1998, at a time when I
was a regular visitor in
a rest home in an old
back building in the town
centre of Copenhagen.
There I came to know an
old lady whose daily life
was darkened by despair.
She would stand in the
corridor in the grey
winter light and silently
knock at the window
frames. Or one could hear
her knock at a door at
the distance - almost
furiously. 'It is
screaming inside me', she
said. She then could
change into a little girl
when I went with her into
her room and stayed a
little. This piece is an
attempt to sketch a
portrait of Caya. (Anders
Koppel) Program
me
note: Portrai
t was
written in the spring
1998, at a time when I
was a regular visitor in
a rest home in an old
back building in the town
centre of Copenhagen.
There I came to know an
old lady whose daily life
was darkened by despair.
She would stand in the
corridor in the grey
winter light and silently
knock at the window
frames. Or one could hear
her knock at a door at
the distance - almost
furiously. ’It is
screaming inside
me’, she said. She
then could change into a
little girl when I went
with her into her room
and stayed a little. This
piece is an attempt to
sketch a portrait ofCaya.
(Anders
Koppel) $51.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Modernism Forever Volume Two [Double CD] Subito Music
SKU: SU.91409193 Composed by Christopher Fulkerson. CD (Audio). Subito Mu...(+)
SKU: SU.91409193
Composed by Christopher
Fulkerson. CD (Audio).
Subito Music Corporation
#91409193. Published by
Subito Music Corporation
(SU.91409193).
Modernism
Forever Volume 2 -
Fulkerson, Boulez, Berio,
Seeger, Basart, Kalmar,
Humel Disc 1 Christopher
Fulkerson 1. At the
Mountains of Madness for
large orchestra - 13:42
2. A Screaming Comes
Across the Sky for two
antiphonal quartets -
1:49 3. The Scream That
Peaks Past Fear (Live)
for eight antiphonal
voices - 7:15 Pierre
Boulez Le Marteu Sans
Maitre for alto voice &
six instrumentalists
Marcia Gronewold, mezzo &
Ken Cramer, alto fulte 4.
Avant L'artisanat Furieux
(Live) 2:10 5.
Commentaire I de
Bourreaux de Solitude
(Live) - 4:42 6.
L'artisanat Furieux
(Live) - 3:26 7.
Commentaire II de
Bourreaux de Solitude
(Live) - 4:32 8. Bel
Edifice et les
Presentiments (Live) -
4:31 9. Bourreaux de
Solitude (Live)- 3:57 10.
Apres L'artisanat Furieux
(Live) - 1:33 11.
Commentaire III de
Bourreaux de Solitude
(Live) - 5:20 12. Bel
Edifice et les
Presentiments: Double
(Live) - 9:40 Luciano
Berio Cries of London for
eight voices 13. These
Are the Cries (Live) -
1:13 14. Where Are Ye
Fair Maids (Live) - 1:34
15. Good Garlic (Live) -
2:41 16. Some Go Up
(Live) - 1:12 17. These
Are the Cries, Variant
(Live) - 1:24 18. Money
Money Money (Live) - 3:46
19. Cry of Cries (Live) -
4:08 Disc 2 Christopher
Fulkerson 1. Moys Icos
for orchestra - 9:10 2.
Remember the Stars (Live)
Cantata #3 for STAB soli,
trebles, & quartet - 8:17
3. Night Litany (Live)
Recital Aria #1 Marcia
Gronewold, soloist for
mezzo soprano & trio -
5:18 4. Celestial Sixties
II (Fragment) - 1:43 5.
Capriccio (Live) for
viola & piano - 5:18 6.
One Winter Sparrow (Live)
Elizabeth Appling & the
SF Girls Chorus - 1:39
Ruth Crawford Seeger 7.
Chant (Live) for treble
solo & chorus Alyssa
Kingsbury, soprano - 2:34
Robert Basart 8.
Stillness and the Night
Become (Live) for eight
voices. A Christopher
Fulkerson Commission -
9:19 Laszlo Kalmar 9.
