Viola & Piano

SKU: SU.50009720

For Viola & Piano. Composed by Elaine Fine. Strings, Viola. Score & Parts. Seesaw Music Corp #50009720. Published by Seesaw Music Corp (SU.50009720).

Published by: Seesaw Music.

By Robert Schumann. For Viola and Piano. Strings. Published by Stainer and Bell Ltd. (U.K. Import).

Viola & Piano

SKU: SU.50023620

For Viola & Piano. Composed by Joseph Pehrson. Strings, Viola. Score & Parts. Seesaw Music Corp #50023620. Published by Seesaw Music Corp (SU.50023620).

Published by: Seesaw Music.

By Frederick Delius. For Violin, Viola and Piano. Strings. Published by Stainer & Bell Ltd. (U.K. Import).

Strings

SKU: HL.8770475

Softcover. Alliance Publications #AP499. Published by Alliance Publications (HL.8770475).

UPC: 649325004999. 8.5x11.0x0.038 inches.

For Viola and Piano. Composed by Katherine Hart and Marguerite Wilkinson. Strings, Repertoire, Collections. Softcover Book. 44 pages. Faber Music #F0571512941. Published by Faber Music

Composed by Victor Agudelo. Strings - Viola. Score and Parts. Duration 5'30. Periferia Music #VAP3502PM. Published by Periferia Music

Viola and piano - Grade 4

SKU: ND.STRG29

Composed by M. Deom. Strings. Published by Edition Andel (ND.STRG29).

Viola, piano - Moderately difficult - difficult

SKU: HF.FH-3422

Composed by Benny Gilin. Edited by Rohde. Arranged by Rohde. Delights for Strings. Sheet music. Friedrich Hofmeister Musikverlag #FH 3422. Published by Friedrich Hofmeister Musikverlag (HF.FH-3422).

8.3 x 11.7 inches.

(Viola and Piano Reduction). By Antonio Vivaldi (1678-1741). Arranged by Barsony Nagy. This edition: Z12616. EMB. 12 pages

By Many. Arranged by Darwin Wolford. For Instrumental Solo with Piano Accompaniment. Published by Jackman Music Corporation.
Level: Medium.

Viola and piano - Grade 4

SKU: ND.STRG30

Composed by E. Feldbusch. Strings. Published by Edition Andel (ND.STRG30).

Viola and piano - Grade 2

SKU: ND.STRG26

Composed by J. Absil. Strings. Published by Edition Andel (ND.STRG26).

Strings, Repertoire, Collections. AMEB Viola. Viola Series 1 - Sixth Grade. Softcover Book. 117 pages. Australian Music Examinations Board (AMEB) #1202072239. Published by Australian Music Examinations Board (AMEB) (HU.1202072239). ISBN 9790720110165. 12.2 x 9.1 x 0.3 inches. Collection of graded repertoire for AMEB Viola exams. Carefully selected by top Australian Viola performers and pedagogues, the grade books feature a diversity of musical styles and often include works by celebrated Australian composers. Repertoire is carefully coordinated to align with the technical requirements at each grade level. Includes piano accompaniment.

By Various. Arranged by Brent Jorgensen. For Viola and Piano. Level: Medium Easy. Published by Jackman Music Corporation.

Viola and piano - Grade 4

SKU: ND.STRG28

Composed by R. Coryn. Strings. Published by Edition Andel (ND.STRG28).

Viola & Organ

SKU: SU.30180010

For viola & Organ. Composed by Carson Cooman. Strings, Viola, Keyboard, Organ. Score & Parts. Subito Music Corporation #30180010. Published by Subito Music Corporation (SU.30180010).

Score and seperate organ part included Duration: 5' Composed: 2002 Published by: Parsonage Press.

Strings

SKU: HL.8773090

Softcover. 8 pages. Alliance Publications #AP4000. Published by Alliance Publications (HL.8773090).

UPC: 649325040003. 8.5x11.0x0.048 inches.

Viola and Organ

SKU: SU.30145000

For Viola and Organ. Composed by Carson Cooman. Strings, Viola, Keyboard, Organ. Full Score. Subito Music Corporation #30145000. Published by Subito Music Corporation (SU.30145000).

Based on the writings of Julian of Norwich Duration: 40' Composed: 2002 9x12 book, 40 pages Published by: Parsonage Press.

Viola & Organ

SKU: SU.46000190

For Viola & Organ. Composed by Mark Winges. Strings, Viola. Score & Parts. Subito Music Corporation #46000190. Published by Subito Music Corporation (SU.46000190).

Viola & Organ Duration: 9' Composed: 2011 Published by: MuPro Music.

By Christoph Graupner (1683-1760). For viola (viola d'amore) strings and basso continuo. Corona - Werkreihe fur Kammerorchester. Score. 32 pages

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.