Hora Eius In Eight
Movements for three
female voices - 15:51
Gerald Humel 10. Et in
Terra Pax (Live) for
eight voices, a
Christopher Fulkerson
Commission - 21:21. $24.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Portrait - Original Version [Conducteur] Wilhelm Hansen
Alto Flute, Clarinet, Violin, Viola, Cello, Piano Chamber SKU: BT.WHKP00768(+)
Alto Flute, Clarinet,
Violin, Viola, Cello,
Piano Chamber SKU:
BT.WHKP00768 Composed
by Anders Koppel. Score
Only. 60 pages. Edition
Wilhelm Hansen
#WHKP00768. Published by
Edition Wilhelm Hansen
(BT.WHKP00768).
Danish. Programm
e note : Portrait was
written in the spring
1998, at a time when I
was a regular visitor in
a rest home in an old
back building in the town
centre of Copenhagen.
There I came to know an
old lady whose daily life
was darkened by despair.
She would stand in the
corridor in the grey
winter light and silently
knock at the window
frames. Or one could hear
her knock at a door at
the distance - almost
furiously. 'It is
screaming inside me', she
said. She then could
change into a little girl
when I went with her into
her room and stayed a
little. This piece is an
attempt to sketch a
portrait of Caya. (Anders
Koppel). $78.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Miserere For 3 Sopranos And "baroque" Instruments: 3sop, 2lv Vla Clo Bass/lute & Organ Schott
3 sopranos, 2 violins, viola, cello, bass-lute and organ (Voice And Ensemble) - ...(+)
3 sopranos, 2 violins,
viola, cello, bass-lute
and organ (Voice And
Ensemble) - difficult
SKU: HL.49044453
For 3 sopranos and
baroque instruments.
Composed by Thierry
Pecou. This edition:
Saddle stitching. Sheet
music. Vocal Ensemble.
Softcover. Composed 2013.
132 pages. Duration 15'.
Schott Music #ED21798.
Published by Schott Music
(HL.49044453). ISBN
9790001197007. UPC:
888680077587.
9.25x12.0x0.4 inches.
Latin. For me, as
someone who considers
myself far removed from
Christian spirituality
and closer to the concept
of Immanence than to any
form of Transcendence, it
was obvious to me that I
would not compose a
Miserere comparable to
Alesandro Scarlatti's
Lamentazioni. It was also
my wish to theatricalise
the subject matter,
following pagan rituals
which appear to have been
retained in the monastic
Tenebrae services up to
Renaissance times. In the
series of sequences in
which silence plays a
prominent role, a path
leads to strange rites in
which the listeners are
invited to stamp their
feet on the ground,
creating waves of
thundering sound, or
accompany the chanting of
texts. Three sopranos
take on an instrumental
role, deploying a broad
range of vocal sounds
from aspirations to
screams. Thierry
Pecou. $73.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cello Concerto [Conducteur] Leshnoff Publishing
Orchestra Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Doubl...(+)
Orchestra Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2, Double
Bass, Flute 1, Flute 2,
Horn 1, Horn 2, Oboe 1,
Oboe 2, Timpani, Trumpet
in C 1, Trumpet in C 2,
Viola, Violin 1, Violin 2
SKU: PR.496000900
Composed by Jonathan
Leshnoff. Sws. Full
score. Duration 20
minutes. Leshnoff
Publishing #496-00090.
Published by Leshnoff
Publishing
(PR.496000900). ISBN
9781491130742. UPC:
680160627615. The
cello is a fantastic
instrument to work with,
said Leshnoff. Some
instruments are more
limited, but the cello
has so much freedom. It
can scream, it can cry,
it can sing, it can dance
and it can whisper. The
Chamber Orchestra of
Philadelphia commissions
a new work for each
Spring, and in 2013 they
chose to commission
Jonathan Leshnoff. In
turn, Leshnoff was able
to work with the exciting
international talent Nina
Kotova for the premiere
performance under the
direction of Dirk Brosse
at Philadelphia's Kimmel
Center for the Performing
Arts. $25.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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